In the Heart of a Fool Part 4

"We were just talking about Henry, Tom," remarked Mr. Brotherton, as he handed back the change.

"He's b-back-sl-slidden," prompted Perry.

"Oh, well--it's all right. Henry has his weaknesses--we all have our failings. But drunk or sober he danced a dozen times last night with that pretty school teacher from Prospect Township." Grant looked up from his book, as Van Dorn continued, "Gorgeous creature--" he shut his eyes and added: "Don't pity Henry when he can get a woman like that to favor him!"

As John Kollander thundered back some irrelevant comment on the moment's politics, Van Dorn led Brotherton to the further end of the counter and lowering his voice said:

"You know that Mauling girl at the Palace cigar counter?"

As Brotherton nodded, Van Dorn, dropping his voice to a whisper, said: "Her father's dead--poor child--she's been spending her money--she hasn't a cent. I know; I have been talking to her more or less for a year or so. Which one of your lodges does the old man belong to, George?"

When the big man said: "Odd Fellows," Van Dorn reached into an inner coat pocket, brought out some bills and slipping them to Brotherton, so that the group on the bench in the corner could not see, Van Dorn mumbled:

"Tell her folks this came from the lodge--poor little creature, she's their sole support."

As Van Dorn lighted his cigar at the alcohol burner Henry Fenn turned into the store. Fenn stood among them and smiled his electric smile, that illumined his lean, drawn face and said, "Here," a pause, then, "I am," another pause, and a more searching smile, "I am again!"

Mr. Brotherton looked up from the magazine counter where he was sorting out _Centurys_, and _Harpers_ and _Scribners_ from a pile: "Say--" he roared at the newcomer, "Well--say, Henry--this won't do. Come--take a brace; pull yourself together. We are all for you."

"Yes," answered Fenn, smiling out of some incandescence in his heart, "that's just it: You're all for me. The boys over at Riley's saloon are all for me. Mother--G.o.d bless her, down at the house is for me so strong that she never flinches or falters. I can get every vote in the delegation, but my own!"

"Oh, Henry, why these tears?" sneered Van Dorn. "We've all got to have our fun."

"I presume, Tom," snapped Fenn, "that you've got your little affairs of the heart so that you can take 'em or let 'em alone!" But to the group in the amen corner, Fenn lifted up his head in shame. He looked like a whipped dog. One by one the crowd disappeared, all but Grant, who was bending over his book, and deaf John Kollander.

Fenn and Brotherton went back to Brotherton's desk and Fenn asked, "Did I--George, was it pretty bad last night? G.o.d she--she--that Muller girl--what a wonderful woman she is. George, do you suppose--" Fenn caught Grant's eyes wandering toward them. The name of Margaret Muller had reached his ears. But Fenn went on, lowering his voice: "I honestly believe she could, if any one could." Fenn put his lean, tapering hand upon Brotherton's broad fat paw, and smiled a quaint, appreciative smile, frank and gentle. It was one of those smiles that carried agreement with what had been said, and with everything that might be said. Brotherton took up the hallelujah chorus for Margaret with: "Fine girl--bright, keen--well say, did you know she's buying the books here of me for the chautauqua course and is trying for a degree--something in her head besides hairpins--well, say!"

He stopped in the middle of the sentence, and brought down his great hand on his knee. "Well, say--observe me the prize idiot! Get the blue ribbon and pin it on your Uncle George. Look here at me overlooking the main bet. Well, say, Henry--here are the specifications of one large juicy plan. Funeral to-morrow--old man Mauling; obliging party to die.

Uncle George and the angel choir to officiate with Uncle George doubling in bra.s.s as pall-bearer. The new Mrs. Sands, our bell-voiced contralto, is sick: also obliging party to be sick. Need new contralto: Muller girl has voice like morning star, or stars, as the case may be." Fenn flashed on his electric smile, and rose, looking a question.

"That's the idea, Henry, that finally wormed its way into my master mind," cried Brotherton, laughing his big laugh. "That's what I said before I spoke. You are to drive into Prospect Township this evening--Hey, Grant," called Brotherton to the boy on the bench in the Amen corner, "Does that pretty school ma'am board with you people?" And when Grant shook his head, Brotherton went on: "Yes--she's moved across the district I remember now. Well, anyway, Henry, you're to drive into Prospect Township this evening and produce one large, luscious brunette contralto for choir practice at General Nesbit's piano at eight o'clock sharp." He stood facing Fenn whose eyes were glowing. The lurking devil seemed to slink away from him. Brotherton, seeing the change, again burst into his laugh and bringing Fenn to the front of the store roared: "Well, say--Hennery--are there any flies on your Uncle George's scheme?"

Grant began b.u.t.toning his coat. Fenn, free for the moment of his devil, was happy, and Brotherton looked at the two and cried, "Now get out of here--the both of you: you're spiling trade. And say," called Brotherton to Fenn, "bring her up to the Palace Hotel for supper, and we'll fill her full of rich food, so's she can sing--well, say!"

That evening going home Grant met Margaret and Fenn at a turn of the road, and before they noticed him, he saw a familiar look in her eyes as she gazed at the man, saw how closely they were sitting in the buggy, saw a score of little things that sent the blood to his face and he strode on past them without speaking. That night he slipped into the room where the baby lay playing with his toes, and there, standing over the little fellow, the youth's eyes filled with tears and for the first time he felt the horror of the baby lifting from him. He did not touch the child, but tiptoed from the room ashamed to be seen.

To Margaret Muller, the baby's mother, that night opened a new world. To begin with, it marked her entrance through the portals of the Palace Hotel as a guest. She had sometimes flitted into the office with its loose, tiled floors and shabby, onyx splendor to speak to Miss Mauling of the news stand; then she came as a fugitive and saw things only furtively. But this night Margaret walked in through the "Ladies Entrance," sat calmly in the parlor, while Mr. Fenn wrote her name upon the register, and after some delirious moments of grand conversation with Mr. Fenn in the gilded hall of pleasure with its chenille draperies and its apoplectic furniture all puffed to the bursting point, she had walked with Mr. Fenn through the imposing halls of the wonderful edifice, like a rescued princess in a fairy tale, to the dining room, there to meet Mr. Brotherton, and the eldest Miss Morton, who recently had been playing the cabinet organ at funerals to guide Mr. Brotherton's choir. Now the eldest Miss Morton was not antique, being only a scant fifteen in short dresses and pig tails. But at the urgent request of Mr.

Brotherton, and "to fill out the table, and to take the wrinkles out of her ap.r.o.n by a square meal at the Palace," as Mr. Brotherton explained to the Captain, she had been primped and curled and scared by her sisters and her father, and sent along with Mr. Brotherton--possibly in his great ulster pocket, and she sat breathing irregularly and looking steadily into her lap in great awe and trepidation.

Margaret Muller, in the dining-room whose fame had spread to the outposts of Spring township and to the fastnesses of Prospect, behaved with scarcely less constraint than the eldest Miss Morton. She gazed at the beamed ceiling, the high wainscoting, the stenciled walls, the frescoes upon the panels, framed by the beams, the wide sideboard, the glittering gla.s.s and the plated silver service, and if her eyes had not been so beautiful they would have betrayed her wonder and admiration. As it was, they showed an ecstasy of delight that made them shine and when Henry Fenn saw them he looked at Mr. Brotherton, and Mr. Brotherton looked at Mr. Fenn, and the moon in Mr. Brotherton's face beamed a lively approval. Moreover the cigar salesman from Leavenworth and a hardware drummer from St. Louis and a dry-goods salesman from Chicago and a travelling auditor for the Midland saw Margaret's eyes and they too looked at one another and gave their unqualified approval. In other years--in later years--when she was at Bertolini's Grand Palace in Naples or in some of the other Grand Palaces of other effete and luxurious capitals of Europe, Margaret used to think of that first meal at the Palace house in Harvey and wonder what in the world really did become of the dozen fried oysters that she so innocently ordered. She could see them looming up, a great pyramid of brown batter, garnished with cress, and she knew that she had blundered. But she did not see the wink that Mr. Brotherton gave Mr. Fenn nor the glare that Mr. Fenn gave Mr. Brotherton; so she faced it out and whether she ate them or left them, she never could recall.

But it was a glorious occasion in spite of the fried oysters. What though the tiles of the floor of the Palace were cracked; what though the curtains sagged, and the furniture was shabby, and the walls were faded and dingy; what though the great beams in the dining-room were dirty and the carpets in the halls bedraggled, and the onyx gapping in great cracks upon the warped walls of the office; what though the paint had faded and the varnish cracked all over the house! To Margaret Muller and also to the eldest Miss Morton, who only managed to breathe below her locket when they were under the stars, it was a dream of marble halls, and the frowsy Freddie Kollander and the other waiter who brought in the food on thick, cracked oblong dishes were va.s.sals and serfs by their sides.

When they started up Sixth Avenue, the eldest Miss Morton was trying to think of everything that had happened to tell the younger Misses Morton, Martha and Ruth--what they ate and what Miss Muller wore, and what Freddie Kollander who waited on them, and also went to high school, did when he saw her, and how Mr. Fenn acted when Miss Muller got the big platter of oysters, and what olives tasted like and if anything had been cooked in the Peerless Cooker that father had just sold Mr. Paxton and in general why the spirit of mortal should be proud.

But Miss Muller entertained no such thoughts. She was treading upon the air of some elysium, and she took and held Mr. Fenn's arm with an unnecessary tightness and began humming the tune that told of the girl who dreamed she dwelt in marble halls; and then, as they left the thick of the town and were walking along the board sidewalks that lead to Elm Crest on Elm Street, they all fell to singing that tune; and as one good tune deserved another, and as they were going to practice the funeral music that evening, they sang other tunes of a highly secular nature that need not be enumerated here. And as Miss Muller had a substantial dinner folded snugly within her, and the ambition of her life was looming but a few blocks ahead of her, she walked closer to Mr. Fenn, county attorney in and for Greeley county, than was really necessary. So when Mr. Brotherton walked alongside with the eldest Miss Morton stumbling intermittently over the edge of the sidewalk and walking in the dry weeds beside it, Miss Muller put some feeling into her singing voice and they struck what Mr. Brotherton was pleased to call a barbershop chord, and held it to his delight. And the frosty air rang with their voices, and the rich tremulous voice of the young woman thrilled with pa.s.sion too deep for words. So deep was it that it might have stirred the hovering soul of the dead whose dirges they were to sing and brought back to him the time when he too had thrilled with youth and its inexpressible joy.

Up the hill they go, arm in arm, with fondling voices uttering the unutterable. And now they turn into a long, broad avenue of elms, of high, plumey elms trimmed and tended, mulched and cultivated for nearly twenty years, the apple of one man's eye; great elms set in blue gra.s.s, branching only at the tops, elms that stand in a grove around an irregular house, elms that shade a broad stone walk leading up to a wide, hospitable door. The young people ring. There is a stirring in the house, Margaret Muller's heart is a-flutter--and the eldest Miss Morton wonders whether Laura or the hired girl will open the door, and in a moment--enter Margaret Muller into the home of the Nesbits.

As the wide door opens, a glow of light and life falls upon the young people. Standing in the broad reception room is Doctor Nesbit, with his finger in a book--a poetry book if you please--and before him with his arm about her and her head beneath his chin stands his daughter. Coming down the stairs is Mrs. Bedelia Satterthwaite Nesbit--of the Maryland Satterthwaites--tall, well-upholstered, with large features and a Roman nose and with the makings of a double chin, if she ever would deign to bend her queenly head, and finally with the pomp of a major general in figure and mien.

She ignores the debris of the carpenters who have been putting in the hardwood floors, without glancing at it, and walking to her guests, welcomes them with regal splendor, receiving Miss Muller with rather obvious dignity. Mrs. Nesbit in those days was a woman of whom the doctor said, "There is no foolishness about Bedelia." The jovial Mr.

Brotherton attempts some pleasant hyperbole of speech, which the hostess ignores and the Doctor greets with a smile. Mrs. Nesbit leads the way to the piano, being a woman of purpose, and whisks the eldest Miss Morton upon a stool and has the hymn book opened in less time than it takes to tell how she did it. The Doctor and Laura stand watching the company, and perhaps they stand awkwardly; which prompts Mr. Brotherton in the goodness of his heart to say, "Doctor, won't you sit and hear the music?"

Mrs. Nesbit looks around, sees the two figures standing near the fire and replies, "No, the Doctor won't."

To which he chirps a mocking echo--"No, the Doctor won't."

Mr. Brotherton glances at Mr. Fenn, and the Doctor sees it. "That's all right, boys--that's all right; I may be satrap of Harvey and have the power of life and death over my subjects, but that's down town. Out here, I'm the minority report."

Mrs. Nesbit opens the hymn book, smooths the fluttering leaves and says without looking toward the Doctor: "I suppose we may as well begin now."

And she begins beating the time with her index finger and marking the accents with her foot.

As they sing they can hear the gentle drone of the Doctor's soft voice in the intervals in the music, reading in some nearby room to his daughter. They are reading Tennyson's "Maud" and sometimes in the emotional pa.s.sages his voice breaks and his eyes fill up and he cannot go on. At such times, the daughter puts her head upon his shoulder and often wipes her tears away upon his coat and they are silent until he can begin again. When his throat cramps, she pats his cheek and they sit dreaming for a time and the dreams they dream and the dreams they read differ only in that the poetry is made with words.

It is a proud night for Margaret Muller. She has come into a new world--the world of her deep desire. Mrs. Nesbit sees the girl's wandering eyes, taking note of the furniture, as one making an inventory. No article of the vast array of vases and jars and plaques and jugs and statuettes and grotesque souvenirs of far journeys across the world, nor etchings nor steel engravings nor photographs of Roman antiquities nor storied urns nor animated busts escapes the wandering, curious brown eyes of the girl. But in her vast wonderment, though her eyes wander far and wide, they never are too far to flash back betimes at Henry Fenn's who drinks from the woman's eyes as from a deep and bewitching well. He does not see that she is staring. But as the minutes speed, he knows that he is electrified with alternating currents from her glowing face and that they bring to him a rapture that he has never known before.

But you may be sure of one thing: Mrs. Nesbit--she that was Satterthwaite of the Maryland Satterthwaites--she sees what is in the wind. She is not wearing gold-rimmed nose gla.s.ses for her health. Her health is exceptionally good. And what is more to the point, as they are singing, Mrs. Nesbit gives George Brotherton a look--one of the genuine old Satterthwaite looks that speak volumes, and in effect it tells him that if he has any sense, he will take Henry Fenn home before he makes a fool of himself. And the eldest Miss Morton, swinging her legs under the piano stool and drumming away to Mrs. Nesbit's one- and two- and three- and four-ands, peeps out of the corners of her eyes and sees Miss Muller gobbling Mr. Fenn right down without chewing him, and whoopee but Mrs. Nesbit is biting nails, and Mr. Brotherton, he can't hardly keep his face straight from laughing at all, and if Ruth and Martha ever tell she will never tell them another thing in the world. And she mustn't forget to ask Mrs. Nesbit if she's used the Peerless Cooker and if she has, will she please say something nice about it to Mrs. Ahab Wright, for Papa is so anxious to sell one to the Wrights!

It is nearly nine o'clock. Mr. Fenn has been eaten up these twenty times. The wandering eyes have caressed the bric-a-brac over and over.

Mrs. Nesbit's tireless index finger has marked the time while the great hands of the tall hall clock have crept around and halfway around again.

They are upon the final rehearsal of it.

"Other refuge have I none," says the voice and the eyes say even more and are mutely answered by another pair of eyes.

"Hangs my helpless soul on thee," says the deep pa.s.sionate voice, and the eyes say things even more tender to eyes that falter only because they are faint with joy. In the short interval the moving finger of Mrs.

Nesbit goes up, and then comes a rattling of the great front door. A moment later it is opened and the flushed face of Grant Adams is seen.

He is collarless, and untidy; he rushes into the room crying, "O, doctor--doctor, come--our baby--he is choking." The youth sees Margaret, and with pa.s.sion cries: "Kenyon--Kenyon--the baby, he is dying; for G.o.d's sake--Mag, where is the Doctor?"

In an instant the little figure of the Doctor is in the room. He stares at the red-faced boy, and quick as a flash he sees the open mouth, the dazed, gaping eyes, the graying face of Margaret as she leans heavily upon George Brotherton. In another instant the Doctor sees her rally, grapple with herself, bring back the slow color as if by main strength, and smile a hard forced smile, as the boy stands in impotent anguish before them.

"I have the spring wagon here, Doctor--hurry--hurry please,"

expostulates the youth, as the Doctor climbs into his overcoat, and then looking at Margaret the boy exclaims wildly--"Wouldn't you like to go, too, Maggie? Wouldn't you?"

She has hold of herself now and replies: "No, Grant, I don't think your mother will need me," but she almost loses her grip as she asks weakly, "Do you?"

In another second they are gone, the boy and the Doctor, out into the night, and the horse's hoofs, clattering fainter and fainter as they hurry down the road, bring to her the sound of a little heart beating fainter and fainter, and she holds on to her soul with a hard hand.

Before long Margaret Muller and Henry Fenn are alone in a buggy driving to Prospect township.

She sees above her on the hill the lights in the great house of her desire. And she knows that down in the valley where shimmers a single light is a little body choking for breath, fighting for life.

"Hangs my helpless soul on thee," swirls through her brain, and she is cold--very cold, and sits aloof and will not talk, cannot talk. Ever the patter of the horse's feet in the valley is borne upward by the wind, and she feels in her soul the faltering of a little heart. She dares not hope that it will start up again; she cannot bear the fear that it will stop.

So she leaves the man who knew her inmost soul but an hour ago; hardly a word she speaks at parting; hardly she turns to him as she slips into the house, cold and shivering with the sound of every hoof-beat on the road in the night, bringing her back to the helpless soul fluttering in the little body that once she warmed in hers.

Thus the watchers watched the fighting through the night, the child fighting so hard to live. For life is dear to a child--even though its life perpetuates shame and brings only sorrow--life still is dear to that struggling little body there under that humble roof, where even those that love it, and hover in agony over it in its bed of torture, feel that if it goes out into the great mystery from whence it came, it will take a sad blot from the world with it. And so hope and fear and love and tenderness and grief are all mingled in the horror that it may die, in the mute question that asks if death would not be merciful and kind. And all night the watchers watched, and the watcher who was absent was afraid to pray, and as the daylight came in, wan and gray, the child on the rack of misery sank to sleep, and smiled a little smile of peace at victory.

Then in the pale dawn, a weary man, trudging afoot slowly up the hill into Harvey, met another going out into the fields. The Doctor looked up and was astonished to see Henry Fenn, with hard drawn features, trembling limbs, hollow eyes and set lips. He too had been fighting hard and he also had won his victory. The Doctor met the man's furtive, burning eyes and piped out softly: