Jill the Reckless Part 38

"Please, Mr. Saltzburg!"

Mr. Saltzburg obviously weakened. His fingers touched the keys irresolutely.

"But, childrun!"

"I am sure it would be a great pleasure to all of us," said the d.u.c.h.ess graciously, "if you would play it. There is nothing I enjoy more than a good varlse."

Mr. Saltzburg capitulated. Like all musical directors he had in his leisure moments composed the complete score of a musical play and spent much of his time waylaying librettists on the Rialto and trying to lure them to his apartment to listen to it, with a view to business. The eternal tragedy of a musical director's life is comparable only to that of the waiter who, himself fasting, has to a.s.sist others to eat. Mr. Saltzburg had lofty ideas on music, and his soul revolted at being compelled perpetually to rehea.r.s.e and direct the inferior compositions of other men. Far less persuasion than he had received to-day was usually required to induce him to play the whole of his score.

"You wish it?" he said. "Well, then! This waltz, you will understand, is the theme of a musical romance which I have composed. It will be sung once in the first act by the heroine, then in the second act as a duet for heroine and hero. I weave it into the finale of the second act, and we have an echo of it, sung off stage, in the third act. What I play you now is the second act duet. The verse is longer. So! The male voice begins."

A pleasant time was had by all for ten minutes.

"Ah, but this is not rehearsing, childrun!" cried Mr. Saltzburg remorsefully at the end of that period. "This is not business. Come now, the opening chorus of Act One, and please this time keep on the key. Before, it was sour, sour Come! La-la-la...."

"Mr. Thalzburg!"

"Miss Trevor?"

"There was an awfully thweet fox-trot you used to play us. I do wish...."

"Some other time, some other time! Now we must work. Come!

La-la-la...."

"I wish you could have heard it, girls" said the cherub regretfully.

"Honetht, it was lalapalootha!"

The pack broke into full cry.

"Oh, Mr. Saltzburg!"

"Please, Mr. Saltzburg!"

"Do play the fox-trot, Mr. Saltzburg!"

"If it is as good as the varlse," said the d.u.c.h.ess, stooping once more to the common level, "I am sure it must be very good indeed." She powdered her nose. "And one so rarely hears musicianly music nowadays, does one?"

"Which fox-trot?" asked Mr. Saltzburg weakly.

"Play 'em all!" decided a voice on the left.

"Yes, play 'em all," bayed the pack.

"I am sure that that would be charming," agreed the d.u.c.h.ess, replacing her powder-puff.

Mr. Saltzburg played 'em all. This man by now seemed entirely lost to shame. The precious minutes that belonged to his employers and should have been earmarked for "The Rose of America" flitted by. The ladies and gentlemen of the ensemble, who should have been absorbing and learning to deliver the melodies of Roland Trevis and the lyrics of Otis Pilkington, lolled back in their seats. The yellow-keyed piano rocked beneath an unprecedented onslaught. The proceedings had begun to resemble not so much a rehearsal as a happy home evening, and grateful glances were cast at the complacent cherub. She had, it was felt, shown tact and discretion.

Pleasant conversation began again.

"... And I walked a couple of blocks, and there was exactly the same model in Schwartz and Gulderstein's window at twenty-six fifty...."

"... He got on Forty-second Street, and he was kinda fresh from the start. At Sixty-sixth he came sa.s.shaying right down the car and said 'h.e.l.lo, patootie!' Well, I drew myself up...."

"... Even if you are my sister's husband,' I said to him. Oh, I suppose I got a temper. It takes a lot to arouse it, y'know, but I c'n get pretty mad...."

"... You don't know the half of it, dearie, you don't know the half of it! A one-piece bathing suit! Well, you could call it that, but the cop of the beach said it was more like a baby's sock. And when...."

"... So I said 'Listen, Izzy, that'll be about all from you! My father was a gentleman, though I don't suppose you know what that means, and I'm not accustomed....'"

"Hey!"

A voice from the neighbourhood of the door had cut into the babble like a knife into b.u.t.ter; a rough, rasping voice, loud and compelling, which caused the conversation of the members of the ensemble to cease on the instant. Only Mr. Saltzburg, now in a perfect frenzy of musicianly fervour, continued to a.s.sault the decrepit piano, unwitting of an unsympathetic addition to his audience.

"What I play you now is the laughing trio from my second act. It is a building number. It is sung by tenor, princ.i.p.al comedian, and soubrette. On the second refrain four girls will come out and two boys. The girls will dance with the two men, the boys with the soubrette. So! On the encore four more girls and two more boys. Third encore, solo-dance for specialty dancer, all on stage beating time by clapping their hands. On repeat, all sing refrain once more, and off.

Last encore, the three princ.i.p.als and specialty dancer dance the dance with entire chorus. It is a great building number, you understand. It is enough to make the success of any musical play, but can I get a hearing? No! If I ask managers to listen to my music, they are busy!

If I beg them to give me a libretto to set, they laugh--ha! ha!" Mr.

Saltzburg gave a spirited and lifelike representation of a manager laughing ha-ha when begged to disgorge a libretto. "Now I play it once more!"

"Like h.e.l.l you do!" said the voice. "Say, what is this, anyway? A concert?"

Mr. Saltzburg swung round on the music-stool, a startled and apprehensive man, and nearly fell off it. The divine afflatus left him like air oozing from a punctured toy-balloon, and, like such a balloon, he seemed to grow suddenly limp and flat. He stared with fallen jaw at the new arrival.

Two men had entered the room. One was the long Mr. Pilkington. The other, who looked shorter and stouter than he really was beside his giraffe-like companion, was a thick-set, fleshy man in the early thirties with a blond, clean-shaven, double-chinned face. He had smooth, yellow hair, an unwholesome complexion, and light green eyes, set close together. From the edge of the semi-circle about the piano, he glared menacingly over the heads of the chorus at the unfortunate Mr. Saltzburg.

"Why aren't these girls working?"

Mr. Saltzburg, who had risen nervously from his stool, backed away apprehensively from his gaze, and, stumbling over the stool, sat down abruptly on the piano, producing a curious noise like Futurist music.

"I--We--Why, Mr. Goble...."

Mr. Goble turned his green gaze on the concert audience, and spread discomfort as if it were something liquid which he was spraying through a hose. The girls who were nearest looked down flutteringly at their shoes: those further away concealed themselves behind their neighbours. Even the d.u.c.h.ess, who prided herself on being the possessor of a stare of unrivalled haughtiness, before which the fresh quailed and those who made breaks subsided in confusion, was unable to meet his eyes: and the willowy friend of Izzy, for all her victories over that monarch of the hat-checks, bowed before it like a slim tree before a blizzard.

Only Jill returned the manager's gaze. She was seated on the outer rim of the semi-circle, and she stared frankly at Mr. Goble. She had never seen anything like him before, and he fascinated her. This behaviour on her part singled her out from the throng, and Mr. Goble concentrated his attention on her.

For some seconds he stood looking at her; then, raising a stubby finger, he let his eye travel over the company, and seemed to be engrossed in some sort of mathematical calculation.

"Thirteen," he said at length. "I make it thirteen." He rounded on Mr.

Pilkington. "I told you we were going to have a chorus of twelve."

Mr. Pilkington blushed and stumbled over his feet.

"Ah, yes ... yes," he murmured vaguely. "Yes!"

"Well, there are thirteen here. Count 'em for yourself." He whipped round on Jill. "What's _your_ name? Who engaged you?"

A croaking sound from the neighbourhood of the ceiling indicated the clearing of Mr. Pilkington's throat.

"I--er--_I_ engaged Miss Mariner, Mr. Goble."