Irene Adler: Chapel Noir Part 35

"Nor I mine," he said with a quick smile. "Yet I suggest that we make the best of it, and I do not think that Madam Irene would put us together to no good effect . . . at least not for her purposes."

"Why do you call her that?"

"What did I call her?"

"Madam Irene. It is not even the proper French form, Madame, and is rather forward."

"I am an Englishman, Miss Huxleigh, whatever French blood may flow in a forebear's veins, so I use 'Madam.' As for the t.i.tle, believe me that it is one of respect, rather than of familiarity. As you know only too well, she and I have barely met despite a series of er, unfortunate encounters."

I shrugged, an inelegant gesture I had acquired from Irene, and perhaps from rubbing shoulders with too many Frenchmen on omnibuses. Still, one cannot fault the gesture for sheer economy and the ability to avoid a direct answer.

Besides, it allowed me to sidestep mentioning the times when Irene had encountered Sherlock Holmes and he was not aware of her ident.i.ty. I studied him, coming to some conclusions that might surprise him.

His height on my entering had struck me as very close to fivefoot-eleven. His extreme leanness made him seem taller, perhaps over six feet, but I was sure that a slight stoop would banish two or three inches in an instant.

I noticed his hands, thin but flexible and strong. I had seen pianists' hands with that same tensile power. His complexion was "fresh" and English, or pale. His hair was dark, but it would not take much powder to lighten it, and a mustache-unwholesome flourish-would disarm the entire angularity of his face, not to mention soften the hawkish sharpness of his nose.

I was certain that he was the man who had stood across the street watching while Liz Stride was hurled to the ground, just as Israel Schwartz had watched.

I was also certain that my calm a.s.sessment was something he was not accustomed to. He looked around and went to a pipe on a side table.

"Do you mind, Miss Huxleigh?"

"I most decidedly do, although I am given to understand by those I know that fumes of foul-smelling smoke can aid the cognitive functions."

He pushed some messy shocks of tobacco into the pipe bowl, packed it down, then scratched a lucifer on a striking box and lit the a.s.semblage, drawing on the pipe with the huff and puff of a train leaving the station.

"That's right," he said between puffs, chuffing out steam as regularly as an engine of the Great Western line. "Madam Irene is devoted to small cigars."

"Only when she is deeply puzzled."

"Is she deeply puzzled often?"

"Only when she has inserted herself into the muddled affairs of others."

"Ha!" He gave that strange bark of a laugh I had heard from him before and moved to the window, whether to give me his back or to look down upon the street I could not tell. Either intent was insulting. "How does she survive your disapproval of her habits?"

"Do you mean of smoking or of inserting herself into the muddled affairs of others?"

"Both."

"Very well," I said coolly. "Everybody does."

He barked in laughter again and turned to face me. "I must say I admire one of your own habits."

"My habits? I have none."

"On the contrary, I have never seen a more habit-p.r.o.ne woman. I am referring to that feminine gewgaw you wear. Apparently it has it uses."

It took me a moment to realize he meant my trusty chatelaine. I took its presence so for granted that I had forgotten about it, as a man might a pocket watch and chain.

I suppose this sterling silver a.s.semblage of accessories that dangle from a central piece that clasps onto my belt was actually an elegant female appurtenance. Yet I, who avoid ornament for its own sake, did not regard it so. Perhaps it was from the habit of doing needlework, but I was so used to having my daily tools by my side that they seemed pure practicality, like a man's pocketknife. And indeed, I did carry a small but sharp blade among the many implements upon my chatelaine.

I disconnected one small item from its leash of slim silver chain now: the etched and enameled etui, or Oriental needle case.

"Irene wished me to bring you this," I said, holding it up, knowing that what I held would for him be irresistible.

He strode toward me, his face bright with curiosity. This alien object was from his former adversary, Irene Adler. It was small and hidden. It was being offered by a rival, or an enemy, or perhaps by a colleague. It came to him, a gift, by the command of a beautiful woman he admired above all others of her s.e.x.

He came to me as a fish to a hook, and I knew an intermediary's triumph.

Yes, we all have our all-too-predictable habits. Even, or especially, Mr. Sherlock Holmes.

Buffalo Gals

Buffalo Gals, won't you come out tonight,

And dance by the light of the moon.

-AMERICAN MINSTREL SONG

FROM A JOURNAL.

"Too bad that Nell must immerse herself in the affairs of the maison de rendezvous," I told Irene as we jolted toward the red-painted iron-lace minaret of the Eiffel Tower on the open second level of a horse omnibus. For a few centimes we could suffer along with the mobs of men of affairs and visitors to Paris. "She might actually enjoy an outing to the World Exposition."

"I doubt it. She has at least confronted the exotic individuals available at the maison. Cowboys and Indians and buffalo herds are utterly alien, and might be even more distressing."

Irene gave me an exceptionally level glance, as if she now was talking to a person she perceived behind my current guise. "It is best that we Americans investigate the Wild West Show. Luckily, today is a command performance for the Baroness Rothschild, and we are to be guests in their pavilion."

I nearly choked at this casual information. I had never dreamed to be in spitting distance of a Rothschild.

"After the performance," Irene went on, "I have taken the liberty of arranging for a British 'scout' for our behind-the-scenes tour."

"Really?"

"Bram Stoker."

I blinked quickly. "I've always wondered. Is Bram short for Abraham?"

"Probably. I've never thought about it. He has always been 'Bram.' Wondering otherwise would be like questioning why 'Pink' replaces Elizabeth, or why Elizabeth does not admit to a last name."

I felt myself flushing. It didn't matter the emotion: anger, anxiety, indignation, I always flushed in response. The one thing I never flushed from was shame, because I never felt any. Which fact would astound Miss Penelope Huxleigh.

"Cochrane," I said, bitingly.

"Irish," Irene mused, "the blessed race."

"Blessed into starving by the millions not four decades ago."

She eyed me sharply, as if I had just confessed to something I had meant to keep secret.

"You have a thirst for justice, Elizabeth Cochrane, that is most unusual in the inhabitant of a bordello."

I flushed more, furious but unable to answer her.

"I have a thirst for justice, too," she admitted. "It surprises me, but there it is. I am appalled that the London police have so easily given Jack the Ripper up for dead. If he is not, many more women will die both horribly and uselessly."

"You can understand that the police would hope that the crimes were merely a madman's last gasp."

"And you think-?"

"I have seen the rough side of life's hand. There is much needless suffering and too many who inflict it in every land. Such infamy is not an accident, and it usually doesn't end so conveniently."

Irene nodded. She had dressed for our outing in an ensemble fashioned like a riding habit, but more useful than that lovely but confining English fashion.

There was no trailing train to drape gracefully down from a sidesaddle, for instance, but a street-length skirt that brushed her boot tops and gave the impression of being divided. A veiled derby dipped over her forehead, the veil caught up with a feathered c.o.c.kade. I also realized that Irene had a.s.sembled this ensemble from a skirt, jacket, boots, and hat never meant to commune together.

I was startled, on regarding her dress, to realize that in some inimitably elegant Parisian way it recalled the sharp-shooting rig of Miss Annie Oakley, Sitting Bull's "Little Sure Shot," who performed under her two middle names, in actuality being Miss Phoebe Moses. I smiled at that fact. Women who performed were not always as barefaced in using their private names as Irene Adler.

The sharpshooting ladies of the Wild West Show were much admired, both within the company and beyond it. My companion was subtly appropriating that revered position by mimicking their attire.

I considered my all-purpose checked overcoat, neat and practical. I would pa.s.s muster with Nell, surely, and on the necessarily trampled grounds of the Wild West Show, but Irene Adler Norton would seem strangely at home, however much a stranger. She had prepared for this expedition as an actress for a play.

I wondered whether this would be a melodrama or a tragedy. Or merely an exhibition.

The domes and spires and mansards and peaked rooftops and paG.o.das and tent tops gathered around the foundation of the Eiffel tower like gaudy circus wagons surrounding the fiery red central pole of a tent fashioned from the smooth, gray-clouded Parisian sky.

The audacity of Gustave Eiffel's Tower was astounding and the talk of the world. Its broad, arched base stood astride the cream of French architecture, dwarfing everything with its three hundred meters of height topped by a fifty-meter-high all-metal electric light at the very pinnacle.

It was, in short (if such an expression has any business being applied to a temple of modern hubris like the Eiffel Tower), the world's tallest building and an immense lightning rod for all Paris. And this role became literal when they lit the entire structure at night. The tower glowed ember red, with gold lights gleaming around each of the three tiers and the four foundation arches. The great beam at the top flashed up into the clouds and down upon the glittering domes and gla.s.s ceilings of the exposition buildings. I had seen it from our hotel room windows when I could not sleep.

The theme of the exposition was Jules Verne and the industrial transformation his stories predicted, mechanical whales in the sea and such.

Irene stood still on the river embankment, gazing at the hurly-burly of the crowds. She was used to the bucolic quiet of the country, I think, and to entering Paris only to visit its grand inst.i.tutions.

Then the History of Human Habitation display cl.u.s.tered around the tower's base caught her eye.

"That is the great architect Garnier's work," she said brightly, almost wistfully. "He designed the Opera of Paris, a quite extraordinary building. One feels impelled to sing just to look at it. And that is from the outside! We must see this exhibition."

"What of Mr. Stoker?"

"Oh, he is tall enough to be seen, or to see us. We have time to explore."

She took my arm, and soon we were strolling under imported palm trees gazing into Sudanese huts or, mere moments later, pa.s.sing stunted Oriental trees beside Chinese and j.a.panese structures as intricately constructed as paper lanterns.

At one moment we were viewing the crude cubbyhole of a Stone Age arrow-maker, at the next three-dimensional representation we were peering into an elegant Etruscan villa or a Persian mansion.

Beside these architectural adornments squatted the crude skin and hide huts of Lapps, Eskimos, the reed huts of African tribes, and . . .

We stopped to admire the simple towering triangle of a teepee.

"Quite different from a maison de rendezvous," Irene murmured as we observed an architecture of sticks and skins that yet radiated a simplicity and strength which rivaled the Eiffel Tower itself.

"This is supposed savagery," she said. "The tower is civilization. Which society would more easily sp.a.w.n a Ripper, do you think, Pink?"

"You are doing it," I said.

"Doing what."

"What Nell complains of."

"Which is?"

"Rhyming our names. 'Well, Nell.' '. . . think, Pink.' "

"Really, I am doing that?"

I nodded.

"Perhaps I am used to singing in rhyme, or a.s.sonance at least. Anyway, what do you think? Does the Ripper's mania spring from too much savagery or too much civility?"

"The answer would seem obvious."

"Yes, but obvious answers are always dangerous. Ah." She lifted her chin like a dainty hound smelling prey. "There is Bram's glorious red head. We will soon have a chance to meet savagery face-to-face."