John Marchmont's Legacy Part 64

There was no hope. There was no possibility that Olivia should waver in her purpose; for had she not brought with her two witnesses--Hester Jobson and her husband?

From that moment the case was taken out of her hands. The honest carpenter and his wife would see that Mary had her rights.

"It will be a glorious speculation for them," thought Paul Marchmont, who naturally measured other people's characters by a standard derived from an accurate knowledge of his own.

Yes, his ruin was complete. Destruction had come upon him, swift and sudden as the caprice of a madwoman--or--the thunderbolt of an offended Providence. What should he do? Run away, sneak away by back-lanes and narrow footpaths to the nearest railway-station, hide himself in a third-cla.s.s carriage going Londonwards, and from London get away to Liverpool, to creep on board some emigrant vessel bound for New York?

He could not even do this, for he was without the means of getting so much as the railway-ticket that should carry him on the first stage of his flight. After having given ten pounds to Mrs. Brown, he had only a few shillings in his waistcoat-pocket. He had only one article of any great value about him, and that was his watch, which had cost fifty pounds. But the Marchmont arms were emblazoned on the outside of the case; and Paul's name in full, and the address of Marchmont Towers, were ostentatiously engraved inside, so that any attempt to dispose of the watch must inevitably lead to the identification of the owner.

Paul Marchmont had made no provision for this evil day. Supreme in the consciousness of his own talents, he had never imagined discovery and destruction. His plans had been so well arranged. On the very day after Edward's second marriage, Mary and her child would have been conveyed away to the remotest district in Wales; and the artist would have laughed at the idea of danger. The shallowest schemer might have been able to manage this poor broken-hearted girl, whose many sorrows had brought her to look upon life as a thing which was never meant to be joyful, and which was only to be endured patiently, like some slow disease that would be surely cured in the grave. It had been so easy to deal with this ignorant and gentle victim that Paul had grown bold and confident, and had ignored the possibility of such ruin as had now come down upon him.

What was he to do? What was the nature of his crime, and what penalty had he incurred? He tried to answer these questions; but as his offence was of no common kind, he knew of no common law which could apply to it. Was it a felony, this appropriation of another person's property, this concealment of another person's existence; or was it only a conspiracy, amenable to no criminal law; and would he be called upon merely to make rest.i.tution of that which he had spent and wasted? What did it matter? Either way, there was nothing for him but ruin--irretrievable ruin.

There are some men who can survive discovery and defeat, and begin a new life in a new world, and succeed in a new career. But Paul Marchmont was not one of these. He could not stick a hunting-knife and a brace of revolvers in his leathern belt, sling a game-bag across his shoulders, take up his breech-loading rifle, and go out into the backwoods of an uncivilised country, to turn sheep-breeder, and hold his own against a race of agricultural savages. He was a c.o.c.kney, and for him there was only one world--a world in which men wore varnished boots and enamelled shirt-studs with portraits of La Montespan or La Dubarry, and lived in chambers in the Albany, and treated each other to little dinners at Greenwich and Richmond, or cut a grand figure at a country-house, and collected a gallery of art and a museum of _bric a brac_. This was the world upon the outer edge of which Paul Marchmont had lived so long, looking in at the brilliant inhabitants with hungry, yearning eyes through all the days of his poverty and obscurity. This was the world into which he had pushed himself at last by means of a crime.

He was forty years of age; and in all his life he had never had but one ambition,--and that was to be master of Marchmont Towers. The remote chance of that inheritance had hung before him ever since his boyhood, a glittering prize, far away in the distance, but so brilliant as to blind him to the brightness of all nearer chances. Why should he slave at his easel, and toil to become a great painter? When would art earn him eleven thousand a year? The greatest painter of Mr. Marchmont's time lived in a miserable lodging at Chelsea. It was before the days of the "Railway Station" and the "Derby Day;" or perhaps Paul might have made an effort to become that which Heaven never meant him to be--a great painter. No; art was only a means of living with this man. He painted, and sold his pictures to his few patrons, who beat him down unmercifully, giving him a small profit upon his canvas and colours, for the encouragement of native art; but he only painted to live.

He was waiting. From the time when he could scarcely speak plain, Marchmont Towers had been a familiar word in his ears and on his lips.

He knew the number of lives that stood between his father and the estate, and had learned to say, navely enough then,--

"O pa, don't you wish that Uncle Philip and Uncle Marmaduke and Cousin John would die soon?"

He was two-and-twenty years of age when his father died; and he felt a faint thrill of satisfaction, even in the midst of his sorrow, at the thought that there was one life the less between him and the end of his hopes. But other lives had sprung up in the interim. There was young Arthur, and little Mary; and Marchmont Towers was like a caravanserai in the desert, which seems to be farther and farther away as the weary traveller strives to reach it.

Still Paul hoped, and watched, and waited. He had all the instincts of a sybarite, and he fancied, therefore, that he was destined to be a rich man. He watched, and waited, and hoped, and cheered his mother and sister when they were downcast with the hope of better days. When the chance came, he seized upon it, and plotted, and succeeded, and revelled in his brief success.

But now ruin had come to him, what was he to do? He tried to make some plan for his own conduct; but he could not. His brain reeled with the effort which he made to realise his own position.

He walked up and down one of the pathways in the garden until a quarter to ten o'clock; then he went into the house, and waited till Mrs. Brown had departed from Stony-Stringford Farm, attended by the boy, who carried two bundles, a bandbox, and a carpet-bag.

"Come back here when you have taken those things to the station," Paul said; "I shall want you."

He watched the dilapidated five-barred gate swing to after the departure of Mrs. Brown and her attendant, and then went to look at his horse. The patient animal had been standing in a shed all this time, and had had neither food nor water. Paul searched amongst the empty barns and outhouses, and found a few handfuls of fodder. He took this to the animal, and then went back again to the garden,--to that quiet garden, where the bees were buzzing about in the sunshine with a drowsy, booming sound, and where a great tabby-cat was sleeping stretched flat upon its side, on one of the flower-beds.

Paul Marchmont waited here very impatiently till the boy came back.

"I must see Lavinia," he thought. "I dare not leave this place till I have seen Lavinia. I don't know what may be happening at Hillingsworth or Kemberling. These things are taken up sometimes by the populace.

They may make a party against me; they may--"

He stood still, gnawing the edges of his nails, and staring down at the gravel-walk.

He was thinking of things that he had read in the newspapers,--cases in which some cruel mother who had ill-used her child, or some suspected a.s.sa.s.sin who, in all human probability, had poisoned his wife, had been well-nigh torn piecemeal by an infuriated mob, and had been glad to cling for protection to the officers of justice, or to beg leave to stay in prison after acquittal, for safe shelter from honest men and women's indignation.

He remembered one special case in which the populace, unable to get at a man's person, tore down his house, and vented their fury upon unsentient bricks and mortar.

Mr. Marchmont took out a little memorandum book, and scrawled a few lines in pencil:

"I am here, at Stony-Stringford Farmhouse," he wrote. "For G.o.d's sake, come to me, Lavinia, and at once; you can drive here yourself. I want to know what has happened at Kemberling and at Hillingsworth. Find out everything for me, and come. P. M."

It was nearly twelve o'clock when the boy returned. Paul gave him this letter, and told the lad to get on his own horse, and ride to Kemberling as fast as he could go. He was to leave the horse at Kemberling, in Mr. Weston's stable, and was to come back to Stony-Stringford with Mrs. Weston. This order Paul particularly impressed upon the boy, lest he should stop in Kemberling, and reveal the secret of Paul's hiding-place.

Mr. Paul Marchmont was afraid. A terrible sickening dread had taken possession of him, and what little manliness there had ever been in his nature seemed to have deserted him to-day.

Oh, the long dreary hours of that miserable day! the hideous sunshine, that scorched Mr. Marchmont's bare head, as he loitered about the garden!--he had left his hat in the house; but he did not even know that he was bareheaded. Oh, the misery of that long day of suspense and anguish! The sick consciousness of utter defeat, the thought of the things that he might have done, the purse that he might have made with the money that he had lavished on pictures, and decorations, and improvements, and the profligate extravagance of splendid entertainments. This is what he thought of, and these were the thoughts that tortured him. But in all that miserable day he never felt one pang of remorse for the agonies that he had inflicted upon his innocent victim; on the contrary, he hated her because of this discovery, and gnashed his teeth as he thought how she and her young husband would enjoy all the grandeur of Marchmont Towers,--all that n.o.ble revenue which he had hoped to hold till his dying day.

It was growing dusk when Mr. Marchmont heard the sound of wheels in the dusty lane outside the garden-wall. He went through the house, and into the farmyard, in time to receive his sister Lavinia at the gate. It was the wheels of her pony-carriage he had heard. She drove a pair of ponies, which Paul had given her. He was angry with himself as he remembered that this was another piece of extravagance,--another sum of money recklessly squandered, when it might have gone towards the making of a rich provision for this evil day.

Mrs. Weston was very pale; and her brother could see by her face that she brought him no good news. She left her ponies to the care of the boy, and went into the garden with her brother.

"Well, Lavinia?"

"Well, Paul, it is a dreadful business," Mrs. Weston said, in a low voice.

"It's all George's doing! It's all the work of that infernal scoundrel!" cried Paul, pa.s.sionately. "But he shall pay bitterly for----"

"Don't let us talk of him, Paul; no good can come of that. What are you going to do?"

"I don't know. I sent for you because I wanted your help and advice.

What's the good of your coming if you bring me no help?"

"Don't be cruel, Paul. Heaven knows, I'll do my best. But I can't see what's to be done--except for you to get away, Paul. Everything's known. Olivia stopped the marriage publicly in Hillingsworth Church; and all the Hillingsworth people followed Edward Arundel's carriage to Kemberling. The report spread like wildfire; and, oh Paul, the Kemberling people have taken it up, and our windows have been broken, and there's been a crowd all day upon the terrace before the Towers, and they've tried to get into the house, declaring that they know you're hiding somewhere. Paul, Paul, what are we to do? The people hooted after me as I drove away from the High Street, and the boys threw stones at the ponies. Almost all the servants have left the Towers. The constables have been up there trying to get the crowd off the terrace. But what are we to do, Paul? what are we to do?"

"Kill ourselves," answered the artist savagely. "What else should we do? What have we to live for? You have a little money, I suppose; I have none. Do you think I can go back to the old life? Do you think I can go back, and live in that shabby house in Charlotte Street, and paint the same rocks and boulders, the same long stretch of sea, the same low lurid streaks of light,--all the old subjects over again,--for the same starvation prices? Do you think I can ever tolerate shabby clothes again, or miserable make-shift dinners,--hashed mutton, with ill-cut hunks of lukewarm meat floating about in greasy slop called gravy, and washed down with flat porter fetched half an hour too soon from a public-house,--do you think I can go back to _that_? No; I have tasted the wine of life: I have lived; and I'll never go back to the living death called poverty. Do you think I can stand in that pa.s.sage in Charlotte Street again, Lavinia, to be bullied by an illiterate tax-gatherer, or insulted by an infuriated baker? No, Lavinia; I have made my venture, and I have failed."

"But what will you do, Paul?"

"I don't know," he answered, moodily.

This was a lie. He knew well enough what he meant to do: he would kill himself.

That resolution inspired him with a desperate kind of courage. He would escape from the mob; he would get away somewhere or other quietly and there kill himself. He didn't know how, as yet; but he would deliberate upon that point at his leisure, and choose the death that was supposed to be least painful.

"Where are my mother and Clarissa?" he asked presently.

"They are at our house; they came to me directly they heard the rumour of what had happened. I don't know how they heard it; but every one heard of it, simultaneously, as it seemed. My mother is in a dreadful state. I dared not tell her that I had known it all along."

"Oh, of course not," answered Paul, with a sneer; "let me bear the burden of my guilt alone. What did my mother say?"

"She kept saying again and again, 'I can't believe it. I can't believe that he could do anything cruel; he has been such a good son.'"

"I was not cruel," Paul cried vehemently; "the girl had every comfort.

I never grudged money for her comfort. She was a miserable, apathetic creature, to whom fortune was almost a burden rather than an advantage.

If I separated her from her husband--bah!--was that such a cruelty? She was no worse off than if Edward Arundel had been killed in that railway accident; and it might have been so."

He didn't waste much time by reasoning on this point. He thought of his mother and sisters. From first to last he had been a good son and a good brother.

"What money have you, Lavinia?"

"A good deal; you have been very generous to me, Paul; and you shall have it all back again, if you want it. I have got upwards of two thousand pounds altogether; for I have been very careful of the money you have given me."