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[Footnote 20: The color of purple typifies, and is emblematical of, love.]

[Footnote 21: A body of men who resembled "Gentlemen-at-arms," and a part of whose duty it was to attend to the falcons.]

CHAPTER II

THE BROOM-LIKE TREE

Hikal Genji--the name is singularly well known, and is the subject of innumerable remarks and censures. Indeed, he had many intrigues in his lifetime, and most of them are vividly preserved in our memories. He had always striven to keep all these intrigues in the utmost secrecy, and had to appear constantly virtuous. This caution was observed to such an extent that he scarcely accomplished anything really romantic, a fact which Katano-no-Shioshio[22] would have ridiculed.

Even with such jealous watchfulness, secrets easily transpire from one to another; so loquacious is man! Moreover, he had unfortunately from nature a disposition of not appreciating anything within easy reach, but of directing his thought in undesirable quarters, hence sundry improprieties in his career.

Now, it was the season of continuous rain (namely, the month of May), and the Court was keeping a strict Monoimi.[23] Genji, who had now been made a Chiujio,[24] and who was still continuing his residence in the Imperial Palace, was also confined to his apartments for a considerable length of time. His father-in-law naturally felt for him, and his sons were sent to bear him company. Among these, Kurand Shioshio, who was now elevated to the post of To-no-Chiujio, proved to be the most intimate and interesting companion. He was married to the fourth daughter of the Udaijin, but being a man of lively disposition, he, too, like Genji, did not often resort to the mansion of the bride.

When Genji went to the Sadaijin's he was always his favorite a.s.sociate; they were together in their studies and in their sports, and accompanied each other everywhere. And so all stiffness and formality were dispensed with, and they did not scruple to reveal their secrets to each other.

It was on an evening in the above-mentioned season. Rain was falling drearily. The inhabitants of the Palace had almost all retired, and the apartment of Genji was more than usually still. He was engaged in reading near a lamp, but at length mechanically put his book aside, and began to take out some letters and writings from a bureau which stood on one side of the room. To-no-Chiujio happened to be present, and Genji soon gathered from his countenance that he was anxious to look over them.

"Yes," said Genji; "some you may see, but there may be others!"

"Those others," retorted To-no-Chiujio, "are precisely those which I wish to see; ordinary ones, even your humble servant may have received. I only long to look upon those which may have been written by fair hands, when the tender writer had something to complain of, or when in twilight hour she was outpouring all her yearning!"

Being so pressed, Genji allowed his brother-in-law to see them all. It is, however, highly probable that any very sacred letters would not have been loosely deposited in an ordinary bureau; and these would therefore seem, after all, to have been of second-rate importance.

"What a variety," said To-no-Chiujio, as he turned them over, and he asked several questions guessingly about this or that. About some he guessed correctly, about others he was puzzled and suspicious.[25]

Genji smiled and spoke little, only making some obscure remark, and continuing as he took the letters: "but _you_, surely, must have collected many. Will not you show me some? And then my bureau also may open more easily."

"You do not suppose that I have any worth reading, do you?" replied To-no-Chiujio. "I have only just now discovered," continued he, "how difficult it is to meet with a fair creature, of whom one can say, 'This is, indeed, _the_ one; here is, at last, perfection.' There are, indeed, many who fascinate; many who are ready with their pens, and who, when occasion may require, are quick at repartee. But how often such girls as these are conceited about their own accomplishments, and endeavor unduly to disparage those of others! There are again some who are special pets of their parents, and most jealously watched over at home. Often, no doubt, they are pretty, often graceful; and frequently they will apply themselves with effect to music and to poetry, in which they may even attain to special excellence. But then, their friends will keep their drawbacks in the dark, and eulogize their merits to the utmost. If we were to give full credence to this exaggerated praise, we could not but fail in every single instance to be more or less disappointed."

So saying To-no-Chiujio paused, and appeared as if he were ashamed of having such an experience, when Genji smilingly remarked, "Can any one of them, however, exist without at least one good point?"

"Nay, were there any so little favored as that, no one would ever be misled at all!" replied To-no-Chiujio, and he continued, "In my opinion, the most and the least favored are in the same proportion. I mean, they are both not many. Their birth, also, divides them into three cla.s.ses. Those, however, who are especially well born, are often too jealously guarded, and are, for the most part, kept secluded from the outside gaze, which frequently tends to make their deportment shy and timid. It is those of the middle cla.s.s, who are much more frequently seen by us, who afford us most chance of studying their character. As for the lower cla.s.s, it would be almost useless to trouble ourselves with them."

Thus To-no-Chiujio appeared to be thoroughly at home in his description of the merits of the fair s.e.x, which made Genji amused, and he said: "But how do you define the cla.s.ses you have referred to, and cla.s.sify them into three? Those who are of high birth sink sometimes in the social scale until the distinction of their rank is forgotten in the abjectness of their present position. Others, again, of low origin, rise to a high position, and, with self-important faces and in ostentatious residences, regard themselves as inferior to none.

Into what cla.s.s will you allot _these_?"

Just at this moment the Sama-no-Kami[26] and To Shikib-no-Jio[27]

joined the party. They came to pay their respects to Genji, and both of them were gay and light-hearted talkers. So To-no-Chiujio now made over the discussion to them, and it was carried to rather questionable lengths.

"However exalted a lady's position may be," said Sama-no-Kami, "if her origin is an unenviable one, the estimation of the public for her would be widely different from that which it shows to those who are naturally ent.i.tled to it. If, again, adverse fortune a.s.sails one whose birth is high, so that she becomes friendless and helpless, degradation here will meet our eyes, though her heart may still remain as n.o.ble as ever. Examples of both of these are very common. After much reflection, I can only come to the conclusion that both of them should be included in the middle cla.s.s. In this cla.s.s, too, must be included many daughters of the Durio,[28] who occupy themselves with local administration. These ladies are often very attractive, and are not seldom introduced at Court and enjoy high favor."

"And successes depend pretty much upon the state of one's fortune, I fancy," interrupted Genji, with a placid smile.

"That is a remark very unlikely to fall from the lips of a champion of romance," chimed in To-no-Chiujio.

"There may be some," resumed Sama-no-Kami, "who are of high birth, and to whom public respect is duly paid, yet whose domestic education has been much neglected. Of a lady such as this we may simply remark, 'Why, and how, is it that she is so brought up?' and she would only cause discredit to her cla.s.s. There are, of course, some who combine in themselves every perfection befitting their position. These best of the best are, however, not within every one's reach. But, listen!

Within an old dilapidated gateway, almost unknown to the world, and overgrown with wild vegetation, perchance we might find, shut up, a maiden charming beyond imagination. Her father might be an aged man, corpulent in person, and stern in mien, and her brothers of repulsive countenance; but there, in an uninviting room, she lives, full of delicacy and sentiment, and fairly skilled in the arts of poetry or music, which she may have acquired by her own exertions alone, unaided. If there were such a case, surely she deserves our attention, save that of those of us who themselves are highly exalted in position."

So saying, Sama-no-Kami winked slyly at Shikib-no-Jio. The latter was silent: perhaps he fancied that Sama-no-Kami was speaking in the above strain, with a hidden reference to his (Shikib's) sisters, who, he imagined, answered the description.

Meantime, Genji may have thought, "If it is so difficult to choose one even from the best cla.s.s, how can--Ah!" and he began to close his eyes and doze. His dress was of soft white silk, partly covered by the _naoshi_,[29] worn carelessly, with its cord left loose and untied.

His appearance and bearing formed quite a picture.

Meanwhile, the conversation went on about different persons and characters, and Sama-no-Kami proceeded: "It is unquestionable that though at first glance many women appear to be without defects, yet when we come to the actual selection of any one of them, we should seriously hesitate in our choice.

"Let me ill.u.s.trate my meaning by reference to the numerous public men who may be aspiring to fulfil the duties of several important posts.

You will at once recognize the great difficulty there would be in fixing upon the individual statesman under whose guardianship the empire could best repose. And supposing that, if at last, by good fortune, the most able man were designated, even then we must bear in mind that it is not in the power of one or two individuals, however gifted they may be, to carry on the whole administration of the kingdom alone. Public business can only be tranquilly conducted when the superior receives the a.s.sistance of subordinates, and when the subordinate yields a becoming respect and loyalty to his superior, and affairs are thus conducted in a spirit of mutual conciliation. So, too, it is in the narrow range of the domestic circle. To make a good mistress of that circle, one must possess, if our ideal is to be fully realized, many important qualifications. Were we to be constantly indulging in the severity of criticism, always objecting to this or that, a perfect character would be almost unattainable. Men should therefore bear with patience any trifling dissatisfaction which they may feel, and strive constantly to keep alive, to augment, and to cherish, the warmth of their early love. Only such a man as this can be called faithful, and the partner of such a man alone can enjoy the real happiness of affection. How unsatisfactory to us, however, seems the actual world if we look round upon it. Still more difficult must it be to satisfy such as you who seek your companions but from among the best!

"How varied are the characters and the dispositions of women! Some who are youthful and favored by Nature strive almost selfishly to keep themselves with the utmost reserve. If they write, they write harmlessly and innocently; yet, at the same time, they are choice in their expressions, which have delicate touches of bewitching sentiment. This might possibly make us entertain a suddenly conceived fancy for them; yet they would give us but slight encouragement. They may allow us just to hear their voices, but when we approach them they will speak with subdued breath, and almost inaudibly. Beware, however, lest among these you chance to encounter some astute artiste, who, under a surface that is smooth, conceals a current that is deep. This sort of lady, it is true, generally appears quite modest; but often proves, when we come closer, to be of a very different temperament from what we antic.i.p.ated. Here is one drawback to be guarded against.

"Among characters differing from the above, some are too full of sentimental sweetness--whenever occasion offers them romance they become spoilt. Such would be decidedly better if they had less sentiment, and more sense.

"Others, again, are singularly earnest--too earnest, indeed--in the performance of their domestic duty; and such, with their hair pushed back,[30] devote themselves like household drudges to household affairs. Man, whose duties generally call him from home all the day, naturally hears and sees the social movements both of public and private life, and notices different things, both good and bad. Of such things he would not like to talk freely with strangers, but only with some one closely allied to him. Indeed, a man may have many things in his mind which cause him to smile or to grieve. Occasionally something of a political nature may irritate him beyond endurance. These matters he would like to talk over with his fair companion, that she might soothe him, and sympathize with him. But a woman as above described is often unable to understand him, or does not endeavor to do so; and this only makes him more miserable. At another time he may brood over his hopes and aspirations; but he has no hope of solace. She is not only incapable of sharing these with him, but might carelessly remark, 'What ails you?' How severely would this try the temper of a man!

"If, then, we clearly see all these, the only suggestion I can make is that the best thing to do is to choose one who is gentle and modest, and strive to guide and educate her according to the best ideal we may think of. This is the best plan; and why should we not do so? Our efforts would not be surely all in vain. But no! A girl whom we thus educate, and who proves to be competent to bear us company, often disappoints us when she is left alone. She may then show her incapability, and her occasional actions may be done in such an unbecoming manner that both good and bad are equally displeasing. Are not all these against us men?--Remember, however, that there are some who may not be very agreeable at ordinary times, yet who flash occasionally upon us with a potent and almost irresistible charm."

Thus Sama-no-Kami, though eloquent, not having come to one point or another, remained thoughtful for some minutes, and again resumed:--

"After all, as I have once observed, I can only make this suggestion: That we should not too much consider either birth or beauty, but select one who is gentle and tranquil, and consider her to be best suited for our last haven of rest. If, in addition, she is of fair position, and is blessed with sweetness of temper, we should be delighted with her, and not trouble ourselves to search or notice any trifling deficiency. And the more so as, if her conscience is clear and pure, calmness and serenity of features can naturally be looked for.

"There are women who are too diffident, and too reserved, and carry their generosity to such an extent as to pretend not to be aware even of such annoyances as afford them just grounds of complaint. A time arrives when their sorrows and anxieties become greater than they can bear. Even then, however, they cannot resort to plain speaking, and complain. But, instead thereof, they will fly away to some remote retreat among the mountain hamlets, or to some secluded spot by the seaside, leaving behind them some painful letter or despairing verses, and making themselves mere sad memories of the past. Often when a boy I heard such stories read by ladies, and the sad pathos of them even caused my tears to flow; but now I can only declare such deeds to be acts of mere folly. For what does it all amount to? Simply to this: That the woman, in spite of the pain which it causes her, and discarding a heart which may be still lingering towards her, takes to flight, regardless of the feelings of others--of the anguish, and of the anxiety, which those who are dearest to her suffer with her. Nay, this act of folly may even be committed simply to test the sincerity of her lover's affection for her. What pitiable subtlety!

"Worse than this, the woman thus led astray, perhaps by ill advice, may even be beguiled into more serious errors. In the depth of her despairing melancholy she will become a nun. Her conscience, when she takes the fatal vow, may be pure and unsullied, and nothing may seem able to call her back again to the world which she forsook. But, as time rolls on, some household servant or aged nurse brings her tidings of the lover who has been unable to cast her out of his heart, and whose tears drop silently when he hears aught about her. Then, when she hears of his affections still living, and his heart still yearning, and thinks of the uselessness of the sacrifice she has made voluntarily, she touches the hair[31] on her forehead, and she becomes regretful. She may, indeed, do her best to persevere in her resolve, but if one single tear bedews her cheek, she is no longer strong in the sanct.i.ty of her vow. Weakness of this kind would be in the eyes of Buddha more sinful than those offences which are committed by those who never leave the lay circle at all, and she would eventually wander about in the 'wrong pa.s.sage.'[32]

"But there are also women, who are too self-confident and obtrusive.

These, if they discover some slight inconsistency in men, fiercely betray their indignation and behave with arrogance. A man may show a little inconsistency occasionally, but yet his affection may remain; then matters will in time become right again, and they will pa.s.s their lives happily together. If, therefore, the woman cannot show a tolerable amount of patience, this will but add to her unhappiness.

She should, above all things, strive not to give way to excitement; and when she experiences any unpleasantness, she should speak of it frankly but with moderation. And if there should be anything worse than unpleasantness she should even then complain of it in such a way as not to irritate the men. If she guides her conduct on principles such as these, even her very words, her very demeanor, may in all probability increase his sympathy and consideration for her. One's self-denial and the restraint which one imposes upon one's self, often depend on the way in which another behaves to us. The woman who is too indifferent and too forgiving is also inconsiderate. Remember 'the unmoored boat floats about.' Is it not so?"

To-no-Chiujio quickly nodded a.s.sent, as he said, "Quite true! A woman who has no strength of emotion, no pa.s.sion of sorrow or of joy, can never be holders of us. Nay even jealousy, if not carried to the extent of undue suspicion, is not undesirable. If we ourselves are not in fault, and leave the matter alone, such jealousy may easily be kept within due bounds. But stop"--added he suddenly--"Some women have to bear, and do bear, every grief that they may encounter with unmurmuring and suffering patience."

So said To-no-Chiujio, who implied by this allusion that his sister was a woman so circ.u.mstanced. But Genji was still dozing, and no remark came from his lips.

Sama-no-Kami had been recently made a doctor of literature, and (like a bird) was inflating his feathers, so To-no-Chiujio, willing to draw him out as much as possible, gave him every encouragement to proceed with his discourse.

Again, therefore, he took up the conversation, and said, "Call to your mind affairs in general, and judge of them. Is it not always true that reality and sincerity are to be preferred to merely artificial excellence? Artisans, for instance, make different sorts of articles, as their talents serve them. Some of them are keen and expert, and cleverly manufacture objects of temporary fashion, which have no fixed or traditional style, and which are only intended to strike the momentary fancy. These, however, are not the true artisans. The real excellence of the true artisan is tested by those who make, without defects or sensational peculiarities, articles to decorate, we will say, some particular building, in conformity with correct taste and high aesthetic principles. Look for another instance at the eminence which has been attained by several of the artists of the Imperial College of Painting. Take the case of draughtsmen in black ink.

Pictures, indeed, such as those of Mount Horai,[33] which has never been beheld by mortal eye, or of some raging monstrous fish in a rough sea, or of a wild animal of some far-off country, or of the imaginary face of the demon, are often drawn with such striking vividness that people are startled at the sight of them. These pictures, however, are neither real nor true. On the other hand, ordinary scenery, of familiar mountains, of calm streams of water, and of dwellings just before our eyes, may be sketched with an irregularity so charming, and with such excellent skill, as almost to rival Nature. In pictures such as these, the perspective of gentle mountain slopes, and sequestered nooks surrounded by leafy trees, are drawn with such admirable fidelity to Nature that they carry the spectator in imagination to something beyond them. These are the pictures in which is mostly evinced the spirit and effectiveness of the superior hand of a master; and in these an inferior artist would only show dulness and inefficiency.

"Similar observations are applicable to handwriting.[34] Some people boldly dash away with great freedom and endless flourishes, and appear at the first glance to be elegant and skilful. But that which is written with scrupulous neatness, in accordance with the true rules of penmanship, const.i.tutes a very different handwriting from the above.

If perchance the upstrokes and downstrokes do not, at first sight, appear to be fully formed, yet when we take it up and critically compare it with writing in which dashes and flourishes predominate, we shall at once see how much more of real and sterling merit it possesses.

"Such then is the nature of the case in painting, in penmanship, and in the arts generally. And how much more then are those women undeserving of our admiration, who though they are rich in outward and in fashionable display, attempting to dazzle our eyes, are yet lacking in the solid foundations of reality, fidelity, and truth! Do not, my friends, consider me going too far, but let me proceed to ill.u.s.trate these observations by my own experience."

So saying, Sama-no-Kami advanced his seat, and Genji awoke.

To-no-Chiujio was quite interested in the conversation, and was keeping his eye upon the speaker, leaning his cheek upon his hand.

This long discourse of Sama-no-Kami reminds us of the preacher's sermon, and amuses us. And it seems that, on occasions like these, one may easily be carried away by circ.u.mstances, until he is willing to communicate even his own private affairs.

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Japanese Literature Part 3 summary

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