In a Free State Part 21

'I report you,' Bobby said.

His arms were twisted harder and he was thrown forward, and when he was on the concrete floor, feeling the boots thump him on the back, the neck, the jaw, he saw, with surprise, that the legs of two soldiers were quite still. It was the fat soldier, grunting as he squatted, tight in his khaki, who was beside him, seizing him by the hair, banging his head on the floor, rubbing his face hard on the floor, now this side, now the other. Bobby knew he was losing skin; but still he noticed that the other soldiers remained where they were.

He had thought at first that the soldier with the cigarette wished only to humiliate, denude, disfigure; and he had half understood, half felt sympathy. But they had gone too far; and now he felt that the fat soldier, who had asked for the watch, intended to kill. He thought: I must protect myself, I must play dead.

Sprawling on his front, he made himself heavy, his left arm jammed against the side of his head. The boots probed his ribs, his belly, probed and kicked. Bobby tried not to move; he didn't think he moved; the fine grit on the smooth plaster of the floor stuck to his wet skin. He didn't open his eyes, fearing to find that he might not be able to see. Then he felt the boot hard on his right wrist, and he could have cried then, at the clear pure pain, the knowledge of the fracture, so deliberate, the knowledge that what had been whole all his life had been broken. He shut out everything to concentrate on that wrist. He felt it grow numb; he felt the swelling come. And then he was on the road again, in a bright landscape, nervous at his own speed, his tyre-tracks and the wet, billowing road.

He awakened. He thought he would open his eyes. His whole face burned. He could see. He could see that in the dark room there were no more khaki legs. He waited to make sure. He felt it was important to act at once, while he was lucid, while the strength that had come back to him remained. He sat up, leaning on his wrist. He had forgotten that injury; he remembered now. He stood up, and he was steady. He didn't look at himself. Walking, he remembered to look on the floor. But he didn't see the cigarette the soldier had dropped.

The light was yellower. Shadows had spread and were less harsh. There was more dust and smoke. The sun caught the windscreen of a lorry, a window of the school. Soldiers squatted or sat around small twig fires, eating out of tin plates, drinking out of tin cups, unhurried, deliberate, their eyes and voices bright with the pleasure of food: forest people, kings of the forest, at the end of another lucky day. Some way behind them, in the sun, the bound black prisoners lay on the ground and didn't move.

A soldier saw Bobby and stared. The soldier's eyes glittered. Without turning his head he spoke to the man beside him, and the whole group looked. Bobby held his hands at his side and stood in the doorway, allowing himself to be examined. He began to walk to the car, which remained where he had left it, quite exposed on the open road, the wheels slightly sunk in the asphalt. The soldiers went back to their food.

Linda, still in her seat, leaned to hold the door open. No one came to the car. The engine answered. Bobby rested his right hand on the steering-wheel. No one stopped him from leaving. The afternoon light made every scratch on the windscreen gold. The almost perpendicular side of Leopard Tor was also gold; the shadowed side was blurred, the forest on its lower slopes now like part of the surrounding bush.

Four or five hundred yards away, over the brow of the hill, they came to the roadblock. The soldier with the rifle, his face just black below his cap, waved them down with the awkward flapping African gesture. But even before they stopped, the man in the flowered shirt and dark trousers and his hair in the English style, on the other side of the road, signalled to them to go on.

Bobby drove in and out of the white barriers and then slowly past the vehicles halted on the other side of the road, vehicles going out of the Collectorate: the Peugeot taxi-buses, the broken-down vans and African cars. The pa.s.sengers were on the verge. Some were holding duplicated foolscap sheets, their pa.s.ses; but others were already sitting down or lying on the gra.s.s, half naked, their clothes torn; the fully clothed soldiers moved among them. Some of the African women were in Edwardian costumes. So the first missionaries had appeared among the king's people; and so, ever since, but in African-style cottons, the women of the king's people had dressed on formal occasions or whenever they made a long journey.

The road continued straight, from hilltop to hilltop, a strip of asphalt in a wide swathe through the bush.

Linda said, 'Let's stop for a little, Bobby.'

He pulled up on the road, just like that.

She tried to dust his hair, to straighten the rags of the yellow shirt. There was little else she could do. He didn't allow her to touch his face.

She said, 'Your watch is broken.'

Bobby closed his heavy eyes and, in that darkness, thought, with sudden pa.s.sing sorrow for her, for whom so much had also gone wrong: but these are the hands of a nurse.

He opened his eyes and saw the road. They drove on. The sky above was dark blue; the light was beginning to go. The tufted forest glowed where the king's villages were burning.

They were a people who lived, vulnerably now, in villages along their ancient straight roads: roads that had spread their power as forest conquerors, until the first explorers came. The villages were close together; the highway was normally full of pedestrians and cyclists. But the road now was empty; and the villages they pa.s.sed were empty, dead, burnt-out. The villages that blazed were in the dirt tracks off the main road.

Linda said, 'I wonder if they've burned down the compound.'

But there was no other place to drive to.

The road dipped; they lost the view of the burning villages. The bush was tall and dark in this depression. They had entered forest, and the road, a straight black cutting, swung away between walls of forest, up and down, and then up to a high horizon. Bobby's wrist ached; he felt his eyes grow heavy. And then he was in a white storm. Like flakes of snow they came out of the forest, b.u.t.terflies, white, on the asphalt, on the gra.s.s, on tree trunks, in the air, millions and millions of white b.u.t.terflies, fluttering out of the forest. And the storm did not stop. They were crushed by the car wheels; they touched the bonnet and fluttered on the hot metal and died; they stuck to the windscreen.

Linda worked the washer; she turned on the wipers.

The road rose. The b.u.t.terflies stopped as suddenly as they had begun. The forest ended. The sky above was the darkest blue. In the distance they saw the villages burning around the small town, showing in the quick dusk as a few broken lines of lights.

Bobby said, 'I believe something's happened to my wrist.'

'I wish I could drive.'

He heard the panic in Linda's voice, and he didn't care. The road continued empty, the villages they pa.s.sed gutted. Collapsed huts of mud and gra.s.s would have seemed part of the bush; corrugated iron made a ruin. Here and there women and children had returned to the ruins, the women plump in the manner of the women of the king's people, looking over-dressed in their Edwardian costumes. The car drove itself; and it didn't surprise Bobby, now only following the headlights of the car, that the women, shiny-faced with fatigue, should be where they were; or that in the little industrial estate just outside the town there should still be electricity and illuminated signboards; or that where once, behind its high double walls, the king's palace glowed dully there should be darkness.

The walls had been breached; there was destruction inside: lorries, soldiers, campfires. To that ancient site, less than a hundred years before, the first explorers had brought news of the world beyond the forest. Now the site had its first true ruin, a palace built mostly in the 1920s, the first palace built there of materials less perishable than reeds and gra.s.s.

Between the palace and the colonial town was an open, indeterminate area: caravanserai, rubbish dump, pasture-land, market place, shanty town. Few lights burned there. Wholesale warehouses, traffic lights: road signs became complicated. Army lorries and jeeps stood at some intersections. Sometimes the headlights picked out the green cap and shining face of a dazzled soldier. But no awkward hand waved Bobby down. In the main street, where half a dozen three- or four-storeyed concrete buildings rose above the old pioneer wooden structures of the original Indian-English settlement, some Indian furniture shops had been looted. But most of the shops were boarded up and whole.

After the main street the town was open again: a park, looking across to the scattered lights of the main residential area; a roundabout, with soldiers; then, straight ahead, going out of the town again, into the darkness again, towards the glowing sky, another nondescript African area, houses and huts and roadside standpipes, motor-repair yards with decrepit lorries, shops and stalls and backyard vegetable plots, stretching all the way to the compound. Usually this road was busy, and at this time of evening dangerous with drunks or Africans from the deep bush who hadn't yet learned to a.s.sess the speed of motor vehicles. Now it was clear. But the road was rough, potholed after the rains, and b.u.mpy with asphalt that had melted and run together and grown hard. At every b.u.mp Bobby grew weaker.

Trees screened the compound from the road. At the end of the short drive two dim globes burned above the pillars of the iron gates. The gates were closed; the red-and-white wooden barrier was down. Bobby stopped. A torchlight flashed inches away from his face, and just outside the dazzle he saw lorries and soldiers.

The torchlight played about the windscreen, smeared with the yellow-white mess of mangled b.u.t.terflies, and rested on the compound pa.s.s stuck on the inside.

'Boswa et beveni. M'se, mem.'

It was one of the compound watchmen, offering a laughing welcome in the patois which was his distinction and his pride. He was neither of the king's people nor the president's. He came from another country; in the Collectorate he was neutral, a spectator, and as safe as the compound he watched over.

The compound was safe. The soldiers were there to protect it. The wooden barrier flew up, and the watchman, in his old-fashioned red-and-blue uniform, ran to open the gate, as though anxious to display his zeal, and the authority of the people he served, to the watching soldiers. He pushed half the gate inwards and held it open; he saluted as the car pa.s.sed in; and then he ran with the gate to close it again.

The big compound road-map was illuminated. The neatly labelled streets, artificially winding through the compound's landscaped grounds, were well lit. Fluorescent light fell on hedges and gardens. The open windows of bungalows and flats showed bark-cloths and straw-work on walls. African paintings, bookshelves. The little clubhouse was crowded.

Linda said, 'How's your wrist?'

Bobby didn't answer. Linda's voice was lighter, brisker; he could tell her panic had gone. The compound was her setting; she had news.

Intermittently during the night Bobby awoke from the drive and the confused dangers of the road to the comfort of bandages. As it grew lighter he began to wait for Luke, his houseboy. He was awakened by radios from the boys' quarters. Then he was awakened by the sound of Luke's brisk bare feet in the next room. There was guilt in that briskness; and when Luke tiptoed into the bedroom, his shrunken khaki trousers catching in the crotch and high above his small ankles, Bobby could tell, from the delicacy of his steps and from Luke's crumpled white shirt, that Luke had been drinking and had slept in his clothes.

Luke drew the curtains and said in his heavy, drunken voice, 'Blue Dress out in garden this morning.' This was one of their private jokes, about a compound wife, an American and a newcomer, who for several weeks had appeared to wear the same blue dress.

Then Luke turned and saw Bobby. He stood where he was and pulled in his lips hard. Luke was of the king's people and came from one of the nearby villages; he knew the ways of the president's army. His red eyes stared; his nostrils widened and his long, thin face quivered. He sniffed; his pulled-in lips flapped open. With a snort, and with swift little stamps of his right foot, he began to laugh.

Afterwards, still briskly, but now without his delicacy, moving as though he was alone and un.o.bserved, he gathered up Bobby's travelling clothes.

Bobby thought: I will have to leave. But the compound was safe; the soldiers guarded the gate. Bobby thought: I will have to sack Luke.

Epilogue, from a Journal.

The Circus at Luxor.

I WAS GOING to Egypt, this time by air, and I broke my journey at Milan. I did so for business reasons. But it was Christmas week, not a time for business, and I had to stay in Milan over the holidays. The weather was bad, the hotel empty and desolate.

Returning through the rain to the hotel one evening, after a restaurant dinner, I saw two Chinese men in dark-blue suits come out of the hotel dining-room. Fellow Asiatics, the three of us, I thought, wanderers in industrial Europe. But they didn't glance at me. They had companions: three more Chinese came out of the dining-room, two young men in suits, a fresh-complexioned young woman in a flowered tunic and slacks. Then five more Chinese came out, healthy young men and women; then about a dozen. Then I couldn't count. Chinese poured out of the dining-room and swirled about the s.p.a.cious carpeted lobby before moving in a slow, softly chattering ma.s.s up the steps.

There must have been about a hundred Chinese. It was minutes before the lobby emptied. The waiters, serving-napkins in hand, stood in the door of the dining-room and watched, like people able at last to acknowledge an astonishment. Two more Chinese came out of the dining-room; they were the last. They were both short, elderly men, wrinkled and stringy, with gla.s.ses. One of them held a fat wallet in his small hand, but awkwardly, as though the responsibility made him nervous. The waiters straightened up. Not attempting style, puzzling over the Italian notes, the old Chinese with the wallet tipped, thanked and shook hands with each waiter. Then both the Chinese bowed and got into the lift. And the hotel lobby was desolate again.

'They are the circus,' the dark-suited desk-clerk said. He was as awed as the waiters. 'Vengono dalla Cina rossa. They come from Red China.'

I left Milan in snow. In Cairo, in the derelict cul-de-sac behind my hotel, children in dingy jibbahs, feeble from their day-long Ramadan fasting, played football in the white, warm dust. In cafes, shabbier than I remembered, Greek and Lebanese businessmen in suits read the local French and English newspapers and talked with sullen excitement about the deals that might be made in Rhodesian tobacco, now that it was outlawed. The Museum was still haunted by Egyptian guides possessing only native knowledge. And on the other bank of the Nile there was a new Hilton hotel.

But Egypt still had her revolution. Street signs were now in Arabic alone; people in tobacco kiosks reacted sharply, as to an insult, when they were asked for Egyptian cigarettes; and in the railway station, when I went to get the train south, there was a reminder of the wars that had come with the revolution. Sunburnt soldiers, back from duty in Sinai, crouched and sprawled on the floor of the waiting-room. These men with shrunken faces were the guardians of the land and the revolution; but to Egyptians they were only common soldiers, peasants, objects of a disregard that was older and more rooted than the revolution.

All day the peasant land rolled past the windows of the train: the muddy river, the green fields, the desert, the black mud, the shadouf, the choked and crumbling flat-roofed towns the colour of dust: the Egypt of the school geography book. The sun set in a smoky sky; the land felt old. It was dark when I left the train at Luxor. Later that evening I went to the temple of Karnak. It was a good way of seeing it for the first time, in the darkness, separate from the distress of Egypt: those extravagant columns, ancient in ancient times, the work of men of this Nile Valley.

There was no coin in Egypt that year, only paper money. All foreign currencies went far; and Luxor, in recent imperial days a winter resort of some style, was accommodating itself to simpler tourists. At the Old Winter Palace Hotel, where fat Negro servants in long white gowns stood about in the corridors, they told me they were giving me the room they used to give the Aga Khan. It was an enormous room, overfurnished in a pleasing old-fashioned way. It had a balcony and a view of the Nile and low desert hills on the other bank.

In those hill were the tombs. Not all were of kings and not all were solemn. The ancient artist, recording the life of a lesser personage, sometimes recorded with a freer hand the pleasures of that life: the pleasures of the river, full of fish and birds, the pleasures of food and drink. The land had been studied, everything in it categorized, exalted into design. It was the special vision of men who knew no other land and saw what they had as rich and complete. The muddy Nile was only water: in the paintings, a blue-green chevron: recognizable, but remote, a river in fairyland.

It could be hot in the tombs. The guide, who was also sometimes the watchman, crouched and chattered in Arabic, earning his paper piastres, pointing out every symbol of the G.o.ddess Hathor, rubbing a grimy finger on the paintings he was meant to protect. Outside, after the darkness and the bright visions of the past, there was only rubbled white sand; the sunlight stunned; and sometimes there were beggar boys in jibbahs.

To me these boys, springing up expectantly out of rock and sand when men approached, were like a type of sand animal. But my driver knew some of them by name; when he shooed them away it was with a languid gesture which also contained a wave. He was a young man, the driver, of the desert himself, and once no doubt he had been a boy in a jibbah. But he had grown up differently. He wore trousers and shirt and was vain of his good looks. He was reliable and correct, without the frenzy of the desert guide. Somehow in the desert he had learned boredom. His thoughts were of Cairo and a real job. He was bored with the antiquities, the tourists and the tourist routine.

I was spending the whole of that day in the desert, and now it was time for lunch. I had a Winter Palace lunch-box, and I had seen somewhere in the desert the new government rest-house where tourists could sit at tables and eat their sandwiches and buy coffee. I thought the driver was taking me there. But we went by unfamiliar ways to a little oasis with palm trees and a large, dried-up timber hut. There were no cars, no minibuses, no tourists, only anxious Egyptian serving-people in rough clothes. I didn't want to stay. The driver seemed about to argue, but then he was only bored. He drove to the new rest-house, set me down and said he would come back for me later.

The rest-house was crowded. Sungla.s.sed tourists, exploring their cardboard lunch-boxes, chattered in various European languages. I sat on the terrace at a table with two young Germans. A brisk middle-aged Egyptian in Arab dress moved among the tables and served coffee. He had a camel-whip at his waist, and I saw, but only slowly, that for some way around the rest-house the hummocked sand was alive with little desert children. The desert was clean, the air was clean; these children were very dirty.

The rest-house was out of bounds to them. When they came close, tempted by the offer of a sandwich or an apple, the man with the camel-whip gave a camel-frightening shout. Sometimes he ran out among them, beating the sand with his whip, and they skittered away, thin little sand-smoothed legs frantic below swinging jibbahs. There was no rebuke for the tourists who had offered the food; this was an Egyptian game with Egyptian rules.

It was hardly a disturbance. The young Germans at my table paid no attention. The English students inside the rest-house, behind gla.s.s, were talking compet.i.tively about Carter and Lord Carnarvon. But the middle-aged Italian group on the terrace, as they understood the rules of the game, became playful. They threw apples and made the children run far. Experimentally they broke up sandwiches and threw the pieces out onto the sand; and they got the children to come up quite close. Soon it was all action around the Italians; and the man with the camel-whip, like a man understanding what was required of him, energetically patrolled that end of the terrace, shouting, beating the sand, earning his paper piastres.

A tall Italian in a cerise jersey stood up and took out his camera. He laid out food just below the terrace and the children came running. But this time, as though it had to be real for the camera, the camel-whip fell not on sand but on their backs, with louder, quicker camel-shouts. And still, among the tourists in the rest-house and among the Egyptian drivers standing about their cars and minibuses, there was no disturbance. Only the man with the whip and the children scrabbling in the sand were frantic. The Italians were cool. The man in the cerise jersey was opening another packet of sandwiches. A shorter, older man in a white suit had stood up and was adjusting his camera. More food was thrown out; the camel-whip continued to fall; the shouts of the man with the whip turned to resonant grunts.

Still the Germans at my table didn't notice; the students inside were still talking. I saw that my hand was trembling. I put down the sandwich I was eating on the metal table; it was my last decision. Lucidity, and anxiety, came to me only when I was almost on the man with the camel-whip. I was shouting. I took the whip away, threw it on the sand. He was astonished, relieved. I said, 'I will report this to Cairo.' He was frightened; he began to plead in Arabic. The children were puzzled; they ran off a little way and stood up to watch. The two Italians, fingering cameras, looked quite calm behind their sungla.s.ses. The women in the party leaned back in their chairs to consider me.

I felt exposed, futile, and wanted only to be back at my table. When I got back I took up my sandwich. It had happened quickly; there had been no disturbance. The Germans stared at me. But I was indifferent to them now as I was indifferent to the Italian in the cerise jersey. The Italian women had stood up, the group was leaving; and he was ostentatiously shaking out lunch-boxes and sandwich wrappers onto the sand.

The children remained where they were. The man from whom I had taken the whip came to give me coffee and to plead again in Arabic and English. The coffee was free; it was his gift to me. But even while he was talking the children had begun to come closer. Soon they would be back, raking the sand for what they had seen the Italian throw out.

I didn't want to see that. The driver was waiting, leaning against the car door, his bare arms crossed. He had seen all that had happened. From him, an emanc.i.p.ated young man of the desert in belted trousers and sports shirt, with his thoughts of Cairo, I was expecting some gesture, some sign of approval. He smiled at me with the corners of his wide mouth, with his narrow eyes. He crushed his cigarette in the sand and slowly breathed out smoke through his lips; he sighed. But that was his way of smoking. I couldn't tell what he thought. He was as correct as before, he looked as bored.

Everywhere I went that afternoon I saw the pea-green Volkswagen minibus of the Italian group. Everywhere I saw the cerise jersey. I learned to recognize the plump, squiffy, short-stepped walk that went with it, the dark gla.s.ses, the receding hairline, the little stiff swing of the arms. At the ferry I thought I had managed to escape; but the minibus arrived, the Italians got out. I thought we would separate on the Luxor bank. But they too were staying at the Winter Palace. The cerise jersey bobbed confidently through bowing Egyptian servants in the lobby, the bar, the grand dining-room with fresh flowers and intricately folded napkins. In Egypt that year there was only paper money.

I stayed for a day or two on the Luxor bank. Dutifully, I saw Karnak by moonlight. When I went back to the desert I was anxious to avoid the rest-house. The driver understood. Without any show of triumph he took me when the time came to the timber hut among the palm trees. They were doing more business that day. There were about four or five parked minibuses. Inside, the hut was dark, cool and uncluttered. A number of tables had been joined together; and at this central dining-board there were about forty or fifty Chinese, men and women, chattering softly. They were part of the circus I had seen in Milan.

The two elderly Chinese sat together at the end of the long table, next to a small, finely made lady who looked just a little too old to be an acrobat. I had missed her in the crowd in Milan. Again, when the time came to pay, the man with the fat wallet used his hands awkwardly. The lady spoke to the Egyptian waiter. He called the other waiters and they all formed a line. For each waiter the lady had a handshake and gifts, money, something in an envelope, a medal. The ragged waiters stood stiffly, with serious averted faces, like soldiers being decorated. Then all the Chinese rose and, chattering, laughing softly, shuffled out of the echoing hut with their relaxed, slightly splayed gait. They didn't look at me; they appeared scarcely to notice the hut. They were as cool and well-dressed in the desert, the men in suits, the girls in slacks, as they had been in the rain of Milan. So self-contained, so handsome and healthy, so silently content with one another: it was hard to think of them as sightseers.

The waiter, his face still tense with pleasure, showed the medal on his dirty striped jibbah. It had been turned out from a mould that had lost its sharpness; but the ill-defined face was no doubt Chinese and no doubt that of the leader. In the envelope were pretty coloured postcards of Chinese peonies.

Peonies, China! So many empires had come here. Not far from where we were was the colossus on whose shin the Emperor Hadrian had caused to be carved verses in praise of himself, to commemorate his visit. On the other bank, not far from the Winter Palace, was a stone with a rougher Roman inscription marking the southern limit of the Empire, defining an area of retreat. Now another, more remote empire was announcing itself. A medal, a postcard; and all that was asked in return was anger and a sense of injustice.

Perhaps that had been the only pure time, at the beginning, when the ancient artist, knowing no other land, had learned to look at his own and had seen it as complete. But it was hard, travelling back to Cairo, looking with my stranger's eye at the fields and the people who worked in them, the dusty towns, the agitated peasant crowds at railway stations, it was hard to believe that there had been such innocence. Perhaps that vision of the land, in which the Nile was only water, a blue-green chevron, had always been a fabrication, a cause for yearning, something for the tomb.

The air-conditioning in the coach didn't work well; but that might have been because the two Negro attendants, still with the habits of the village, preferred to sit before the open doors to chat. Sand and dust blew in all day; it was hot until the sun set and everything went black against the red sky. In the dimly lit waiting-room of Cairo station there were more sprawled soldiers from Sinai, peasants in bulky woollen uniforms going back on leave to their villages. Seventeen months later these men, or men like them, were to know total defeat in the desert; and news photographs taken from helicopters flying down low were to show them lost, trying to walk back home, casting long shadows on the sand.

August 1969October 1970.

'Above all else, I am a writer. I make books and want to please the reader, to stimulate, to create very rich books that will develop in the reader's mind and echo as he reads along'

V. S. NAIPAUL.

Picador is proud to be reissuing over the next few years seventeen of V. S. Naipaul's works beginning with his first comic masterpiece The Mystic Ma.s.seur.

'Britain's greatest living writer. A prose stylist and thinker of unrivalled ambition and achievement'

Daily Telegraph.

'The edgy exact.i.tude of Naipaul's writing is both effortlessly cla.s.sical and yet at the same time brilliantly contemporary, as sharp and lucid as a spear of gla.s.s ... He is inimitable, truly great and truly deserving of the n.o.bel'

Observer.

ALSO BY V. S. NAIPAUL.

NONFICTION.

Between Father and Son: Family Letters.