Kenelm Chillingly Part 36

Cecilia laughed and blushed. The laugh was musical; the blush was--what?

Let any man, seated beside a girl like Cecilia at starry twilight, find the right epithet for that blush. I pa.s.s it by epithetless. But she answered, firmly though sweetly,--

"Are there not things very practical, and affecting the happiness, not of one or two individuals, but of innumerable thousands, in which a man like Mr. Chillingly cannot fail to feel interest, long before he is my father's age?"

"Forgive me: you do not answer; you question. I imitate you, and ask what are those things as applicable to a man like Mr. Chillingly?"

Cecilia gathered herself up, as with the desire to express a great deal in short substance, and then said,--

"In the expression of thought, literature; in the conduct of action, politics."

Kenelm Chillingly stared, dumfounded. I suppose the greatest enthusiast for woman's rights could not a.s.sert more reverentially than he did the cleverness of women; but among the things which the cleverness of woman did not achieve, he had always placed "laconics." "No woman," he was wont to say, "ever invented an axiom or a proverb."

"Miss Travers," he said at last, "before we proceed further, vouchsafe to tell me if that very terse reply of yours is spontaneous and original; or whether you have not borrowed it from some book which I have not chanced to read?"

Cecilia pondered honestly, and then said, "I don't think it is from any book; but I owe so many of my thoughts to Mrs. Campion, and she lived so much among clever men, that--"

"I see it all, and accept your definition, no matter whence it came.

You think I might become an author or a politician. Did you ever read an essay by a living author called 'Motive Power'?"

"No."

"That essay is designed to intimate that without motive power a man, whatever his talents or his culture, does nothing practical. The mainsprings of motive power are Want and Ambition. They are absent from my mechanism. By the accident of birth I do not require bread and cheese; by the accident of temperament and of philosophical culture I care nothing about praise or blame. But without want of bread and cheese, and with a most stolid indifference to praise and blame, do you honestly think that a man will do anything practical in literature or politics? Ask Mrs. Campion."

"I will not ask her. Is the sense of duty nothing?"

"Alas! we interpret duty so variously. Of mere duty, as we commonly understand the word, I do not think I shall fail more than other men.

But for the fair development of all the good that is in us, do you believe that we should adopt some line of conduct against which our whole heart rebels? Can you say to the clerk, 'Be a poet'? Can you say to the poet, 'Be a clerk'? It is no more to the happiness of a man's being to order him to take to one career when his whole heart is set on another, than it is to order him to marry one woman when it is to another woman that his heart will turn."

Cecilia here winced and looked away. Kenelm had more tact than most men of his age,--that is, a keener perception of subjects to avoid; but then Kenelm had a wretched habit of forgetting the person he talked to and talking to himself. Utterly oblivious of George Belvoir, he was talking to himself now. Not then observing the effect his _mal-a-propos_ dogma had produced on his listener, he went on, "Happiness is a word very lightly used. It may mean little; it may mean much. By the word happiness I would signify, not the momentary joy of a child who gets a plaything, but the lasting harmony between our inclinations and our objects; and without that harmony we are a discord to ourselves, we are incompletions, we are failures. Yet there are plenty of advisers who say to us, 'It is a duty to be a discord.' I deny it."

Here Cecilia rose and said in a low voice, "It is getting late. We must go homeward."

They descended the green eminence slowly, and at first in silence.

The bats, emerging from the ivied ruins they left behind, flitted and skimmed before them, chasing the insects of the night. A moth, escaping from its pursuer, alighted on Cecilia's breast, as if for refuge.

"The bats are practical," said Kenelm; "they are hungry, and their motive power to-night is strong. Their interest is in the insects they chase. They have no interest in the stars; but the stars lure the moth."

Cecilia drew her slight scarf over the moth, so that it might not fly off and become a prey to the bats. "Yet," said she, "the moth is practical too."

"Ay, just now, since it has found an asylum from the danger that threatened it in its course towards the stars."

Cecilia felt the beating of her heart, upon which lay the moth concealed. Did she think that a deeper and more tender meaning than they outwardly expressed was couched in these words? If so, she erred. They now neared the garden gate, and Kenelm paused as he opened it. "See,"

he said, "the moon has just risen over those dark firs, making the still night stiller. Is it not strange that we mortals, placed amid perpetual agitation and tumult and strife, as if our natural element, conceive a sense of holiness in the images antagonistic to our real life; I mean in images of repose? I feel at the moment as if I suddenly were made better, now that heaven and earth have suddenly become yet more tranquil. I am now conscious of a purer and sweeter moral than either I or you drew from the insect you have sheltered. I must come to the poets to express it,--

"'The desire of the moth for the star, Of the night for the morrow; The devotion to something afar From the sphere of our sorrow.'

"Oh, that something afar! that something afar! never to be reached on this earth,--never, never!"

There was such a wail in that cry from the man's heart that Cecilia could not resist the impulse of a divine compa.s.sion. She laid her hand on his, and looked on the dark wildness of his upward face with eyes that Heaven meant to be wells of comfort to grieving man. At the light touch of that hand Kenelm started, looked down, and met those soothing eyes.

"I am happy to tell you that I have saved my Durham," cried out Mr.

Travers from the other side of the gate.

CHAPTER XX.

AS Kenelm that night retired to his own room, he paused on the landing-place opposite to the portrait which Mr. Travers had consigned to that desolate exile. This daughter of a race dishonoured in its extinction might well have been the glory of the house she had entered as a bride. The countenance was singularly beautiful, and of a character of beauty eminently patrician; there was in its expression a gentleness and modesty not often found in the female portraits of Sir Peter Lely, and in the eyes and in the smile a wonderful aspect of innocent happiness.

"What a speaking homily," soliloquized Kenelm, addressing the picture, "against the ambition thy fair descendant would awake in me, art thou, O lovely image! For generations thy beauty lived in this canvas, a thing of joy, the pride of the race it adorned. Owner after owner said to admiring guests, 'Yes, a fine portrait, by Lely; she was my ancestress,--a Fletwode of Fletwode.' Now, lest guests should remember that a Fletwode married a Travers thou art thrust out of sight; not even Lely's art can make thee of value, can redeem thine innocent self from disgrace. And the last of the Fletwodes, doubtless the most ambitious of all, the most bent on restoring and regilding the old lordly name, dies a felon; the infamy of one living man is so large that it can blot out the honour of the dead." He turned his eyes from the smile of the portrait, entered his own room, and, seating himself by the writing-table, drew blotting-book and note-paper towards him, took up the pen, and instead of writing fell into deep revery. There was a slight frown on his brow, on which frowns were rare. He was very angry with himself.

"Kenelm," he said, entering into his customary dialogue with that self, "it becomes you, forsooth, to moralize about the honour of races which have no affinity with you. Son of Sir Peter Chillingly, look at home.

Are you quite sure that you have not said or done or looked a something that may bring trouble to the hearth on which you are received as guest?

What right had you to be moaning forth your egotisms, not remembering that your words fell on compa.s.sionate ears, and that such words, heard at moonlight by a girl whose heart they move to pity, may have dangers for her peace? Shame on you, Kenelm! shame! knowing too what her father's wish is; and knowing too that you have not the excuse of desiring to win that fair creature for yourself. What do you mean, Kenelm? I don't hear you; speak out. Oh, 'that I am a vain c.o.xcomb to fancy that she could take a fancy to me:' well, perhaps I am; I hope so earnestly; and at all events, there has been and shall be no time for much mischief. We are off to-morrow, Kenelm; bestir yourself and pack up, write your letters, and then 'put out the light,--put out _the_ light!'"

But this converser with himself did not immediately set to work, as agreed upon by that twofold one. He rose and walked restlessly to and fro the floor, stopping ever and anon to look at the pictures on the walls.

Several of the worst painted of the family portraits had been consigned to the room tenanted by Kenelm, which, though both the oldest and largest bed-chamber in the house, was always appropriated to a bachelor male guest, partly because it was without dressing-room, remote, and only approached by the small back-staircase, to the landing-place of which Arabella had been banished in disgrace; and partly because it had the reputation of being haunted, and ladies are more alarmed by that superst.i.tion than men are supposed to be. The portraits on which Kenelm now paused to gaze were of various dates, from the reign of Elizabeth to that of George III., none of them by eminent artists, and none of them the effigies of ancestors who had left names in history,--in short, such portraits as are often seen in the country houses of well-born squires.

One family type of features or expression pervaded most of these portraits; features clear-cut and hardy, expression open and honest.

And though not one of those dead men had been famous, each of them had contributed his unostentatious share, in his own simple way, to the movements of his time. That worthy in ruff and corselet had manned his own ship at his own cost against the Armada; never had been repaid by the thrifty Burleigh the expenses which had hara.s.sed him and diminished his patrimony; never had been even knighted. That gentleman with short straight hair, which overhung his forehead, leaning on his sword with one hand, and a book open in the other hand, had served as representative of his county town in the Long Parliament, fought under Cromwell at Marston Moor, and, resisting the Protector when he removed the "bauble," was one of the patriots incarcerated in "h.e.l.l hole." He, too, had diminished his patrimony, maintaining two troopers and two horses at his own charge, and "h.e.l.l hole" was all he got in return.

A third, with a sleeker expression of countenance, and a large wig, flourishing in the quiet times of Charles II., had only been a justice of the peace, but his alert look showed that he had been a very active one. He had neither increased nor diminished his ancestral fortune. A fourth, in the costume of William III.'s reign, had somewhat added to the patrimony by becoming a lawyer. He must have been a successful one.

He is inscribed "Sergeant-at-law." A fifth, a lieutenant in the army, was killed at Blenheim; his portrait was that of a very young and handsome man, taken the year before his death. His wife's portrait is placed in the drawing-room because it was painted by Kneller. She was handsome too, and married again a n.o.bleman, whose portrait, of course, was not in the family collection. Here there was a gap in chronological arrangement, the lieutenant's heir being an infant; but in the time of George II. another Travers appeared as the governor of a West India colony. His son took part in a very different movement of the age. He is represented old, venerable, with white hair, and underneath his effigy is inscribed, "Follower of Wesley." His successor completes the collection. He is in naval uniform; he is in full length, and one of his legs is a wooden one. He is Captain, R.N., and inscribed, "Fought under Nelson at Trafalgar." That portrait would have found more dignified place in the reception-rooms if the face had not been forbiddingly ugly, and the picture itself a villanous daub.

"I see," said Kenelm, stopping short, "why Cecilia Travers has been reared to talk of duty as a practical interest in life. These men of a former time seem to have lived to discharge a duty, and not to follow the progress of the age in the chase of a money-bag,--except perhaps one, but then to be sure he was a lawyer. Kenelm, rouse up and listen to me; whatever we are, whether active or indolent, is not my favourite maxim a just and a true one; namely, 'A good man does good by living'?

But, for that, he must be a harmony and not a discord. Kenelm, you lazy dog, we must pack up."

Kenelm then refilled his portmanteau, and labelled and directed it to Exmundham, after which he wrote these three notes:--

NOTE I.

TO THE MARCHIONESS OF GLENALVON.

MY DEAR FRIEND AND MONITRESS,--I have left your last letter a month unanswered. I could not reply to your congratulations on the event of my attaining the age of twenty-one. That event is a conventional sham, and you know how I abhor shams and conventions. The truth is that I am either much younger than twenty-one or much older. As to all designs on my peace in standing for our county at the next election, I wished to defeat them, and I have done so; and now I have commenced a course of travel. I had intended on starting to confine it to my native country.

Intentions are mutable. I am going abroad. You shall hear of my whereabout. I write this from the house of Leopold Travers, who, I understand from his fair daughter, is a connection of yours; a man to be highly esteemed and cordially liked.

No, in spite of all your flattering predictions, I shall never be anything in this life more distinguished than what I am now. Lady Glenalvon allows me to sign myself her grateful friend,

K. C.

NOTE II.

DEAR COUSIN MIVERS,--I am going abroad. I may want money; for, in order to rouse motive power within me, I mean to want money if I can. When I was a boy of sixteen you offered me money to write attacks upon veteran authors for "The Londoner." Will you give me money now for a similar display of that grand New Idea of our generation; namely, that the less a man knows of a subject the better he understands it? I am about to travel into countries which I have never seen, and among races I have never known. My arbitrary judgments on both will be invaluable to "The Londoner" from a Special Correspondent who shares your respect for the anonymous, and whose name is never to be divulged. Direct your answer by return to me, _poste restante_, Calais.

Yours truly,