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Imaginary Interviews Part 11

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"Some other time," we consented.

XIII

THE WHIRL OF LIFE IN OUR FIRST CIRCLES

One of those recurrent selves who frequent the habitat of the Easy Chair, with every effect of exterior ident.i.ties, looked in and said, before he sat down, and much before he was asked to sit down, "Are you one of those critics of smart or swell society (or whatever it's called now) who despise it because they can't get into it, or one of those censors who won't go into it because they despise it?"

"Your question," we replied, "seems to be rather offensive, but we don't know that it's voluntarily so, and it's certainly interesting. On your part, will you say what has prompted you, just at the moment, to accost us with this inquiry?" Before he could answer, we hastened to add: "By-the-way, what a fine, old-fashioned, gentlemanly word _accost_ is!

People used to accost one another a great deal in polite literature.

'Seeing her embarra.s.sment from his abrupt and vigorous stare, he thus accosted her.' Or, 'Embarra.s.sed by his fixed and penetrating regard, she timidly accosted him.' It seems to us that we remember a great many pa.s.sages like these. Why has the word gone out? It was admirably fitted for such junctures, and it was so polished by use that it slipped from the pen without any effort of the brain, and--"

"I have no time for idle discussions of a mere literary nature," our other self returned. "I am very full of the subject which I have sprung upon you, and which I see you are trying to shirk."

"Not at all," we smilingly retorted. "We will answer you according to your folly without the least reluctance. We are not in smart or swell society because we cannot get in; but at the same time we would not get in if we could, because we despise it too much. We wonder," we continued, speculatively, "why we always suspect the society satirist of suffering from a social snub? It doesn't in the least follow. Was Pope, when he invited his S'in' John to

'leave all meaner things To low ambition and the pride of kings'

goaded to magnanimity by a slight from royalty? Was Mr. Benson when he came over here from London excluded from the shining first circles of New York and Newport, which are apparently reflected with such brilliant fidelity in _The Relentless City_, and was he wreaking an unworthy resentment in portraying our richly moneyed, blue-blooded society to the life? How are manners ever to be corrected with a smile if the smile is always suspected of being an agonized grin, the contortion of the features by the throes of a mortified spirit? Was George William Curtis in his amusing but unsparing _Potiphar Papers_--"

"Ah, now you are shouting!" our other self exclaimed.

"Your slang is rather antiquated," we returned, with grave severity.

"But just what do you mean by it in this instance?"

"I mean that manners are never corrected with a smile, whether of compa.s.sion or of derision. The manners that are bad, that are silly, that are vulgar, that are vicious, go on unchastened from generation to generation. Even the good manners don't seem to decay: simplicity, sincerity, kindness, don't really go out, any more than the other things, and fortunately the other things are confined only to a small group in every civilization, to the black sheep of the great, whity-brown or golden-fleeced human family."

"What has all this vague optimism to do with the _Potiphar Papers_ and smart society and George William Curtis?" we brought the intruder sharply to book.

"A great deal, especially the part relating to the continuity of bad manners. I've just been reading an extremely clever little book by a new writer, called _New York Society on Parade_, which so far as its basal facts are concerned might have been written by the writer of 'Our Best Society' and the other _Potiphar Papers_. The temperament varies from book to book; Mr. Ralph Pulitzer has a neater and lighter touch than George William Curtis; his book is more compact, more directly and distinctly a study, and it is less alloyed with the hopes of society reform which could be more reasonably indulged fifty-six years ago. Do you remember when 'Our Best Society' came out in the eldest _Putnam's Magazine_, that phoenix of monthlies which has since twice risen from its ashes? Don't pretend that our common memory doesn't run back to the year 1853! We have so many things in common that I can't let you disgrace the firm by any such vain a.s.sumption of extreme youth!"

"Why should we a.s.sume it? The Easy Chair had then been three years firmly on its legs, or its rockers, and the succession of great spirits, now disembodied, whom its ease invited, were all more or less in mature flesh. We remember that paper on 'Our Best Society' vividly, and we recall the shock that its facts concerning the Upper Ten Thousand of New York imparted to the innocent, or at least the virtuous, Lower Twenty Millions inhabiting the rest of the United States. Do you mean to say that the Four Hundred of this day are no better than the Ten Thousand of that? Has nothing been gained for quality by that prodigious reduction in quant.i.ty?"

"On the contrary, the folly, the vanity, the meanness, the heartlessness, the vulgarity, have only been condensed and concentrated, if we are to believe Mr. Pulitzer; and I don't see why we should doubt him. Did you say you hadn't seen his very shapely little study? It takes, with all the unpitying sincerity of a kodak, the likeness of our best society in its three most characteristic aspects; full-face at dinner, three-quarters-face at the opera, and profile at a ball, where proud beauty hides its face on the shoulder of haughty commercial or financial youth, and moneyed age dips its nose in whatever symbolizes the Gascon wine in the paternal library. Mr. Pulitzer makes no attempt at dramatizing his persons. There is no ambitious Mrs. Potiphar with a longing for fashionable New York worlds to conquer, yet with a secret heartache for the love of her country girlhood; no good, kind, sordid Potiphar bewildered and bedevilled by the surroundings she creates for him; no soft Rev. Cream Cheese, tenderly respectful of Mammon while ritually serving G.o.d; no fact.i.tious Ottoman of a Kurz Pasha, laughingly yet sadly observant of us playing at the forms of European society.

Those devices of the satirist belonged to the sentimentalist mood of the Thackerayan epoch. But it is astonishing how exactly history repeats itself in the facts of the ball in 1910 from the ball of 1852. The motives, the _personnel_, almost the _materiel_, the incidents, are the same. I should think it would amuse Mr. Pulitzer, imitating nature from his actual observation, to find how essentially his study is the same with that of Curtis imitating nature fifty-seven years ago. There is more of nature in bulk, not in variety, to be imitated now, but as Mr.

Pulitzer studies it in the gla.s.s of fashion, her mean, foolish, selfish face is the same. He would find in the sketches of the Mid-Victorian satirist all sorts of tender relentings and generous hopes concerning the 'gay' New York of that time which the Early Edwardian satirist cannot indulge concerning the gay New York of this time. It seems as if we had really gone from bad to worse, not qualitatively--we couldn't--but quant.i.tatively. There is more money, there are more men, more women, but otherwise our proud world is the proud world of 1853."

"You keep saying the same thing with 'd.a.m.nable iterance,'" we remarked.

"Don't you suppose that outside of New York there is now a vast society, as there was then, which enjoys itself sweetly, kindly, harmlessly? Is there no gentle Chicago or kind St. Louis, no pastoral Pittsburg, no sequestered Cincinnati, no bucolic Boston, no friendly Philadelphia, where 'the heart that is humble may look for' disinterested pleasure in the high-society functions of the day or night? Does New York set the pace for all these places, and are dinners given there as here, not for the delight of the guests, but as the dire duty of the hostesses? Do the inhabitants of those simple sojourns go to the opera to be seen and not to hear? Do they follow on to b.a.l.l.s before the piece is done only to bear the fardels of ignominy heaped upon them by the german's leaders, or to see their elders and fatters getting all the beautiful and costly favors while their own young and gracile loveliness is pa.s.sed slighted by because they give no b.a.l.l.s where those cruel captains can hope to shine in the van? It seems to us that in our own far prime--now well-nigh lost in the mists of antiquity--life was ordered kindlier; that dinners and opera-parties and dances were given

'To bless and never to ban.'"

"Very likely, on the low society level on which our joint life moved,"

our other self replied, with his unsparing candor. "You know we were a country village, city-of-the-second-cla.s.s personality. Even in the distant epoch painted in the _Potiphar Papers_ the motives of New York society were the same as now. It was not the place where birth and rank and fame relaxed or sported, as in Europe, or where ardent innocence played and feasted as in the incorrupt towns of our interior. If Curtis once represented it rightly, it was the same ridiculous, hard-worked, greedy, costly, stupid thing which Mr. Pulitzer again represents it."

"And yet," we mused aloud, "this is the sort of thing which the 'unthinking mult.i.tude' who criticise, or at least review, books are always lamenting that our fiction doesn't deal with. Why, in its emptiness and heaviness, its smartness and dulness, it would be the death of our poor fiction!"

"Well, I don't know," our counterpart responded. "If our fiction took it on the human ground, and ascertained its inner pathos, its real lamentableness, it might do a very good thing with those clubmen and society girls and _grandes dames_. But that remains to be seen. In the mean time it is very much to have such a study of society as Mr.

Pulitzer has given us. For the most part it is 'satire with no pity in it,' but there's here and there a touch of compa.s.sion, which moves the more because of its rarity. When the author notes that here and there a pretty dear finds herself left with no one to take her out to supper at the ball, his few words wring the heart. 'These poor victims of their s.e.x cannot, like the men, form tables of their own. All that each can do is to disappear as swiftly and as secretly as possible, hurrying home in humiliation for the present and despair for the future.'"

"Do such cruel things really happen in our best society?" we palpitated, in an anguish of sympathy.

"Such things and worse," our other self responded, "as when in the german the fair debutante sees the leader advancing toward her with a splendid and costly favor, only to have him veer abruptly off to bestow it on some fat elderling who is going to give the next ball. But Mr.

Pulitzer, though he has these spare intimations of pity, has none of the sentiment which there is rather a swash of in the _Potiphar Papers_.

It's the difference between the Mid-Victorian and the Early Edwardian point of view. Both satirists are disillusioned, but in the page of Curtis there is

'The tender grace of a day that is dead'

and the soft suffusion of hope for better things, while in the page of Mr. Pulitzer there is no such qualification of the disillusion. Both are enamoured of the beauty of those daughters of Mammon, and of the distinction of our iron-clad youth, the athletic, well-groomed, well-tailored worldlings who hurry up-town from their banks and brokers'

offices and lawyers' offices to the dinners and opera-boxes and dances of fashion. 'The girls and women are of a higher average of beauty than any European ball-room could produce. The men, too, are generally well built, tall, and handsome, easily distinguishable from the waiters,' Mr.

Pulitzer a.s.sures us."

"Well, oughtn't that to console?" we defied our other self. "Come! It's a great thing to be easily distinguishable from the waiters, when the waiters are so often disappointed 'remittance men' of good English family, or the scions of Continental n.o.bility. We mustn't ask everything."

"No, and apparently the feeding is less gross than it was in Curtis's less sophisticated time. Many of the men seem still to smoke and booze throughout the night with the host in his 'library,' but the dancing youth don't get drunk as some of them did at Mrs. Potiphar's supper, and people don't throw things from their plates under the table."

"Well, why do you say, then, that there is no change for the better in our best society, that there is no hope for it?"

"Did I say that? If I did, I will stick to it. We must let our best society be as it now imagines itself. I don't suppose that in all that gang of beautiful, splendid, wasteful, expensively surfeited people there are more than two or three young men of intellectual prowess or spiritual distinction, though there must be some clever and brilliant toadies of the artist variety. In fact, Mr. Pulitzer says as much outright; and it is the hard lot of some of the arts to have to tout for custom among the vulgar ranks of our best society."

"Very well, then," we said, with considerable resolution, "we must change the popular ideal of the best society. We must have a four hundred made up of the most brilliant artists, authors, doctors, professors, scientists, musicians, actors, and ministers, with their wives, daughters, and sisters, who will walk to one another's dinners, or at worst go by trolley, and occupy the cheaper seats at the opera, and dance in small and early a.s.semblages, and live in seven-room-with-bath flats. Money must not count at all in the choice of these elect and beautiful natures. The question is, how shall we get the dense, unenlightened ma.s.ses to regard them as the best society; how teach the reporters to run after them, and the press to chronicle their entertainments, engagements, marriages, divorces, voyages to and from Europe, and the other facts which now so dazzle the common fancy when it finds them recorded in the society intelligence of the newspapers?"

"Yes, as General Sherman said when he had once advocated the restriction of the suffrage and had been asked how he was going to get the consent of the majority whose votes he meant to take away--'yes, that is the devil of it.'"

We were silent for a time, and then we suggested, "Don't you think that a beginning could be made by those real elite we have decided on refusing to let a.s.sociate with what now calls itself our best society?"

"But hasn't our _soi-disant_ best society already made that beginning for its betters by excluding them?" our other self responded.

"There is something in what you say," we reluctantly a.s.sented, "but by no means everything. The beginning you speak of has been made at the wrong end. The true beginning of society reform must be made by the moral, aesthetic, and intellectual superiors of fashionable society as we now have it. The _grandes dames_ must be somehow persuaded that to be really swell, really smart, or whatever the last word for the thing is, they must search _Who's Who in New York_ for men and women of the most brilliant promise and performance and invite them. They must not search the banks and brokers' offices and lawyers' offices for their dancing-men, but the studios, the editorial-rooms, the dramatic agencies, the pulpits, for the most gifted young artists, a.s.signment men, interviewers, actors, and preachers, and apply to the labor-unions for the cleverest and handsomest artisans; they must look up the most beautiful and intelligent girl-students of all the arts and sciences, and department stores for cultivated and attractive salesladies. Then, when all such people have received cards to dinners or dances, it will only remain for them to have previous engagements, and the true beginning is made. Come! You can't say the thing is impossible."

"Not impossible, no," our complementary self replied. "But difficult."

XIV

THE MAGAZINE MUSE

Two aging if not aged poets, one much better if not much older than the other, were talking of the Muse as she was in their day and of the Muse as she is in this. At the end, their common mind was that she was a far more facile Muse formerly than she is now. In other words, as the elder and better poet put it, they both decided that many, many pieces of verse are written in these times, and hidden away in the mult.i.tude of the magazines, which in those times would have won general recognition if not reputation for the authors; they would have been remembered from month to month, and their verses copied into the newspapers from the two or three periodicals then published, and, if they were not enabled to retire upon their incomes, they would have been in the enjoyment of a general attention beyond anything money can buy at the present day. This conclusion was the handsomer in the two poets, because they had nothing to gain and something to lose by it if their opinion should ever become known. It was in a sort the confession of equality, and perhaps even inferiority, which people do not make, unless they are obliged to it, in any case. But these poets were generous even beyond their unenvious tribe, and the younger, with a rashness which his years measurably excused, set about verifying his conviction in a practical way, perhaps the only practical way.

He asked his publishers to get him all the American magazines published; and has the home-keeping reader any notion of the vastness of the sea on which this poet had embarked in his daring exploration? His publishers sent him a list of some eighty-two monthly periodicals in all kinds, which, when he had begged them to confine it to the literary kind, the aesthetic kind only, amounted to some fifty. By far the greater number of these, he found, were published in New York, but two were from Philadelphia, one from Boston, one from Indianapolis, and one even from Chicago; two were from the Pacific Slope generally. That is to say, in this city there are issued every month about forty-five magazines devoted to belles-lettres, of varying degrees of excellence, not always connoted by their varying prices. Most of them are of the ten-cent variety, and are worth in most cases ten cents, and in a few cases twenty-five or thirty-five cents, quite like those which ask such sums for themselves. The cheapest are not offensive to the eye altogether, as they lie closed on the dealer's counter, though when you open them you find them sometimes printed on paper of the wood-pulp, wood-pulpy sort, and very loathly to the touch. Others of the cheapest present their literature on paper apparently as good as that of the dearest; and as it is not always money which buys literary value, especially from the beginners in literature, there seemed every reason for the poet to hope that there would be as good poetry in the one sort as in the other. In his generous animation, he hoped to find some good poetry on the wood-pulp paper just as in the Golden Age he might have found it carved by amorous shepherds on the bark of trees.

He promised himself a great and n.o.ble pleasure from his verification of the opinion he shared with that elder and better poet, and if his delight must be mixed with a certain feeling of reserved superiority, it could hardly be less a delight for that reason. In turning critic, the friendliest critic, he could not meet these dear and fair young poets on their own level, but he could at least keep from them, and from himself as much as possible, the fact that he was looking down on them. All the magazines before him were for the month of January, and though it was possible that they might have shown a certain exhaustion from their extraordinary efforts in their Christmas numbers, still there was a chance of the overflow of riches from those numbers which would trim the balance and give them at least the average poetic value. At this point, however, it ought to be confessed that the poet, or critic, was never so willing a reader as writer of occasional verse, and it cannot be denied that there was some girding up of the loins for him before the grapple with that half-hundred of magazines. Though he took them at their weakest point, might they not be too much for him?

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Imaginary Interviews Part 11 summary

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