Jasmin: Barber, Poet, Philanthropist Part 8

Jasmin occasionally varied his readings by singing or chaunting the songs which occurred in certain parts of his poems. This, together with his eloquence, gave such immense vital power to the recitations of the Agenaise bard.

And we shall find, from the next chapter, that Jasmin used his pathetic eloquence for very n.o.ble,--one might almost say, for divine purposes.

Endnotes for Chapter VII.

{1} The translation appeared in 'Bentley's Miscellany' for March 1840.

It was published for a charitable purpose. Mrs. Craven, in her 'Life of Lady Georgiana Fullerton,' says: "It was put in at once, and its two hundred and seventy lines brought to the author twelve guineas on the day on which it appeared. Lady Fullerton was surprised and delighted.

All her long years of success, different indeed in degree, never effaced the memory of the joy."

{2} The refrain, in the original Gascon, is as follows:

"Las carreros diouyon flouri, Tan belo n.o.bio bay sourti; Diouyon flouri, diouyon graua, Tan belo n.o.bio bay pa.s.sa!"

{3} In Gascon:

"Las carreros diouyon gemi, Tan belo morto bay sourti!

Diouyon gemi, diouyon ploura, Tan belo morto bay pa.s.sa!"

{4} in Gascon:

"Jour per aoutres, toutjour! et per jou, malhurouzo, Toutjour ney, toutjour ney!

Que fay negre len d'el! Oh! que moun amo es tristo!"

{5} Sainte-Beuve: 'Causeries du Lundi,' iv. 240-1 (edit. 1852); and 'Portraits Contemporains,' ii. 61 (edit, 1847).

CHAPTER VIII. JASMIN AS PHILANTHROPIST.

It is now necessary to consider Jasmin in an altogether different character--that of a benefactor of his species. Self-sacrifice and devotion to others, forgetting self while spending and being spent for the good of one's fellow creatures, exhibit man in his n.o.blest characteristics. But who would have expected such virtues to be ill.u.s.trated by a man like Jasmin, sprung from the humblest condition of life?

Charity may be regarded as a universal duty, which it is in every person's power to practise. Every kind of help given to another, on proper motives, is an act of charity; and there is scarcely any man in such a straitened condition as that he may not, on certain occasions, a.s.sist his neighbour. The widow that gives her mite to the treasury, the poor man that brings to the thirsty a cup of cold water, perform their acts of charity, though they may be of comparatively little moment.

Wordsworth, in a poetic gem, described the virtue of charity:

"... Man is dear to man; the poorest poor Long for some moments in a weary life When they can know and feel that they have been, Themselves, the fathers and the dealers out Of some small blessings, have been kind to such As needed kindness, for the single cause That we have all of us one human heart."

This maxim of Wordsworth's truly describes the life and deeds of Jasmin.

It may be said that he was first incited to exert himself on behalf of charity to his neighbours, by the absence of any Poor Law in France such as we have in England. In the cases of drought, when the crops did not ripen; or in the phylloxera blights, when the grapes were ruined; or in the occasional disastrous floods, when the whole of the agricultural produce was swept away; the small farmers and labourers were reduced to great distress. The French peasant is usually very thrifty; but where acc.u.mulated savings were not available for relief, the result, in many cases, was widespread starvation.

Jasmin felt that, while himself living in the midst of blessings, he owed a duty, on such occasions, to the extreme necessities of his neighbours. The afflicted could not appeal to the administrators of local taxes; all that they could do was to appeal to the feelings of the benevolent, and rely upon local charity. He believed that the extremely poor should excite our liberality, the miserable our pity, the sick our a.s.sistance, the ignorant our instruction, and the fallen our helping hand.

It was under such circ.u.mstances that Jasmin consented to recite his poems for the relief of the afflicted poor. His fame had increased from year to year. His songs were sung, and his poems were read, all over the South of France. When it was known that he was willing to recite his poems for charitable purposes he was immediately a.s.sailed with invitations from far and near.

When bread fell short in winter-time, and the poor were famished; when an hospital for the needy was starving for want of funds; when a creche or infants' asylum had to be founded; when a school, or an orphanage, had to be built or renovated, and money began to fail, an appeal was at once made to Jasmin's charitable feelings.

It was not then usual for men like Jasmin to recite their poems in public. Those who possessed his works might recite them for their own pleasure. But no one could declaim them better than he could, and his personal presence was therefore indispensable.

It is true, that about the same time Mr. d.i.c.kens and Mr. Thackeray were giving readings from their works in England and America. Both readers were equally popular; but while they made a considerable addition to their fortunes,{1} Jasmin realised nothing for himself; all that was collected at his recitations was given to the poor.

Of course, Jasmin was received with enthusiasm in those towns and cities which he visited for charitable purposes. When it was known that he was about to give one of his poetical recitals, the artisan left his shop, the blacksmith his smithy, the servant her household work; and the mother often shut up her house and went with her children to listen to the marvelous poet. Young girls spread flowers before his pathway; and lovely women tore flowers from their dresses to crown their beloved minstrel with their offerings.

Since his appearance at Bordeaux, in 1835, when he recited his Blind Girl for a charitable purpose, he had been invited to many meetings in the neighbourhood of Agen, wherever any worthy inst.i.tution had to be erected or a.s.sisted. He continued to write occasional verses, though not of any moment, for he was still dreaming of another masterpiece.

All further thoughts of poetical composition were, however, dispelled, by the threatened famine in the Lot-et-Garonne. In the winter of 1837 bread became very dear in the South of France. The poor people were suffering greatly, and the usual appeal was made to Jasmin to come to their help. A concert was advertised to be given at Tonneins, a considerable town to the north-west of Agen, when the local musicians were to give their services, and Jasmin was to recite a poem.

For this purpose he composed his 'Charity' (La Caritat). It was addressed to the ladies and musicians who a.s.sisted at the entertainment.

Charity is a short lyrical effusion, not so much a finished poem as the utterings of a tender heart. Though of some merit, it looks pale beside The Blind Girl. But his choice of the subject proved a forecast of the n.o.ble uses which Jasmin was afterwards enabled to make of his poetical talents.

Man, he said in his verses, is truly great, chiefly through his charity.

The compa.s.sionate man, doing his works of benevolence, though in secret, in a measure resembles the Divine Author of his being. The following is the introductory pa.s.sage of the poem:--

"As we behold at sea great ships of voyagers Glide o'er the waves to billows white with spray, And to another world the hardy travellers convey; Just as bold savants travel through the sky To ill.u.s.trate the world which they espy, Men without ceasing cry, 'How great is man!'

But no! Great G.o.d! How infinitely little he!

Has he a genius? 'Tis nothing without goodness!

Without some grace, no grandeur do we rate.

It is the tender-hearted who show charity in kindness.

Unseen of men, he hides his gift from sight, He does all that he owes in silent good, Like the poor widow's mite; Yet both are great, Great above all--great as the Grace of G.o.d."

This is, of course, a very feeble attempt to render the words of Jasmin.

He was most pathetic when he recounted the sorrows of the poor. While doing so, he avoided exciting their lower instincts. He disavowed all envy of the goods of others. He maintained respect for the law, while at the same time he exhorted the rich to have regard for their poorer brethren. "It is the glory of the people," he said at a meeting of workmen, "to protect themselves from evil, and to preserve throughout their purity of character."

This was the spirit in which Jasmin laboured. He wrote some other poems in a similar strain--'The Rich and Poor,' 'The Poor Man's Doctor,' 'The Rich Benefactor' (Lou Boun Riche); but Jasmin's own Charity contained the germ of them all. He put his own soul into his poems. At Tonneins, the emotion he excited by his reading of Charity was very great, and the subscriptions for the afflicted poor were correspondingly large.

The munic.i.p.ality never forgot the occasion; and whenever they became embarra.s.sed by the poverty of the people, they invariably appealed to Jasmin, and always with the same success. On one occasion the Mayor wrote to him: "We are still under the charm of your verses; and I address you in the name of the poor people of Tonneins, to thank you most gratefully for the charitable act you have done for their benefit.

The evening you appeared here, sir, will long survive in our memory. It excited everywhere the most lively grat.i.tude. The poor enjoyed a day of happiness, and the rich enjoyed a day of pleasure, for nothing can be more blessed than Charity!"

Jasmin, in replying to this letter, said: "Christ's words were, 'Ye have the poor always with you'; in p.r.o.nouncing this fact, he called the world to deeds of charity, and inst.i.tuted this admirable joint responsibility (solidarite), in virtue of which each man should fulfil the duty of helping his poorer neighbours. It is this responsibility which, when the cry of hunger or suffering is heard, is most instrumental in bringing all generous souls to the front, in order to create and multiply the resources of the poor."

Jasmin's success at Tonneins led to numerous invitations of a like character. "Come over and help us," was the general cry during that winter of famine. The barber's shop was invaded by numerous deputations; and the postman was constantly delivering letters of invitation at his door. He was no longer master of his time, and had considerable difficulty in attending to his own proper business. Sometimes his leisure hours were appropriated six months beforehand; and he was often peremptorily called upon to proceed with his philanthropic work.

When he could find time enough to spare from his business, he would consent to give another recitation. When the distance was not great he walked, partly for exercise, and partly to save money. There were few railways in those days, and hiring a conveyance was an expensive affair.

Besides, his desire always was, to hand over, if possible, the whole of the receipts to the charitable inst.i.tutions for whose benefit he gave his recitations.

The wayfaring poet, on his approach to the town in which he was to appear, was usually met by crowds of people. They received him with joy and acclamation. The magistrates presented him with a congratulatory address. Deputations from neighbouring towns were present at the celebration. At the entrance to the town Jasmin often pa.s.sed under a triumphal arch, with "Welcome, Jasmin! our native poet!" inscribed upon it. He was conveyed, headed by the local band, to the hall where he was to give his recitation.

Jasmin's appearance at Bergerac was a great event. Bergerac is a town of considerable importance, containing about fourteen thousand inhabitants, situated on the right or north bank of the river Dordogne. But during that terrible winter the poor people of Bergerac were in great distress, and Jasmin was summoned to their help. The place was at too great a distance from Agen for him to walk thither, and accordingly he was obliged to take a conveyance. He was as usual met by a mult.i.tude of people, who escorted him into the town.

The magistrates could not find a place sufficiently large to give accommodation to the large number of persons who desired to hear him.

At length they found a large building which had been used as a barn; and there they raised a platform for the poet. The place was at once filled, and those who could not get admission crowded about the entrance. Some of the people raised ladders against the walls of the building, and clambered in at the windows. Groups of auditors were seen at every place where they could find a footing. Unfortunately the weather was rainy, and a crowd of women filled the surrounding meadow, sheltered by their umbrellas.

More than five hundred persons had not been able to find admission, and it was therefore necessary for Jasmin to give several more readings to satisfy the general enthusiasm. All the receipts were given over by Jasmin for the benefit of the poor, and the poet hurried home at once to his shaving and hair-dressing.

On another occasion, at Gontaud, the weather was more satisfactory. The day was fine and sunny, and the ground was covered with flowers. About the time that Jasmin was expected, an open carriage, festooned with flowers, and drawn by four horses, was sent to the gate of the town, escorted by the munic.i.p.al council, to wait for the poet. When he arrived on foot for the place was at no great distance from Agen twelve young girls, clothed in white, offered him a bouquet of flowers, and presented him with an address. He then entered the carriage and proceeded to the place where he was to give his recitation. All went well and happily, and a large offering was collected and distributed amongst the poor.

Then at Damazan, where he gave another reading for the same purpose, after he had entered the carriage which was to convey him to the place of entertainment, a number of girls preceded the carriage in which the poet sat, and scattered flowers in his way, singing a refrain of the country adapted to the occasion. It resembled the refrain sung before the bride in The Blind Girl of Castel-Cuille:

"The paths with flowers bestrew, So great a poet comes this way; For all should flower and bloom anew, So great a poet comes to-day."{2}