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Attributed to Jackson.
V&A
36.
_Lovers_ (woman full face), perhaps after Piazzetta
Dimensions:
15 10 inches.
Blocks, 5:
Light brownish gray, darker brownish gray, medium brown, cold gray, dark brown.
Companion piece to previous print. Attributed to Jackson.
V&A
37.
_Lamentation Over the Body of Christ_
Dimensions:
20 13 inches.
Blocks, 5 or 6:
Blue, brown, red, flesh, gray.
Inscription, bottom:
"_Et tuam ip?ius animam pertran?ibit gladius,_"
This is probably an experiment in color printing made by Jackson, after his own design, before attempting the Ricci set.
BM
38.
_Heroic Landscape With Dedication and Cla.s.sical Ruins_, after Marco Ricci [Le Bl. 21-25, N.20-25a]
Dimensions:
16? 23? inches.
Blocks, 7 to 10:
Tones of blue, buff, gray-violet, green and dark gray.
Inscription in tablet at lower left:
"_Ill{mo}, atq; Excell{mo} D{no} D{no}_ / +Roberto D'Arcy+, / Comiti de Holderne??e _&c. &c. &c. / Apud Sereni?s Remp: Venetam pro Mag: / Britan Rege Legato Extraordinario. / Hoc novi??ime excogitatum Opus in humillimi / obsequii te?timonium dedicabat_ / J. B. Jack?on.".
1744.
A copy in the Museum of Fine Arts, Boston, has D'Arcy's coat-of-arms on the entablature of the arch to the right with red and blue notes. The British Museum has a copy with brownish-red touched in with water colors in the clothing of the men under the arch.
Reichel reproduced this in full size and color (plate 98).
MFA, MMA, BM, Venice
39.
_Heroic Landscape With Sheep, Statues, and Gentlemen_, after Marco Ricci [Le Bl. 21-25, N. 20-25b]
Dimensions:
16 23? inches.
Blocks, 7 to 10:
Colors vary in different impressions.
1744.
Smithsonian Inst.i.tution (U.S. National Museum)
MFA, BM, Venice
40.
_Heroic Landscape with Fisherman, Cows, and Hors.e.m.e.n_, after Marco Ricci [Le Bl. 21-25, N. 20-25c]
Dimensions:
16 23 inches.
Blocks, 7 to 10:
Colors vary in different impressions.
1744.