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The historians, having argued the thing that _might_ have happened into the thing that _did_ happen, found no trouble in turning Sir Thomas Lucy into Mr. Justice Shallow. They have long ago convinced the world--on surmise and without trustworthy evidence--that Shallow _is_ Sir Thomas.

The next addition to the young Shakespeare's Stratford history comes easy. The historian builds it out of the surmised deer-stealing, and the surmised trial before the magistrate, and the surmised vengeance-prompted satire upon the magistrate in the play: result, the young Shakespeare was a wild, wild, wild, oh _such_ a wild young scamp, and that gratuitous slander is established for all time! It is the very way Professor Osborn and I built the colossal skeleton brontosaur that stands fifty-seven feet long and sixteen feet high in the Natural History Museum, the awe and admiration of all the world, the stateliest skeleton that exists on the planet. We had nine bones, and we built the rest of him out of plaster of paris. We ran short of plaster of paris, or we'd have built a brontosaur that could sit down beside the Stratford Shakespeare and none but an expert could tell which was biggest or contained the most plaster.

Shakespeare p.r.o.nounced _Venus and Adonis_ "the first heir of his invention," apparently implying that it was his first effort at literary composition. He should not have said it. It has been an embarra.s.sment to his historians these many, many years. They have to make him write that graceful and polished and flawless and beautiful poem before he escaped from Stratford and his family--1586 or '87--age, twenty-two, or along there; because within the next five years he wrote five great plays, and could not have found time to write another line.

It is sorely embarra.s.sing. If he began to slaughter calves, and poach deer, and rollick around, and learn English, at the earliest likely moment--say at thirteen, when he was supposably wrenched from that school where he was supposably storing up Latin for future literary use--he had his youthful hands full, and much more than full. He must have had to put aside his Warwickshire dialect, which wouldn't be understood in London, and study English very hard. Very hard indeed; incredibly hard, almost, if the result of that labor was to be the smooth and rounded and flexible and letter-perfect English of the _Venus and Adonis_ in the s.p.a.ce of ten years; and at the same time learn great and fine and unsurpa.s.sable literary form.

However, it is "conjectured" that he accomplished all this and more, much more: learned law and its intricacies; and the complex procedure of the law courts; and all about soldiering, and sailoring, and the manners and customs and ways of royal courts and aristocratic society; and likewise acc.u.mulated in his one head every kind of knowledge the learned then possessed, and every kind of humble knowledge possessed by the lowly and the ignorant; and added thereto a wider and more intimate knowledge of the world's great literatures, ancient and modern, than was possessed by any other man of his time--for he was going to make brilliant and easy and admiration-compelling use of these splendid treasures the moment he got to London. And according to the surmisers, that is what he did.



Yes, although there was no one in Stratford able to teach him these things, and no library in the little village to dig them out of. His father could not read, and even the surmisers surmise that he did not keep a library.

It is surmised by the biographers that the young Shakespeare got his vast knowledge of the law and his familiar and accurate acquaintance with the manners and customs and shop-talk of lawyers through being for a time the _clerk of a Stratford court_; just as a bright lad like me, reared in a village on the banks of the Mississippi, might become perfect in knowledge of the Behring Strait whale-fishery and the shop-talk of the veteran exercisers of that adventure-bristling trade through catching catfish with a "trot-line" Sundays. But the surmise is damaged by the fact that there is no evidence--and not even tradition--that the young Shakespeare was ever clerk of a law court.

It is further surmised that the young Shakespeare acc.u.mulated his law-treasures in the first years of his sojourn in London, through "amusing himself" by learning book-law in his garret and by picking up lawyer-talk and the rest of it through loitering about the law-courts and listening. But it is only surmise; there is no _evidence_ that he ever did either of those things. They are merely a couple of chunks of plaster of paris.

There is a legend that he got his bread and b.u.t.ter by holding horses in front of the London theatres, mornings and afternoons. Maybe he did. If he did, it seriously shortened his law-study hours and his recreation-time in the courts. In those very days he was writing great plays, and needed all the time he could get. The horse-holding legend ought to be strangled; it too formidably increases the historian's difficulty in accounting for the young Shakespeare's erudition--an erudition which he was acquiring, hunk by hunk and chunk by chunk every day in those strenuous times, and emptying each day's catch into next day's imperishable drama.

He had to acquire a knowledge of war at the same time; and a knowledge of soldier-people and sailor-people and their ways and talk; also a knowledge of some foreign lands and their languages: for he was daily emptying fluent streams of these various knowledges, too, into his dramas. How did he acquire these rich a.s.sets?

In the usual way: by surmise. It is _surmised_ that he travelled in Italy and Germany and around, and qualified himself to put their scenic and social aspects upon paper; that he perfected himself in French, Italian and Spanish on the road; that he went in Leicester's expedition to the Low Countries, as soldier or sutler or something, for several months or years--or whatever length of time a surmiser needs in his business--and thus became familiar with soldiership and soldier-ways and soldier-talk, and generalship and general-ways and general-talk, and seamanship and sailor-ways and sailor-talk.

Maybe he did all these things, but I would like to know who held the horses in the meantime; and who studied the books in the garret; and who frollicked in the law-courts for recreation. Also, who did the call-boying and the play-acting.

For he became a call-boy; and as early as '93 he became a "vagabond"--the law's ungentle term for an unlisted actor; and in '94 a "regular" and properly and officially listed member of that (in those days) lightly-valued and not much respected profession.

Right soon thereafter he became a stockholder in two theatres, and manager of them. Thenceforward he was a busy and flourishing business man, and was raking in money with both hands for twenty years. Then in a n.o.ble frenzy of poetic inspiration he wrote his one poem--his only poem, his darling--and laid him down and died:

Good friend for Iesus sake forbeare To digg the dust encloased heare: Blest be ye man yt spares thes stones And curst be he yt moves my bones.

He was probably dead when he wrote it. Still, this is only conjecture.

We have only circ.u.mstantial evidence. Internal evidence.

Shall I set down the rest of the Conjectures which const.i.tute the giant Biography of William Shakespeare? It would strain the Unabridged Dictionary to hold them. He is a Brontosaur: nine bones and six hundred barrels of plaster of paris.

CHAPTER V--"We May a.s.sume"

In the a.s.suming trade three separate and independent cults are transacting business. Two of these cults are known as the Shakespearites and the Baconians, and I am the other one--the Brontosaurian.

The Shakespearite knows that Shakespeare wrote Shakespeare's Works; the Baconian knows that Francis Bacon wrote them; the Brontosaurian doesn't really know which of them did it, but is quite composedly and contentedly sure that Shakespeare _didn't_, and strongly suspects that Bacon _did_.

We all have to do a good deal of a.s.suming, but I am fairly certain that in every case I can call to mind the Baconian a.s.sumers have come out ahead of the Shakespearites. Both parties handle the same materials, but the Baconians seem to me to get much more reasonable and rational and persuasive results out of them than is the case with the Shakespearites.

The Shakespearite conducts his a.s.suming upon a definite principle, an unchanging and immutable law--which is: 2 and 8 and 7 and 14, added together, make 165. I believe this to be an error. No matter, you cannot get a habit-sodden Shakespearite to cipher-up his materials upon any other basis. With the Baconian it is different. If you place before him the above figures and set him to adding them up, he will never in any case get more than 45 out of them, and in nine cases out of ten he will get just the proper 31.

Let me try to ill.u.s.trate the two systems in a simple and homely way calculated to bring the idea within the grasp of the ignorant and unintelligent. We will suppose a case: take a lap-bred, house-fed, uneducated, inexperienced kitten; take a rugged old Tom that's scarred from stem to rudder-post with the memorials of strenuous experience, and is so cultured, so educated, so limitlessly erudite that one may say of him "all cat-knowledge is his province"; also, take a mouse. Lock the three up in a holeless, crackless, exitless prison-cell. Wait half an hour, then open the cell, introduce a Shakespearite and a Baconian, and let them cipher and a.s.sume. The mouse is missing: the question to be decided is, where is it? You can guess both verdicts beforehand. One verdict will say the kitten contains the mouse; the other will as certainly say the mouse is in the tomcat.

The Shakespearite will Reason like this--(that is not my word, it is his). He will say the kitten _may have been_ attending school when n.o.body was noticing; therefore _we are warranted in a.s.suming_ that it did so; also, it _could have been_ training in a court-clerk's office when no one was noticing; since that could have happened, _we are justified in a.s.suming_ that it did happen; it _could have studied catology in a garret_ when no one was noticing--therefore it _did_; it _could have_ attended cat-a.s.sizes on the shed-roof nights, for recreation, when no one was noticing, and harvested a knowledge of cat court-forms and cat lawyer-talk in that way: it _could_ have done it, therefore without a doubt it did; it could have gone soldiering with a war-tribe when no one was noticing, and learned soldier-wiles and soldier-ways, and what to do with a mouse when opportunity offers; the plain inference, therefore is, that that is what it _did_. Since all these manifold things _could_ have occurred, we have _every right to believe_ they did occur. These patiently and painstakingly acc.u.mulated vast acquirements and competences needed but one thing more--opportunity--to convert themselves into triumphant action. The opportunity came, we have the result; _beyond shadow of question_ the mouse is in the kitten.

It is proper to remark that when we of the three cults plant a "_We think we may a.s.sume_," we expect it, under careful watering and fertilizing and tending, to grow up into a strong and hardy and weather-defying "_there isn't a shadow of a doubt_" at last--and it usually happens.

We know what the Baconian's verdict would be: "_There is not a rag of evidence that the kitten has had any training_, _any education_, _any experience qualifying it for the present occasion_, _or is indeed equipped for any achievement above lifting such unclaimed milk as comes its way_; _but there is abundant evidence_--_una.s.sailable proof_, _in fact_--_that the other animal is equipped_, _to the last detail_, _with every qualification necessary for the event_. _Without shadow of doubt the tomcat contains the mouse_."

CHAPTER VI

When Shakespeare died, in 1616, great literary productions attributed to him as author had been before the London world and in high favor for twenty-four years. Yet his death was not an event. It made no stir, it attracted no attention. Apparently his eminent literary contemporaries did not realize that a celebrated poet had pa.s.sed from their midst.

Perhaps they knew a play-actor of minor rank had disappeared, but did not regard him as the author of his Works. "We are justified in a.s.suming"

this.

His death was not even an event in the little town of Stratford. Does this mean that in Stratford he was not regarded as a celebrity of _any_ kind?

"We are privileged to a.s.sume"--no, we are indeed _obliged_ to a.s.sume--that such was the case. He had spent the first twenty-two or twenty-three years of his life there, and of course knew everybody and was known by everybody of that day in the town, including the dogs and the cats and the horses. He had spent the last five or six years of his life there, diligently trading in every big and little thing that had money in it; so we are compelled to a.s.sume that many of the folk there in those said latter days knew him personally, and the rest by sight and hearsay. But not as a _celebrity_? Apparently not. For everybody soon forgot to remember any contact with him or any incident connected with him. The dozens of townspeople, still alive, who had known of him or known about him in the first twenty-three years of his life were in the same unremembering condition: if they knew of any incident connected with that period of his life they didn't tell about it. Would they if they had been asked? It is most likely. Were they asked? It is pretty apparent that they were not. Why weren't they? It is a very plausible guess that n.o.body there or elsewhere was interested to know.

For seven years after Shakespeare's death n.o.body seems to have been interested in him. Then the quarto was published, and Ben Jonson awoke out of his long indifference and sang a song of praise and put it in the front of the book. Then silence fell _again_.

For sixty years. Then inquiries into Shakespeare's Stratford life began to be made, of Stratfordians. Of Stratfordians who had known Shakespeare or had seen him? No. Then of Stratfordians who had seen people who had known or seen people who had seen Shakespeare? No. Apparently the inquiries were only made of Stratfordians who were not Stratfordians of Shakespeare's day, but later comers; and what they had learned had come to them from persons who had not seen Shakespeare; and what they had learned was not claimed as _fact_, but only as legend--dim and fading and indefinite legend; legend of the calf-slaughtering rank, and not worth remembering either as history or fiction.

Has it ever happened before--or since--that a celebrated person who had spent exactly half of a fairly long life in the village where he was born and reared, was able to slip out of this world and leave that village voiceless and gossipless behind him--utterly voiceless, utterly gossipless? And permanently so? I don't believe it has happened in any case except Shakespeare's. And couldn't and wouldn't have happened in his case if he had been regarded as a celebrity at the time of his death.

When I examine my own case--but let us do that, and see if it will not be recognizable as exhibiting a condition of things quite likely to result, most likely to result, indeed substantially _sure_ to result in the case of a celebrated person, a benefactor of the human race. Like me.

My parents brought me to the village of Hannibal, Missouri, on the banks of the Mississippi, when I was two and a half years old. I entered school at five years of age, and drifted from one school to another in the village during nine and a half years. Then my father died, leaving his family in exceedingly straitened circ.u.mstances; wherefore my book-education came to a standstill forever, and I became a printer's apprentice, on board and clothes, and when the clothes failed I got a hymn-book in place of them. This for summer wear, probably. I lived in Hannibal fifteen and a half years, altogether, then ran away, according to the custom of persons who are intending to become celebrated. I never lived there afterward. Four years later I became a "cub" on a Mississippi steamboat in the St. Louis and New Orleans trade, and after a year and a half of hard study and hard work the U. S. inspectors rigorously examined me through a couple of long sittings and decided that I knew every inch of the Mississippi--thirteen hundred miles--in the dark and in the day--as well as a baby knows the way to its mother's paps day or night. So they licensed me as a pilot--knighted me, so to speak--and I rose up clothed with authority, a responsible servant of the United States government.

Now then. Shakespeare died young--he was only fifty-two. He had lived in his native village twenty-six years, or about that. He died celebrated (if you believe everything you read in the books). Yet when he died n.o.body there or elsewhere took any notice of it; and for sixty years afterward no townsman remembered to say anything about him or about his life in Stratford. When the inquirer came at last he got but one fact--no, _legend_--and got that one at second hand, from a person who had only heard it as a rumor, and didn't claim copyright in it as a production of his own. He couldn't, very well, for its date antedated his own birth-date. But necessarily a number of persons were still alive in Stratford who, in the days of their youth, had seen Shakespeare nearly every day in the last five years of his life, and they would have been able to tell that inquirer some first-hand things about him if he had in those last days been a celebrity and therefore a person of interest to the villagers. Why did not the inquirer hunt them up and interview them?

Wasn't it worth while? Wasn't the matter of sufficient consequence? Had the inquirer an engagement to see a dog-fight and couldn't spare the time?

It all seems to mean that he never had any literary celebrity, there or elsewhere, and no considerable repute as actor and manager.

Now then, I am away along in life--my seventy-third year being already well behind me--yet _sixteen_ of my Hannibal schoolmates are still alive to-day, and can tell--and do tell--inquirers dozens and dozens of incidents of their young lives and mine together; things that happened to us in the morning of life, in the blossom of our youth, in the good days, the dear days, "the days when we went gipsying, a long time ago." Most of them creditable to me, too. One child to whom I paid court when she was five years old and I eight still lives in Hannibal, and she visited me last summer, traversing the necessary ten or twelve hundred miles of railroad without damage to her patience or to her old-young vigor.

Another little la.s.sie to whom I paid attention in Hannibal when she was nine years old and I the same, is still alive--in London--and hale and hearty, just as I am. And on the few surviving steamboats--those lingering ghosts and remembrancers of great fleets that plied the big river in the beginning of my water-career--which is exactly as long ago as the whole invoice of the life-years of Shakespeare number--there are still findable two or three river-pilots who saw me do creditable things in those ancient days; and several white-headed engineers; and several roustabouts and mates; and several deck-hands who used to heave the lead for me and send up on the still night air the "six--feet--_scant_!" that made me shudder, and the "_M-a-r-k--twain_!" that took the shudder away, and presently the darling "By the d-e-e-p--four!" that lifted me to heaven for joy. {1} They know about me, and can tell. And so do printers, from St. Louis to New York; and so do newspaper reporters, from Nevada to San Francisco. And so do the police. If Shakespeare had really been celebrated, like me, Stratford could have told things about him; and if my experience goes for anything, they'd have done it.

CHAPTER VII

If I had under my superintendence a controversy appointed to decide whether Shakespeare wrote Shakespeare or not, I believe I would place before the debaters only the one question, _Was Shakespeare ever a practicing lawyer_? and leave everything else out.

It is maintained that the man who wrote the plays was not merely myriad-minded, but also myriad-accomplished: that he not only knew some thousands of things about human life in all its shades and grades, and about the hundred arts and trades and crafts and professions which men busy themselves in, but that he could _talk_ about the men and their grades and trades accurately, making no mistakes. Maybe it is so, but have the experts spoken, or is it only Tom, d.i.c.k, and Harry? Does the exhibit stand upon wide, and loose, and eloquent generalizing--which is not evidence, and not proof--or upon details, particulars, statistics, ill.u.s.trations, demonstrations?

Experts of unchallengeable authority have testified definitely as to only one of Shakespeare's multifarious craft-equipments, so far as my recollections of Shakespeare-Bacon talk abide with me--his law-equipment.

I do not remember that Wellington or Napoleon ever examined Shakespeare's battles and sieges and strategies, and then decided and established for good and all, that they were militarily flawless; I do not remember that any Nelson, or Drake or Cook ever examined his seamanship and said it showed profound and accurate familiarity with that art; I don't remember that any king or prince or duke has ever testified that Shakespeare was letter-perfect in his handling of royal court-manners and the talk and manners of aristocracies; I don't remember that any ill.u.s.trious Latinist or Grecian or Frenchman or Spaniard or Italian has proclaimed him a past-master in those languages; I don't remember--well, I don't remember that there is _testimony_--great testimony--imposing testimony--unanswerable and unattackable testimony as to any of Shakespeare's hundred specialties, except one--the law.

Other things change, with time, and the student cannot trace back with certainty the changes that various trades and their processes and technicalities have undergone in the long stretch of a century or two and find out what their processes and technicalities were in those early days, but with the law it is different: it is mile-stoned and doc.u.mented all the way back, and the master of that wonderful trade, that complex and intricate trade, that awe-compelling trade, has competent ways of knowing whether Shakespeare-law is good law or not; and whether his law-court procedure is correct or not, and whether his legal shop-talk is the shop-talk of a veteran pract.i.tioner or only a machine-made counterfeit of it gathered from books and from occasional loiterings in Westminster.

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Is Shakespeare Dead? Part 2 summary

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