I Hope I Shall Arrive Soon Part 1

I HOPE I SHALL ARRIVESOON.

by Phillip K. d.i.c.k.

After takeoff the ship routinely monitored the condition of the sixty people sleeping in its cryonic tanks. One malfunction showed, that of person nine. His EEG revealed brain activity. S-t, the ship said to itself. Complex homeostatic devices locked into circuit feed, and the ship contacted person nine.

"You are slightly awake," the ship said, utilizing the psychotronic route; there was no point in rousing person nine to full consciousness-after all, the flight would last a decade. Virtually unconscious, but unfortunately still able to think, person nine thought, Someone is addressing me. He said, "Where am I located? I don't see anything."

"You're in faulty cryonic suspension."

He said, "Then I shouldn't be able to hear you."

" 'Faulty,' I said. That's the point; you can hear me. Do you know your name?"

"Victor Kemmings. Bring me out of this."

"We are in flight."

"Then put me under."

"just a moment." The ship examined the cryonic mechanisms; it scanned and surveyed and then it said, "I will try."

Time pa.s.sed. Victor Kemmings, unable to see anything, unaware of his body, found himself still conscious. "Lower my temperature," he said. He could not hear his voice; perhaps he only imagined he spoke. Colors floated toward him and then rushed at him. He liked the colors; they reminded him of a child's paint box, the semi animated kind, an artificial life-form. He had used them in school, two hundred years ago.

"I can't put you under," the voice of the ship sounded inside Kemmings's head. "The malfunction is too elaborate; I can't correct it and I can't repair it. You will be conscious for ten years."

The semi animated colors rushed toward him, but now they possessed a sinister quality, supplied to them by his own fear. "Oh my G.o.d," he said. Ten years! The colors darkened. As Victor Kemmings lay paralyzed, surrounded by dismal flickerings of light, the ship explained to him its strategy. This strategy did not represent a decision on its part; the ship had been programmed to seek this solution in case of a malfunction of this sort.

"What I will do," the voice of the ship came to him, "is feed you sensory stimulation. The peril to you is sensory deprivation. If you are conscious for ten years without sensory data, your mind will deteriorate. When we reach the LR4 System, you will be a vegetable."

"Well, what do you intend to feed me?" Kemmings said in panic. "What do you have in your information storage banks? All the video soap operas of the last century? Wake me lip and I'll walk around."

"There is no air in me," the ship said. "Nothing for you to eat.

No one to talk to, since everyone else is under."

Kemmings said, "I can talk to you. We can play chess."

"Not for ten years. Listen to me; I say, I have no food and no air. You must remain as you are. ..a bad compromise, but one forced on us. You are talking to me now. I have no particular information stored. Here is policy in these situations: I will feed you your own buried memories, emphasizing the pleasant ones. You possess two hundred and six years of memories and most of them have sunk down into your unconscious. This is a splendid source of sensory data for you to receive. Be of good cheer. This situation, which you are in, is not unique. It has never happened within my domain before, but I am programmed to deal with it. Relax and trust me. I will see that you are provided with a world."

"They should have warned me," Kemmings said, "before I agreed to emigrate."

"Relax," the ship said, He relaxed, but he was terribly frightened. Theoretically, he should have gone under, into the successful cryonic suspension, then awakened a moment later at his star of destination; or rather the planet, the colony planet, of that star. Everyone else aboard the ship lay in an unknowing state-,he was the exception, as if bad karma had attacked him for obscure reasons. Worst of all, he had to depend totally on the goodwill of the ship. Suppose it elected to feed him monsters? The ship could terrorize him for ten years-ten objective years and undoubtedly more from a subjective standpoint. He was, in effect, totally in the ship's power. Did interstellar ships enjoy such a situation? He knew little about interstellar ships; his field was microbiology. Let me think, he said to himself. My first wife, Martine; the lovely little French girl who wore jeans and a red shirt open at the waist and cooked delicious crepes.

"I hear," the ship said. "So be it."

The rushing colors resolved themselves into coherent, stable shapes. A building: a little old yellow wooden house that he had owned when he was nineteen years old, in Wyoming. "Wait," he said in panic. "The foundation was bad; it was on a mud sill. And the roof leaked." But he saw the kitchen, with the table that he had built himself. And he felt glad.

"You will not know, after a little while," the ship said, "that I am feeding you your own buried memories."

"I haven't thought of that house in a century," he said wonderingly; entranced, he made out his old electric drip coffee pot with the box of paper filters beside it. This is the house where Martine and I lived, he realized. "Martine!" he said aloud.

"I'm on the phone," Martine said from the living room. The ship said, "I will cut in only when there is an emergency. I will be monitoring you, however, to be sure you are in a satisfactory state. Don't be afraid."

"Turn down the right rear burner on the stove," Martine called. He could hear her and yet not see her. He made his way from the kitchen through the dining room and into the living room. At the VF, Martine stood in rapt conversation with her brother; she wore shorts and she was barefoot. Through the front windows of the living room he could see the street; a commercial vehicle was trying to park, without success. It's a warm day, he thought. I should turn on the air conditioner. He seated himself on the old sofa as Martine continued her VF conversation, and he found himself gazing at his most cherished possession, a framed poster on the wall above Martine: Gilbert Shelton's "Fat Freddy Says" drawing in which Freddy Freak sits with his cat on his lap, and Fat Freddy is trying to say, "Speed kills," but he is so wired on speed-he holds in his hand every kind of amphetamine tablet, pill, spansule, and capsule that exists-that he can't say it, and the cat is gritting his teeth and wincing in a mixture of dismay and disgust. The poster is signed by Gilbert Shelton himself; Kemmings's best friend Ray Torrance gave it to him and Martine as a wedding present. It is worth thousands. It was signed by the artist back in the I980s. Long before either Victor Kemmings or Martine lived. If we ever run out of money, Kemmings thought to himself, we could sell the poster. It was not a poster; it was the poster. Martine adored it. The Fabulous Furry Freak Brothers-from the golden age of a long-ago society. No wonder he loved Martine so; she herself loved back, loved the beauties of the world, and treasured and cherished them as she treasured and cherished him; it was a protective love that nourished but did not stifle. It had been her idea to frame the poster; he would have tacked it up on the wall, so stupid was he.

"Hi," Martine said, off the VF now. "What are you thinking?" "Just that you keep alive what you love," he said.

"I think that's what you're supposed to do," Martine said.

"Are you ready for dinner? Open some red wine, a cabernet."

"Will an '07 do?" he said, standing up; he felt, then, like taking hold of his wife and hugging her.

"Either an '07 or a 'I2." She trotted past him, through the dining room and into the kitchen. Going down into the cellar, he began to search among the bottles, which, of course, lay flat. Musty air and dampness; he liked the smell of the cellar, but then he noticed the redwood planks lying half-buried in the dirt and he thought, I know I've got to get a concrete slab poured. He forgot about the wine and went over to the far comer, where the dirt was piled highest; bending down, he poked at a board. ..he poked with a trowel and then he thought, Where did I get this trowel? I didn't have it a minute ago. The board crumbled against the trowel. This whole house is collapsing, he realized. Christ sake. I better tell Martine. Going back upstairs, the wine forgotten, he started to say to her that the foundations of the house were dangerously decayed, but Martine was nowhere in sight. And nothing cooked on the stove-no pots, no pans. Amazed, he put his hand on the stove and found it cold. Wasn't she just now cooking? he asked himself.

"Martine!" he said loudly.

No response. Except for himself, the house was empty. Empty, he thought, and collapsing. Oh my G.o.d. He seated himself at the kitchen table and felt the chair give slightly under him; it did not give much, but he felt it; he felt the sagging. I'm afraid, he thought. Where did she go?

He returned to the living room. Maybe she went next door to borrow some spices or b.u.t.ter or something, he reasoned. Nonetheless, panic now filled him. He looked at the poster. It was unframed. And the edges had been tom. I know she framed it, he thought; he ran across the room to it, to examine it closely. Faded. ..the artist's signature had faded; he could scarcely make it out. She insisted on framing it and under glare-free, reflection-free gla.s.s. But it isn't framed and it's tom! The most precious thing we own! Suddenly he found himself crying. It amazed him, his tears. Martine is gone; the poster is deteriorated; the house is crumbling away; nothing is cooking on the stove. This is terrible, he thought. And I don't understand it. The ship understood it. The ship had been carefully monitoring Victor Kemmings's brain wave patterns, and the ship knew that something had gone wrong. The wave-forms showed agitation and pain. I must get him out of this feed-circuit or I will kill him, the ship decided. Where does the flaw lie? it asked itself.

Worry dormant in the man; underlying anxieties. Perhaps if I intensify the signal. I will use the same source, but amp up the charge. What has happened is that ma.s.sive subliminal insecurities have taken possession of him; the fault is not mine, but lies, instead, in his psychological makeup. I will try an earlier period in his life, the ship decided. Before the neurotic anxieties got laid down. In the backyard, Victor scrutinized a bee that had gotten itself trapped in a spider's web. The spider wound up the bee with great care. That's wrong, Victor thought. I'll let the bee loose. Reaching up, he took hold of the encapsulated bee, drew it from the web, and, scrutinizing it carefully, began to unwrap it. The bee stung him; it felt like a little patch of flame. Why did it sting me? he wondered. I was letting it go. He went indoors to his mother and told her, but she did not listen; she was watching television. His finger hurt where the bee had stung up, but, more important, he did not understand why the bee would attack its rescuer. I won't do that again, he said to himself.

"Put some Bactine on it," his mother said at last, roused from watching the TV. He had begun to cry. It was unfair. It made no sense. He was perplexed and dismayed and he felt a hatred toward small living things, because they were dumb. They didn't have any sense. He left the house, played for a time on his swings, his slide, in his sandbox, and then he went into the garage because he heard a strange flapping, whirring sound, like a kind of fan. Inside the gloomy garage, he found that a bird was fluttering against the cobwebbed rear window, trying to get out. Below it, the cat, Dorky, leaped and leaped, trying to reach the bird. He picked up the cat; the cat extended its body and its front legs, it extended its jaws and bit into the bird. At once the cat scrambled down and ran off with the still-fluttering bird.

Victor ran into the house. "Dorky caught a bird!" he told his mother.

"That G.o.ddam cat." His mother took the broom from the closet in the kitchen and ran outside, trying to find Dorky. The cat had concealed itself under the bramble bushes; she could not reach it with the broom. "I'm going to get rid of that cat," his mother said. Victor did not tell her that he had arranged for the cat to catch the bird; he watched in silence as his mother tried and tried to pry Dorky out from her hiding place; Dorky was crunching up the bird; he could hear the sound of breaking bones, small bones. He felt a strange feeling, as if he should tell his mother what he had done, and yet if he told her she would punish him. I won't do that again, he said to himself. His face, he realized, had turned red. What if his mother figured it out? What if she had some secret way of knowing? Dorky couldn't tell her and the bird was dead. No one would ever know. He was safe. But he felt bad. That night he could not eat his dinner. Both his parents noticed. They thought he was sick; they took his temperature. He said nothing about what he had done. His mother told his father about Dorky and they decided to get rid of Dorky. Seated at the table, listening, Victor began to cry.

"All right," his father said gently. "We won't get rid of her. It's natural for a cat to catch a bird."

The next day he sat playing in his sandbox. Some plants grew up through the sand. He broke them off. Later his mother told him that had been a wrong thing to do. Alone in the backyard, in his sandbox, he sat with a pail of water, forming a small mound of wet sand. The sky, which had been blue and clear, became by degrees overcast. A shadow pa.s.sed over him and he looked up. He sensed a presence around him, something vast that could think.

You are responsible for the death of the bird, the presence thought; he could understand its thoughts.

"I know," he said. He wished, then, that he could die. That he could replace the bird and die for it, leaving it as it had been, fluttering against the cobwebbed window of the garage. The bird wanted to fly and eat and live, the presence thought. "Yes," he said miserably.

"You must never do that again," the presence told him. "I'm sorry," he said, and wept. This is a very neurotic person, the ship realized. I am having an awful lot of trouble finding happy memories. There is too much fear in him and too much guilt. He has buried it all, and yet it is still there, worrying him like a dog worrying a rag. Where can I go in his memories to find him solace? I must come up with ten years of memories, or his mind will be lost. Perhaps, the ship thought, the error that I am making is in the area of choice on my part; I should allow him to select his own memories. However, the ship realized, this will allow an element of fantasy to enter. And that is not usually good. Still I will try the segment dealing with his first marriage once again, the ship decided. He really loved Martine. Perhaps this time if I keep the intensity of the memories at a greater level the entropic factor can be abolished. What happened was a subtle vitiation of the remembered world, a decay of structure. I will try to compensate for that. So be it.

"Do you suppose Gilbert Shelton really signed this?" Martine said pensively; she stood before the poster, her arms folded; she rocked back and forth slightly, as if seeking a better perspective on the brightly colored drawing hanging on their living room wall. "I mean, it could have been forged. By a dealer somewhere along the line. During Shelton's lifetime or after."

"The letter of authentication," Victor Kemmings reminded her.

"Oh, that's right!" She smiled her warm smile. "Ray gave us the letter that goes with it. But suppose the letter is a forgery? What we need is another letter certifying that the first letter is authentic." Laughing, she walked away from the poster.

"Ultimately," Kemmings said, "we would have to have Gilbert Shelton here to personally testify that he signed it."

"Maybe he wouldn't know. There's that story about the man bringing the Pica.s.so picture to Pica.s.so and asking him if it was authentic, and Pica.s.so immediately signed it and said, 'Now it's authentic.' " She put her arm around Kemmings and, standing on tiptoe, kissed him on the cheek. "It's genuine. Ray wouldn't have given us a forgery. He's the leading expert on counterculture art of the twentieth century. Do you know that he owns an actual lid of dope? It's preserved under-"

"Ray is dead," Victor said.

"What?" She gazed at him in astonishment. "Do you mean something happened to him since we last-"

"He's been dead two years," Kemmings said. "I was responsible. I was driving the buzz car. I wasn't cited by the police, but it was my fault."

"Ray is living on Mars!" She stared at him.

"I know I was responsible. I never told you. I never told anyone. I'm sorry. I didn't mean to do it. I saw it flapping against the window, and Dorky was trying to reach it, and I lifted Dorky up, and I don't know why but Dorky grabbed it-"

"Sit down, Victor." Martine led him to the overstuffed chair and made him seat himself. "Something's wrong," she said.

"I know," he said. "Something terrible is wrong. I'm responsible for the taking of a life, a precious life that can never be replaced. I'm sorry. I wish I could make it okay, but I can't."

After a pause, Martine said, "Call Ray."

"The cat-" he said.

"What cat?"

"There." He pointed. "In the poster. On Fat Freddy's lap. That's Dorky. Dorky killed Ray."

Silence.

"The presence told me," Kemmings said. "It was G.o.d. I didn't realize it at the time, but G.o.d saw me commit the crime.

The murder. And he will never forgive me."

His wife stared at him numbly.

"G.o.d sees everything you do," Kemmings said. "He sees even the falling sparrow. Only in this case it didn't fall; it was grabbed. Grabbed out of the air and tom down. G.o.d is tearing this house down which is my body, to pay me back for what I've done. We should have had a building contractor look this house over before we bought it. It's just falling G.o.ddam to pieces. In a year there won't be anything left of it. Don't you believe me?"

Martine faltered, "I-"

"Watch." Kemmings reached up his arms toward the ceiling; he stood; he reached; he could not touch the ceiling. He walked to the wall and then, after a pause, put his hand through the wall. Martine screamed.

The ship aborted the memory retrieval instantly. But the harm had been done. He has integrated his early fears and guilt into one interwoven grid, the ship said to itself. There is no way I can serve up a pleasant memory to him because he instantly contaminates it. However pleasant the original experience in itself was. This is a serious situation, the ship decided. The man is already showing signs of psychosis. And we are hardly into the trip; years lie ahead of him.

After allowing itself time to think the situation through, the ship decided to contact Victor Kemmings once more.

"Mr. Kemmings," the ship said.

"I'm sorry," Kemmings said. "I didn't mean to foul up those retrievals. You did a good job, but I-"

"Just a moment," the ship said. "I am not equipped to do psychiatric reconstruction of you; I am a simple mechanism, that's all. What is it you want? Where do you want to be and what do you want to be doing?"

"I want to arrive at our destination," Kemmings said. "I want this trip to be over."

Ah, the ship thought. That is the solution. One by one the cryonic systems shut down. One by one the people returned to life, among them Victor Kemmings. What amazed him was the lack of a sense of the pa.s.sage of time. He had entered the chamber, lain down, had felt the membrane cover him and the temperature begin to drop And now he stood on the ship's external platform, the unloading platform, gazing down at a verdant planetary landscape. This, he realized, is LR4-6, the colony world to which I have come in order to begin a new life.

"Looks good," a heavyset woman beside him said.

"Yes," he said, and felt the newness of the landscape rush up at him, its promise of a beginning. Something better than he had known the past two hundred years. I am a fresh person in a fresh world, he thought. And he felt glad. Colors raced at him, like those of a child's semi animate kit. Saint Elmo's fire, he realized. That's right; there is a great deal of ionization in this planet's atmosphere. A free light show, such as they had back in the twentieth century.

"Mr. Kemmings," a voice said. An elderly man had come up beside him, to speak to him. "Did you dream?"

"During the suspension?" Kemmings said. "No, not that I can remember."

"I think I dreamed," the elderly man said. "Would you take my arm on the descent ramp? I feel unsteady. The air seems thin. Do you find it thin?"

"Don't be afraid," Kemmings said to him. He took the elderly man's arm. "I'll help you down the ramp. Look; there's a guide coming this way. He'll arrange our processing for us; it's part of the package. We'll be taken to a resort hotel and given first-cla.s.s accommodations. Read your brochure." He smiled at the uneasy older man to rea.s.sure him.

"You'd think our muscles would be nothing but flab after ten years in suspension," the elderly man said.

"It's just like freezing peas," Kemmings said. Holding onto the timid older man, he descended the ramp to the ground. "You can store them forever if you get them cold enough."

"My name's Shelton," the elderly man said.

"What?" Kemmings said, halting. A strange feeling moved through him.

"Don Shelton." The elderly man extended his hand; reflexively, Kemmings accepted it and they shook. "What's the matter, Mr. Kemmings? Are you all right?"

"Sure," he said. "I'm fine. But hungry. I'd like to get something to eat. I'd like to get to our hotel, where I can take a shower and change my clothes." He wondered where their baggage could be found. Probably it would take the ship an hour to unload it. The ship was not particularly intelligent. In an intimate, confidential tone, elderly Mr. Shelton said, "You know what I brought with me? A bottle of Wild Turkey bourbon. The finest bourbon on Earth. I'll bring it over to your hotel room and we'll share it." He nudged Kemmings.

"I don't drink," Kemmings said. "Only wine." He wondered if there were any good wines here on this distant colony world. Not distant now, he reflected. It is Earth that's distant. I should have done like Mr. Shelton and brought a few bottles with me.

Shelton. What did the name remind him of? Something in his far past, in his early years. Something precious, along with good wine and a pretty, gentle young woman making crepes in an old-fashioned kitchen. Aching memories; memories that hurt. Presently he stood by the bed in his hotel room, his suitcase open; he had begun to hang up his clothes, In the comer of the room, a TV hologram showed a newscaster; he ignored it, but, liking the sound of a human voice, he kept it on. Did I have any dreams? he asked himself. During these past ten years? His hand hurt. Gazing down, he saw a red welt, as if he had been stung, A bee stung me, he realized. But when? How? While I lay in cryonic suspension? Impossible, Yet he could see the welt and he could feel the pain. I better get something to put on it, he realized. There's undoubtedly a robot doctor in the hotel; it's a first-rate hotel. When the robot doctor had arrived and was treating the bee sting, Kemmings said, "I got this as punishment for killing the bird,"

"Really?" the robot doctor said, "Everything that ever meant anything to me has been taken away from me," Kemmings said. "Martine, the poster-my little old house with the wine cellar, We had everything and now it's gone. Martine left me because of the bird."

"The bird you killed," the robot doctor said.

"G.o.d punished me. He took away all that was precious to me because of my sin. It wasn't Dorky's sin; it was my sin." "But you were just a little boy," the robot doctor said. "How did you know that?" Kemmings said. He pulled his hand away from the robot doctor's grasp. "Something's wrong.

You shouldn't have known that."

"Your mother told me," the robot doctor said.

"My mother didn't know!"

The robot doctor said, "She figured it out. There was no way the cat could have reached the bird without your help."

"So all the time that I was growing up she knew. But she never said anything."