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In Silk Attire Part 12

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"Good morning," she said, holding out her hand, and looking at him with those dangerous blue eyes. "Don't you remember me?"

The moment he heard the voice, he recognised it. It was the thrilling voice of "Perseus," of "Good-for-nothing" Nan, of "Peggy Green," of "The Little Rebel," of "Mrs. White," of "Fatima," of "Rose Dufard"-of Nelly Featherstone. Had her eyelashes been caked with cosmetique, her lips reddened with salve, and the violet-powder of her face tempered with glycerine and rouge, he would have recognised her at once; but there was a good deal of difference between Miss Featherstone in morning costume, with cold daylight on her face, and Miss Featherstone in the dashing and glittering garments of "Conrad the Corsair," with the glare of the footlights on her forced complexion and brilliant ornaments. For the rest, he had only heard of her as a good and well-meaning little girl, to whom Nature had given a deadly pair of eyes and a warm temperament.

He was at first rather taken aback by her proffered friendship; but a few commonplaces relieved him from the predicament. She gave him a parting smile full of sweetness; and he went up to the door, and entered the house, leaving his card with the servant.

Presently Mrs. Christmas entered the drawing-room, and said that Miss Brunel would be glad to see him out in the garden, where she was then engaged.

"You seem to have been ill, Mrs. Christmas," said Will. "I hope that wild adventure upon Hounslow Heath had nothing to do with it."



"Indeed, I'm afraid it had, Mr. Anerley," said the little woman, whose bright eyes were unnaturally bright, her face also being unusually pale.

"I have never been well since; but old folks like me mustn't complain, you know, Mr. Anerley. We mustn't complain if we get ill at times."

"I'm sorry you've been ill. You ought to go and live in the warm fresh air of the country, when the summer's fully in."

"I've never left Miss Annie for a day since her mother died, Mr.

Anerley; and I'm not going to forsake her now. It would be hard on both of us."

"But she might go with you?"

"That's easy saying."

They went out and crossed a little bit of lawn, which had a few vases upon it, and here and there a plot of spring annuals. A short distance down the side-path they came to a small summer-house, which was arched over with a piece of light framework; and in front of this framework stood Annie Brunel, on a chair, tying up with loops of string the bright-leaved creepers, which were yet in their erratic youth. Her hands were busy over her head, and her face was upturned, showing the fine outline of her neck and figure-a shapeliness of bust which was not lessened by a tight-fitting and pretty morning dress, which Will thought the most graceful thing he had ever seen, particularly as it caught streaks of sunlight now and again through the diamond s.p.a.ces above.

When he went up to her and shook hands with her, he fancied he observed a slight tinge of embarra.s.sment in her face; but that quickly wore off, and she returned to her usual bright happiness of manner, continuing her work by fits and s.n.a.t.c.hes. And every position into which her beautiful figure fell seemed more admirable than its predecessor.

"I wonder," thought Will, "if any man ever lifted her down from the saddle; and did he immediately die of joy?"

Perhaps he was sorry at the moment that one's descent from a chair is so obviously an easy feat.

"I'm doing this out of pure mischief," she said, "and earning for myself such heaps of muttered scolding and ill will. The gardener comes to us twice a week; and he is quite savage if I have meddled with anything in the meantime. I can't pacify him. I have tried every means; but he is too obdurate. Miss Featherstone says I ought to hire a young gardener, and I might have the garden done any way I wished."

"Sulky servants are always the best servants," said Will, rather absently; for the clear, dark Italian face, and the bright smile, and the white teeth, oppressed him with a vague, delicious melancholy. "But a gardener, whether he is good or bad, is always sulky. My mother is afraid to touch one of the plants in the greenhouse until it is half withered; and when some people come, and she carries off a lot of the plants for the hall and dinner-table, she trembles to meet the old man next morning. I suppose gardeners get so fond of their flowers as to be jealous, and jealousy is always cross. By-the-bye, wasn't that Miss Featherstone who left as I came in?"

"Yes."

"I scarcely knew her. In fact, I only saw her once before off the stage-at that supper; and yet she was kind enough to bid me good morning."

"Then she must have thought you were a newspaper gentleman," said Mrs.

Christmas, with a good-natured little laugh. "She is very partial to them. And that one she knows just now teaches her such dreadful things, and the heedless girl repeats them wherever she goes, to make people laugh. What was it she said this morning, Miss Annie?-that on St.

Patrick's Day there were so many wicked things done in Ireland, that the recording angel had to take to shorthand."

"Well, Lady Jane," said Miss Brunel, "you need not have repeated what she said; and it's very wrong of you to say anything against poor Nelly, who is a warm-hearted, mad little creature."

"She's not so simple as she looks," said Mrs. Christmas, nodding her head sagaciously. "I am an old woman, and I know. And the way she uses that poor young gentleman-him in the government office, who was at the supper, you know, Mr. Anerley-is downright shameful. She told me this morning that he made her swear on an open prayer-book never to put bis.m.u.th on her arms or neck again; I suppose because he expects to marry her, and doesn't want to have her all shrivelled up, and bis.m.u.th is very bad, you know, for that; and that newspaper gentleman whom she knows said, whenever she wanted to quarrel with the poor young man, and make him believe that she had perjured herself all for the love of shiny white arms, she ought to--!"

"Mr. Anerley," said the young girl, looking down from her work, "will you silence that talkative child by giving it a piece of sugar? What must you think of us actresses if she goes on like that?"

"_She_-bah!" said the old woman, in a melodramatic whisper, with a nod towards Miss Brunel. "She knows no more of Nelly Featherstone and the rest of 'em than an infant does. They don't talk to her like they do to an old woman like me."

"Now I have finished," said the young lady, jumping lightly down from the chair (Will did not even get the chance of taking her hand), "and we'll go inside, if you please."

"Shall I bring in the chair?" asked Will.

"Oh, no! We leave the old thing out here: it is for no other use."

Somehow it seemed to be quite a valuable chair in his eyes: he would have given a good deal to be its owner just then.

As they got indoors, Mrs. Christmas went upstairs, and Will followed Annie Brunel into the drawing-room, which was rather prettily furnished, and had a good deal of loose music scattered about the tables and piano.

He had been in finer drawing-rooms, with grander ladies; and yet he had never before felt so rough and uncultivated. He wished he had looked particularly at his hair and moustache before corning out, and hoped they were not very matted, and loose, and reckless-which they certainly were. Indeed, he looked like some stalwart and bronzed seaman who had just come off a long voyage, and who seemed to regard with a sort of wonder the little daintinesses of land-life.

"I thought you had quite run away with my sis--, with that young lady, the other evening when she went to see you," he said.

"You would have been sorry for that," she replied, with a quiet smile.

Will was not at all so pleased with the gentle motherly tone in which she uttered these words as he ought to have been. She seemed to take it for granted that his love-secret was known to her; he would have preferred-without any particular reason-its not being known.

"What a gentle, loveable girl she is!" continued the young actress. "I never knew any one who so thoroughly won me over in a few minutes. She was so sweet, and quiet, and frank; one could tell by her face everything she thought. She must be very sensitive and affectionate; I hope so tender a creature will never have to suffer much. And you-you must be very proud of her."

"We all are."

Miss Brunel widened her eyes slightly, but said nothing.

"By the way," said Will, with an evident effort, "I gathered together a number of Suabian peasant-songs when I was out there, which I should like to hear you sing. I know you will like them, they are so tender and simple. Dove has tried one or two of them, but her voice is scarcely low and full enough for them--"

"Dove is your _sister's_ name, is it not?"

"Yes."

"And how do you know I can sing at all?" she asked, with a smile.

"As well ask a star if it has light," said he, warmly.

"You have lived too long in the East," she retorted, gently.

When Mrs. Christmas came into the room at that moment, there was a slight constraint visible upon both the young people. Will felt that he had gone a little too far; while Annie Brunel seemed to think that she had rather rudely warned him off such dangerous ground. The danger was not in the words, but in his tone.

Mrs. Christmas had just received an East London local paper, in which some youthful poet had poured forth his rhapsodies over Annie Brunel and her 'Juliet.' There was nothing remarkable in the verses, except that the author hoped to meet Miss Brunel in heaven. This was natural enough. The almost inevitable climax of a commonplace poem is heaven, simply because heaven is the only idealism of commonplace minds. It is almost a matter of necessity, therefore, that hymns should end with "above," or "Eden," or "Paradise;" and that magazine poets should lay down their pen with a sigh of relief when they have left their readers somewhere among the fixed stars.

"It is kind of him to suppose that an actress may get to heaven at all,"

said Annie Brunel, when Mrs. Christmas had read the verses.

Once or twice before Will had remarked this tendency towards bitterness of feeling in the young girl's contemplation of the non-professional world. He could not divine its cause. He was vexed to see it; and now he said, boldly:

"You ought not to speak like that, Miss Brunel. You wrong both yourself and those of whom you speak. You really have imbibed-I don't know how-a singular prejudice against people out of your own profession."

"Don't they refuse in France to bury actors in consecrated ground?"

"If they did, the freaks of a clergy should never be blamed upon the people of any country. I suppose the priests, through the use of the confessional, were so dismayed about the prospects of their charge in the next world, that they thought this distinction the only piece of worldly consolation they could give them. But indeed, Miss Brunel, you must abandon that touch of Bohemianism which you unconsciously allow to escape you sometimes, and which is unfair to--"

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In Silk Attire Part 12 summary

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