Kay Scarpet - The Last Precinct Part 2

I draw out the words slowly. "I am not a victim." My voice wavers around its edges like fire. "There's a difference between being victimized and being a victim. I'm not a sideshow for character disorders." My tone sears. "I haven't become what he wanted to turn me into"of course, I mean Chandonne"even if he'd had his way, I wouldn't be what he tried to project onto me. I would just be dead. Not changed. Not something less than I am. Just dead."

I feel Marino recoil in his dark, loud s.p.a.ce on the other side of his huge, manly truck. He doesn't understand what I mean or feel and probably never will. He reacts as if I slapped him across the face or kneed him in the groin.

"I'm talking reality." He strikes back. "One of us has to."

"Reality is, I'm alive."

"Yeah. A f.u.c.kin' G.o.dd.a.m.n miracle."

"I should have known you would do this." I get quiet and cold. "So predictable. People blame the prey not the predator, criticize the injured not the a.s.shole who did it." I tremble in the dark. "G.o.dd.a.m.n you. G.o.dd.a.m.n you, Marino."

"I still can't believe you opened your door!" he shouts. What happened to me makes him feel powerless.

"And where were you guys?" I again remind him of an unpleasant fact. "It might have been nice if at least one or two of you could have kept an eye on my property. Since you were so concerned that he might come after me."

"I talked to you on the phone, remember?" He attacks from another angle. "You said you was fine. I told you to sit tight, that we'd found where the son of a b.i.t.c.h was hiding, that we knew he was out somewhere, probably looking for another woman to beat and bite the s.h.i.t out of. And what do you do, Doc-tor Law Enforcement? You open your f.u.c.king door when someone knocks! At f.u.c.king midnight!"

I thought the person was the police. He said he was the police.

"Why?" Marino is yelling now, pounding the steering wheel like an out-of-control child. "Huh? Why? G.o.dd.a.m.n it, tell me!"

We knew for days who the killer is, that he is the spiritual and physical freak Chandonne. We knew he is French and where his organized crime family lives in Paris. The person outside my door did not have even a hint of a French accent.

Police.

I didn 't call the police, I said through the shut door.

Ma 'am, we 've gotten a call about a suspicious person on your property. Are you all right!

He had no accent. I never expected him to speak without an accent. It never occurred to me, not once. Were I to relive last night, it still would not occur to me. The police had just been at my house when the alarm went off. It didn't seem the least bit suspicious that they would be back. I incorrectly a.s.sumed they were keeping a close eye on my property. It was so quick. I opened the door and the porch light was off and I smelled that dirty, wet animal smell in the deep, frigid night.

"Yo! Anybody home?" Marino yells, poking my shoulder hard.

"Don't touch me!" I come to with a start, and gasp and jerk away from him and the truck swerves. The ensuing silence turns the air heavy like water a hundred feet deep, and awful images swim back into my blackest thoughts. A forgotten ash is so long I can't steer it to the ashtray in time. I brush it off my lap. "You can turn at Stonypoint Shopping Center, if you want," I say to Marino. "It's quicker."["_Toc37098904"]

CHAPTER 2.

DR. ANNA ZENNER'S IMPOSING GREEK REVIVAL house soars up-lit into the night on the southern bank of the James River. Her mansion, as the neighbors call it, has large Corinthian columns and is a local example of Thomas Jefferson and George Washington's belief that the new nation's architecture should express the grandeur and dignity of the ancient world. Anna is from the ancient world, a German of the first order. I believe she is from Germany. Now that I think about it, I do not recall her ever telling me where she was born.

White holiday lights wink from trees, and candles in Anna's many windows glow warmly, reminding me of Christmases in Miami during the late fifties, when I was a child. On the rare occasion when my father's leukemia was in remission, he loved to drive us through Coral Gables to gawk at houses he called villas, as if somehow his ability to show us such places made him part of that world. I remember fantasizing about the privileged people who lived inside those homes with their graceful walls and Bentleys and their feasts of steak or shrimp seven days a week. No one who lived like that could possibly be poor or sick or regarded as trash by people who did not like Italians or Catholics or immigrants called Scarpetta.

It is an unusual name of a lineage I really don't know much about. The Scarpettas have lived in this country for two generations, or so my mother claims, but I don't know who these other Scarpettas are. I have never met them. I have been told we are traced back to Verona, that my ancestors were farmers and railway workers. I do know for a fact that I have only one sibling, a younger sister named Dorothy. She was briefly married to a Brazilian twice her age who supposedly fathered Lucy. I say supposedly, because when it comes to Dorothy, only DNA would convince me of who she happened to be in bed with on the occasion my niece was conceived. My sister's fourth marriage was to a Farinelli, and after that Lucy stopped changing her name. Except for my mother, I am the only Scarpetta left, as far as I know.

Marino brakes at formidable black iron gates and his big arm stretches out to stab an intercom b.u.t.ton. An electronic buzz and a loud click, and the gates slowly open like a raven's wings. I don't know why Anna left her homeland for Virginia and never married. I have never asked her why she set up a psychiatric practice in this modest southern city when she could have gone anywhere. I don't know why I am suddenly wondering about her life. Thoughts are odd misfires. I carefully get out of Marino's truck and step down on granite pavers. It is as if I am having software problems. All sorts of files are being opened and closed unprovoked, and system messages are flashing. I am not sure of Anna's exact age, only that she is in her mid-seventies. As far as I know, she has never told me where she went to college or medical school. We have shared opinions and information for years, but rarely our vulnerabilities and intimate facts.

It suddenly bothers me considerably that I know so little about Anna, and I feel ashamed as I make my way up her neatly swept front steps, one at a time, sliding my good hand along the frigid iron railing. She opens the front door and her keen face softens, She looks at my thick, crooked cast and blue sling, and meets my eyes. "Kay, I am so glad to see you," she says, greeting me the same way she always does.

"How'ya doin', Dr. Zenner!" Marino announces. His en-thusiasm is overblown as he goes out of his way to show how popular and charming he is and how little I matter to him. "Something sure smells mmm-mmm-good. You cooking for me again?"

"Not tonight, Captain." Anna has no interest in him or his bl.u.s.ter. She kisses both of my cheeks, careful of my injury and not hugging me hard, but I feel her heart in the light touch of her fingers. Marino sets my bags inside the foyer on a splendid silk rug beneath a crystal chandelier that sparkles like ice forming in s.p.a.ce.

"You can take some soup with you," she tells Marino. "There is plenty. Very healthy. No fat."

"If it don't got fat, it's against my religion. I'm gonna head out." He avoids looking at me.

"Where is Lucy?" Anna helps me off with my coat, and I struggle to pull the sleeve over the cast, and then am dismayed to realize I still have my old lab coat on. "You have no autographs on it," she says to me, because no one has signed my plaster and no one ever will. Anna has an arid, elitist sense of humor. She can be very funny without so much as a hint of a smile, and if one is not attentive and quick-witted, he will completely miss the joke.

"Yeur joint ain't nice enough so she's at the Jefferson," Marino ironically comments.

Anna goes inside the hall closet to hang up my coat. My nervous energy is dissipating fast. Depression tightens its grip on my chest and increases pressure around my heart. Marino continues to pretend I don't exist.

"Of course, she can stay here. She is always welcome and I would very much like to see her," Anna says to me. Her German accent has not softened over the decades. She still talks in square meals, going to awkward angles to get a thought from her brain to her tongue and rarely using contractions. I have always believed she prefers German and speaks English because she has no choice.

Through the open doorway I watch Marino leave. "Why did you move here, Anna?" Now I am talking in non se-quiturs.

"Here? You mean this house?" She studies me.

"Richmond. Why Richmond?"

"That is easy. Love." She says this flatly with no trace of feeling one way or another about it.

The temperature has dropped as the night deepens, and Marino's big, booted feet crunch through crusty snow.

"What love?" I ask her.

"A person who proved to be a waste of time."

Marino kicks the running board to knock snow loose before climbing inside his throbbing track, engine rumbling like the bowels of a great ship, exhaust rushing out. He senses I am looking and puts on a bigger act of pretending he is unaware or doesn't care as he pulls his door shut and shoves his behemoth into gear. Snow spits out from huge tires as he drives off. Anna shuts the front door while I stand before it, lost in a vortex of spiraling thoughts and feelings.

"We must get you settled," she says to me, touching my arm and motioning for me to follow her.

I come to. "He's angry with me."

"If he were not angry about somethingor rudeI would think he is ill."

"He's angry at me because I almost got murdered." I sound very tired. "Everybody's angry with me."

"You are exhausted." She pauses in the entrance hallway to hear what I have to say.

"I'm supposed to apologize because someone tried to kill me?" The protests tumble out. "I asked for it? I did something wrong? So I opened my door. I wasn't perfect, but I'm here, aren't I? I'm alive, aren't I? We're all alive and well, aren't we? Why is everybody angry with me?"

"Everybody isn't," Anna replies.

"Why is it my fault?"

"Do you think it is your fault?" She studies me with an expression that can only be described as radiological. Anna sees right through to my bones.

"Of course not," I reply. "I know it's not my fault." She deadbolts the door, then sets the alarm and takes me into the kitchen. I try to remember the last time I ate or what day of the week it is. Then it glimmers. Sat.u.r.day. I have already asked that several times now. Twenty hours have pa.s.sed since I almost died. The table is set for two, and a large pot of soup simmers on the stove. I smell baking bread and am suddenly nauseous and starved at the same time, and despite all this, a detail registers. If Anna was expecting Lucy, why isn't the table set for three?

"When will Lucy go back to Miami?" Anna seems to read my thoughts as she lifts the lid off the pot and stirs with a long wooden spoon. "What would you like? Scotch?"

"A strong one."

She pulls the cork out of a bottle of Glenmorangie Sherry Wood Finish single malt whisky and pours its precious rosy essence over ice in cut crystal tumblers.

"I don't know when Lucy will go back. Have no idea, really." I begin to fill in the blanks for her. "ATF was involved in a takedown in Miami that turned bad, very bad. There was a shooting. Lucy ..."

"Yes, yes, Kay, I know that part." Anna hands me my drink. She can sound impatient even when she is very calm. "It was all over the news. And I called you. Remember? We talked about Lucy."

"Oh, that's right," I mutter.

Anna takes the chair across from me, elbows on the table, leaning into our conversation. She is an amazingly intense, fit woman, tall and firm, a Leni Riefenstahl enlightened beyond her time and undaunted by the years. Her blue warm-up suit turns her eyes the same startling shade of cornflowers, and her silver hair is pulled back in a neat pony tail held by a black velvet band. I don't know for a fact that she had a face-lift or any other cosmetic work, but I suspect modern medicine has something to do with the way she looks. Anna could easily pa.s.s for a woman in her fifties.

"I a.s.sume Lucy came to stay with you while the incident is investigated," she comments, "I can only imagine the red tape."

The takedown had gone about as badly as one could. Lucy killed two members of an international gun smuggling cartel that we now believe is connected to Chandonne's crime family. She inadvertently wounded Jo, a DBA agent who at the time was her lover. Red tape is not the word for it.

"But I'm not sure you know the part about Jo," I tell Anna. "Her HIDTA partner."

"I do not know what HIDTA is."

"High Intensity Drug Trafficking Area. A squad made up of different law enforcement agencies working violent crimes. ATF, DBA, FBI, Miami-Dade," I tell her. "When the takedown went to h.e.l.l two weeks ago, Jo got shot in the leg. It turned out the bullet was fired from Lucy's own gun."

Anna listens, sipping Scotch.

"So Lucy accidentally shot Jo, and then, of course, what comes out next is their personal relationship," I continue. "Which has been very strained. I don't know what's going on with them now, to tell you the truth. But Lucy is here. I guess she'll stay through the holidays, and then who knows?"

"I did not know she and Janet had broken up," Anna observes.

"Quite a while ago."

"I am very sorry." She is sincerely bothered by the news. "I liked Janet very much."

It has been a long time since Janet was a topic of conversation. Lucy never says a word about her. I realize I miss Janet very much and still think she was a very stabilizing, mature influence on my niece. If I am honest, I really don't like Jo. I am not sure why. Maybe, I consider as I reach for my drink, it is simply because she isn't Janet.

"And Jo's in Richmond?" Anna digs for more of the story.

"Ironically, she's from here, even though that's not how she and Lucy ended up together. They met in Miami through work. Jo will be recovering for a while, staying in Richmond with her parents, I guess. Don't ask me how that's going to work. They're fundamentalist Christians and not exactly supportive of their daughter's lifestyle."

"Lucy never picks anything easy," Anna says, and she is right. "Shootings and more shootings. What is it with her and shooting people? Thank goodness she did not kill again.

The weight in my chest presses down harder. My blood seems to have turned into a heavy metal.

"What is it with her and killing?" Anna pushes. "What happened this time worries me. If what I've heard on TV is to be believed."

"I haven't turned on the TV. I don't know what they're saying." I sip my drink and think about cigarettes again. I have quit so many times in my life.

"She almost killed him, that Frenchman, Jean-Baptiste Chandonne. She had the gun pointed at him but you stopped her." Anna's eyes bore through my skull, probing for secrets. "You tell me."

I describe to her what happened. Lucy had gone to the Medical College of Virginia to bring Jo home from the hospital, and when they pulled up to my house after midnight, Chandonne and I were in the front yard. The Lucy I conjure up in my memory seems a stranger, a violent person I don't know, her face unrecognizably twisted by rage as she pointed the pistol at him, finger on the trigger, and I pleaded with her not to shoot. She was screaming at him, cursing him as I called out to her, no, no, Lucy, no! Chandonne was in unspeakable pain, blind and thrashing, rubbing snow into his chemically burned eyes, howling and begging for someone to help him. At this point, Anna interrupts my story.

"Was he speaking French?" she asks.

The question catches me off guard. I try to remember. "I think so."

"Then you understand French."

I pause again. "Well, I took it in high school. I just know it seemed at the time he was screaming for me to help him. I seemed to understand what he was saying."

"Did you try to help him?"

"I was trying to save his life, trying to stop Lucy from killing him."

"But that was for Lucy, not for him. You weren't really trying to save his life. You were trying to stop Lucy from ruining her own."

Thoughts collide, canceling each other out. I don't reply.

"She wanted to kill him," Anna goes on. "This was clearly her intention."

I nod, staring off, reliving it. Lucy, Lucy. I repeatedly called out her name, trying to shatter the homicidal spell she was under. Lucy. I crawled closer to her in the snowy front yard. Put the gun down. Lucy, you don't want to do this. Please. Put the gun down. Chandonne rolled and writhed, making the horrible sounds of a wounded animal, and Lucy was on her knees, in combat position, gun shaking in both hands as she pointed it at his head. Then feet and legs were all around us. ATF agents and police in dark battle dress clutching rifles and pistols had swarmed into my yard. Not one of them knew what to do as I begged my niece not to kill Chandonne in cold blood. There's been enough killing, I pled with Lucy as I pulled myself within inches of her, my left arm fractured and useless. Don't do this. Don't do this, please. We love you.

"You are quite certain it was Lucy's intention to kill him, even though it wasn't self-defense?" Anna asks again.

"Yes," I reply. "I'm certain."

"Then should we reconsider that perhaps it was not necessary for her to kill those men down in Miami?"

"That was totally different, Anna," I reply. "And I can't blame Lucy for the way she reacted when she saw him in front of my housesaw him and me on the ground in the snow, not even ten feet from each other. She knew about the other cases here, the murders of Kim Luong and Diane Bray. She knew d.a.m.n well why he had come to my house, what he planned for me. How would you feel if you had been Lucy?"

"I cannot imagine."

"That's right," I reply. "I don't think anyone can imagine something like that until it happens. I know if I were the one driving up and it was Lucy in the yard, and he had tried to murder her, then ..." I pause, a.n.a.lyzing, not really able to complete the thought.

"You would have killed him," Anna finishes what she must suspect I was going to say.

"Well, I might have.

"Even though he was no threat? He was in terrible pain, blind and helpless?"

"It's hard to know the other person is helpless, Anna. What did I know outside in the snow, in the dark, with a broken arm, terrorized?"

"Ah. But you knew enough to talk Lucy out of killing him." She gets up and I watch as she unhooks a ladle from the iron rack of pots and pans suspended overhead and fills big earthenware bowls, steam rising in aromatic clouds. She sets the soup on the table, giving me time to think about what she just said. "Have you ever considered that your life reads like one of your more complicated death certificates." Anna then says, "Due to, due to, due to, due to." She motions with her hands, conducting her own orchestra of emphasis. "Where you find yourself now is due to this and that and due to on and on, and it all goes back to the original injury. Your father's death."