Jean-Christophe Part 27

"The will," thought Christophe bitterly. "So then, G.o.d will exist because I will Him to exist? So then, death will not exist, because it pleases me to deny it!... Alas! How easy life is to those who have no need to see the truth, to those who can see what they wish to see, and are forever forging pleasant dreams in which softly to sleep!" In such a bed, Christophe knew well that be would never sleep....

Leonard went on talking. He had fallen back on his favorite subject, the sweets of the contemplative life, and once on this neutral ground, he was inexhaustible. In his monotonous voice, that shook with the pleasure in him, he told of the joys of the life in G.o.d, outside, above the world, far from noise, of which he spoke in a sudden tone of hatred (he detested it almost as much as Christophe), far from violence, far from frivolity, far from the little miseries that one has to suffer every day, in the warm, secure nest of faith, from which you can contemplate in peace the wretchedness of a strange and distant world. And as Christophe listened, he perceived the egoism of that faith. Leonard saw that. He hurriedly explained: the contemplative life was not a lazy life. On the contrary, a man is more active in prayer than in action. What would the world be without prayer? You expiate the sins of others, you bear the burden of their misdeeds, you offer up your talents, you intercede between the world and G.o.d.

Christophe listened in silence with increasing hostility. He was conscious of the hypocrisy of such renunciation in Leonard. He was not unjust enough to a.s.sume hypocrisy in all those who believe. He knew well that with a few, such abdication of life comes from the impossibility of living, from a bitter despair, an appeal to death,--that with still fewer, it is an ecstasy of pa.s.sion.... (How long does it last?).... But with the majority of men is it not too often the cold reasoning of souls more busied with their own ease and peace than with the happiness of others, or with truth?

And if sincere men are conscious of it, how much they must suffer by such profanation of their ideal!...

Leonard was quite happy, and now set forth the beauty and harmony of the world, seen from the loftiness of the divine roost: below all was dark, unjust, sorrowful; seen from on high, it all became clear, luminous, ordered: the world was like the works of a clock, perfectly ordered....

Now Christophe only listened absently. He was asking himself: "Does he believe, or does he believe that he believes?" And yet his own faith, his own pa.s.sionate desire for faith was not shaken. Not the mediocrity of soul, and the poverty of argument of a fool like Leonard could touch that....

Night came down over the town. The seat on which they were sitting was in darkness: the stars shone out, a white mist came up from the river, the crickets chirped under the trees in the cemetery. The bells began to ring: first the highest of them, alone, like a plaintive bird, challenging the sky: then the second, a third lower, joined in its plaint: at last came the, deepest, on the fifth, and seemed to answer them. The three voices were merged in each other. At the bottom of the towers there was a buzzing, as of a gigantic hive of bees. The air and the boy's heart quivered.

Christophe held his breath, and thought how poor was the music of musicians compared with such an ocean of music, with all the sounds of thousands of creatures: the former, the free world of sounds, compared with the world tamed, catalogued, coldly labeled by human intelligence. He sank and sank into that sonorous and immense world without continents or bounds....

And when the great murmuring had died away, when the air had ceased at last to quiver, Christophe woke up. He looked about him startled.... He knew nothing. Around him and in him everything was changed. There was no G.o.d....

As with faith, so the loss of faith is often equally a flood of grace, a sudden light. Reason counts for nothing: the smallest thing is enough--a word, silence, the sound of bells. A man walks, dreams, expects nothing.

Suddenly the world crumbles away. All about him is in ruins. He is alone.

He no longer believes.

Christophe was terrified, and could not understand how it had come about.

It was like the flooding of a river in the spring....

Leonard's voice was still sounding, more monotonous than the voice of a cricket. Christophe did not hear it: he heard nothing. Night was fully come. Leonard stopped. Surprised to find Christophe motionless, uneasy because of the lateness of the hour, he suggested that they should go home.

Christophe did not reply. Leonard took his arm. Christophe trembled, and looked at Leonard with wild eyes.

"Christophe, we must go home," said Leonard.

"Go to h.e.l.l!" cried Christophe furiously.

"Oh! Christophe! What have I done?" asked Leonard tremulously. He was dumfounded.

Christophe came to himself.

"Yes. You are right," he said more gently. "I do not know what I'm saying.

Go to G.o.d! Go to G.o.d!"

He was alone. He was in bitter distress.

"Ah! my G.o.d! my G.o.d!" he cried, wringing his hands, pa.s.sionately raising his face to the dark sky. "Why do I no longer believe? Why can I believe no more? What has happened to me?..."

The disproportion between the wreck of his faith and the conversation that he had just had with Leonard was too great: it was obvious that the conversation had no more brought it about than that the boisterousness of Amalia's gabble and the pettiness of the people with whom he lived were not the cause of the upheaval which for some days had been taking place in his moral resolutions. These were only pretexts. The uneasiness had not come from without. It was within himself. He felt stirring in his heart monstrous and unknown things, and he dared not rely on his thoughts to face the evil. The evil? Was it evil? A languor, an intoxication, a voluptuous agony filled all his being. He was no longer master of himself. In vain he sought to fortify himself with his former stoicism. His whole being crashed down. He had a sudden consciousness of the vast world, burning, wild, a world immeasurable.... How it swallows up G.o.d!

Only for a moment. But the whole balance of his old life was in that moment destroyed.

There was only one person in the family to whom Christophe paid no attention: this was little Rosa. She was not beautiful: and Christophe, who was far from beautiful himself, was very exacting of beauty in others. He had that calm, cruelty of youth, for which a woman does not exist if she be ugly,--unless she has pa.s.sed the age for inspiring tenderness, and there is then no need to feel for her anything but grave, peaceful, and quasi-religious sentiments. Rosa also was not distinguished by any especial gift, although she was not without intelligence: and she was cursed with a chattering tongue which drove Christophe from her. And he had never taken the trouble to know her, thinking that there was in her nothing to know; and the most he ever did was to glance at her.

But she was of better stuff than most girls: she was certainly better than Minna, whom he had so loved. She was a good girl, no coquette, not at all vain, and until Christophe came it had never occurred to her that she was plain, or if it had, it had not worried her: for none of her family bothered about it. Whenever her grandfather or her mother told her so out of a desire to grumble, she only laughed: she did not believe it, or she attached no importance to it; nor did they. So many others, just as plain, and more, had found some one to love them! The Germans are very mildly indulgent to physical imperfections: they cannot see them: they are even able to embellish them, by virtue of an easy imagination which finds unexpected qualities in the face of their desire to make them like the most ill.u.s.trious examples of human beauty. Old Euler would not have needed much urging to make him declare that his granddaughter had the nose of the Juno Ludovisi. Happily he was too grumpy to pay compliments: and Rosa, unconcerned about the shape of her nose, had no vanity except in the accomplishment, with all the ritual, of the famous household duties. She had accepted as Gospel all that she had been taught. She hardly ever went out, and she had very little standard of comparison; she admired her family navely, and believed what they said. She was of an expansive and confiding nature, easily satisfied, and tried to fall in with the mournfulness of her home, and docilely used to repeat the pessimistic ideas which she heard.

She was a creature of devotion--always thinking of others, trying to please, sharing anxieties, guessing at what others wanted; she had a great need of loving without demanding anything in return. Naturally her family took advantage of her, although they were kind and loved her: but there is always a temptation to take advantage of the love of those who are absolutely delivered into your hands. Her family were so sure of her attentions that they were not at all grateful for them: whatever she did, they expected more. And then, she was clumsy; she was awkward and hasty; her movements were jerky and boyish; she had outbursts of tenderness which used to end in disaster: a broken gla.s.s, a jug upset, a door slammed to: things which let loose upon her the wrath of everybody in the house. She was always being snubbed and would go and weep in a corner. Her tears did not last long. She would soon smile again, and begin to chatter without a suspicion of rancor against anybody.

Christophe's advent was an important event in her life. She had often heard of him. Christophe had some place in the gossip of the town: he was a sort of little local celebrity: his name used often to recur in the family conversation, especially when old Jean Michel was alive, who, proud of his grandson, used to sing his praises to all of his acquaintance. Rosa had seen the young musician once or twice at concerts. When she heard that he was coming to live with them, she clapped her hands. She was sternly rebuked for her breach of manners and became confused. She saw no harm in it. In a life so monotonous as hers, a new lodger was a great distraction.

She spent the last few days before his arrival in a fever of expectancy.

She was fearful lest he should not like the house, and she tried hard to make every room as attractive as possible. On the morning of his arrival, she even put a little bunch of flowers on the mantelpiece to bid him welcome. As to herself, she took no care at all to look her best; and one glance was enough to make Christophe decide that she was plain, and slovenly dressed. She did not think the same of him, though she had good reason to do so: for Christophe, busy, exhausted, ill-kempt, was even more ugly than usual. But Rosa, who was incapable of thinking the least ill of anybody, Rosa, who thought her grandfather, her father, and her mother, all perfectly beautiful, saw Christophe exactly as she had expected to see him, and admired him with all her heart. She was frightened at sitting next to him at table; and unfortunately her shyness took the shape of a flood of words, which at once alienated Christophe's sympathies. She did not see this, and that first evening remained a shining memory in her life. When she was alone in her room, after, they had all gone upstairs, she heard the tread of the new lodgers as they walked over her head; and the sound of it ran joyously through her; the house seemed to her to taken new life.

The next morning for the first time in her life she looked at herself in the mirror carefully and: uneasily, and without exactly knowing the extent of her misfortune she began to be conscious of it. She tried to decide about her features, one by one; but she could not. She was filled with sadness and apprehension. She sighed deeply, and thought of introducing certain changes in her toilet, but she only made herself look still more plain. She conceived the unlucky idea of overwhelming Christophe with her kindness. In her nave desire to be always seeing her new friends, and doing them service, she was forever going up and down the stairs, bringing them some utterly useless thing, insisting on helping them, and always laughing and talking and shouting. Her zeal and her stream of talk could only be interrupted by her mother's impatient voice calling her. Christophe looked grim; but for his good resolutions he must have lost his temper quite twenty times. He restrained himself for two days; on the third, he locked his door. Rosa knocked, called, understood, went downstairs in dismay, and did not try again. When he saw her he explained that he was very busy and could not be disturbed. She humbly begged his pardon. She could not deceive herself as to the failure of her innocent advances: they had accomplished the opposite of her intention: they had alienated Christophe. He no longer took the trouble to conceal his ill-humor; he did not listen when she talked, and did not disguise his impatience. She felt that her chatter irritated him, and by force of will she succeeded in keeping silent for a part of the evening: but the thing was stronger than herself: suddenly she would break out again and her words would tumble over each other more tumultuously than ever. Christophe would leave her in the middle of a sentence. She was not angry with him. She was angry with herself. She thought herself stupid, tiresome, ridiculous: all her faults a.s.sumed enormous proportions and she tried to wrestle with them: but she was discouraged by the check upon her first attempts, and said to herself that she could not do it, that she was not strong enough. But she would try again.

But there were other faults against which she was powerless: what could she do against her plainness? There was no doubt about it. The certainty of her misfortune had suddenly been revealed to her one day when she was looking at herself in the mirror; it came like a thunderclap. Of course she exaggerated the evil, and saw her nose as ten times larger than it was; it seemed to her to fill all her face; she dared not show herself; she wished to die. But there is in youth such a power of hope that these fits of discouragement never lasted long: she would end by pretending that she had been mistaken; she would try to believe it, and for a moment or two would actually succeed in thinking her nose quite ordinary and almost shapely.

Her instinct made her attempt, though very clumsily, certain childish tricks, a way of doing her hair so as not so much to show her forehead and so accentuate the disproportion of her face. And yet, there was no coquetry in her; no thought of love had crossed her mind, or she was unconscious of it. She asked little: nothing but a little friendship: but Christophe did not show any inclination to give her that little. It seemed to Rosa that she would have been perfectly happy had he only condescended to say good-day when they met. A friendly good-evening with a little kindness. But Christophe usually looked so hard and so cold! It chilled her. He never said anything disagreeable to her, but she would rather have had cruel reproaches than such cruel silence.

One evening Christophe was playing his piano. He had taken up his quarters in a little attic at the top of the house so as not to be so much disturbed by the noise. Downstairs Rosa was listening to him, deeply moved. She loved music though her taste was bad and unformed. While her mother was there, she stayed in a corner of the room and bent over her sewing, apparently absorbed in her work; but her heart was with the sounds coming from upstairs, and she wished to miss nothing. As soon as Amalia went out for a walk in the neighborhood, Rosa leaped to her feet, threw down her sewing, and went upstairs with her heart beating until she came to the attic door.

She held her breath and laid her ear against the door. She stayed like that until Amalia returned. She went on tiptoe, taking care to make no noise, but as she was not very sure-footed, and was always in a hurry, she was always tripping upon the stairs; and once while she was listening, leaning forward with her cheek glued to the keyhole, she lost her balance, and banged her forehead against the door. She was so alarmed that she lost her breath. The piano stopped dead: she could not escape. She was getting up when the door opened. Christophe saw her, glared at her furiously, and then without a word, brushed her aside, walked angrily downstairs, and went out.

He did not return until dinner time, paid no heed to the despairing looks with which she asked his pardon, ignored her existence, and for several weeks he never played at all. Rosa secretly shed many tears; no one noticed it, no one paid any attention to her. Ardently she prayed to G.o.d ... for what? She did not know. She had to confide her grief in some one. She was sure that Christophe detested her.

And, in spite of all, she hoped. It was enough for her if Christophe seemed to show any sign of interest in her, if he appeared to listen to what she said, if he pressed her hand with a little more friendliness than usual....

A few imprudent words from her relations set her imagination off upon a false road.

The whole family was filled with sympathy for Christophe. The big boy of sixteen, serious and solitary, who had such lofty ideas of his duty, inspired a sort of respect in them all. His fits of ill-temper, his obstinate silences, his gloomy air, his brusque manner, were not surprising in such a house as that. Frau Vogel, herself, who regarded every artist as a loafer, dared not reproach him aggressively, as she would have liked to do, with the hours that he spent in star-gazing in the evening, leaning, motionless, out of the attic window overlooking the yard, until night fell; for she knew that during the rest of the day he was hard at work with his lessons; and she humored him--like the rest--for an ulterior motive which no one expressed though everybody knew it.

Rosa had seen her parents exchanging looks and mysterious whisperings when she was talking to Christophe. At first she took no notice of it. Then she was puzzled and roused by it; she longed to know what they were saying, but dared not ask.

One evening when she had climbed on to a garden seat to untie the clothes-line hung between two trees, she leaned on Christophe's shoulder to jump down. Just at that moment her eyes met her grandfather's and her father's; they were sitting smoking their pipes, and leaning against the wall of the house. The two men winked at each other, and Justus Euler said to Vogel:

"They will make a fine couple."

Vogel nudged him, seeing that the girl was listening, and he covered his remark very cleverly--(or so he thought)--with a loud "Hm! hm!" that could have been heard twenty yards away. Christophe, whose back was turned, saw nothing, but Rosa was so bowled over by it that she forgot that she was jumping down, and sprained her foot. She would have fallen had not Christophe caught her, muttering curses on her clumsiness. She had hurt herself badly, but she did not show it; she hardly thought of it; she thought only of what she had just heard. She walked to her room; every step was agony to her; she stiffened herself against it so as not to let it be seen. A delicious, vague uneasiness surged through her. She fell into a chair at the foot of her bed and hid her face in the coverlet. Her cheeks were burning; there were tears in her eyes, and she laughed. She was ashamed, she wished to sink into the depths of the earth, she could not fix her ideas; her blood beat in her temples, there were sharp pains in her ankle; she was in a feverish stupor. Vaguely she heard sounds outside, children crying and playing in the street, and her grandfather's words were ringing in her ears; she was thrilled, she laughed softly, she blushed, with her face buried in the eiderdown: she prayed, gave thanks, desired, feared--she loved.

Her mother called her. She tried to get up. At the first step she felt a pain so unbearable that she almost fainted; her head swam. She thought she was going to die, she wished to die, and at the same time she wished to live with all the forces of her being, to live for the promised happiness.

Her mother came at last, and the whole household was soon excited. She was scolded as usual, her ankle was dressed, she was put to bed, and sank into the sweet bewilderment of her physical pain and her inward joy. The night was sweet.... The smallest memory of that dear evening was hallowed for her. She did not think of Christophe, she knew not what she thought. She was happy.

The next day, Christophe, who thought himself in some measure responsible for the accident, came to make inquiries, and for the first time he made some show of affection for her. She was filled with grat.i.tude, and blessed her sprained ankle. She would gladly have suffered all her life, if, all her life, she might have such joy.--She had to lie down for several days and never move; she spent them in turning over and over her grandfather's words, and considering them. Had he said:

"They will...."

Or:

"They would ...?"

But it was possible that he had never said anything of this kind?--Yes. He had said it; she was certain of it.... What! Did they not see that she was ugly, and that Christophe could not bear her?... But it was so good to hope! She came to believe that perhaps she had been wrong, that she was not as ugly as she thought; she would sit up on her sofa to try and see herself in the mirror on the wall opposite, above the mantelpiece; she did not know what to think. After all, her father and her grandfather were better judges than herself; people cannot tell about themselves.... Oh! Heaven, if it were possible!... If it could be ... if, she never dared think it, if ...

if she were pretty!... Perhaps, also, she had exaggerated Christophe's antipathy. No doubt he was indifferent, and after the interest he had shown in her the day after the accident did not bother about her any more; he forgot to inquire; but Rosa made excuses for him, he was so busy! How should he think of her? An artist cannot be judged like other men....

And yet, resigned though she was, she could not help expecting with beating heart a word of sympathy from him when he came near her. A word only, a look ... her imagination did the rest. In the beginning love needs so little food! It is enough to see, to touch as you pa.s.s; such a power of dreams flows from the soul in such moments, that almost of itself it can create its love: a trifle can plunge it into ecstasy that later, when it is more satisfied, and in proportion more exacting, it will hardly find again when at last it does possess the object of its desire.--Rosa lived absolutely, though no one knew it, in a romance of her own fashioning, pieced together by herself: Christophe loved her secretly, and was too shy to confess his love, or there was some stupid reason, fantastic or romantic, delightful to the imagination of the sentimental little ninny.

She fashioned endless stories, and all perfectly absurd; she knew it herself, but tried not to know it; she lied to herself voluptuously for days and days as she bent over her sewing. It made her forget to talk: her flood of words was turned inward, like a river which suddenly disappears underground. But then the river took its revenge. What a debauch of speeches, of unuttered conversations which no one heard but herself!

Sometimes her lips would move as they do with people who have to spell out the syllables to themselves as they read so as to understand them.

When her dreams left her she was happy and sad. She knew that things were not as she had just told herself: but she was left with a reflected happiness, and had greater confidence for her life. She did not despair of winning Christophe.