Jerusalem Explored Part 8

After pa.s.sing the Gate of S. Mary and leaving on the left the ruins of a small Saracenic building of the age of Saladin, the Mohammedan cemetery is reached, which occupies almost the whole of the high narrow plateau running parallel to the east wall of the _Haram_, above the Kidron valley. I consider the foundation of the whole line of wall, from the north-east to the south-east corner, to be the work of Solomon; being led to this conclusion by a series of observations, carried on when graves were dug against the wall, and by excavations which I made with the help of the keepers of the cemetery, wherever I could do it without exciting suspicion and arousing the fanaticism of the Mohammedans.

Near the south-east corner is a stone, which appears to have been the impost of an arch; as there are no tombs in this part, I made an excavation opposite to it, at a distance of 12 feet, and, after digging down for 14 feet, came upon the great foundation stones. By opening another hole along the same line, nearer to the corner, I found them again at a depth of 12 feet; the difference being caused by the slope of the ground. By this means I convinced myself that the foundations of the wall were laid far down in the valley (as stated by Josephus), and that they rose up to the place, where it still appears above the surface of the ground, in a series of steps about 2 feet wide. The foundation (strictly speaking) is made of large blocks, roughly squared, and not rusticated, fastened together by a tenon left projecting from the face of one stone, fitting into a corresponding mortise in the next: there is not a trace of iron or lead or mortar; but where the wall rises above ground its face is vertical, the blocks are more carefully squared, and rustic work is used, with wide and deep grooves; as may be seen at many places in the lower part of the present wall[298]. The force of the flames, the vandalism of man, and the course of time, have produced no effect upon these ma.s.sive buildings; which have been saved from the fate of those on Sion and Ophel, by the ruins heaped about them, and still more by the reverence paid by the Mohammedans to the ground on which they stand.

These valuable remains enable us to compare their masonry with the Herodian work, seen more especially in the projecting wall at the north-east angle[299], and at the south-east extremity. The stones in these two places are of large size[300] and rusticated; only the grooves here are small, and the whole surface of the block is well smoothed; they also are perfectly fitted together without mortar, but clamps of iron or soldering plugs of lead are used; as I was able to ascertain when a small part was repaired: each course stands a little more than a tenth of an inch farther back than the one below it. The general appearance of the work manifests a progress in art and a delicacy of execution, which could not have been produced in the time of Solomon, even with Phoenician aid. In all the countries formerly occupied by this people there are not any examples of a wall in this style, while those resembling the architecture of Solomon are far from uncommon. We might reasonably suppose that Herod would increase the strength of the northern corner, as an outwork to the Antonia on the east; while the south-east corner might have been destroyed by the Chaldeans, being weaker than the rest owing to the existence of the great vaulted cistern within the _Haram_; and, as Nehemiah was no doubt unable to repair it in a manner befitting its position, Herod would rebuild it in his restoration of the above-named cistern, whose east and south sides are not formed by the rock, but by the outer wall of the Temple enclosure, and are made of great strength to withstand the pressure of the water.

I have already explained by what marks I distinguish the walls which I attribute to Nehemiah, the Romans, and the Arabs[301]; examples of each can be readily found in the eastern wall of the _Haram_. From the side of a small sepulchral building (containing the ashes of Yacb Pasha and his wife) to beyond the Golden Gate the masonry shews many signs of Arab restorations. Here may be seen columns of verd antique, porphyry and valuable marbles, built longwise into the thickness of the wall.

Doubtless these formerly decorated some Christian edifices, and were placed in their present position when the city walls were repaired by Sultan Solyman.

The princ.i.p.al object that attracts attention on the east side is the Golden Gate[302], which projects slightly from the line of the wall. The two outer doorways, as I have already said, are built up[303]; but for the sake of description we will for a moment imagine them opened. From the outside we see two round-headed arches each supported by two pilasters, built of stones of no great size, which are laid in mortar, without rustic work, and form a perfectly smooth face, in strong contrast with the genuine ancient blocks in the lower parts of the walls on each side, and at each corner. The two arches and their capitals are richly carved with leaves and other ornaments. The whole building is cased, except at the base, with Saracenic work of the date of Solyman; as I infer from the irregular masonry, the smallness of the stones, the occurrence of a Byzantine capital (out of its proper place) on the top of the facade, and many other minor ornamental details, bad in taste and execution, which are characteristic of that age[304].

Pa.s.sing through the entrance, we find the piers and architraves of the doors composed of immense blocks, six in number, which resemble Jewish work. Their state of decay shews their antiquity, and they must have been exposed to the action of fire, being calcined and crumbling; for otherwise, from their great size and sheltered situation, they ought to have been in good preservation, like all the rest of the internal masonry of the gate; which I a.s.sign to the age of Justinian. The plan of the building is an oblong, the length being double the breadth, divided into two aisles by two large columns of grey veined marble and two half-columns, which, with the help of small pilasters, projecting slightly from the lateral walls, sustain the vaulting, composed of very narrow pointed domes; beneath this a magnificent entablature, carved in leaf patterns[305], is carried round the walls of the building. The west facade[306], inside the _Haram_, has a double doorway with round-headed arches, supported by a central column and two side pilasters. Their form and ornamentation resemble those on the east front. The outer roof is also a series of domes, which were built during some repairs about 60 years since. Not a few authors have attributed the architecture of this gate to the time of Herod, forgetting that Josephus states that the Temple and its cloisters were burnt and utterly destroyed by the Roman troops. How then is it possible that the walls, and still more the ornamental work, should have survived the fury of the soldiers? If the east cloister has so entirely disappeared, how is it that the gate, which stood in the middle of it, has escaped? Those few blocks in the piers of the door may be of the age of Herod, but not the rest of the masonry, and we cannot therefore on this evidence a.s.sign the whole building to that period. It is however very probable that they were found among the ruins of the ancient eastern gate and incorporated in the present. Nor can we believe that the two large monolithic columns were brought to Jerusalem by Herod. It is far more likely that they were sent by Justinian to adorn a spot sacred in Christian tradition as the place where our Saviour entered Jerusalem, among the shouts of one part of the populace, to keep that last Pa.s.sover before he suffered[307]. I consider therefore that the present Golden Gate stands not only upon the site of the ancient east gate, but also upon its foundations, for we find its dimensions given in the Mishna, 'the east gate was 40 cubits long and 20 wide;' and a strong proof of the truth of this opinion is, that, on making an excavation near the north door, I discovered at a depth of 10 feet the foundations, of undoubted Herodian work. At the same time I saw that there have never been any steps leading up to the gate, and that a ma.s.s of rubbish is heaped against its east front, in the slopes of which are the graves of the Mohammedan cemetery.

There is a small doorway closed with masonry a little to the south of the Golden Gate, and besides this nothing else remains to be noticed on the east side, except that the whole length of the wall is covered with creepers, which flourish here luxuriantly and do constant mischief; breaches are already formed in some places, but the guardians of the _Haram_ pay no attention to them; though in a few years they will not be so indifferent to the expense of the repairs, which will then be absolutely necessary. All the loop-holes were made in the time of Solyman.

After the south-east corner has been turned, the whole wall, both in its foundations and upper part, exhibits the same solid and magnificent ancient masonry as on the east face. A few yards from the corner is a doorway with a pointed arch, now walled up, which I consider to have been made at the time of the Crusades, and possibly then called the Gate of the Valley of Jehoshaphat. We shall hereafter notice the purpose for which it was used. A little distance to the west of this, we see three plain round-headed arches, supported by four pilasters, whose masonry differs both from the older and newer work in the immediate neighbourhood. Their general character is Roman, and I believe them to have been built at the time of Justinian, to communicate with the vaults within the _Haram_; which I shall presently describe.

Under the mosque _el-Aksa_ is a gate not only built up, but also partly buried[308]. The arch is cut in two by the city-wall, which here turns to the south. Its architectural features both constructive and decorative resemble those of the Golden Gate; so that I consider it also the work of Justinian. Under its arch is a grated window; by climbing up to this, it is possible to look into a vaulted gallery below the mosque.

A stone, bearing the following inscription, is built slantwise into the wall above and turned upside down.

t.i.tO AEL. HADRIANO ANTONINO AVG. PIO P. P. PONTIF. AVGVR.

D. D.

No doubt it was picked up with many others in removing the ruins at the time of Justinian and built in here by the masons, and when the wall was again repaired in the reign of Solyman, the workmen, less careful and skilful than the former, placed it in its present position. The Mohammedans call this archway the Gate of the Prophetess Huldah[309], for what reason they cannot say, for they also consider it to have been the grand entrance to the stables of Solomon, and consequently hold it in great respect. I shall recur to this gate in my account of the vaults. I made several excavations in front of it, like those at the south-east corner, and after digging 10 or 12 feet through the rubbish, came upon the foundations laid in the age of Solomon, but could not discover anything to prove that a gate had then existed on this spot.

Starting from the Aksa the city wall goes to the south, and then turns again to the west down to the Dung Gate. Throughout the whole of this angle the lower part of the wall is Roman work, the upper Saracenic, of the time of Solyman. Although this gate is evidently only a few hundred years old, it is usually pointed out by the guides as that entered by our Saviour, when he was brought from the garden of Gethsemane to the house of Caiaphas. Ignorance of architecture and of the plan of the ancient city has allowed this tradition to exist[310]. Entering, and forcing our way through a thicket of cactus, we regain the south wall of the Temple enclosure, whose lower parts date from the reign of Solomon.

An excavation made at the south-west angle gave, first the masonry of Solomon, secondly that of the Crusaders, and above these that of Solyman[311].

The ruins south of the Aksa belong to the choir of Justinian's basilica, which was thrown down by an earthquake between the years A.D. 775 and 785. They now await the last stroke of the hand of Time to bring them to the ground, when they evidently must injure in their fall the south wall of the mosque; but the Mohammedan fatalists never think of averting this by timely repairs.

The whole of the s.p.a.ce between the walls of the city and the _Haram_ was probably, at the time of Herod the Great, covered by the amphitheatre erected by that king[312].

Near the south-west angle is a very remarkable fragment of an arch and its pier, built into the _Haram_ wall. Nearly all the learned writers who have noticed it, with the exception of the Rev. G. Williams, have considered these remains to belong to the age either of Solomon or Herod; I however venture to differ from them, and attribute it to Justinian; who, when building the neighbouring basilica, may have contemplated throwing a bridge over the valley between Moriah and Sion to facilitate the communication between the two sanctuaries on these hills. The work may have been left unfinished, because the plan was either changed or found impracticable. The blocks shew none of the characteristics of the work of Solomon or Herod, nor have they the same marked appearance of antiquity; nor does the masonry in any respect resemble the Jewish; the stones being laid with mortar. I cannot but think that if either of these kings had executed a work of such importance, the Bible and Josephus would not have pa.s.sed it over in silence. We can scarcely imagine that so vast an arch, 375 feet in span, could have been built in those times; and if we suppose that the bridge crossed the valley with a series of arches, then traces of the piers, or at least of the stones that composed them, ought to be found among the rubbish below; also there should be some remains of it on the eastern slope of Sion; where nothing of the kind occurs. On this point I can speak with confidence, because when the Pasha requested me to inspect the city sewer, which runs down the valley to the Pool of Siloam, I availed myself of this fortunate opportunity to widen and deepen the excavation, and did not find the slightest indication of a bridge.

Josephus[313] states that when Pompeius approached the city with his forces, the partisans of Aristobulus, on retreating to the Temple, cut off the bridge. He alludes to it again on other occasions[314], and to the tower near it, built by Simon to defend himself against John. What then has become of the ruins of this bridge and of the tower? Though now, as on Ophel and part of Sion, there may be open fields on the site of some parts of ancient Jerusalem, numbers of stones, as I have already described[315], are scattered about; why then does not the same thing happen in the Tyropoeon valley, where the great acc.u.mulation of rubbish would have buried the fallen blocks and preserved them from the action of fire? Besides, the rock exposed in the eastern slope of Sion is rough and rugged, and untouched by the chisel; there is no part of it that we can suppose to have supported a building. I have also excavated along by the side of it in the valley below and found nothing. I have examined the lower parts of the Arab houses, which some have imagined to be built upon its foundation, but all my investigations have confirmed me in my opinion that the bridge never stood upon this spot. Had it done so, why, as we see the pier on the east, do we not see some corresponding remains on the west; or if not these, the place where the spring-stones of the arch rested upon the rock? I believe the bridge mentioned by Josephus was near the present _Mekhemeh_ (the Mohammedan Court of Justice), which is on the west of the _Haram_, at the bottom of Temple Street, because at this point the valley is still crossed from west to east by arches, sustaining the conduit which brings the water from Etham into the Temple, and the ground south of this, on the opposite side, formerly occupied by the Xystus, has been levelled. The height of this bridge or d.y.k.e above the street is 38 feet on the south, and 20 on the north; which, it must be remembered, is not the true elevation of the work itself; because the ground has been raised on each side by the acc.u.mulation of rubbish in the bottom of the Tyropoeon.

This, in my opinion, joined the Upper city to the Temple-hill in former times, as it now does. It is surely very improbable that the princ.i.p.al approach to the Temple from the west should have been placed at one corner, instead of in the centre of the enclosure; as would have been the case had the great arch formed part of a bridge while that building was standing: and when this was broken down, the communication with the Temple would not have been cut off, as the d.y.k.e would still have been a more direct and convenient road from the city.

Before arriving at the Jews' wailing place, we come to the Gate _el-Mogarba_, leading to the mosque of the Mogarabins; a few yards to the north of which is a little rectangular plot of ground, surrounded by a low wall: after pa.s.sing this I entered a dark chamber, in which was a doorway almost buried. M. Isambert[316] has attempted to identify this with one of the four western gates mentioned by Josephus[317]; but not having tested his theory on the spot, he is unaware that the difference of level between the outside and inside of the _Haram_ renders this impossible; moreover, the gate has evidently been made at a date long after the building of the wall.

The Jews' wailing place is a small open plot; where a piece of Herod's wall is still seen between the outer wall of the _Mekhemeh_ and that of a private house (belonging to Abu-Saud): it is called in Arabic _Ha el-Mogharibeh_ (the wall of the Mogarabins). M. de Saulcy says of it: "Up to a height of more than 12 metres (about 39 feet) the original building has remained entire; regular courses of fine stones, perfectly squared, but with an even border standing out as a kind of framework, enclosing the joints, rise over each other to within two or three yards from the top of the wall. A moment's inspection is enough to ascertain, without any doubt, that the Jewish tradition is positively correct; a wall like this has never been constructed either by Greeks or Romans. We have evidently here a sample of original Hebraic architecture[318]. In the inferior courses the stones are on the average twice as wide as they are high; now and then, however, some square blocks happen to be laid between the long ones. The four inferior courses nearest the ground are formed of square blocks, with the exception of the last but one, which is composed of blocks three times as long as they are high. As the courses successively rise above the ground, the dimensions of the blocks decrease, and, lastly, every course recedes about one fifth of an English inch behind the surface of the one immediately below it. Beyond these walls (bounding the s.p.a.ce on each side) the ancient construction extends about 38 feet to the right, and 36 to the left, or in the direction of the _Mekhemeh_. Again, the primitive wall is crowned towards the summit by several courses of hewn stones regularly disposed, but of small dimensions. These upper courses are of comparatively recent date, and their age cannot be referred to a period anterior to the Mohammedan conquest. On the face of the ancient wall appear large notches, which have been made at some undeterminable period, for the purpose of fixing a pediment over this part of the enclosure; these notches, hollowed out in the shape of a niche, that is to say, round at the top with a rectangular basis, are of different dimensions, perhaps they may have been made at the period of the rebuilding of the Temple by Herod[319]." From its delicacy of execution I consider this wall Herodian work; besides, I think it very unlikely that the Chaldeans, more barbarous than the Romans, would have left anything standing at Jerusalem: they would have pulled down all that the flames had spared. I consider the smaller masonry of the upper part to be of the time of the Crusades or Saracenic. Friday is the day on which the Jews chiefly a.s.semble here in great numbers, to pray, to recite the Psalms of David, and bedew with their tears these remains of their former greatness. This privilege is granted to them on payment of a sum of money to the Effendi in charge of the _Haram_. This custom dates from a very early period; it is mentioned by Benjamin of Tudela in the twelfth century[320].

The stones in the lower parts of the walls of the _Mekhemeh_ are remarkable for their rough rustic work in high relief. They are not so large as those we attribute to the age of Solomon or Herod, but still appear ancient. I think they may belong to the Asmonean epoch, and have formed the bas.e.m.e.nt of a tower, defending the Xystus bridge on the side of the Temple. The masonry in the upper hall of the time of the Crusaders, where the vaulting is supported by pointed arches springing from pillars, is evidently much more modern. According to Mohammedan tradition this is the Judgement Hall of Solomon, converted into an armoury by the Crusaders: it is certainly not improbable that it may have been a dependency of the Knights Templar. The large chamber below, which has undoubtedly been used as a cistern, as is shewn by the very strong cement in the walls, is now filled with rubbish. In the middle of the upper hall is a fountain, now and then supplied with the water of Etham; and on the left of the princ.i.p.al entrance (part of a restoration by Saladin or Solyman) an ancient sarcophagus, found in the Tombs of the Kings outside the Damascus Gate: it is a facsimile of that carried to Paris by M. de Saulcy, and now placed in the Gallery of the Louvre; it at present serves to hold water[321].

Close to the _Mekhemeh_ is the princ.i.p.al entrance into the _Haram_, which has two doorways, and is ornamented with groups of spiral columns supporting elegant capitals carved in leaf patterns, the work of Saladin. Before its west front is a fountain, an elegant specimen of ornate Saracenic work: its small basin, no longer filled with water, is an ancient sarcophagus of red Palestine breccia. From this spot up to the north-west corner the ancient foundations of the _Haram_ wall are concealed by Arab houses, and can only be seen here and there above the level of the ground; enough, however, is visible to shew that the old wall followed the line of the present enclosure from south to north.

Returning to the Temple Street and going westward along the d.y.k.e, which, with the Rev. G. Williams[322], I consider to be the ancient bridge between Sion and Moriah, we see, after a few yards, on the right hand a small facade of Saracenic architecture, adorned with arabesques of excellent design; whose accurate execution deserves notice. It is a fragment of an ancient school, established by Saladin, the revenues of which are now exhausted, so that nothing else remains besides this building. A little further on we leave this street (called by the Crusaders the Bridge of S. Giles), by taking the first turning to the north, and find, after pa.s.sing the corner, a stone embedded in the lower part of the wall of the first Arab house on the right hand, bearing an inscription, which however is of no importance. This street runs along the top of a vault which I have examined. It was constructed to form an easy communication with the Tyropoeon, and proves that in former times there was high ground on this spot. Going on northward we arrive at a Saracenic fountain, now without water; near it on the south is a pa.s.sage leading into the central sewer, which here deviates a little to the east to regain the middle of the valley, and consequently pa.s.ses under the bridge near the above-named school of Saladin. On the north of the fountain is an ancient Mohammedan bath rapidly falling to ruin, and near it the great gate of the Bazaar of the _Haram_, at the end of which is the _Bab el-Katannin_ (Gate of the Cotton Merchants). The entrance to the Bazaar is a frontispiece of rude rustic work, which I attribute to the age of the Crusades. The interior is Saracenic, as is shewn by the architraves of the cells on each side, which were built for merchants'

shops, but now are receptacles for filth. After pa.s.sing the middle of the Bazaar, there is a bath on the south side called the _Hammam es-Shefa_, supplied by a spring rising at a great depth: its waters have an unpleasant taste; but we will speak more particularly of it presently. On the north, nearly opposite to the entrance of the bath, a little street leads to the _Bab el-Kadid_ (Iron Gate) and the Convent of Blind Dervishes, (a philanthropic establishment of Solyman,) where singers in the mosque, suffering from this calamity, are still received.

The first lane on the north of the Bazaar leads directly up to the _Bab el-Kadid_; along each side are establishments in aid of the poor, but, as the revenues have been swallowed up, they are going to ruin, like the schools of Saladin, which are in the next street on the north, leading up to the _Bab el-Nadhir_ (Inspector's Gate). Here, according to Mohammedan tradition, the Prophet alighted from his steed Borak[323], on his visit to the Holy Stone of Jacob. Near this gate, on the south, is a magnificent building, which from the various kinds of stone employed, the delicacy of its ornamentation, the regularity of its columns, and the harmony of all its parts, is an excellent example of Saracenic taste. It was erected by Solyman, and is said by the Mohammedans to have been the residence of his Sultana Rossellane. It is now gradually falling to decay, although a very small sum spent in repairs would make it last for centuries.

Before leaving this side I need only remark that the arches, crossing the street down the Tyropoeon, shew that the houses on the west side of the valley are also in the precincts of the _Haram_ and consequently inalienable. Up to the time of Saladin and his successors, these belonged exclusively to the Jews; who, since then, have been gradually deprived of them by the law of might; and, in order to conceal the iniquitous usurpation, they have been thus joined to the enclosure of the _Haram_.

Having thus described the outside of the Mohammedan sanctuary, I shall now conduct my reader within, and introduce him to places all as yet unknown to him, except one or two, which, from their connection with the exterior, I have been obliged to mention. In doing this, I shall not spend time over the minor details, which are explained by the Plan and its description[324]; but attend solely to the matters of greater interest, not forgetting the Mohammedan traditions.

I have already, in describing the exterior, noticed all the important points on the north side, and therefore only call attention to the extent of levelled rock, continuous with that which forms a large part of the south wall of the barrack, and was, in my opinion, the north of the tower Antonia[325]. A short distance from the barrack is an octagonal oratory, surmounted by a dome, containing (according to the Mohammedans), a piece of the sacred rock, which was cut off by the Christians during the time of the Latin kingdom. I have been inside the building, and seen a stone; but it is too shapeless to enable me to form any opinion of the truth of the tradition. I think that the place has a vault beneath, and that probably the pa.s.sage already mentioned, which was constructed by Herod as a communication between the tower Antonia and the east gate, pa.s.ses by it.

Above the pool of Bethesda rises the minaret of _Israel_, erected to commemorate the Patriarch's sleeping on Moriah; this, and the minaret of the _Serai_ at the north-west corner, are used for the especial purpose of calling to prayer the faithful of the rite _Hannefi_: both are founded on the rock, and near the latter the large Herodian masonry is still visible: they were built in the time of Omar, according to the Mohammedan chronicles; which I am disposed to believe, because I have seen, in the interior of the second, small holes, which may have been made for the fittings of Christian bells during the Latin kingdom. These would not be there had the minarets been built by Saladin, by whom however the second may certainly have been restored.

A small Arab building ab.u.t.ting on the outer wall is the first thing to attract attention on the east side. In the middle of the room inside is a kind of pedestal, covered with rich carpets woven in different colours. According to the Mohammedans, this is the site of the throne of Solomon, and the place where the Book of Wisdom was composed, to which, in consequence, he will return at the Day of Judgement to a.s.sist his father David in judging the Israelites. We can see how highly the followers of the prophet esteem the place by the number of small tablets fastened to the window, as tokens of grat.i.tude for some blessing received.

To the south of this is the Golden Gate[326]; a small staircase on the north side conducts us to the top, which is an excellent position for a general view of the _Haram es-Sherif_, the Valley of Kidron, the Mount of Olives, and the whole of Jerusalem. Here we see the truth of the words of Josephus[327], that "the city lay over against the Temple in the manner of a theatre." The Mohammedans say that on the Last Day the Prophet _Isa_ (Jesus) will descend from heaven upon this gate to judge the world, and will commit the Jews to the decision of David and Solomon, and the followers of Islam to the Prophet. Pa.s.sing along the boundary wall to the south we come to a very narrow staircase built against it, leading up to a window from which the shaft of a column laid longwise projects for about 5 feet; beneath it is the deep valley of Kidron. This marks the position of the invisible bridge _es-Sirah_ and the 'Window of Judgement,' where Mohammed will sit on the Day of Judgement, and order all to pa.s.s the bridge, no wider than the edge of a sword; over it the faithful will run swiftly and enter Paradise; while the infidels, in trying to cross, will fall into the abyss of h.e.l.l open wide beneath them. I have seen not a few fanatics come to pray in a niche very near the window, and then step on to the column; and afterwards try to obtain the credit of having seen that which is invisible. In the south-east corner of the enclosure is a ruined mosque, with 14 arches, in two rows, supported by square pillars. This was formerly the place of prayer according to the rite _Hanbeli_. The keeper a.s.serts that, in times long since past, there was a high tower on this spot; he is indeed not altogether mistaken; for, in the days of Herod, the cloister with its four rows of columns stood here; high enough to afford a beautiful view[328].

Just on the north of the site of this is a staircase leading down into a chamber lighted by loopholes in the outer wall of the _Haram_. After pa.s.sing the upper doorway we have on the right hand a small aperture, through which we can look into the great vault, and see some of its many columns. In the south wall at the end of the chamber the keeper points out a marble basin in the form of a cradle, as the one which held the Infant Jesus, when He was brought to the Temple for circ.u.mcision; and shews the places occupied by the Virgin Mary and S. Joseph, and the two niches where stood the Prophets Zacharias and Ezekiel. The story is worthless, but the view of the grotto excavated partly in the rock and of the enormous blocks in the wall is very interesting.

On quitting this place we observe a large terrace formed above the subterranean vault. I descended by a large hole close to the south wall of the _Haram_, and on arriving in the great chamber, saw a forest of columns supporting the roof, rising among heaps of earth and ruins. I believe that this immense building was originally constructed by Solomon, in order to increase the area of the platform of the Temple; and at the same time to contain water, which was used in such quant.i.ties in the service of the Sanctuary; the height of the vault, measured near the south-east corner, is 39 feet above the floor of rock; which I found after digging through a layer of earth. It is lower towards the north, for the rock rises there, as it does towards the north-west corner, where I had great difficulty in finding it, from the acc.u.mulation of rubbish. The whole building has evidently undergone restoration at different periods; as is shewn by its irregular shape and the condition and different kinds of masonry of the present walls. Of these the east and south walls (being part of the _Haram_ wall) are Herodian work; at the south-east corner, by the chamber of the cradle of Christ, which we have already visited, we see Roman work in the inner wall and in some masonry on the north, at which point it is evident that the size of the vault has been diminished; some other small walls in the interior belong to a much later period, perhaps that of the Crusades. The plinths of the numerous columns are rusticated in the Herodian style, but their shafts are Roman. Their length diminishes towards the north owing to the rise of the rocky floor towards the main ma.s.s of the hill on that side; which however is generally not visible from within, as it is faced with masonry. The whole vaulting, supported by semicircular arches, is Roman.

I consider therefore that the last restoration was made by order of Justinian, but cannot allow that the whole building dates from that time, because it is not likely that his historian, Procopius, would have omitted to mention so stupendous a work; nor would there have been any necessity for that Emperor to enlarge this part of the area of Moriah.

From within we plainly see the triple gate and the pointed arch, to which we drew attention during our circuit of the walls. The former is of the age of Justinian; but the quant.i.ty of earth and rubbish, now piled against it on the inside, renders it difficult to form an opinion on the purpose for which it was constructed. I believe that at that period the vault was not used as a cistern. The pointed arch was, I think, built in the time of the Latin kingdom, as a postern gate for sorties, and an entrance into the stables of the Knights Templar; which, from the small splayed loopholes in the south and east walls, the iron rings fastened to the masonry, and the small party walls and holes cut in the ground, I suppose to have been in this building. I was confirmed in this opinion by observing a door (built-up) on the west side of the vault which, I think, must have communicated with those under the mosque _el-Aksa_. The Mohammedan legend, that both these were the stables of Solomon[329] (as they still call them), probably took its rise from the use to which they were applied by the Crusaders. On excavating inside, near the ruined pa.s.sage, I found three capitals of columns in white veined marble[330] of an elegant design and good execution.

Returning to the open air and standing upon the great terrace, we see on what vast foundations the famous 'Royal Cloister' of Herod was supported. The mosque _el-Aksa_ is a large pile of buildings ab.u.t.ting on the south wall of the _Haram_. The princ.i.p.al axis of the edifice runs north and south, instead of east and west according to the general law of the Latin Church; consequently some authors have a.s.serted that it was not built for Christian worship, but originally was a mosque. We will therefore examine its history. Some think it was the work of Constantine; but then Eusebius, his panegyrist, does not mention that he in any way evidenced any regard or care for Moriah. Others attribute it to Justinian; with these I agree. The idea of erecting this basilica, and dedicating it to the Virgin, was not conceived at first by the Emperor, but by Elias, Patriarch of Jerusalem, A.D. 501. As the Christians of Palestine had not the means of executing so great a work, they sought the aid of Justinian, through the Abbot Saba; and the Emperor not only gave the a.s.sistance asked, but also took care that the building should be worthy of the Christian religion: so we are informed by the monk Cyril of Scythopolis, a Greek historian, living A.D. 555, who embraced the monastic life under the rule of S. Saba. In the year 531 all difficulties were overcome, and this magnificent edifice completed. Its grandeur is recorded by Procopius[331], whose account is briefly as follows. The length of the building was greater than the breadth, which however was so great that they had difficulty in procuring rafters for the roof of sufficient length. This was supported by two rows of columns, one above the other, which were quarried in the neighbourhood of Jerusalem, rivalling marble in beauty, and veined with red, resembling in colour the brightness of fire. Two of them, at the entrance of the Temple, were larger and more beautiful than the rest. He also mentions the great blocks of stone used in the work, and tells us by what means they were brought on to the ground. The whole of his description undoubtedly suits the mosque _el-Aksa_, although its exterior has been greatly changed; since there are now no traces of cloisters, atrium, or other buildings mentioned by the same historian.

The two great columns are no longer to be seen; but it is not improbable that they are concealed within the two central piers of the porch. Those inside the basilica correspond to the above description, and by secretly chipping off bits of the plaster, with which all are now coated, I was able to ascertain that they are made of red Palestine breccia, a rock occurring in abundance on the west of the city, near the Greek convent of the Holy Cross.

Antoninus of Piacenza[332], in the sixth century, saw the whole pile of Justinian's building in its glory. He speaks of the adjoining hospice, containing from 3000 to 5000 beds, wonders at the number, and praises the piety of the Monks and Nuns who served there, and states that the basilica of S. Mary was in front of the Temple of Solomon, and communicated with the basilica of S. Sophia, situated on the site of the Praetorium of Pilate. He also mentions that a stone was then exhibited inside it, bearing the print of our Saviour's foot. It is remarkable that a similar stone is now exposed to receive the reverence of the Mohammedans at the south end of the present mosque.

It appears that the basilica was not greatly injured at the time of the Persian invasion, A.D. 614; as we find it open for Christian worship when the troops of Omar were besieging Jerusalem. The Khalif visited it after the surrender of the city to offer up his prayers within its walls, and ordered that thenceforth it should be devoted to the rites of his faith[333].

The Rev. G. Williams, in his learned and valuable work on the Holy City[334], tells us that towards the end of the seventh century the tenth Khalif, "'Abd-el-Melik covered its gates with plates of gold and silver, but it was soon stripped of its treasures in consequence of the poverty of his successors. During the Khalifat of his son Waled, the eastern part of the mosque _el-Aksa_ fell to ruin, and as he had no funds to repair it, he ordered the ruined part to be pulled down, and the price of the materials to be distributed to the poor. Forty years later, in the time of the second Abba.s.side Khalif Abu-J'afar-el-Mansur, the east and west sides were decayed by time, or injured by an earthquake, and as he could not afford to restore it, he stripped the gold from the doors, coined it, and applied the proceeds to the necessary repairs. A second earthquake shook down what he had rebuilt, and his son and successor el-Mahadi (A.D. 775-785) found the mosque in ruins. The character of the building was altered by this Khalif, whose taste was offended by its proportions, and he gave orders that its length should be diminished and its width increased. Again in the 452nd year of the Hejra (A.D. 1060) it suffered materially from the falling in of the roof." From the facts stated in this account we can see how greatly the basilica of Justinian has been altered, and understand the Saracenic features which now exist in the original building. The two aisles added to the older structure on the east and west, the demolition of the choir, and the erection of the south wall, belong to the great alterations made by el-Mahadi.

The Crusaders converted it into a residence under the name of the 'Palace of Solomon,' and a portion of it was granted to the Knights Templar[335] by Baldwin II. Saladin restored the worship of Islam, and it is now used for the rite _Shaffi_.

We will now proceed to an examination of the exterior and interior of the building itself. The facade has a porch with seven arches[336], corresponding to the seven aisles of the mosque itself. The centre arch is much larger than the others; all are acutely pointed. The form of the battlements crowning the walls, the details of the niches, and the ornamental painting characterise the architecture of this part as Saracenic. On entering the mosque the keeper points out the sepulchre of the sons of Aaron, opposite to the middle door. The central or more ancient part of the building retains traces of a cruciform Christian church, being a nave with two side aisles and a transept[337]; the dimensions of the different parts also agree perfectly with this plan[338]. The walls of the nave are supported by columns bearing Corinthian capitals, which are rather overloaded with ornamental detail, in the usual bad taste of Byzantine art. From these spring pointed arches, and above them are two rows of windows with semicircular heads, of which the lower range is open, the upper built up. The pillars supporting the walls and aisles on each side are square, and very plain, except on their faces to the east, which are relieved by projecting half-columns. The two outermost aisles on each side are much lower than the others, and shew in their rough walls a very different and later style of masonry, thus proving that they were added at a subsequent period. The transept is divided from the nave by a large pointed arch, and at their intersection is a dome, rising from a cylindrical drum supported by four pillars ornamented with shafts of verd antique with Corinthian capitals. The section of the dome is slightly ovoid and the drum has pointed windows, which prove that it must have been wholly rebuilt at a date later than the original foundation of the church. Its walls on the inside are adorned in the Saracenic style with arabesques, flowers, landscapes, and mosaics (executed during the reign of Selim I.

and Solyman). This ma.s.s of ornament, though devoid of taste, when combined with the coloured gla.s.s in the windows, produces an agreeable and at first sight striking effect. Behind the south arch and under the dome in the south wall is the _Mikhereb_ of the Mohammedans, indicating the _Kibla_ or direction of Mecca. This is ornamented with small shafts of porphyry and verd antique; the wall being faced with slabs of very valuable marbles of different colours; the keeper a.s.serts that the black stone in the middle was brought from Mecca, and was taken from that given by G.o.d to Abraham, as a token of His covenant with him. On the right of this is the _Minbar_ or tribune for prayers, a magnificent work in cedar wood, executed in former times by the carvers of Aleppo; it is called _Borkan-ed-din-Khadki_, and to the right of it, is the stone with the print of our Saviour's foot, mentioned above; to speak the truth, it requires a vivid fancy to see the impression. In the arms of the transept are fine columns of granite, verd antique, travertine, and lumach.e.l.lo[339], supporting capitals of different patterns and unquestionable antiquity. In the western arm, on the left hand, are two columns of verd antique, a small distance apart, called by the Mohammedans the 'Columns of Proof,' because, according to our guide, all who enjoy the favour of G.o.d can pa.s.s through the narrow s.p.a.ce between them, but not those who are wicked. The worn state of their inner sides shews the great number of the faithful who have pa.s.sed the test. This arm terminates in a long hall, whose low vaulted roof is supported by pointed arches springing from many-sided pillars; it is called the mosque of Abu-Bekr, but is really an ancient gallery built by the Crusaders. Our guide tells us that in their time it was used as an armoury, which is doubtless the truth, as the mosque _el-Aksa_ itself was converted into a dwelling-house. At the end of the eastern arm is a small vaulted hall, resting on the city wall and lighted by windows commanding a fine view of the slopes of Ophel, part of the Kidron valley, and the Mount of Offence with the village of Siloam. This chamber is supposed to be the place in which Omar prayed for the first time within the walls of the _Haram_: by the spot where he knelt there is a niche, ornamented with two columns of clouded grey marble, which have been inverted by the architect, so that the capitals richly carved with leaves serve as bases. This is called especially the mosque of Omar, as it continued to be the private oratory of the Khalif. On turning back to enter the main building, we see on the right a kind of chapel, wherein is a niche ornamented with marble, called _Bab er-Rahma_ (Gate of Mercy), near it are the _Mikhereb_ of S. John (Baptist) and Zacharias. On quitting the mosque by the great northern door, and turning to the right, we find a flight of steps leading down to the subterranean vaults below it.

These consist of two large corridors running below and parallel to the mosque. The floor slopes from north to south, and near the latter extremity there is a change in the level[340]. At the entrance they are separated by a wall entirely of Arab work, and farther on by an arcade supported by square pillars; the vaulting is not quite circular, being slightly flattened; it is very regular, and composed of stones of moderate dimensions, well chiselled with sharp edges. They are not of an uniform size, but nevertheless perfectly correspond with Roman work, as do the two pillars, and cannot belong to an earlier period; being laid with mortar and with great accuracy. The east wall is formed of oblong blocks, all of moderate dimensions and laid with mortar. The stones are well squared and smoothed by the hammer, without the least trace of rustic work; the surface of the wall is smooth and perpendicular to the ground and cannot be considered anything but Roman masonry. The west wall differs somewhat from the above in the form of its materials; these are large blocks of stone resembling in their size those attributed to the Herodian age. On some the rustic work remains, on others there are but slight traces of it, and after a very minute and careful examination, I think that there has been an attempt to destroy it on all, with the intention of smoothing the face of the wall: these blocks are all laid with mortar, but not arranged in regular courses; and the wall is perpendicular to the ground. It is quite evident that, though materials found among the extensive ruins have been used in constructing this wall, the present building is not of the age of Herod, still less of Solomon, but without doubt of Justinian. At the south end of the vault the two galleries unite, the line of the arcade dividing them being only marked by a large monolithic column and two half-columns; one attached to the last pillar on the north, the other to a wall on the south. The vaulting of this chamber consists of four hemispherical cupolas, divided by arches springing from the central pillar, with a sh.e.l.l ornament on the pendentives. Two doors, still remaining in the south wall, communicated with the outside. The one on the east is the Gate of Huldah, which we noticed during our survey of the exterior, inside it is marked by a marble pillar built into the wall; the other opens into a chamber, and is flanked by two marble pillars with elegant capitals[341]. The east and west walls in this lower portion of the gallery are a continuation of those described above, and of similar masonry; but the face of the south wall which divides the two doors is entirely formed by four great blocks, laid without mortar. This, then, together with the monolith and its capital[342], I consider a fragment of Herod's magnificent building; but I attribute the cupolas in the vaulting and the two doors to Justinian's restoration. It is very probable that the gates and the gallery were built in the days of Solomon, either as an entrance to the Temple from the south, or perhaps as part of the substructure of the palace of Pharaoh's daughter, which may have occupied this position. The whole was, no doubt, destroyed by the Chaldeans and repaired to the best of his ability by Nehemiah. It is very probable that the south gate and the galleries were rebuilt by Herod, when he undertook his great work of the restoration of the Temple, to form a communication between it (especially the Court of the Gentiles) and the south part of the city. We need not suppose that it was entirely destroyed when the Romans razed the sacred buildings, because, though the ruins which fell upon it might injure the vaulting, they would also cover and so preserve it. In the gate at the south extremity we recognise the Middle Gates of Josephus; the position of which is defined by the words of the historian: "the fourth front of the Temple, which was southwards, had gates in the middle[343]." Justinian was, I think, the person who repaired and adorned these gates, and rebuilt the vaults, to support the foundations of his basilica, and serve at the same time for a communication between Moriah and the south part of the city. The east wall of the galleries is underneath the row of pillars, on the east of the first side aisle in the same direction; that is, under one of the outer walls of the ancient basilica; while the west wall is exactly under the line running down the middle of the great nave. The architect must have _rebuilt_ them to serve for this purpose, and not simply availed himself of what was already there, because, as I have already said, the character of the masonry in the walls shews that it is not older than the age of Justinian.

Let us now refer to the account given by Procopius[344], who, after stating that the Emperor Justinian had ordered a Temple, dedicated to the Virgin, to be built at Jerusalem on the most prominent of the hills, goes on to say, "The hills however had not sufficient s.p.a.ce for the completion of the work according to the Emperor's order; but a fourth part of the Temple was deficient, towards the south and the east, just where it is lawful for the priests to perform their rites. Hence the following device was conceived by the persons who had charge of the work--they laid the foundations at the extreme of the flat ground and raised a building of equal height with the rock. When, then, they had brought it as high as the extremity, they placed over the intervening s.p.a.ce arches from the top of the walls, and connected the building with the remainder of the Temple's foundation. In this way the Temple is in part founded on solid rock and in part suspended; the Emperor's power having contrived a s.p.a.ce in addition to the hill." He also states that this is the only building in the city situated in this way. I agree with what the historian says of the want of s.p.a.ce, on the south and east (where the ruined vault was), and that the persons in charge of the work built the side walls as described, but do not believe that they were the first persons to construct them; they found them existing, but in ruins, and made use of the excellent materials which were lying on the spot, to rebuild them to suit their purpose; repairing such parts as they found standing upright and firm.

As I agree in almost every point with the opinion of M. de Vogue, I quote his words[345]: "This gallery is a Byzantine building, and is roofed with two parallel barrel vaults, the inner sides of which are supported by a row of semicircular arches springing from square piers.

The south end is covered by four domes arranged in a square, resting on pendentives; and the four arches dividing and supporting them spring from an isolated central column. This arrangement is characteristic, so that though the end of the building is ancient, and probably of the age of Herod, it is impossible to a.s.sign that date to a vestibule vaulted with domes. This portion of the pa.s.sage has then been rebuilt at a comparatively modern period, namely that of the foundation of the basilica."

The only point on which I differ from the above is, that I believe the monolith, the south wall, and perhaps some portion (in the lower parts) of the side walls of the end gallery to be of the age of Herod. Near the entrance, on the west side, I discovered a dark room; the Arab wall above mentioned has been built to enclose it, and, at the same time, conceal a doorway, leading into an underground pa.s.sage, which runs to the west, and formerly came out inside the city, to the south of the _Mekhemeh_. It is possible that the doorway, half buried in the ground, near the Jews' wailing place, is its other extremity. I endeavoured to clear a pa.s.sage to it, but was prevented by the ma.s.s of rubbish by which it had designedly been blocked up, and obliged to abandon my attempt; the keeper however a.s.sured me that I was right in my conjecture. There is also an aperture in the east wall, now closed with loosely built stones and rubbish, which seems to have been the entrance to a pa.s.sage leading into the vault at the south-east corner of the _Haram_. In the west wall of the western corridor, just before reaching the steps leading down into the chamber of the monolith, is a small arch, rising about four feet above the ground. A Mohammedan tradition a.s.serts this to be the entrance to an underground pa.s.sage, leading to the Tomb of David; it is now however impossible to explore it. There is also a s.p.a.ce in the east wall of the above chamber, formerly occupied by a doorway, which no doubt communicated with a pa.s.sage into the vaults we have already visited, in the south-east corner of the _Haram_; it is exactly in a line with the door I pointed out in them. Hence we see how the stables were reached from inside the enclosure. Opposite to this doorway is another, in the west wall, leading into the vaults below the mosque Abu-Bekr or the armoury of the Templars. These are very likely the underground pa.s.sages in which the Jews took refuge during a riot[346]; that they communicated with Mount Sion seems established by the account given by Josephus[347] of the attempted escape of the tyrant Simon from that place; who appeared on the spot where the Temple had stood, dressed in purple and white, in the hope of terrifying the Roman guard. This is also an additional proof that the architects of Justinian were not the original builders of these vaults.

Returning to the outer air and going towards the south-west angle of the _Haram_ we see the mosque of the Mogarabins, or western Mohammedans. It is a plain edifice without aisles, with some buildings attached to it serving as a hospice for pilgrims; in which Abd-el-Kader resided during his visit to the city in 1857. On the west side of the enclosure are various buildings, chiefly of the dates of the Crusaders, of Saladin, or of Solyman; with a chapel dedicated to _Cobba-Moussa_ (Moses), a fountain for ablutions, and several small edifices which may be seen in the plan.

The mosque _Kubbet es-Sakharah_[348] stands upon an irregular quadrilateral platform, raised above the general level of the _Haram_, consisting almost wholly of rock, and surrounded by a low wall intended (most unsuccessfully) rather for ornament than use. Ab.u.t.ting on it, and in different parts of the platform itself, are several small buildings, crowned with elegant domes, and applied to various uses; some for oratories or schools, or for interviews between the faithful and their spiritual advisers; others for houses for the readers of the Koran, dervishes, and the keepers of the mosque; others again for stores. Two or three flights of steps on each side lead up to the platform, which is regarded by the Mohammedans as a sacred place. The number of steps in each flight is not the same, owing to the differences of level in the general surface of the _Haram_. They are made of white Palestine breccia, and at the head of each stands an elegant arcade of pointed arches, with columns of different materials, such as granite, or verd antique, or marble of less value; these generally differ both in height and diameter, in their bases and in the patterns of their capitals.

Hence I am led to suppose that they formerly belonged to one of the Christian churches, which the Mohammedans destroyed and robbed of their ornaments to decorate their own sanctuary. These slender structures are not all alike; some have four arches and three columns, others six or seven arches with a corresponding number of columns; but their general effect is very good. The whole of the platform is paved with large slabs of white Palestine breccia, concealing the rough surface of the rock; which I saw underneath when some slight repairs were in progress, and also in the houses ab.u.t.ting on the wall, and in the cisterns; there is therefore no doubt that this is the actual summit of Moriah.

From this esplanade there is a fine view of the mosque[349], a structure whose lightness, elegance, and richness is surpa.s.sed by very few. Its plan is very simple: a circular drum, rising above a regular octagonal base, supports a pointed dome, whose form is enough to characterise the building as Saracenic. The upper part of the dome is slightly pointed, while the lower is almost imperceptibly contracted. Its gracefulness is thus increased, without loss of grandeur. It is covered with zinc; the drum is inlaid with small glazed tiles of different colours (called Damascenes by the Levantines), which, being made expressly for the purpose, bear on them arabesques and maxims from the Koran with other inscriptions, standing out clearly from a blue background. The octagon is faced with slabs of veined white marble for a height of five feet from the ground; and then incrusted with coloured bricks, which terminate in a cornice covered with Arabic inscriptions. The south-west face of the octagon is uncovered, and exposes the original rough wall; whose stones and masonry prove that the whole, without exception, is the work of Saracenic artists. All the doors and windows are pointed; but their original shape was slightly altered during the restorations in the sixteenth and seventeenth centuries; especially in the case of the windows of the drum, whose outside moulding is now square.

Opposite to the Gate of David (on the east side) is a small building with a dodecagonal dome, supported by columns of valuable marbles with very old capitals. Their bases are of different heights, to compensate for the inequality in the length of the shafts. It is called _Kubbet es-Silsileh_ (the dome of the chain) or _Kubbet el-Berareh_ (the dome of justice), being, according to Mohammedan tradition, the site of the judgement seat of David, to which he will return on the Last Day[350].

After stamping on the floor and carefully examining the interior of this edifice, I have come to the conclusion that there is a vault below it, in the middle, which however is of no great size, and is very probably part of a conduit. The south door has a porch supported by eight columns of verd antique with Corinthian capitals; on the west, near to this, the Santon points out a slab of veined marble called 'the Bird of Solomon[351].'