In A Dark, Dark Wood Part 21

'I don't mind. But can I have it back afterwards?'

'Yes, but we can't locate it.'

That checks me. If they don't have it, where is it?

'Did you take it with you when you left the house?' Lamarr is saying.

I try to think back. I am sure I didn't. In fact, I can't remember having my phone for most of the day.

'I think it was in Clare's car,' I say at last. 'I think I left it there when we went clay-pigeon shooting.'

Lamarr shakes her head. 'The car has been completely stripped. It's definitely not there. And we've made quite a thorough search of the house.'

'Maybe the clay-pigeon range?'

'We'll try there,' she makes a note on her pad, 'but we've been calling it and no one's picking up. I imagine if it had been left there someone might have heard it ringing.'

'It's ringing?' I'm surprised the battery is still working. I can't remember when I last charged it. 'What, you mean you've been calling my number? How did you know what it was?'

'We got it off Dr da Souza,' she says briefly. It takes me a second to click that she means Nina.

'And it's definitely ringing?' I say slowly. 'Not just going through to voicemail?'

'I ...' She pauses, and I can see her trying to remember. 'I'll have to check, but yes, I'm fairly sure it was ringing.'

'Well, if it's ringing it can't be at the house. There's no reception.'

Lamarr frowns for a moment, a line between her slender, perfect brows. Then she shakes her head. 'Well, we've put the tech guys on it now, so no doubt they'll get us an approximate location. We'll let you know as soon as it's picked up.'

'Thanks,' I say. But I don't add the question that's buzzing in my head: why do they want my phone?

Here is how I know I'm getting better: I'm b.l.o.o.d.y hungry I looked at the lunch that came in a couple of hours ago and thought, That's it? It's like when you get those toy-sized meals on aeroplanes and you think, who eats a tablespoon of mash and a sausage the size of my little finger? That's not a meal. That's a canape in a pretentiously upmarket bar.

I am bored. Christ, I'm bored. Now I'm no longer sleeping as much I have nothing to do. No phone. No laptop. I could be writing, but without access to my laptop and my current ma.n.u.script there's nothing I can do. I'm even getting angry with the radio. At home, where it's just a background to my routine, I love the constant repet.i.tion, the rea.s.suring cycle of the day, the fact that Start the Week follows Today, and Woman's Hour follows Start the Week, as surely as Monday gives way to Tuesday and Wednesday. Here, it is starting to drive me a little mad. How many times can I hear the endless loop of news headlines before I go crazy?

But most of all, I'm frightened.

There's a kind of focussing effect that happens when you're very ill. I saw it with my grandad, when he was slipping away. You stop caring about the big stuff. Your world shrinks down to very small concerns: the way your dressing-gown cord presses uncomfortably against your ribs; the pain in your spine; the feel of a hand in yours.

It's that narrowing that enables you to cope, I suppose. The wider world stops mattering. And as you grow more and more ill, your world shrinks further, until the only thing that matters is just to keep on breathing.

But I am going the other way. When I was brought in, all I cared about was not dying. Then yesterday I just wanted to be left alone to sleep and lick my wounds.

Now, today, I am starting to worry.

I am not an official suspect; I know enough from writing crime to know that Lamarr would have had to interview me under caution if that was the case, offer me a solicitor, read me my rights.

But they are groping around, searching for something. They don't think James's death was an accident.

I remember the words floating through the thick gla.s.s that first night, Oh Jesus, so now we're looking at murder? At the time they seemed shocking but fantastical all part of the drugged-up dream state I was caught in. Now they seem all too real.

23.

WHEN THE KNOCK comes again I nearly don't answer. I'm lying with my eyes shut listening to Radio 4 on the hospital headphones trying to block out the noise and bustle of the ward next door, imagine myself back home.

The nurses don't knock at least they do, but with a perfunctory tap and then they come in anyway. Only Lamarr knocks and waits for an answer. And I cannot face Lamarr, with her kind, calm, curiously dogged questions. I don't remember. I don't remember, all right? I'm not hiding anything, I just Don't. f.u.c.king. Remember.

I screw my eyes shut, listening over the sound of The Archers to see if she's going away, and then I hear the door shush cautiously open, as if someone is putting a head round.

'Lee?' I hear, very quietly. 'I mean, sorry, Nora?'

I sit bolt upright. It's Nina.

'Nina!' I rip off the headphones and try to swing my legs out of bed, but whether it's my head, or just low blood pressure, the room goes suddenly hollow and distant and I am overcome with a wave of vertigo.

'Hey!' Her voice is distant, through the hissing in my ears. 'Hey, take it easy. They've only just sewn your brains back in, by all accounts.'

'I'm all right,' I say, though I'm not sure if I'm trying to rea.s.sure myself, or her. 'I'm all right. I'm OK.'

And then I am ok. The wave of faintness has pa.s.sed and I can hug Nina, breathing in her particular scent: Jean Paul Gaultier, and cigarettes.

'Oh Jesus, I'm so glad to see you.'

'I'm glad to see you.' She pulls back, looking at me with critical, worried eyes. 'I have to say, when they told us you'd been in a car accident I ... well. Seeing one school friend bleed out was enough.'

I flinch and she drops her eyes.

's.h.i.t, sorry. I- it's not that I-'

'I know.' It's not that Nina doesn't feel stuff. She just deals with it differently to most people. Sarcasm is her defence against life.

'Let's just say, I'm glad you're here.' She takes my hand and kisses the back of it, and I'm astonished and kind of touched to see her face is crumpled and soft. 'Although, not looking your best, I have to say.' She gives a shaky laugh. 'Sheesh, I need a f.a.g. Think they'd notice if I had one out the window?'

'Nina, what the h.e.l.l happened?' I ask, still holding onto her hand. 'The police are here they're asking all these questions. James is dead, did you know?'

'Yes, I knew,' Nina says quietly. 'They came to the house early on Sunday. They didn't tell us straight away but ... Well, let's just say you don't expend that kind of man-power on a non-fatal shooting. It was pretty obvious after they started printing us and taking gunshot residue tests.'

'What happened? How could that gun possibly be loaded?'

'As I see it,' her voice is grimly steady, 'there's two possibilities. One,' she holds up her forefinger, 'Flo's aunt did not in fact keep that gun loaded with blanks. But from their line of questioning, I don't think they think that's likely.'

'And two?'

'Someone loaded it.'

It's only what I've been thinking. But it's still a shock, hearing it out loud in the small hermit cell of the hospital room. We both sit there in silence, contemplating this for a long while, thinking about Tom larking around with it the night before, thinking about all the hows and whys and what-ifs.

'How's Jess taking it all?' I ask at last, more to change the subject than anything else. Nina makes a wry face.

'As you can imagine, she was her usual measured self. Only forty-five minutes of hysteria down the phone. First she was furious they were keeping me up here to make a statement, and then she wanted to come up, but I told her not to.'

'Why not?'

Nina gives me a look that's simultaneously sympathetic and disbelieving. 'Dude, are you kidding me? For whatever f.u.c.ked-up reason, they think James was murdered. Would you want your nearest and dearest mixed up in that? No. Jess is not part of this, thank Christ, and it's staying that way. I want her far, far away.'

'Fair point.' I scoot back onto the bed and sit, hugging my knees. Nina takes the chair and picks up my chart, flicking through it with bald-faced curiosity.

'Do you mind?' I say. 'I'm not sure I want you knowing details of my last bowel movement and all that.'

'Sorry, professional nosiness. How's the head now? Sounds like you had quite a whack.'

'Yeah, it felt like it. I'm OK though. Just ... I've been having memory trouble.' I rub where the dressing sits, as if I can rub the jumbled images back into a semblance of order. 'It's just the bit after I left the house.'

'Hmm. Post-traumatic amnesia. It's usually only a matter of a few moments though. Yours sounds like ... I don't know. How long do you think?'

'It's kind of difficult to be sure since, oh, did I mention, I can't remember,' I say. I can hear my voice going snappish and my own peevishness annoys me, but Nina ignores it.

'It can't be long though, right?'

'Look, I know you mean well,' I ma.s.sage my temples, 'but can we not talk about this? I spent all morning with a police sergeant trying to remember and honestly, I've had enough. It's not coming. I worry if I try and force it I'll just end up making something up and convincing myself it's the truth.'

'OK.' She's quiet for a moment and then says, 'Look, I told them about you and James. I said you used to go out. I thought you should know. I didn't know what you would have said but ...'

'It's fine. I don't want anyone to lie. I told Lamarr we were together. She's the police officer a.s.signed-'

'I know,' Nina breaks in. 'She's been speaking to us too. Does she know how you broke up?'

'What do you mean?'

'You know, the big secret. The STD. Or whatever you want to call it.'

'For the last time, no one gave me an STD.'

'So you keep saying. Did you tell her?'

'No, I didn't say anything. Did you?'

'No. I had nothing to tell. I just said you were together. And then you broke up.'

'Well quite. There's nothing to tell.' I press my lips together.

'Really? Hmm, let's see.' She begins to tick the points off on her fingers. 'Breaking up, leaving school, dropping contact with half your friends, not speaking to him for ten years. Nothing to tell?'

'There's nothing to tell,' I repeat doggedly, staring at my fingers laced together over my knee. The cuts are starting to darken and scab over. Soon they'll be healed.

'Because the fact is,' Nina continues, 'James is dead and they're looking for a motive.'

At that I look up. I look her right in the eye. She meets my gaze without flinching.

'What are you saying?'

'I'm saying, I'm worried about you.'

'You're implying I killed James!'

'f.u.c.k off!' At that she stands and begins to pace around the room. 'I am not. I'm saying- I'm trying-'

'You know n-nothing about it,' I say. f.u.c.k. Stop stammering! But it is true, Nina does know nothing about it. No one knows about that part of my life not even my mum. The only person who knows anything is Clare, and even she doesn't know the full story. And Clare ...

Clare is in hospital.

Clare is ... what? Too ill to be interviewed? In a coma, even? But she will wake up.

'Have you seen Clare?' I say, my voice very low. Nina shakes her head.

'No. I think she's pretty bad. Whatever happened in that crash ...' She shakes her head again, this time in frustration rather than denial. 'You know the worst thing; James would probably have lived. He was very badly hurt, but I reckon there was at least a fifty per cent chance he'd have survived.'

'What do you mean?'

'It was the crash that killed him. Or else the delay caused by the crash which comes to the same thing.'

Suddenly Lamarr's insistence on those missing minutes crystalises.

What happened in the house was only the first half of the story.

The real killing came later, on the road.

I have to remember what happened.

I should never have come. I knew that. I knew it from the moment the email pinged into my inbox.

You should never go back.

And yet. I think of James, lying on the floor, his dark eyes looking up into mine as his blood pooled around us both. I think of his hand, slippery with blood, gripping mine as if he were drowning and only I could save him. I think of his voice saying, Leo ...

If I had known then what I know now, would I have deleted the email?

Nina's hand reaches out for mine, and I feel her warm, dry grip, and her strong fingers tracing the lattice of scratches and cuts. 'It'll be OK,' she says. But her voice is husky and we both know she is lying lying because whatever happens with me and Lamarr and the rest of the investigation, this has gone far beyond the point where things could ever be OK again. Whether Clare recovers or not, whether they suspect me or not, James is dead.

'H-how's Flo?' I say at last.

Nina chews her lip as if considering what to say, and then lets out a gust of breath. 'Not ... great. To tell the truth, I think she's having a breakdown.'