Imaginary Interviews Part 25

"Flames in the forehead of the morning sky."

These are the most enviable of their kind, and there are signs that their turn may be coming once more in the primacy to which their numbers have always ent.i.tled them. Only the other day we were reading a paper by a man of that science which deals with life on strictly physical lines, and drawing from it an immense consolation because it reaffirmed that the soul has not only its old excuse for being in the unthinkability of an automatic universe and the necessity of an intentional first cause, but with Evolution, in the regard of some scientists, tottering on its throne, and Natural Selection entering the twilight into which the elder pagan deities have vanished, is newly warranted in claiming existence as that indestructible life-property or organizing power which characterizes kind through kind from everlasting to everlasting. In this consolation we seemed well on our way back to the encounter of a human spirit such as used to be rapt to heaven or cast into h.e.l.l for very disproportionate merits or demerits; but we were supported for the meeting by the probability that in the fortunate event the spirit would be found issuing from all the clouds of superst.i.tion, and when it was reconst.i.tuted in the universal belief, that the time, with eternity in its train, would have returned for fitly hailing it in the apostrophe of the Addisonian Cato:

"But thou shalt flourish in immortal youth, Unhurt amidst the war of elements, The wreck of matter, and the crush of worlds."

VII

THE RENEWAL OF INSPIRATION

There comes a time in the experience of perhaps every stated purveyor of intellectual food when the stock he has long been drawing upon seems finally exhausted. There is not a grain left in the barns where he had garnered up the harvests of the past; there is not a head of wheat to be found in the fields where he had always been able to glean something; if he shakes the tree of knowledge in the hope of a nut to crack or a frozen-thaw to munch, nothing comes down but a shower of withered leaves. His condition is what, in the parlance of his vocation, he calls being out of a subject, and it is what may happen to him equally whether he is preaching twice a Sunday from the pulpit, or writing leaders every day for a prominent journal, or merely contributing a monthly essay to a magazine. As the day or hour or moment approaches when he must give forth something from his dest.i.tution, he envies the hungriest of his auditors or readers who do not yet know that there is nothing in him to appease their famine. There is only the barren will to give which only a miracle can transform into a vitalizing bounty.

Yet is not this miracle always wrought? When did a pulpit ever fail of a sermon, or a journal of a leading article, or a magazine of its stated essay? The fact might argue the very contrary of the appearance and convince the desperate purveyor that what he mistook for hopeless need was choice which mocked him with a myriad alternatives. From cover to cover the Scripture is full of texts; every day brings forth its increase of incident; the moral and social and aesthetical world is open on every side to polite inquiry and teems with inspiring suggestion. If ever the preacher or editor or essayist fancies he has exhausted these resources, he may well pause and ask whether it is not himself that he has exhausted. There may be wanting the eye to see the riches which lie near or far, rather than the riches which are always inviting the eye.

A curious trait of the psychology of this matter is that it is oftener the young eye than the old which lacks the visual force. When Eugenio was beginning author and used to talk with other adolescent immortals of the joyful and sorrowful mysteries of their high calling, the dearth of subjects was the cause of much misgiving and even despair among them.

Upon a certain occasion one of that divine company, so much diviner than any of the sort now, made bold to affirm: "I feel that I have got my technique perfect. I believe that my poetic art will stand the test of any experiment in the handling of verse, and now all that I want is a subject." It seemed a great hardship to the others, and they felt it the more keenly because every one of them was more or less in the same case.

They might have none of them so frankly owned their fitness for their work as the one who had spoken, but they were all as deeply aware of it; and if any subject had appeared above the horizon there could have been no question among them except as to which should first mount his winged steed and ride it down. It did not occur to any of them that the want of a subject was the defect of their art, and that until they were equipped with the eye that never fails to see occasion for song all round the heavens they were not yet the champions of poetry which they fancied themselves. He who had uttered their common belief sufficiently proved afterward, in the range of things he did, that he had ultimately come into possession of the highest of the poetic gifts, the poetic vision of life, and that he had completed his art at a point where it had been most imperfect before, when he supposed it so perfect. As soon as he ceased looking for subjects, which were mainly the conventional themes of verse, the real and vital subjects began looking for him.

Eugenio himself, on his lower level, had something of the same experience. When he first began those inventions in prose which long seemed to him worthy of the best that his kindest friends said of them, he had great trouble in contriving facts sufficiently wonderful for the characters who were to deal with them, and characters high and n.o.ble enough to deal with the great and exalted facts. On one hand or the other his scheme was always giving out. The mirage of fancy which painted itself so alluringly before him faded on his advance and left him planted heavy-footed in the desert sands. In other words, he was always getting out of a subject. In the intervals between his last fiction and his next, when his friends supposed he was purposely letting his mind lie fallow (and perhaps willingly acquiesced in the rest they were sharing with him), he was really in an anguish of inquiry for something on which to employ his powers; he was in a state of excruciating activity of which the incessant agitation of the atoms in the physical world is but a faint image; his repose was the mask of violent vibrations, of volcanic emotions, which required months to clear themselves in the realization of some ideal altogether disproportioned to the expenditure of energy which had been tacitly taking place. At these periods it seemed to him that his lot had been cast in a world where he was himself about the only interesting fact, and from which every attractive subject had been removed before he came into it.

He could never tell just how or when all this changed, and a little ray, very faint and thin at first, stole in upon his darkness and broadened to an effulgence which showed his narrow circle a boundless universe thronged with the most available pa.s.sions, interests, motives, situations, catastrophes and denouements, and characters eagerly fitting themselves with the most appropriate circ.u.mstances. As nearly as he could make out, his liberation to this delightful cosmos took place through his gradual perception that human nature was of a vast equality in the important things, and had its difference only in trifles. He had but to take other men in the same liberal spirit that he took himself to find them all heroes; he had but to take women at their own estimate to find them all heroines, if not divinely beautiful, then interesting, fascinating, irresistibly better than beautiful. The situation was something like this; it will not do to give away his whole secret; but the reader needs only a hint in order to understand how in his new mind Eugenio was overwhelmed with subjects.

After this illumination of his the only anxiety he had was concerning his ability to produce all the masterpieces he felt himself capable of in the short time allotted to the longest-lived writer. He was aware of a duty to the material he had discovered, and this indeed sometimes weighed upon him. However, he took courage from the hope that others would seize his point of view and be able to carry on the work of producing masterpieces indefinitely. They could never use up all the subjects, any more than men can exhaust the elements of the aluminium which abound in every piece of the common earth; but, in their constant reliance upon every-day life as the true and only source of surprise and delight in art, they could never be in the terrible despair which had afflicted him from time to time before his illumination.

Doubtless there is an overruling Providence in this matter which we may not distrust without accusing the order which has not yet failed in the due succession of the seasons and the days and nights. While we are saying it is never going to rain, it rains; or when it seems as if nature were finally frozen up, a thaw begins; when we feel that the dark will not end, the dawn is already streaking the east. If the preacher thinks that the old texts are no longer applicable to life, there is suddenly reported an outbreak of vice in the city which puts him in mind of Sodom and Gomorrah; or the opportune flight of a defaulter furnishes material for a homily which searches the consciences of half the congregation with the words of the commandment against stealing. The journalist wakes in heavy-eyed despair, but he finds from the papers on his breakfast-table that there has been a revolution in South America, or that the Socialists have been doing something in Belgium almost too bad even for Socialists as the capitalists imagine them, and his heart rises again. Even the poor magazine essayist, who has lived through the long month in dread of the hour when his copy shall be due, is not forbidden his reprieve. He may not have anything to say, but he certainly has something to say it about. The world is always as interesting to-day as it was yesterday, and probably to-morrow will not be so dull as it promises.

One reason for the disability of the essayist, as distinguished from the preacher or the journalist, is that he does not give himself range enough. Expecting to keep scrupulously to one subject, he cannot put his hand on a theme which he is sure will hold out under him to the end.

Once it was not so. The essayists of antiquity were the most vagariously garrulous people imaginable. There was not one of them who, to our small acquaintance with them, kept to his proposition or ended anywhere in sight of it. Aristotle, Epictetus, Marcus Aurelius, Plutarch, they talk of anything but the matter in hand, after mentioning it; and when you come down to the moderns, for instance, to such a modern as Montaigne, you find him wandering all over the place. He has no sooner stated his subject than he begins to talk about something else; it reminds him (like Lincoln) of a story which has nothing to do with it; and that story reminds him of another, and so on, till the original thesis is left flapping in the breeze somewhere at the vanishing-point in the tortuous perspective and vainly signalling the essayist back. It was the same, or nearly the same, with the English essayists quite down to the beginning of the last century, when they began to cease being. The writers in the _Spectator_, the _Guardian_, the _Tatler_, the _Rambler_, and the rest, contrived to keep a loose allegiance to the stated topic, because they treated it so very briefly, and were explicitly off to something else in the next page or two with a fresh text. But if we come to such delightful masters of the art as Lamb and Leigh Hunt and De Quincey and Hazlitt, it will not be easy, opening at any chance point, to make out what they are talking about. They are apparently talking about everything else in the world but the business they started with.

But they are always talking delightfully, and that is the great matter with any sort of talker.

When the reviewers began to supplant the essayists, they were even more contemptuously indifferent to the obligations of constancy. Their text was nominally some book, but almost as soon as they had named it they shut it and went off on the subject of it, perhaps, or perhaps not. It was for the most part lucky for the author that they did so, for their main affair with the author was to cuff him soundly for his ignorance and impudence, and then leave him and not return to him except for a few supplementary cuffs at the close, just to show that they had not forgotten him. Macaulay was a notorious offender in this sort; though why do we say offender? Was not he always delightful? He was and he is, though we no longer think him a fine critic; and he meant to be just, or as just as any one could be with a man whom one differed from in the early Victorian period.

But Macaulay certainly did not keep harking back to his text, if ever he returned to it at all. His instinct was that a preacher's concern was with his text, but not an essayist's or a reviewer's, and he was right enough. The essayist certainly has no such obligation or necessity. His reader can leave him at any moment, unless he is very interesting, and it does not matter where they part company. In fact, it might be argued that the modern fidelity to its subject is one of the chief evidences or causes of the essay's decay. The essayist tries to make a mechanical conscience perform the duty of that fine spiritual freedom in which the essay once had its highest effect with the reader, and in his dull loyalty to the stated thesis he is superficial as well as tiresome.

The true subject is not one subject only, but many. It is like that pungent bulb whose odorous energy increases with exfoliation, and remains a potent fragrance in the air after the bulb has substantially ceased to be under the fingers. The error of the modern essayist is to suppose that he can ever have a single subject in hand; he has a score, he has a hundred, as his elders and betters all know; and what he mistakes for his dest.i.tution is really his superfluity. If he will be honest (as he may with difficulty be), must not he recognize that what seems a search for one theme is a hesitation between many pressing forward for his choice? If he will make this admission we believe he will be nearer the fact, and he will be a much more respectable figure than he could feel himself in blindly fumbling about for a single thesis. Life is never, and in nothing, the famine, perhaps, that we imagine it. Much more probably it is a surfeit, and what we suppose are the pangs of hunger are really the miseries of repletion. More people are suffering from too much than from too little. Especially are the good things here in a demoralizing profusion. Ask any large employer of labor, and he will tell you that what ails the working-cla.s.ses is an excess of pianos and buggies and opera-boxes. Ask any workman what ails his employer, and he will say that it is the ownership of the earth, with a mortgage on planetary s.p.a.ce. Both are probably right, or at least one is as right as the other.

When we have with difficulty made our selection from the divine redundancy of the ideal world, and so far as we could have reduced ourselves to the penury of a sole possession, why do not we turn our eyes to the example of Nature in not only bringing forth a hundred or a thousand fold of the kind of seed planted, but in accompanying its growth with that of an endless variety of other plants, all coming to bear in a like profusion? Observe that wise husbandwoman (this is not the contradiction in terms it seems), how when her business is apparently a hay harvest, she mingles myriads of daisies and milkweed and wild carrot and redtop with the gra.s.s, and lets her fancy riot all round the meadow in a broidery of blackberries and asters and dogroses and goldenrod. She never works without playing; and she plays even while man is working--plays so graciously and winningly that it takes the heart with joy. Who has ever looked upon an old-world wheat-field, where poppies and vetches are frolicking among the ears, and begrudged Nature her pastime? No one, we will venture, but the owner of the field, who is perhaps also too much of a philosopher to grieve over it. In the ideal world it is much the same. There, too, art having chosen a kind brings it to bear with all the other kinds which have been lurking in the unconscious soil of the mind and only waiting tilth for any purpose before springing up in company with the selected seed. This is what makes the poets and novelists and dramatists so much more profitable reading than the moralists. From whom, indeed, has the vital wisdom of the race been garnered? Not from those hard, ethical masters who have sought to narrow culture to the business of growing precepts, but from the genial teachers who have inculcated amus.e.m.e.nt and breathed into the unwary mind some inspiration which escaped as unconsciously from themselves. Which philosopher or sage of them all has instructed mankind a hundredth part as much as Shakespeare, who supposed himself to be merely providing diversion for the patrons of the Globe Theatre?

It follows, if not directly, then a long way about, from what we have been saying, that the real artist is never at a loss for a subject. His trouble is too many themes, not too few; and, having chosen among them, his error will be in an iron sequence rather than in a desultory progression. He is to arrive, if at all, laden with the spoil of the wayside, and bringing with him the odor of the wild flowers carpeting or roofing the by-paths; if he is a little bothered by the flowering brambles which have affectionately caught at him in his course, that does not greatly matter; or, at least, it is better than coming back to his starting-point in boots covered with the mud of the high-road or coat powdered with its dust. The sauntering ease, the excursive delays, will be natural to the poet or the novelist, who is born to them; but the essayist must in a manner make them his own, if he would be an artist and survive among the masters, which there has been some doubt of his doing. It should be his care to shun every appearance of continuity; only in the practice of the fitful, the capricious, the desultory, can he hope to emulate the effects of the creative. With any other ideal he cannot hope to be fit company for the high minds who have furnished mankind with quotations. But for the prevalence of the qualities which we have been urging the essayist to cultivate, in the essays of Bacon, it is not probable that any one would ever have fancied that Bacon wrote Shakespeare.

VIII

THE SUMMER SOJOURN OF FLORINDO AND LINDORA

At the moment of this writing, everybody is hurrying into the country, eager to escape the horrors of summer in the city; at the moment when it becomes that reading we hope for, everybody will be hurrying into the city, eager to escape the horrors of summer in the country. At either moment the experiences of Florindo and Lindora should have a certain interest.

Florindo and Lindora are a married pair, still comparatively happy after forty years of wedded life, who have spent the part or the whole of each hot season out of town, sometimes in the hills, sometimes by the sea, sometimes in Europe. Their acquaintance with either form of sojourn, if not exhaustive, is so comprehensive that it might be cited as encyclopaedic.

The first season or so they did not think of shutting up their house in the city, or doing more than taking, the latter part of August, a trip to Niagara or Saratoga or Cape May or Lake George, or some of those simple, old-fashioned resorts whose mere mention brings a sense of pre-existence, with a thrill of fond regret, to the age which can no longer be described as middle and is perhaps flattered by the epithet of three-quartering. No doubt people go to those places yet, but Florindo and Lindora have not been to any of them for so many summers that they can hardly realize them as still open: for them they were closed in the earliest of the eighteen-seventies.

After that, say the third summer of their marriage, it appeared to Lindora essential to take board somewhere for the whole summer, at such an easy distance that Florindo could run up or down or out every Sat.u.r.day afternoon and stay Sunday with her and the children; for there had now begun to be children, who could not teethe in town, and for whom the abundance of pure milk, small fruits, and fresh vegetables promised with the shade and safety of the farm was really requisite. She kept the house in town still open, as before, or rather half-open, for she left only the cook in it to care for her husband, and do the family wash, sent to and fro by express, while she took the second girl with her as maid. In the first days of September, when the most enterprising of the fresh vegetables were beginning to appear on the table, and the mosquitoes were going, and the smell of old potatoes in the cellar and rats in the walls was airing out, and she was getting used to the peculiar undulations of her bed, she took the little teethers back to town with her; and when she found her husband in the comfortable dimensions of their own house, with melons and berries and tender steak, and rich cream (such as never comes on "pure milk"), and hot and cold baths, and no flies, she could not help feeling that he had been very selfish. Now she understood, at least, why he never failed on Monday morning to wake in time for the stage to carry him to the station, and she said, No more farm-board for her if she knew it.

In those idyllic days, while they were making their way, and counting the cost of every step as if it were the proverbial first step, the next step for Lindora was a large boarding-house for the summer. She tried it first in the country, and she tried it next at the seaside, with the same number of feet of piazza in both cases, and with no distinct difference except in the price. It was always dearer at the seaside, but if it had been better she should not have thought it so dear. Yet, as it was dearer, she could not help thinking it was better; and there was the beach for the teethers to dig in, and there was an effect of superior fashion in the gossipers on the piazza, one to every three of the three hundred feet of the piazza, rocking and talking, and guessing at the yachts in the offing, and then bathing and coming out to lie on the sand and dry their hair.

At the farm she had paid seven dollars a week for herself, and half-price for the children; at the country boarding-house she had paid ten for herself, and again half-price for the children; at the seaside boarding-house the rate for her was fourteen dollars, and nine for the children and the maid. Everybody on the piazza said it was very cheap, but to Lindora it was so dear that she decided for Florindo that they could not go on keeping the house open and the cook in it just for him, as the expressage on the wash took away all the saving in that. If she allowed him to sleep in the house, he could pick up his meals for much less than they now cost. They must not burn their candle at both ends; he must put out his end. There was reason in this, because now Florindo was sometimes kept so late at business that he could not get the last train Sat.u.r.day night for the beach, and he missed the Sunday with his family on which she counted so much. Thinking these things over during the ensuing winter, she began to divine, toward spring, that the only thing for the teethers, and the true way for Florindo, was for her to get away from the city to a good distance, where there would be a real change of air, and that a moderate hotel in the White Mountains or the Adirondacks was the only hopeful guess at their problem. If Florindo could not come for Sunday when they were off only an hour or two, it would be no worse for them to be seven or eight hours off. Florindo agreed the more easily because he had now joined a club, where he got his meals as comfortably as at home and quite as economically, counting in the cook. He could get a room also at the club, and if they shut the house altogether, and had it wired by the burglar-insurance company, they would be cutting off a frightful drain.

It was, therefore, in the interest of clearly ascertained economy that Lindora took her brood with her to a White Mountain hotel, where she made a merit of getting board for seventeen dollars and a half a week, when so many were paying twenty and twenty-five. Florindo came up twice during the summer, and stayed a fortnight each time, and fished, and said that it had been a complete rest. On the way back to town Lindora stopped for October in one of those nice spring-and-fall places where you put in the half-season which is so unwholesome in the city after a long summer in the country, and afterward she always did this.

Fortunately, Florindo was prospering, and he could afford the increased cost of this method of saving. The system was practised with great success for four or five years, and then, suddenly, it failed.

Lindora was tired of always going to the same place, sick and tired; and, as far as she could see, all those mountain-places were the same places. She could get no good of the air if she bored herself; the nice people did not go to hotels so much now, anyway, and the children were dreadful, no fit a.s.sociates for the teethers, who had long ceased to teethe but needed a summer outing as much as ever. A series of seasons followed when the married pair did not know where to go, in the person of the partner who represented them, and they had each spring a controversy vividly resembling a quarrel, but which was really not a quarrel, because the Dear knew that if it were not for the children Lindora would only be too glad never to leave their own house winter or summer, but just to stick there, year out and year in. Then, at least, she could look a little after Florindo, who had lived so much at the club that he had fairly forgotten he _had_ a wife and children. The trouble was all with Florindo, anyway; he cared more for his business than his family, much; if he did not, he could have managed somehow to spend the summers with them. Other men did it, and ran down once a month, or once a fortnight, to put things in shape, and then came back.

Sleeping on a midnight view of her hard case, Lindora woke one morning with an inspiration; it might not be too much to call it a revelation.

She wondered at herself, she was ashamed of herself, for not having thought of it before. Europe, of course, was the only solution. Once in Europe, you need not worry about where to go, for you could go anywhere.

Europe was everywhere, and you had your choice of the Swiss mountains, where every breath made another person of you, or the Italian lakes with their glorious scenery, or the English lakes with their literary a.s.sociations, or Scheveningen and all Holland, or etretat, or Ostend, or any of those thousands of German baths where you could get over whatever you had, and the children could pick up languages with tutors, and the life was so amusing. Going to Europe was excuse enough in itself for Florindo to leave his business, and, if he could not be gone more than one summer, he could place her and the children out there till their health and education were completed, and they could all return home when it was time for the girls to think of coming out and the boys of going to college.

Florindo, as she expected, had not a reasonable word to say against a scheme that must commend itself to any reasonable man. In fact, he scarcely opposed it. He said he had begun to feel a little run down, and he had just been going to propose Europe himself as the true solution.

She gladly gave him credit for the idea, and said he had the most inventive mind she ever heard of. She agreed without a murmur to the particular German baths which the doctor said would be best for him, because she just knew that the waters would be good for all of them; and when he had taken his cure the family made his after-cure with him, and they had the greatest fun, after the after-cure, in travelling about Germany. They got as far down as the Italian lakes in the early autumn, and by the time Florindo had to go back the rest were comfortably settled in Paris for the winter.

As a solution Europe was perfect, but it was not perpetual. After three years the bottom seemed to fall out, as Florindo phrased it, and the family came home to face the old fearful problem of where to spend the summer. Lindora knew where not to spend it, but her wisdom ended there, and when a friend who was going to Europe offered them her furnished cottage at a merely nominal rent, Lindora took it because she could not think of anything else. They all found it so charming that after that summer she never would think again of hotels or any manner of boarding.

They hired cottages, at rents not so nominal as at first, but not so very extravagant if you had not to keep the city rent going, too; and it finally seemed best to buy a cottage, and stop the leak of the rent, however small it was. Lindora did not count the interest on the purchase-money, or the taxes, or the repairs, or the winter care-taking.

She was now living, and is still living, as most of her contemporaries and social equals are living, not quite free of care, but free of tiresome a.s.sociations, cramped rooms, bad beds, and bad food, with an environment which you can perfectly control if you are willing to pay the price. The situation is ideal to those without, and, if not ideal to those within, it is nevertheless the best way of spending the hot season known to compet.i.tive civilization. What is most interesting to the student of that civilization is the surprisingly short time in which it has been evolved. Half a century ago it was known only to some of the richest people. A few very old and opulent families in New York had country-places on the Hudson; in Boston the same cla.s.s had summer houses at Nahant or in Pepperell. The wealthy planters of the South came North to the hotels of Saratoga, Lake George, and Niagara, whither the vast majority of the fashionable Northern people also resorted. In the West it was the custom to leave home for a summer trip up the lakes or down the St. Lawrence. But this was the custom only for the very sophisticated, and even now in the West people do not summer outside of their winter homes to at all the same extent as in the East.

The experience of Florindo and Lindora is easily parallelable in that of innumerable other married pairs of American race, who were the primitive joke of the paragrapher and the caricaturist when the day of farm-boarding began. Though the sun of that day has long set for Florindo and Lindora, it seems to be still at the zenith for most young couples beginning life on their forgotten terms, and the joke holds in its pristine freshness with the lowlier satirists, who hunt the city boarder in the country and the seaside boarding-houses. The Florindos and the Lindoras of a little greater age and better fortune abound in the summer hotels at the beaches and in the mountains, though at the more worldly watering-places the cottagers have killed off the hotels, as the graphic parlance has it. The hotels nowhere, perhaps, flourish in their old vigor; except for a brief six weeks, when they are fairly full, they languish along the rivers, among the hills, and even by the sh.o.r.es of the mournful and misty Atlantic.

The summer cottage, in fine, is what Florindo and Lindora have typically come to in so many cases that it may be regarded as the typical experience of the easily circ.u.mstanced American of the East, if not of the West. The slightest relaxation of the pressure of narrow domestic things seems to indicate it, and the reader would probably be astonished to find what great numbers of people, who are comparatively poor, have summer cottages, though the cottage in most cases is perhaps as much below the dignity of a real cottage as the sumptuous villas of Newport are above it. Summer cottages with the great average of those who have them began in the slightest and simplest of shanties, progressing toward those simulacra of houses aptly called sh.e.l.ls, and gradually arriving at picturesque structures, prettily decorated, with all the modern conveniences, in which one may spend two-thirds of the year and more of one's income than one has a quiet conscience in.

It would not be so bad, if one could live in them simply, as Lindora proposed doing when she made Florindo buy hers for her, but the graces of life cannot be had for nothing, or anything like nothing, and when you have a charming cottage, and are living on city terms in it, you have the wish to have people see you doing it. This ambition leads to endless and rather aimless hospitality, so that some Lindoras have been known, after keeping a private hotel in their cottages for a series of summers, to shut them or let them, and go abroad for a much-needed rest, leaving their Florindos to their clubs as in the days of their youth, or even allowing them to live in their own houses with their cooks.

Nothing in this world, it seems, is quite what we want it to be; we ourselves are not all that we could wish; and, whatever shape our summering takes, the crumpled rose-leaf is there to disturb our repose.

The only people who have no crumpled rose-leaves under them are those who have no repose, but stay striving on amid the heat of the city while the prey of the crumpled rose-leaf is suffering among the hills or by the sea. Those home-keeping Sybarites, composing seven-eighths of our urban populations, immune from the anguish of the rose-leaf, form themselves the pang of its victims in certain extreme cases; the thought of them poisons the pure air, and hums about the sleepless rest-seeker in the resorts where there are no mosquitoes. There are Florindos, there are Lindoras, so sensitively conscienced that, in the most picturesque, the most prettily appointed and thoroughly convenienced cottages, they cannot forget their fellow-mortals in the summer hotels, in the boarding-houses by sea or sh.o.r.e, in the farms where they have small fruits, fresh vegetables, and abundance of milk and eggs; yes, they even remember those distant relations who toil and swelter in the offices, the shops, the streets, the sewers; and they are not without an unavailing shame for their own good-fortune.

But is it really their good-fortune? They would not exchange it for the better fortune of the home-keepers, and yet it seems worse than that of people less voluntarily circ.u.mstanced. There is nothing left for Florindo and Lindora to try, except spending the summer on a yacht, which they see many other Florindos and Lindoras doing. Even these gay voyagers, or gay anch.o.r.ers (for they seem most of the time to be moored in safe harbors), do not appear altogether to like their lot, or to be so constantly contented with it but that they are always coming off in boats to dine at the neighboring hotels. Doubtless a yacht has a crumpled rose-leaf under it, and possibly the keelless hull of the houseboat feels the irk of a folded petal somewhere.

Florindo and Lindora are not spoiled, she is sure of that in her own case, for she has never been unreasonably exacting of circ.u.mstance. She has always tried to be more comfortable than she found herself, but that is the condition of progress, and it is from the perpetual endeavor for the amelioration of circ.u.mstance that civilization springs. The fault may be with Florindo, in some way that she cannot see, but it is certainly not with her, and, if it is not with him, then it is with the summer, which is a season so unreasonable that it will not allow itself to be satisfactorily disposed of. In town it is intolerable; in the mountains it is sultry by day and all but freezing by night; at the seaside it is cold and wet or dry and cold; there are flies and mosquitoes everywhere but in Europe, and, with the bottom once out of Europe, you cannot go there without dropping through. In Lindora's experience the summer has had the deceitful effect of owning its riddle read at each new conjecture, but, having exhausted all her practical guesses, she finds the summer still the mute, inexorable sphinx for which neither farm-board, boarding-houses, hotels, European sojourn, nor cottaging is the true answer.

Sometimes Florindo or Lindora is out of all patience with the summer, and in a despair which she is careful to share with Florindo, as far as she can make him a partner of it. But as it is his business to provide the means of each new condition, and hers to prove it impossible, he is not apt to give way so fully as she. He tells her that their trouble is that they have always endeavored to escape an ordeal which if frankly borne might not have been so bad, and he has tried to make her believe that some of the best times he has had in summer have been when he was too busy to think about it. She retorts that she is busy, too, from morning till night, without finding the least relief from the summer ordeal or forgetting it a single moment.

The other day he came home from the club with a beaming face, and told her that he had just heard of a place where the summer was properly disposed of, and she said that they would go there at once, she did not care where it was.

"Well, I don't know," he answered. "There would have to be two opinions, I believe."