Joyous Gard Part 3

As the years go on, what one begins to perceive about so many people--though one tries hard to believe it is not so--is that somehow or other the mind does not grow, the view does not alter; life ceases to be a pilgrimage, and becomes a journey, such as a horse takes in a farm-cart. He is pulling something, he has got to pull it, he does not care much what it is--turnips, hay, manure! If he thinks at all, he thinks of the stable and the manger. The middle-aged do not try experiments, they lose all sense of adventure. They make the usual kind of fortification for themselves, pile up a shelter out of prejudices and stony opinions. It is out of the wind and rain, and the prospect is safely excluded. The landscape is so familiar that the entrenched spirit does not even think about it, or care what lies behind the hill or across the river.

Now of course I do not mean that people can or should play fast and loose with life, throw up a task or a position the moment they are bored with it, be at the mercy of moods. I am speaking here solely of the possible adventures of mind and soul; it is good, wholesome, invigorating, to be tied to a work in life, to have to discharge it whether one likes it or no, through indolence and disinclination, through depression and restlessness. But we ought not to be immured among conventions and received opinions. We ought to ask ourselves why we believe what we take for granted, and even if we do really believe it at all. We ought not to condemn people who do not move along the same lines of thought; we ought to change our minds a good deal, not out of mere levity, but because of experience. We ought not to think too much of the importance of what we are doing, and still less of the importance of what we have done; we ought to find a common ground on which to meet distasteful people; we ought to labour hard against self-pity as well as against self-applause; we ought to feel that if we have missed chances, it is out of our own heedlessness and stupidity. Self-applause is a more subtle thing even than self-pity, because, if one rejects the sense of credit, one is apt to congratulate oneself on being the kind of person who does reject it, whereas we ought to avoid it as instinctively as we avoid a bad smell.

Above all, we ought to believe that we can do something to change ourselves, if we only try; that we can anchor our conscience to a responsibility or a personality, can perceive that the society of certain people, the reading of certain books, does affect us, make our mind grow and germinate, give us a sense of something fine and significant in life. The thing is to say, as the prim governess says in Shirley, "You acknowledge the inestimable worth of principle?"--it is possible to get and to hold a clear view, as opposed to a muddled view, of life and its issues; and the blessing is that one can do this in any circle, under any circ.u.mstances, in the midst of any kind of work. That is the wonderful thing about thought, that it is like a captive balloon which is anch.o.r.ed in one's garden. It is possible to climb into it and to cast adrift; but so many people, as I have said, seem to end by pulling the balloon in, letting out the gas, and packing the whole away in a shed. Of course the power of doing all this varies very much in different temperaments; but I am sure that there are many people who, looking back at their youth, are conscious that they had something stirring and throbbing within them which they have somehow lost; some vision, some hope, some faint and radiant ideal. Why do they lose it, why do they settle down on the lees of life, why do they snuggle down among comfortable opinions? Mostly, I am sure, out of a kind of indolence. There are a good many people who say to themselves, "After all, what really matters is a solid defined position in the world; I must make that for myself, and meanwhile I must not indulge myself in any fancies; it will be time to do that when I have earned my pension and settled my children in life." And then when the time arrives, the frail and unsubstantial things are all dead and cannot be recovered; for happiness cannot be achieved along these cautious and heavy lines.

And so I say that we must deliberately aim at something different from the first. We must not block up the further views and wider prospects; we must keep the horizon open. What I here suggest has nothing whatever that is unpractical about it; it is only a deeper foresight, a more prudent wisdom. We must say to ourselves that whatever happens, the soul shall not be atrophied; and we should be as anxious about it, if we find that it is losing its zest and freedom, as we should be if we found that the body were losing its appet.i.te!

It is no metaphor then, but sober earnest, when I say that when we take our place in the working world, we ought to lay the foundations of that other larger stronghold of the soul, _Joyous Gard_. All that matters is that we should choose a fair site for it in free air and beside still waters; and that we should plan it for ourselves, set out gardens and plantations, with as large a scheme as we can make for it, expecting the grace and greenery that shall be, and the increase which G.o.d gives. It may be that we shall have to build it slowly, and we may have to change the design many times; but it will be all built out of our own mind and hope, as the nautilus evolves its sh.e.l.l.

I am not speaking of a scheme of self-improvement, of culture followed that it may react on our profession or bring us in touch with useful people, of mental discipline, of correct information. The _Gard_ is not to be a factory or an hotel; it must be frankly built _for our delight_. It is delight that we must follow, everything that brims the channel of life, stimulates, freshens, enlivens, tantalises, attracts.

It must at all costs be beautiful. It must embrace that part of religion that glows for us, the thing which we find beautiful in other souls, the art, the poetry, the tradition, the love of nature, the craft, the interests we hanker after. It need not contain all these things, because we can often do better by checking diffuseness, and by resolute self-limitation. It is not by believing in particular books, pictures, tunes, tastes, that we can do it. That ends often as a mere prison to the thought; it is rather by meeting the larger spirit that lies behind life, recognising the impulse which meets us in a thousand forms, which forces us not to be content with narrow and petty things, but emerges as the energy, whatever it is, that pushes through the crust of life, as the flower pushes through the mould. Our dulness, our acquiescence in monotonous ways, arise from our not realising how infinitely important that force is, how much it has done for man, how barren life is without it. Here in England many of us have a dark suspicion of all that is joyful, inherited perhaps from our Puritan ancestry, a fear of yielding ourselves to its influence, a terror of being grimly repaid for indulgence, an old superst.i.tious dread of somehow incurring the wrath of G.o.d, if we aim at happiness at all. We must know, many of us, that strange shadow which falls upon us when we say, "I feel so happy to-day that some evil must be going to befal me!" It is true that afflictions must come, but they are not to spoil our joy; they are rather to refine it and strengthen it. And those who have yielded themselves to joy are often best equipped to get the best out of sorrow.

We must aim then at fulness of life; not at husbanding our resources with meagre economy, but at spending generously and fearlessly, grasping experience firmly, nurturing zest and hope. The frame of mind we must be beware of, which is but a stingy vanity, is that which makes us say, "I am sure I should not like that person, that book, that place!" It is that closing-in of our own possibilities that we must avoid.

There is a verse in the Book of Proverbs that often comes into my mind; it is spoken of a reprobate, whose delights indeed are not those that the soul should pursue; but the temper in which he is made to cling to the pleasure which he mistakes for joy, is the temper, I am sure, in which one should approach life. He cries, "_They have stricken me, and I was not sick; they have beaten me, and I felt it not. When shall I awake? I will seek it yet again._"

XI

EMOTION

We are a curious nation, we English! Stendhal says that our two most patent vices are bashfulness and cant. That is to say, we are afraid to say what we think, and when we have gained the courage to speak, we say more than we think. We are really an emotional nation at heart, easily moved and liking to be moved; we are largely swayed by feeling, and much stirred by anything that is picturesque. But we are strangely ashamed of anything that seems like sentiment; and so far from being bluff and unaffected about it, we are full of the affectation, the pretence of not being swayed by our emotions. We have developed a curious idea of what men and women ought to be; and one of our pretences is that men should affect not to understand sentiment, and to leave, as we rudely say, "all that sort of thing to the women." Yet we are much at the mercy of clap-trap and mawkish phrases, and we like rhetoric partly because we are too shy to practise it. The result of it is that we believe ourselves to be a frank, outspoken, good-natured race; but we produce an unpleasant effect of stiffness, angularity, discourtesy, and self-centredness upon more genial nations. We defend our bluffness by believing that we hold emotion to be too rare and sacred a quality to be talked about, though I always have a suspicion that if a man says that a subject is too sacred to discuss, he probably also finds it too sacred to think about very much either; yet if one can get a sensible Englishman to talk frankly and unaffectedly about his feelings, it is often surprising to find how delicate they are.

One of our chief faults is our love of property, and the consequence of that is our admiration for what we call "businesslike" qualities.

It is really from the struggle between the instinct of possession and the emotional instinct that our bashfulness arises; we are afraid of giving ourselves away, and of being taken advantage of; we value position and status and respectability very high; we like to know who a man is, what he stands for, what his influence amounts to, what he is worth; and all this is very injurious to our simplicity, because we estimate people so much not by their real merits but by their acc.u.mulated influence. I do not believe that we shall ever rise to true greatness as a nation until we learn not to take property so seriously. It is true that we prosper in the world at present, we keep order, we make money, we spread a bourgeois sort of civilisation, but it is not a particularly fine or fruitful civilisation, because it deals so exclusively with material things. I do not wish to decry the race, because it has force, toughness, and fine working qualities; but we do not know what to do with our prosperity when we have got it; we can make very little use of leisure; and our idea of success is to have a well-appointed house, expensive amus.e.m.e.nts, and to distribute a dull and costly hospitality, which ministers more to our own satisfaction than to the pleasure of the recipients.

There really can be few countries where men are so contented to be dull! There is little speculation or animation or intelligence or interest among us, and people who desire such an atmosphere are held to be fanciful, eccentric, and artistic. It was not always so with our race. In Elizabethan times we had all the inventiveness, the love of adventure, the pride of dominance that we have now; but there was then a great interest in things of the mind as well, a lively taste for ideas, a love of beautiful things and thoughts. The Puritan uprising knocked all that on the head, but Puritanism was at least preoccupied with moral ideas, and developed an excitement about sin which was at all events a sign of intellectual ferment. And then we did indeed decline into a comfortable sort of security, into a stale cla.s.sical tradition, with pompous and sonorous writing on the one hand, and with neatness, literary finish, and wit rather than humour on the other.

That was a dull, stolid, dignified time; and it was focussed into a great figure of high genius, filled with the combative common-sense which Englishmen admire, the figure of Dr. Johnson. His influence, his temperament, portrayed in his matchless biography, did indeed dominate literary England to its hurt; because the essence of Johnson was his freshness, and in his hands the great rolling Palladian sentences contrived to bite and penetrate; but his imitators did not see that freshness was the one requisite; and so for a generation the pompous rotund tradition flooded English prose; but for all that, England was saved in literature from mere stateliness by the sudden fierce interest in life and its problems which burst out like a spring in eighteenth-century fiction; and so we come to the Victorian era, when we were partially submerged by prosperity, scientific invention, commerce, colonisation. But the great figures of the century arose and had their say--Carlyle, Tennyson, Browning, Ruskin, William Morris; it was there all the time, that spirit of fierce hope and discontent and emotion, that deep longing to penetrate the issues and the significance of life.

It may be that the immense activity of science somewhat damped our interest in beauty; but that is probably a temporary thing. The influence exerted by the early scientists was in the direction of facile promises to solve all mysteries, to a.n.a.lyse everything into elements, to cla.s.sify, to track out natural laws; and it was believed that the methods and processes of life would be divested of their secrecy and their irresponsibility; but the effect of further investigation is to reveal that life is infinitely more complex than was supposed, and that the end is as dim as ever; though science did for a while make havoc of the stereotyped imaginative systems of faith and belief, so that men supposed that beauty was but an accidental emphasis of law, and that the love of it could be traced to very material preferences.

The artist was for a time dismayed, at being confronted by the chemist who held that he had explained emotion because he had a.n.a.lysed the substance of tears; and for a time the scientific spirit drove the spirit of art into cliques and coteries, so that artists were hidden, like the Lord's prophets, by fifties in caves, and fed upon bread and water.

What mostly I would believe now injures and overshadows art, is that artists are affected by the false standard of prosperous life, are not content to work in poverty and simplicity, but are anxious, as all ambitious natures who love applause must be, to share in the spoils of the Philistines. There are, I know, craftsmen who care nothing at all for these things, but work in silence and even in obscurity at what seems to them engrossing and beautiful; but they are rare; and when there is so much experience and pleasure and comfort abroad, and when security and deference so much depend upon wealth, the artist desires wealth, more for the sake of experience and pleasure than for the sake of acc.u.mulation.

But the spirit which one desires to see spring up is the Athenian spirit, which finds its satisfaction in ideas and thoughts and beautiful emotions, in mental exploration and artistic expression; and is so absorbed, so intent upon these things that it can afford to let prosperity flow past like a muddy stream. Unfortunately, however, the English spirit is solitary rather than social, and the artistic spirit is jealous rather than inclusive; and so it comes about that instead of artists and men of ideas consorting together and living a free and simple life, they tend to dwell in lonely fortresses and paradises, costly to create, costly to maintain. The English spirit is against communities. If it were not so, how easy it would be for people to live in groups and circles, with common interests and tastes, to encourage each other to believe in beautiful things, and to practise ardent thoughts and generous dreams. But this cannot be done artificially, and the only people who ever try to do it are artists, who do occasionally congregate in a place, and make no secret to each other of what they are pursuing. I have sometimes touched the fringe of a community like that, and have been charmed by the sense of a more eager happiness, a more unaffected intercourse of spirits than I have found elsewhere. But the world intervenes! domestic ties, pecuniary interests, civic claims disintegrate the group. It is sad to think how possible such intercourse is in youth, and in youth only, as one sees it displayed in that fine and moving book _Trilby_, which does contrive to reflect the joy of the buoyant companionship of art. But the flush dies down, the insouciance departs, and with it the ardent generosity of life. Some day perhaps, when life has become simpler and wealth more equalised, when work is more distributed, when there is less production of unnecessary things, these groups will form themselves, and the frank, eager, vivid spirit of youth will last on into middle-age, and even into age itself. I do not think that this is wholly a dream; but we must first get rid of much of the pompous nonsense about money and position, which now spoils so many lives; and if we could be more genuinely interested in the beauty and complex charm and joy of life, we should think less and less of material things, be content with shelter, warmth, and food, and grudge the time we waste in providing things for which we have no real use, simply in order that, like the rich fool, we may congratulate ourselves on having much goods laid up for many years, when the end was hard at hand!

XII

MEMORY

Memory is for many people the only form of poetry which they indulge.

If a soul turns to the future for consolation in a sad or wearied or disappointed present, it is in religion that hope and strength are sometimes found; but if it is a retrospective nature--and the poetical nature is generally retrospective, because poetry is concerned with the beauty of actual experience and actual things, rather than with the possible and the unknown--then it finds its medicine for the dreariness of life in memory. Of course there are many simple and healthy natures which do not concern themselves with visions at all--the little businesses, the daily pleasures, are quietly and even eagerly enjoyed. But the poetical nature is the nature that is not easily contented, because it tends to idealisation, to the thought that the present might easily be so much happier, brighter, more beautiful, than it is.

An eager soul that looks beyond And shivers in the midst of bliss, That cries, "I should not need despond, If this were otherwise, and this!"

And so the soul that has seen much and enjoyed much and endured much, and whose whole life has been not spoiled, of course, but a little shadowed by the thought that the elements of happiness have never been quite as pure as it would have wished, turns back in thought to the old scenes of love and companionship, and evokes from the dark, as from the pages of some volume of photographs and records, the pictures of the past, retouching them, it is true, and adapting them, by deftly removing all the broken lights and intrusive anxieties, not into what they actually were, but into what they might have been. Carlyle laid his finger upon the truth of this power, when he said that the reason why the pictures of the past were always so golden in tone, so delicate in outline, was because the quality of fear was taken from them. It is the fear of what may be and what must be that overshadows present happiness; and if fear is taken from us we are happy. The strange thing is that we cannot learn not to be afraid, even though all the darkest and saddest of our experiences have left us unscathed; and if we could but find a reason for the mingling of fear with our lives, we should have gone far towards solving the riddle of the world.

This indulgence of memory is not necessarily a weakening or an enervating thing, so long as it does not come to us too early, or disengage us from needful activities. It is often not accompanied by any shadow of loss or bitterness. I remember once sitting with my beloved old nurse, when she was near her ninetieth year, in her little room, in which was gathered much of the old nursery furniture, the tiny chairs of the children, the store-cupboard with the farmyard pictures on the panel, the stuffed pet-birds--all the homely wrack of life; and we had been recalling many of the old childish incidents with laughter and smiles. When I rose to go, she sate still for a minute, and her eyes filled with quiet tears, "Ah, those were happy days!" she said. But there was no repining about it, no sense that it was better to forget old joys--rather a quiet pleasure that so much that was beautiful and tender was laid away in memory, and could neither be altered nor taken away. And one does not find in old people, whose memory of the past is clear, while their recollection of the present grows dim, any sense of pathos, but rather of pride and eagerness about recalling the minutest details of the vanished days.

To feel the pathos of the past, as Tennyson expressed it in that wonderful and moving lyric, _Tears, idle tears_, is much more characteristic of youth. There is rather in serene old age a sense of pleasant triumph at having safely weathered the storms of fate, and left the tragedies of life behind. The aged would not as a rule live life over again, if they could. They are not disappointed in life.

They have had, on the whole, what they hoped and desired. As Goethe said, in that deep and large maxim, "Of that which a man desires in his youth, he shall have enough in his age." That is one of the most singular things in life--at least this is my experience--how the things which one really desired, not the things which one ought to have desired, are showered upon one. I have been amazed and even stupefied sometimes to consider how my own little petty, foolish, whimsical desires have been faithfully and literally granted me. We most of us do really translate into fact what we desire, and as a rule we only fail to get the things which we have not desired enough. It is true indeed that we often find that what we desired was not worth getting; and we ought to be more afraid of our desires, not because we shall not get them, but because we shall almost certainly have them fulfilled. For myself I can only think with shame how closely my present conditions do resemble my young desires, in all their petty range, their trivial particularity. I suppose I have unconsciously pursued them, chosen them, grasped at them; and the shame of it is that if I had desired better things, I should a.s.suredly have been given them. I see, or seem to see, the same thing in the lives of many that I know. What a man sows he shall reap! That is taken generally to mean that if he sows pleasure, he shall reap disaster; but it has a much truer and more terrible meaning than that--namely, that if a man sows the seed of small, trivial, foolish joys, the grain that he reaps is small, trivial, and foolish too. G.o.d is indeed in many ways an indulgent Father, like the Father in the parable of the Prodigal Son; and the best rebuke that He gives, if we have the wisdom to see it, is that He so often does hand us, with a smile, the very thing we have desired. And thus it is well to pray that He should put into our minds good desires, and that we should use our wills to keep ourselves from dwelling too much upon small and pitiful desires, for the fear is that they will be abundantly gratified.

And thus when the time comes for recollection, it is a very wonderful thing to look back over life, and see how eagerly gracious G.o.d has been to us. He knows very well that we cannot learn the paltry value of the things we desire, if they are withheld from us, but only if they are granted to us; and thus we have no reason to doubt His fatherly intention, because He does so much dispose life to please us.

And we need not take it for granted that He will lead us by harsh and provocative discipline, though when He grants our desire, He sometimes sends leanness withal into our soul. Yet one of the things that strikes one most forcibly, as one grows older and learns something of the secrets of other lives, is how lightly and serenely men and women do often bear what might seem to be intolerable calamities. How universal an experience it is to find that when the expected calamity does come, it is an easier affair than we thought it, so that we say under the blow, "Is that really all?" In that wonderful book, the Diary of Sir Walter Scott, when his bankruptcy fell upon him, and all the schemes and designs that he had been carrying out, with the joyful zest of a child--his toy-castle, his feudal circle, his wide estate--were suddenly suspended, he wrote with an almost amused surprise that he found how little he really cared, and that the people who spoke tenderly and sympathetically to him, as though he must be reeling under the catastrophe, would themselves be amazed to find that he found himself as cheerful and undaunted as ever. Life is apt, for all vivid people, to be a species of high-hearted game: it is such fun to play it as eagerly as one can, and to persuade oneself that one really cares about the applause, the money, the fine house, the comforts, the deference, the convenience of it all. And yet, if there is anything n.o.ble in a man or woman, when the game is suddenly interrupted and the toys swept aside, they find that there is something exciting and stimulating in having to do without, in adapting themselves with zest to the new conditions. It was a good game enough, but the new game is better! The failure is to take it all heavily and seriously, to be solemn about it; for then failure is disconcerting indeed. But if one is interested in experience, but yet has the vitality to see how detached one really is from material things, how little they really affect us, then the change is almost grateful. It is the spirit of the game, the activity, the energy, that delights us, not the particular toy. And so the looking back on life ought never to be a mournful thing; it ought to be light-hearted, high-spirited, amusing. The spirit survives, and there is yet much experience ahead of us. We waste our sense of pathos very strangely over inanimate things. We get to feel about the things that surround us, our houses, our very chairs and tables, as if they were somehow things that were actually attached to us. We feel, when the old house that has belonged to our family pa.s.ses into other hands, as though the rooms resented the intruders; as though our sofas and cabinets could not be at ease in other hands, as if they would almost prefer shabby and dusty inaction in our own lumber-room, to cheerful use in some other circle. This is a delusion of which we must make haste to get rid. It is the weakest sort of sentiment, and yet it is treasured by many natures as if it were something refined and n.o.ble. To yield to it, is to fetter our life with self-imposed and fantastic chains.

There is no sort of reason why we should not love to live among familiar things; but to break our hearts over the loss of them is a real debasing of ourselves. We must learn to use the things of life very lightly and detachedly; and to entrench ourselves in trivial a.s.sociations is simply to court dreariness and to fall into a stupor of the spirit.

And thus even our old memories must be treated with the same lightness and unaffectedness. We must do all we can to forget grief and disaster. We must not consecrate a shrine to sorrow and make the votive altar, as Dido did, into a _causa doloris_, an excuse for lamentation. We must not think it an honourable and chivalrous and n.o.ble thing to spend our time in broken-hearted solemnity in the vaults of perished joys. Or if we do it, we must frankly confess it to be a weakness and a languor of spirit, not believe it to be a thing which others ought to admire and respect. It was one of the base sentimentalities of the last century, a real sign of the decadence of life, that people felt it to be a fine thing to cherish grief, and to live resolutely with sighs and tears. The helpless widow of nineteenth-century fiction, shrouded in c.r.a.pe, and bursting into tears at the smallest sign of gaiety, was a wholly unlovely, affected, dramatic affair. And one of the surest signs of our present vitality is that this att.i.tude has become not only unusual, but frankly absurd and unfashionable. There is an intense and gallant pathos about a nature broken by sorrow, making desperate attempts to be cheerful and active, and not to cast a shadow of grief upon others. There is no pathos at all in the sight of a person bent on emphasising his or her grief, on using it to make others uncomfortable, on extracting a recognition of its loyalty and fidelity and emotional fervour.

Of course there are some memories and experiences that must grave a deep and terrible mark upon the heart, the shock of which has been so severe, that the current of life must necessarily be altered by them.

But even then it is better as far as possible to forget them and to put them away from us--at all events, not to indulge them or dwell in them. To yield is simply to delay the pilgrimage, to fall exhausted in some unhappy arbour by the road. The road has to be travelled, every inch of it, and it is better to struggle on in feebleness than to collapse in despair.

Mrs. Charles Kingsley, in her widowhood, once said to a friend, "Whenever I find myself thinking too much about Charles, I simply force myself to read the most exciting novel I can. He is there, he is waiting for me; and hearts were made to love with, not to break."

And as the years go on, even the most terrible memories grow to have the grace and beauty which nature lavishes on all the relics of extinct forces and spent agonies. They become like the old grey broken castle, with the gra.s.ses on its ledges, and the crows nesting in its parapets, rising blind and dumb on its green mound, with the hamlet at its feet; or like the craggy islet, severed by the raging sea from the towering headland, where the samphire sprouts in the rift, and the sea-birds roost, at whose foot the surges lap, and over whose head the landward wind blows swiftly all the day.

XIII

RETROSPECT

But one must not forget that after all memory has another side, too often a rueful side, and that it often seems to turn sour and poisonous in the sharp decline of fading life; and this ought not to be. I would like to describe a little experience of my own which came to me as a surprise, but showed me clearly enough what memory can be and what it rightly is, if it is to feed the spirit at all.

Not very long ago I visited Lincoln, where my father was Canon and Chancellor from 1872 to 1877. I had only been there once since then, and that was twenty-four years ago. When we lived there I was a small Eton boy, so that it was always holiday time there, and a place which recalls nothing but school holidays has perhaps an unfair advantage.

Moreover it was a period quite unaccompanied, in our family life, by any sort of trouble, illness, or calamity. The Chancery of Lincoln is connected in my mind with no tragic or even sorrowful event whatever, and suggests no painful reminiscence. How many people, I wonder, can say that of any home that has sheltered them for so long?

Of course Lincoln itself, quite apart from any memories or a.s.sociations, is a place to kindle much emotion. It was a fine sunny day there, and the colour of the whole place was amazing--the rich warm hue of the stone of which the Minster is built, which takes on a fine ochre-brown tinge where it is weathered, gives it a look of homely comfort, apart from the matchless dignity of cl.u.s.tered transept and soaring towers. Then the glowing and mellow brick of Lincoln, its scarlet roof tiles--what could be more satisfying for instance than the dash of vivid red in the tiling of the old Palace as you see it on the slope among its gardens from the opposite upland?--its smoke-blackened facades, the abundance, all over the hill, of old embowered gardens, full of trees and thickets and greenery, its gra.s.sy s.p.a.ces, its creeper-clad houses; the whole effect is one of extraordinary richness of hue, of age vividly exuberant, splendidly adorned.

I wandered transported about Cathedral and close, and became aware then of how strangely unadventurous in the matter of exploration one had always been as a boy. It was true that we children had scampered with my father's master-key from end to end of the Cathedral--wet mornings used constantly to be spent there--so that I know every staircase, gallery, clerestory, parapet, triforium, and roof-vault of the building--but I found in the close itself many houses, alleys, little streets, which I had actually never seen, or even suspected their existence.

It was all full of little ghosts, and a tiny vignette shaped itself in memory at every corner, of some pa.s.sing figure--a good-natured Canon, a youthful friend, Levite or Nethinim, or some deadly enemy, the son perhaps of some old-established denizen of the close, with whom for some unknown reason the Chancery schoolroom proclaimed an inflexible feud.

But when I came to see the old house itself--so little changed, so distinctly recollected--then I was indeed amazed at the torrent of little happy fragrant memories which seemed to pour from every doorway and window--the games, the meals, the plays, the literary projects, the readings, the telling of stories, the endless, pointless, enchanting wanderings with some breathless object in view, forgotten or transformed before it was ever attained or executed, of which children alone hold the secret.

Best of all do I recollect long summer afternoons spent in the great secluded high-walled garden at the back, with its orchard, its mound covered with thickets, and the old tower of the city wall, which made a n.o.ble fortress in games of prowess or adventure. I can see the figure of my father in his ca.s.sock, holding a little book, walking up and down among the gooseberry-beds half the morning, as he developed one of his unwritten sermons for the Minster on the following day.

I do not remember that very affectionate relations existed between us children; it was a society, based on good-humoured tolerance and a certain democratic respect for liberty, that nursery group; it had its cliques, its sections, its political emphasis, its diplomacies; but it was cordial rather than emotional, and bound together by common interests rather than by mutual devotion.

This, for instance, was one of the ludicrous incidents which came back to me. There was an odd little mediaeval room on the ground-floor, given up as a sort of study, in the school sense, to my elder brother and myself. My younger brother, aged almost eight, to show his power, I suppose, or to protest against some probably quite real grievance or tangible indignity, came there secretly one morning in our absence, took a shovelful of red-hot coals from the fire, laid them on the hearth-rug, and departed. The conflagration was discovered in time, the author of the crime detected, and even the most tolerant of supporters of nursery anarchy could find nothing to criticise or condemn in the punishment justly meted out to the offender.