Just David Part 7

A swift shadow crossed the boy's face.

"Oh, I hoped I'd heard--" he began. Then suddenly he stopped, his face once more alight. "But it's 'most the same as if he wrote it from there, isn't it? He left it for me, and he told me what to do."

"What's that, what's that?" cried Higgins, instantly alert. "DID he tell you what to do? Then, let's have it, so WE'LL know. You will let us read it, won't you, boy?"

"Why, y--yes," stammered David, holding it out politely, but with evident reluctance.

"Thank you," nodded Higgins, as he reached for the note.

David's letter was very different from the other one. It was longer, but it did not help much, though it was easily read. In his letter, in spite of the wavering lines, each word was formed with a care that told of a father's thought for the young eyes that would read it. It was written on two of the notebook's leaves, and at the end came the single word "Daddy."

David, my boy [read Higgins aloud], in the far country I am waiting for you. Do not grieve, for that will grieve me. I shall not return, but some day you will come to me, your violin at your chin, and the bow drawn across the strings to greet me. See that it tells me of the beautiful world you have left--for it is a beautiful world, David; never forget that. And if sometime you are tempted to think it is not a beautiful world, just remember that you yourself can make it beautiful if you will.

You are among new faces, surrounded by things and people that are strange to you. Some of them you will not understand; some of them you may not like. But do not fear, David, and do not plead to go back to the hills. Remember this, my boy,--in your violin lie all the things you long for. You have only to play, and the broad skies of your mountain home will be over you, and the dear friends and comrades of your mountain forests will be about you.

DADDY.

"Gorry! that's worse than the other," groaned Higgins, when he had finished the note. "There's actually nothing in it! Wouldn't you think--if a man wrote anything at such a time--that he'd 'a' wrote something that had some sense to it--something that one could get hold of, and find out who the boy is?"

There was no answering this. The a.s.sembled men could only grunt and nod in agreement, which, after all, was no real help.

CHAPTER V

DISCORDS

The dead man found in Farmer Holly's barn created a decided stir in the village of Hinsdale. The case was a peculiar one for many reasons.

First, because of the boy--Hinsdale supposed it knew boys, but it felt inclined to change its mind after seeing this one. Second, because of the circ.u.mstances. The boy and his father had entered the town like tramps, yet Higgins, who talked freely of his having given the pair a "lift" on that very evening, did not hesitate to declare that he did not believe them to be ordinary tramps at all.

As there had been little found in the dead man's pockets, save the two notes, and as n.o.body could be found who wanted the violins, there seemed to be nothing to do but to turn the body over to the town for burial. Nothing was said of this to David; indeed, as little as possible was said to David about anything after that morning when Higgins had given him his father's letter. At that time the men had made one more effort to "get track of SOMETHING," as Higgins had despairingly put it. But the boy's answers to their questions were anything but satisfying, anything but helpful, and were often most disconcerting. The boy was, in fact, regarded by most of the men, after that morning, as being "a little off"; and was hence let severely alone.

Who the man was the town authorities certainly did not know, neither could they apparently find out. His name, as written by himself, was unreadable. His notes told nothing; his son could tell little more--of consequence. A report, to be sure, did come from the village, far up the mountain, that such a man and boy had lived in a hut that was almost inaccessible; but even this did not help solve the mystery.

David was left at the Holly farmhouse, though Simeon Holly mentally declared that he should lose no time in looking about for some one to take the boy away.

On that first day Higgins, picking up the reins preparatory to driving from the yard, had said, with a nod of his head toward David:--

"Well, how about it, Holly? Shall we leave him here till we find somebody that wants him?"

"Why, y--yes, I suppose so," hesitated Simeon Holly, with uncordial accent.

But his wife, hovering in the background, hastened forward at once.

"Oh, yes; yes, indeed," she urged. "I'm sure he--he won't be a mite of trouble, Simeon."

"Perhaps not," conceded Simeon Holly darkly. "Neither, it is safe to say, will he be anything else--worth anything."

"That's it exactly," spoke up Streeter, from his seat in the wagon. "If I thought he'd be worth his salt, now, I'd take him myself; but--well, look at him this minute," he finished, with a disdainful shrug.

David, on the lowest step, was very evidently not hearing a word of what was being said. With his sensitive face illumined, he was again poring over his father's letter.

Something in the sudden quiet cut through his absorption as the noisy hum of voices had not been able to do, and he raised his head. His eyes were starlike.

"I'm so glad father told me what to do," he breathed. "It'll be easier now."

Receiving no answer from the somewhat awkwardly silent men, he went on, as if in explanation:--

"You know he's waiting for me--in the far country, I mean. He said he was. And when you've got somebody waiting, you don't mind staying behind yourself for a little while. Besides, I've GOT to stay to find out about the beautiful world, you know, so I can tell him, when _I_ go. That's the way I used to do back home on the mountain, you see,--tell him about things. Lots of days we'd go to walk; then, when we got home, he'd have me tell him, with my violin, what I'd seen. And now he says I'm to stay here."

"Here!" It was the quick, stern voice of Simeon Holly.

"Yes," nodded David earnestly; "to learn about the beautiful world.

Don't you remember? And he said I was not to want to go back to my mountains; that I would not need to, anyway, because the mountains, and the sky, and the birds and squirrels and brooks are really in my violin, you know. And--" But with an angry frown Simeon Holly stalked away, motioning Larson to follow him; and with a merry glance and a low chuckle Higgins turned his horse about and drove from the yard. A moment later David found himself alone with Mrs. Holly, who was looking at him with wistful, though slightly fearful eyes.

"Did you have all the breakfast you wanted?" she asked timidly, resorting, as she had resorted the night before, to the everyday things of her world in the hope that they might make this strange little boy seem less wild, and more nearly human.

"Oh, yes, thank you." David's eyes had strayed back to the note in his hand. Suddenly he looked up, a new something in his eyes. "What is it to be a--a tramp?" he asked. "Those men said daddy and I were tramps."

"A tramp? Oh--er--why, just a--a tramp," stammered Mrs. Holly. "But never mind that, David. I--I wouldn't think any more about it."

"But what is a tramp?" persisted David, a smouldering fire beginning to show in his eyes. "Because if they meant THIEVES--"

"No, no, David," interrupted Mrs. Holly soothingly. "They never meant thieves at all."

"Then, what is it to be a tramp?"

"Why, it's just to--to tramp," explained Mrs. Holly desperately;--"walk along the road from one town to another, and--and not live in a house at all."

"Oh!" David's face cleared. "That's all right, then. I'd love to be a tramp, and so'd father. And we were tramps, sometimes, too, 'cause lots of times, in the summer, we didn't stay in the cabin hardly any--just lived out of doors all day and all night. Why, I never knew really what the pine trees were saying till I heard them at night, lying under them. You know what I mean. You've heard them, haven't you?"

"At night? Pine trees?" stammered Mrs. Holly helplessly.

"Yes. Oh, haven't you ever heard them at night?" cried the boy, in his voice a very genuine sympathy as for a grievous loss. "Why, then, if you've only heard them daytimes, you don't know a bit what pine trees really are. But I can tell you. Listen! This is what they say,"

finished the boy, whipping his violin from its case, and, after a swift testing of the strings, plunging into a weird, haunting little melody.

In the doorway, Mrs. Holly, bewildered, yet bewitched, stood motionless, her eyes half-fearfully, half-longingly fixed on David's glorified face. She was still in the same position when Simeon Holly came around the corner of the house.

"Well, Ellen," he began, with quiet scorn, after a moment's stern watching of the scene before him, "have you nothing better to do this morning than to listen to this minstrel fellow?"

"Oh, Simeon! Why, yes, of course. I--I forgot--what I was doing,"

faltered Mrs. Holly, flushing guiltily from neck to brow as she turned and hurried into the house.

David, on the porch steps, seemed to have heard nothing. He was still playing, his rapt gaze on the distant sky-line, when Simeon Holly turned upon him with disapproving eyes.

"See here, boy, can't you do anything but fiddle?" he demanded. Then, as David still continued to play, he added sharply: "Did n't you hear me, boy?"