Japanese Literature Part 21

Meanwhile, they all partook of the feast; the selected musicians joyfully played their parts, and as the sun was setting, "The Spring-lark Sings" (name of a dance) was danced. This reminded those present of Genji's dance at the maple _fete_, and the Heir-apparent pressed him to dance, at the same moment putting on his head a wreath of flowers. Upon this Genji stood up, and waving his sleeves, danced a little. To-no-Chiujio was next requested by the Emperor to do the same thing, and he danced the "Willow Flower Gardens" most elaborately, and was honored by the Emperor with a present of a roll of silk. After them, many young n.o.bles danced indiscriminately, one after another, but we cannot give an opinion about them as the darkness was already gathering round. Lamps were at length brought, when the reading of the poems took place, and late in the evening all present dispersed.

The palace grounds now became quite tranquil, and over them the moon shone with her soft light.

Genji, his temper mellowed by _sake_, was tempted to take a stroll to see what he could see. He first sauntered round Fuji-Tsubo (the chamber of Wistaria) and came up by the side of the corridor of Kokiden. He noticed a small private door standing open. It seems that the Niogo was in her upper chamber at the Emperor's quarters, having gone there after she retired from the feast. The inner sliding door was also left open, and no human voice was heard from within.

"Such are occasions on which one often compromises one's self,"

thought he, and yet slowly approached the entrance. Just at that moment he heard a tender voice coming toward him, humming, "Nothing so sweet as the _oboro_[77] moon-night." Genji waited her approach, and caught her by the sleeve. It made her start. "Who are you?" she exclaimed. "Don't be alarmed," he replied, and gently led her back to the corridor. He then added, "Let us look out on the moonlight together." She was, of course, nervous, and would fain have cried out.

"Hush," said he; "know that I am one with whom no one will interfere; be gentle, and let us talk a little while." These words convinced her that it was Prince Genji, and calmed her fears.

It appears that he had taken more _sake_ than usual, and this made him rather reckless. The girl, on the other hand, was still very young, but she was witty and pleasantly disposed, and spent some time in conversing with him.

He did not yet know who she was, and asked, "Can't you let me know your name? Suppose I wish to write to you hereafter?" But she gave no decided answer; so Genji, after exchanging his fan with hers, left her and quietly returned to his apartments.

Genji's thoughts were now directed to his new acquaintance. He was convinced that she was one of the younger sisters of the Niogo. He knew that one of them was married to a Prince, one of his own relations, and another to his brother-in-law, To-no-Chiujio. He was perfectly sure that his new acquaintance was not either of these, and he presumed her to be the fifth or sixth of them, but was not sure which of these two.

"How can I ascertain this?" he thought. "If I compromise myself, and her father becomes troublesome, that won't do; but yet I must know."

The fan which he had just acquired was of the color of cherry. On it was a picture representing the pale moon coming out of a purple cloud, throwing a dim light upon the water.

To Genji this was precious. He wrote on one side the following, and kept it carefully, with a longing for the chance of making it useful:--

"The moon I love has left the sky, And where 'tis hid I cannot tell; I search in vain, in vain I try To find the spot where it may dwell."

Now, it so happened that on a certain day at the end of March, an archery meeting was to be held at Udaijin's, in which numerous n.o.ble youths were to be present, and which was to be succeeded by the Wistaria flower-feast. The height of the flower season was past, but there were two cherry-trees, besides the Wistaria in the gardens, which blossomed later. A new building in the ground, which had been decorated for the occasion of the Mogi[78] of the two Princesses, was being beautifully arranged for this occasion.

Genji also had been told one day at Court by Udaijin that he might join the meeting. When the day came Genji did not arrive early.

Udaijin sent by one of his sons the following haughty message to Genji, who was at the time with the Emperor:--

"If the flowers of my home were of every-day hue, Why should they so long a time have tarried for you?"

Genji at once showed this to the Emperor, asking whether he had better go. "Ah!" said the latter, smiling, "This is from a great personage.

You had better go, I should think; besides there are the Princesses there."

Thereupon he prepared to go, and made his appearance late in the afternoon.

The party was very pleasant, although the archery-match was almost finished, and several hours were spent in different amus.e.m.e.nts. As twilight fell around, Genji affected to be influenced by the _sake_ he had taken, left the party, and went to that part of the Palace where the Princesses lived. The Wistaria flowers in the gardens could also be seen from this spot, and several ladies were looking out on them.

"I have been too much pressed. Let me take a little quiet shelter here," said Genji, as he joined them. The room was nicely scented with burning perfume. There he saw his two half-sisters and some others with whom he was not acquainted. He was certain that the one he wished to ascertain about was among them, but from the darkness of the advancing evening he was unable to distinguish her. He adopted a device for doing so. He hummed, as he looked vacantly around, the "Ishi-kawa,"[79] but instead of the original line, "My belt being taken," artfully, and in an arch tone, subst.i.tuted the word "fan" for "belt."

Some were surprised at this change, while others even said, "What a strange Ishi-kawa!" One only said nothing, but looked down, and thus betrayed herself as the one whom he was seeking, and Genji was soon at her side.

FOOTNOTES:

[Footnote 75: Composing poems in Chinese was a princ.i.p.al part of the feast. The form of it is this, a Court scholar selects in obedience to Imperial command, the subject, and then writes different words on pieces of paper and places them on a table in the gardens, folded up.

Two of these are first picked out for the Emperor, and then each one after another, according to precedence, goes to the table, takes one, and these words form their rhymes.]

[Footnote 76: It was also the custom, when each had taken his paper, to read it aloud, and also to announce his particular t.i.tle or station.]

[Footnote 77: "Oboro" is an adjective meaning calm, and little glaring, and is specially attributed to the moon in spring. The line is from an old ode.]

[Footnote 78: The ceremony of girls putting on a dress marking the commencement of womanhood, corresponding to the Gembuk in the case of boys. These princesses were the daughters of the Niogo of Kokiden. It was the custom that royal children should be brought up at the home of the mother.]

[Footnote 79: Name of a well-known ballad.]

CHAPTER IX

HOLLYHOCK

The Emperor has at last abdicated his throne, as he has long intended, in favor of the Heir-apparent, and the only child of the Princess Wistaria is made Heir-apparent to the new Emperor.

The ex-Emperor now lived in a private palace with this Princess in a less royal style; and the Niogo of Kokiden, to whom was given the honorary t.i.tle of ex-Empress, resided in the Imperial Palace with the Emperor, her son, and took up a conspicuous position. The ex-Emperor still felt some anxiety about the Heir-apparent, and appointed Genji as his guardian, as he had not yet a suitable person for that office.

This change in the reigning Emperor, and the gradual advancement of Genji's position, gave the latter greater responsibility, and he had to restrain his wandering.

Now, according to usage, the Saigu[80] and Saiin[81] were selected; for the latter the second sister of the Emperor was chosen, and for the former the only daughter of the Lady of Rokjio, whose husband had been a Royal Prince.

The day of the departure of the Saigu for Ise was not yet fixed; and the mind of her mother, who had some reasons for dissatisfaction with Genji, was still wavering in her indecision, whether or not she should go to Ise with her daughter.

The case of the Saiin, however, was different, and the day of her installation was soon fixed. She was the favorite child of her mother as well as of her father, and the ceremonies for the day of consecration were arranged with especial splendor. The number of persons who take a share in the procession on this occasion is defined by regulations; yet the selection of this number was most carefully made from the most fashionable of the n.o.bles of the time, and their dresses and saddles were all chosen of beautiful appearance. Genji was also directed by special order to take part in the ceremony.

As the occasion was expected to be magnificent, every cla.s.s of the people showed great eagerness to witness the scene, and a great number of stands were erected all along the road. The day thus looked forward to at last arrived.

Lady Aoi seldom showed herself on such occasions; besides, she was now in a delicate state of health, near her confinement, and had, therefore, no inclination to go out. Her attendants, however, suggested to her that she ought to go. "It is a great pity," they said, "not to see it; people come from a long distance to see it." Her mother also said, "You seem better to-day. I think you had better go.

Take these girls with you."

Being pressed in this way, she hastily made up her mind, and went with a train of carriages. All the road was thronged by mult.i.tudes of people, many dressed in a style which is called Tsubo-Shozok. Many of great age prostrated themselves in an att.i.tude of adoration, and many others, notwithstanding their natural plainness, looked almost blooming, from the joy expressed in their countenances--nay, even nuns and aged women, from their retreats, were to be seen amongst them.

Numerous carriages were also squeezed closely together, so that the broad thoroughfare of the Ichijio road was made almost s.p.a.celess.

When, however, the carriages of the Lady Aoi's party appeared, her attendants ordered several others to make way, and forced a pa.s.sage to the spot where the best view could be obtained, and where the common people were not allowed. Among these happened to be two _ajiro_[82]

carriages, and their inmates were plainly incognito and persons of rank.

These belonged to the party of the Lady of Rokjio. When these carriages were forced to give place, their attendants cried out, "These carriages do not belong to people who ought to be so abruptly forced away." But the attendants of the Lady Aoi, who were slightly under the influence of drink, would not listen to their expostulations, and they at last made their way and took up their position, pushing the other two back where nothing could be seen, even breaking their poles.

The lady so maltreated was of course extremely indignant, and she would fain have gone home without seeing the spectacle, but there was no pa.s.sage for retiring. Meanwhile the approach of the procession was announced, and only this calmed her a little.

Genji was as usual conspicuous in the procession. There were several carriages along the roads on whose occupants his glance was cast; that of Lady Aoi, however, was the most striking, and as he pa.s.sed by the attendants saluted him courteously, which act Genji acknowledged. What were the feelings of the Lady of Rokjio, who had been driven back, at this moment!

In due course the procession pa.s.sed, and the exciting scene of the day was over. The quarrels about the carriage naturally came to the ears of Genji. He thought that Lady Aoi was too modest to be the instigator of such a dispute; but her house was one of great and powerful families famous for overweening pride, a tendency shared by its domestics; and they, for other motives, also of rivalry, were glad to have an opportunity of mortifying the Lady of Rokjio.

He felt for the wounded lady, and hastened to see her; but she, under some pretext, refused to see him.

The day of the hollyhock _fete_ of the same temple came. It was especially grand, as it was the first one after the installation of the new Saiin, but neither Lady Aoi or the Lady of Rokjio was present, while Genji privately took Violet with him in a close carriage to see the festival, and saw the horse-races.

We have already mentioned that the mind of the Lady of Rokjio was still wavering and unsettled whether or not she should go to Ise with her daughter; and this state of mind became more and more augmented and serious after the day of the dispute about the carriages, which made her feel a bitter disdain and jealousy towards the Lady Aoi.

Strange to say, that from about the same time, Lady Aoi became ill, and began to suffer from spiritual influences. All sorts of exorcisms were duly performed, and some spirits came forth and gave their names.