How to Tie Flies Part 1

How to Tie Flies.

by E. C. Gregg.

INTRODUCTION

The object of this book will be throughout its entirety to teach in a practical manner the art of Fly Tying in all its branches. The principles used herein, and the methods of construction employed, are those used by the professional fly-tier who practices fly-making for the sake of art, and tries to achieve with each finished fly, a masterpiece.

None of the short-cuts employed by those whose business is quant.i.ty production will be attempted. Only the making of flies of the very highest quality and most durable construction will be attempted.

In describing the princ.i.p.als of construction with the following ill.u.s.trations, it will be impossible to describe in detail each standard pattern; however, it must be remembered that the fundamentals applying to each style of fly will be the princ.i.p.al bases of construction of all flies of that style, and that the use of different body materials, hackles, wings or size will simply change the pattern and not the fundamental points of construction.

Dressings for hundreds of standard patterns will be found fully described elsewhere in this book. For clearness {viii} of understanding please note that where a fly is described in this book as having grey wings, or red body, etc., and no particular feather or material is specified, it means that any feather or body material may be used. When a particular feather, body, hackle, tail, etc., must be used it will be so stated.

Each year a steadily increasing number of anglers are learning to tie their own flies. Not many years ago, there were few in America outside of professional tiers who understood the art. Now on each angling trip, at least one is sure to be met, who has discovered the great thrill of taking fish on flies of his own tying.

To those who are antic.i.p.ating the making of their own flies for the first time, there is the opportunity to exercise one's ingenuity in the creation of new patterns. To prolong your fishing seasons throughout the long winter evenings, in the confines of your own den, where, with a supply of fur, feathers and tinsel, can be enjoyed a profitable, artistic and pleasant hobby. And the thrill of seeing in each finished imitation of Ephemeridae, Muscidae and Formicidae, a masterpiece to bring the joy of living and dreams of spring to the angler's heart.

Beginners are requested to reject any inclination to skip over the first part of this book, nor to attempt the tying of the more delicate and difficult dry flies before they have had sufficient preliminary training. {ix} This book is so written that the easier flies to make are the first encountered. Although you may not expect to use Bucktail Streamers, the fundamental principles employed in their construction, the knack of handling fur, feathers and tinsel, will be acquired, and a sense of proportion will be realized. I sincerely encourage you to begin at the beginning, and by careful and patient study the satisfactory result will be the ability to make flies that are second to none.

The ill.u.s.trations in this book are all drawn to correct proportions except the tying silk, which is purposely drawn large for clearness of ill.u.s.tration. Follow these ill.u.s.trations, and begin by making a very careful study of Diagram 3, "Bucktails" (page 15). Here will be learned how to overcome some of the difficulties encountered by beginners. Many of the fundamentals learned in tying Bucktails are used in tying all of the flies to follow. For instance, in putting the wings or tail on a wet fly, the same method of holding the wing between the thumb and finger and making the loose loop, are explained as when putting the hair or tail on a Bucktail. Putting the wings on a fly correctly seems to be the greatest difficulty encountered by the beginner. Consequently, the necessity of carefully studying Figs. 4, 5, 10, and 11 of Diagram 3 cannot be too greatly emphasized.

Before tying any other part of the fly, place a bare hook in the vise, and practice tying on the tail, {x} and then the wings, until you have mastered this knack, and have the wings and tail setting straight on top of the hook, as in Figs. 4, 5, 10 and 11 of Diagram 3. First using hair and then a section of feather.

Other faults of the beginner where literal descriptions are followed entirely or where ill.u.s.trations are not drawn to correct proportions or followed closely are as follows. The wings are usually too large, and much too long for the size of the hook, and the tail is most always too long, as are the hackles. The bodies seldom have a nicely tapered shape, and most always start too far back on the hook shank. The ribbing is seldom put on in even tight spirals. The hair on hair flies is always too long, and too much is used. The head is too large, because the tying silk is not wound tightly and smoothly. The eye of the hook on the finished fly is filled with hair, tying silk, hackles and cement.

I do not mean to criticize these common mistakes of the beginner.

Instead, I merely wish to call them to your mind, and a.s.sure you that they are not necessary, and will not happen if you will diligently follow instructions in this book.

TOOLS, HOOKS AND MATERIALS

Very few tools are required by the Fly-Tier. Those that are necessary are inexpensive, and most of them can be homemade. However, as with any other craft good tools are an a.s.set. I advise the beginner to procure the following:

TOOLS

Fly-Tiers' vise. There are many styles of fly-tying vises on the market.

The simplest is just a slot cut in a 3/8" piece of square steel with a hacksaw, and a thumb screw to tighten the slot. This type of vise will work all right, although rather clumsy and hard to tighten enough to hold the hook truly. Another simple vise is just a small pin chuck, soldered to one end of a 1/4" bra.s.s rod, bent at the desired angle, and the other end of the rod soldered to a small C clamp. However, I prefer a vise of the cam lever type. That is, a vise that has a cam lever for opening and closing the jaws. These vises, of which there are several makes, are {2} adjustable to various angles and hook sizes. They will hold all sizes of hooks very firmly, and are easily and quickly opened with a flip of the lever.

Hackle Pliers. These can be purchased for about fifty cents and will prove a worthwhile investment, as they are rather difficult to make satisfactorily.

Scissors. One pair with curved blades and sharp points for small flies and one pair with small straight blades. A needle pushed into a stick, for picking out hackles that are wound under, and for putting lacquer on the finished head, completes the list of necessary tools.

HOOKS

Hooks used for fly-tying differ somewhat from those used for bait fishing etc., inasmuch as they are usually hollow ground, and tapered shank especially those used for dry flies. The tapered shank next to the eye allows the head of the fly to be tied smaller, and also reduces the weight of the hook, an advantage for dry flies. Of course flies may be tied on any style or grade of hook, but considering the work involved in making the fly, and realizing that with an old razor blade the fly can be quickly removed from the hook should the first attempts prove unsatisfactory, you will see the advantage in using good hooks.

{3}

[Ill.u.s.tration: Page sized diagram showing drawings of hooks.]

{4}

MATERIALS

Materials used by the Fly-Tier cover an extremely large field. Although only a few simple and easily obtained items are necessary for a start, it is interesting to know that furs, feathers and body materials come from all parts of the world. There's the jungle c.o.c.k from India whose neck feathers are extensively used on salmon flies and a very large percentage of all fancy flies. The golden pheasant from China, the bustard from Africa, the Mandarin wood duck from China, the capercailzie from Ireland, the game c.o.c.ks from Spain and the Orient, the teal, mallard, grouse, ibis, swan, turkey, and hundreds of others. The polar bear, Impala, North and South American deer, seal, black bear, skunk, rabbit, squirrel, are a few of the hairs that are used. The beginner need not worry about the great variety. Some hooks, silk floss and spun fur or wool yarn and chenille for bodies, a few sizes of tinsel for ribbing, bucktails of three or four colors, an a.s.sortment of duck and turkey wing quills some mallard breast, an a.s.sortment of neck and saddle hackles, a spool of tying silk, a piece of wax, a bottle of head lacquer, and many of the popular patterns can be made. Numerous other items can be added from time to time, and the novice Fly-Tier will soon find himself in possession of a collection of fuzzy furs and feathers that will delight the heart of any professional, and from which any conceivable lure can be made to attract the denizens of the shady pools.

{5}

[Ill.u.s.tration: Page sized photograph of body materials.]

{6}

BODY MATERIAL: Tinsel, Silk Floss, Fur, Chenille, Wool, Quill and Cork are used for bodies. The most commonly used for Bucktail Streamers is flat tinsel ribbed with oval tinsel or no ribbing at all.

About the easiest body to make is one of chenille ribbed with tinsel.

Silk floss is mostly used for wet and dry fly bodies. The domestic silk floss, which is called rope, can be successfully used for the larger flies, by untwisting and using a few of the smaller strands. An imported floss of one single strand, with a very slight twist, is especially made for fly-tying; this will work much better on the smaller hooks. Fur for fur bodies, which formerly had to be plucked from the hide, dyed the desired color, and spun on the waxed tying silk, can now be obtained in all standard fly colors. It is called Spun Fur, and is very convenient to use in this manner.

QUILL BODIES: Quill makes an excellent and very lifelike body, especially on dry flies. The quill from the eyed peac.o.c.k tail feather is mostly used. That taken from the eye of the feather when stripped of its fibers has a two tone effect, and when wound upon the hook without overlapping makes a very lifelike and delicate appearing body.

{7}

[Ill.u.s.tration: Page sized photograph of feathers.]

{8}

HERL BODIES: Both peac.o.c.k and ostrich herl is used for bodies.

These make a fuzzy body. Tie in one or two strands by the tip end and wind on edgewise.

HACKLES: These are the most important part of the dry fly. Only those from the neck of a mature c.o.c.k are satisfactory. Hackles for the dry fly must be stiff with very little or no web. With such hackles a dry fly can be spa.r.s.ely dressed as it should be and still maintain its natural balance and floating qualities. On the other hand, a wet fly should sink readily, and should be made with very soft webby hackles. These absorb water quickly, and have better action in the water. Contrary to the customary way to tie hackles on the wet fly, as explained in the chapter "Wet Flies", I find it very convenient and economical to strip the fibers from any size hackle, clip off the b.u.t.t ends to the desired length and tie them on the bottom of the hook, the same as buck tail is tied on. As wet flies should have hackles only on the bottom or underneath side, many hackles that are otherwise too large can be used in this way.

TAILS: A few fibers from a golden or silver pheasant neck tippet, whisks from a hackle feather, a strip of wing or breast feather, a few hairs, etc., are used for tails. Many of the standard patterns are tied without tails; however, on all of my dry flies, I tie three or four stiff fibers or hairs. They balance the fly and help it to float much better.

{9}

[Ill.u.s.tration: Page sized photograph of feathers.]

{10}

CHEEKS OR SHOULDERS: As per Fig. 9, Diagram 1, these are used on a great many of the fancy flies. These are straps of one or several feathers of contrasting colors. Jungle c.o.c.k feathers, golden pheasant tippets, silver pheasant body feathers, as on the Grey Ghost streamer fly, blue chatterer, and many other fancy feathers according to pattern and fancy are used for this purpose. A pair of jungle c.o.c.k tippets often called eyes, added to a Bucktail Streamer will often take trout, when the same pattern without the jungle c.o.c.k will not.

RIBBING: Tinsel, Wool, Silk, Horse Hair, Quill, etc., are used for ribbing. The tinsel from your Xmas tree will do, but it is much better to use tinsel made for the purpose, as it will not tarnish so quickly and is much stronger. It is advisable before using tinsel to place a drop of good, clear head lacquer between the thumb and finger and draw the tinsel through it. This makes it tarnish-proof, and is particularly advisable with the oval and round tinsel that is wound over a silk core. Besides tarnish-proofing it, it will keep the tinsel from coming apart. Tinsel bodies should be lacquered after they are finished.