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In The Permanent Way Part 26

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"If thou art not afraid----"

"Afraid!"

It was sunrise in the homestead, and a new harvest was waiting in battalions for the sickle. The jasmine fountain showered its green stems to the ground, but it was bare of blossoms. They hung in chaplets from the thatch screen beneath which, on that stifling August night, a woman had been pa.s.sing through her Sorrowful Hour. In the dim dawn the little oil-lamps set about the bed flickered uncertainly in the breeze which heralds the day, and glinted now and again on the lucky knife suspended by the twist of lucky threads above the pillow.

In a brazier hard by some pungent spices scattered upon charcoal sent up a clear blue line, like the last faint smoke from a funeral pyre.

All that wisdom could do Dhun Devi had done, but a dead girl-baby lay between Saraswati and the harvest visible through the gap in the plaited palisade. The midwife shook her head as she peered into the unconscious face on the pillow.



"Only a girl, after all the fuss," came Maya's high, clear voice, as she sat cuddling Chujju in her soft round arms--Chujju, whom the G.o.ds had spared. "To die for a girl--for a dead girl, too--what foolishness! But 'twas her own fault. 'Tis bad enough for us young ones, and dear payment, after all, for the fun; and she had escaped all these years----"

Dhun Devi's claw-like fingers stopped the liquid flow of words.

"Go, infamous!" she whispered fiercely. "Such as thou are not mothers.

Thou art Maya, the desire of the flesh. Go, lest I curse the child for thy sake."

With a little shriek of dismay, half-real, half-pretended, the girl gathered the sleeping child in her arms and disappeared into the huts.

"The wheel slackens on its pivot," muttered the old woman, stooping again over the still form on the bed. "I must get her to Mother Earth, as a seed to the soil, ere it stops."

She stood at the gap and called. The fine fretwork of the acacia branches showed against the growing blue of the sky. The little golden puffs sent their violet perfume into the air. A bird sat among them, chirruping to its mate.

"Come," she said, and the tall bearded man followed her meekly.

Together--he at the head, she at the feet--they laid Saraswati on the ground with the dead child, half-hidden in her veil, still between her and the great stretch of harvest beyond.

Suddenly, roused by the movement, she stirred slightly, and the big black eyes opened. Dhun Devi gripped the man's hand as if to detain him.

"The child--is it well with the child?" came in a faint voice.

Dhun Devi's clasp gripped firmer; a look recalling long past years came to her face.

"_Yea, mother, it is well; thy son sleeps in thine arms_."

Then, craning up from her crooked old age to reach his ear, she whispered swiftly:

"Say 'tis so if thou art a man, and bid her G.o.d-speed on her journey."

So, with her husband's hand in hers, a child in her arms, and a smile on her face, came the end of Saraswati's Sorrowful Hour.

A DANGER SIGNAL

They were an odd couple. The very trains as they sped past level crossing Number 57 gave a low whistle as if the oddities struck them afresh each time, and Craddock always went to the side of the cab, whence he could see those two motionless figures on either side of the regulation barrier which stood so causelessly in the middle of the sandy waste.

There must have been a road somewhere, of course, else there would have been no level crossing, but it was not visible to the pa.s.sing eye. Perhaps the drifting sand had covered it up; perhaps no traffic ever did come that way, and there really was no need for old Dhunnu and his granddaughter to stand like ill-matched heraldic supporters displaying a safety signal. But they did.

They had done so ever since Dhunni--for the name had descended to her in the feminine gender--was steady enough on her feet to stand alone, and before that, even, she had given "line clear" from her grandfather's arms. For it was always "line clear." No train ever stopped at level crossing Number 57 of the desert section. Why should they? There was nothing to be seen far or near save sand, and the little square concrete-roofed, red-hot furnace of a place, suggestive of a crematorium, which happened on that particular railway to be the approved pattern for a gatekeeper's shelter.

It was very hot in summer, very cold in winter, and that was perhaps the reason why old Dhunnu suffered so much from malarial fever in the autumn months; those months which might otherwise have been so pleasant in the returning cool of their nights, and their promise of another harvest. The old man used to resent this fever in a dull sort of way, because it was so unnecessary in that rainless tract. To quiver and shake in a quartian ague when the battalions of maize are pluming themselves on their own growth, and the millet-seeds, tired of cuddling close to each other, are beginning to start on lengthening stemlets to see the world, was legitimate; but it was quite another thing to find a difficulty in keeping a signal steady when there was not a drop of moisture for miles and miles, save in the little round well which had been dug for the gatekeeper's use.

Dhunnu, however, had served the _Sirkar_ for long years in the malarial tracts under the hills before he came as a pensioner to level crossing 57, and when once the marsh-monarch lays firm hold of a man he claims him as a subject for all time. It was this difficulty, no doubt, in keeping a signal steady which, joined to the intense pleasure it gave to the child, had first led to little Dhunni holding the green flag, while Dhunnu on the other side of the gate kept the furled red one in his shaking hand ready for emergencies. Then the train would sweep past like a great caterpillar with red and green eyes, and red and green lights in its tail, and Craddock would look out of the cab, and say to himself that time must be pa.s.sing, since the child was shooting up into a girl. And still it was always the green flag; always "line clear."

It became monotonous even to Dhunni who had been brought up to it, and while her chubby hand clutched the baton firmly she would look resentfully across at the furled red flag in her grandfather's shaking hand.

"Lo! _nanna_," she said spitefully, "some day it will shake so that the cloth will shake itself out, and then----"

He interrupted her with dignity, but in the tone in which a t.i.t-mouse might reproach a tiger-cat; for Dhunni, as he knew to his cost, had a temper.

"By G.o.d's blessing, oh Dhun devi, that will never be, since east and west is there no cause sufficient to check progress; and as that is by order the green flag, so the green flag it will be."

Dhunni made no reply in words. She simply flung the safety signal in the dust and danced on it with a certain pompous vigour which made the whity-brown rag of a petticoat she wore as sole garment, cease even its pretensions to be called a covering. For they were very poor, these two; that was evident from the lack of colour in their clothing, which made them mere dusty brown shadows on the background of brownish dust.

"It shall be the red one some day, _nanna!_ Yea! some day it shall be the red flag, and then the train will stop, and then--and then," she gave one vindictive stamp to clinch the matter and walked off with her head in the air. The old man watched her retreating figure with shocked admiration, then picked up the dishonoured flag, dusted it, and rolled it up laboriously.

"Lo!" he muttered as a half-gratified smile claimed his haggard face, "she is of the very worst sort of woman that the Lord makes. A virtuous man need be prepared for such as she, so 'tis well she is betrothed to a decent house. Meanwhile in the wilderness she can come to no harm."

So far as the displaying of danger signals went, Dhunni herself was forced to admit the truth of this proposition, for even when the old man lay quivering and quaking, he kept the key of the box in which the red flag was locked, safely stowed away in his waistcloth. Once she tried to steal it, and when discovered in the act, took advantage of his prostration to argue the matter out at length,--her position being that the train itself must be as tired of going on, as she was of watching it. Whereupon he explained to her with feverish vividness the terrible consequences which followed on the unrighteous stopping of trains, to all of which she acquiesced with the greatest zest, even suggesting additional horrors, until it became a sort of game of brag between them as whose imagination would go the furthest.

Finally, as she brought him a cup of water from the well, she consoled both herself and him with the reflection that some day he must die of the fever, and then of course it would not matter to him if the train stopped or not, while she could satisfy herself as to whether those funny white people who looked out of the windows were real, or only stuffed dolls.

"_Arin budzart!_" he whimpered as he lay prostrate and perspiring.

"Have I not told thee dozens of times they are _sahib logues?_ have I not seen them? have I----"

"_Trra_," replied Dhunni derisively, "that may be. I have not, but I mean to some day."

Then the old man, adding tears of weakness to the general dissolution, begged her, if a train must be stopped, to stop a "goods," or even a "mixed." She argued this point also at length, till the fever fiend leaving him, Dhunnu resumed his authority and threatened to whack her, whereupon she ran away, like a wild thing, into the desert.

It was a certain method of escape from the slow retribution of the old man, but as often as not she would return ere his anger had evaporated sooner than miss any one of the four caterpillars with the red and green eyes and the green and red lights in their tails. They had a fascination for her which she could not resist, so she would take her whacking and then stand, bruised and sore, but brimful of curiosity, to give "line clear," as it were, to a whole world of which she knew nothing. Even that was better than having nothing to do with it at all.

And then, as her grandfather grew older and feebler, and required a longer time to fetch the week's supply from the distant hamlet far over the edge of the sandy horizon, there came at last a day when she stood all alone in the very centre of the closed gate holding out the green flag and salaaming obsequiously, for that was what grandfather had done on one or two occasions when, owing to inconceivable wickedness, she had been made to watch the pa.s.sing of civilisation while tied to a distant bed leg.

Craddock from his cab noticed the grave mimicry and smiled, whereupon Dhunni smiled back brilliantly. And then something happened which curiously enough changed her whole estimate of civilisation, and left her with such an expression on her face that when her grandfather returned half an hour afterwards, his first thought was for the red flag. The key was safe in his waistcloth, yet still he began hurriedly:

"Thou didst not----"

"Nay," she burst out in fury, "I did naught. But they!--_nanna_, I hate them! I hate them!"

Then it turned out that the white dolls had flung a stone at her--a hard stone--yes, the pink and white child-dolls had flung a stone at her just because she had smiled. So with hands trembling with rage she produced in evidence a large chunk of chocolate.

Dhunnu looked at it in superior wisdom, for there had been white children sometimes in that surveying camp below the hills.

"'Tis no stone," he said; "'tis a foreign sweetmeat. They meant well, being ignorant that we eat not such things. When they first come across the black water they will even fling bread."

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In The Permanent Way Part 26 summary

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