Honore de Balzac, His Life and Writings Part 10

The case was carried on with the utmost bitterness by the _Revue de Paris_; Balzac's morals, his honesty, even his prose, being attacked with the greatest violence. Editors and publishers on all sides gave their testimony against him. He must have been amazed and confounded by the deep hatred he had evoked by his want of consideration, which on several occasions certainly amounted to a breach of good faith. All his old sins found him out. Amedee Pichot, former manager of the _Revue de Paris_, Forfellier of the _Echo de la Jeune France_, and Capo de Feuillide of _L'Europe Litteraire_, raised their voices against the high-handed and rapacious author. The smothered enmity and irritation of years at last found vent; and it was in vain that Balzac demonstrated, in the masterly defence of his conduct written in one night, which formed the preface to the "Lys dans la Vallee," that he had always remained technically within his rights, and that as far as money was concerned he owed the publishers nothing. Unwritten conventions had been defied, because it was possible to defy them with impunity; and editors who had gone through many black hours because of the failure of the great man to keep his promises, and who smarted under the recollection of the discourteous refusal of advances it had been an effort to make, did not spare their arrogant enemy now that it was possible to band together against him.

Perhaps, however, the bitterest blow to poor Balzac, was the fact that his brother authors, of whose rights he had been consistently the champion, did not scruple to turn against him. Either terrorised by the all-powerful Buloz, or jealous of one who insisted on his own abilities and literary supremacy with loud-voiced reiteration, Alexandre Dumas, Roger de Beauvoir, Frederic Soulie, Eugene Sue, Mery, and Balzac's future acquaintance Leon Gozlan, signed a declaration at the instance of Buloz, to the effect that it was the general custom that articles written for the _Revue de Paris_ should be published also in the _Revue Etrangere_, and should thus avoid Belgian piracy.

Jules Janin, whose criticisms on Balzac are peculiarly venomous, and Loeve-Veimars, added riders to this statement, expressing the same views, only with greater insistence. To these a.s.sertions, Balzac replied that Buloz had specially paid George Sand 100 francs a sheet over the price arranged, to obtain the right of sending her corrected proofs to Russia; and that arrangements on a similar basis had been made with Gustave Planche and M. Fontaney. The fact that exceptional payments were made on these occasions was conclusive evidence against simultaneous publication in Paris and St. Petersburg being the received practice. Moreover, as Balzac observes with unanswerable justice, even if this custom _did_ exist, it would count as nothing against the agreement between him and Buloz. "M. Janin can take a carriage and go himself to carry his ma.n.u.scripts to Brussels; M. Sue can get into a boat and sell his books in Greece; M. Loeve-Veimars can oblige his editors if they consent, to make as many printed copies of his future works as there are languages in Europe: all that will be quite right, the _Revue_ is to-day like a publisher. My treaties, however, are made and written; they are before the eyes of the judge, they are not denied, and state that I only gave my articles to the _Revue de Paris_, to be inserted solely _in_ the _Revue_, and nowhere else."

Balzac won the case. It was decided by the Tribunal of Judges on Friday, June 3rd, 1836, that he was not bound to give the "Memoires d'une Jeune Mariee" to the _Revue de Paris_, as when promised, the story had not been yet written, and the "Lys dans la Vallee" had been subst.i.tuted for it; also that the 2100 francs which he had already offered to Buloz was all that he owed the Review. The judges left unsettled the question as to whether the proprietors of the _Revue de Paris_ were ent.i.tled to hand over their contributors' corrected proofs to the _Revue Etrangere_; but decreed that they were certainly in the wrong when they parted with unfinished proofs. They were therefore condemned to pay the costs of the action.

Balzac's was a costly victory. Except the _Quotidienne_, which stood by him consistently, not a paper was on his side. His clumsiness of style, his habit of occasionally coining words to express his meaning, and the coa.r.s.eness of some of his writings, combined with the prejudice caused by his literary arrogance, had always, to a certain extent, blinded literary and critical France to his consummate merits as a writer. Now, however, want of appreciation had changed to bitter dislike; and in addition to abuse, indiscriminate and often absurd of his writings, his enemies a.s.sailed his morals, ridiculed his personal appearance, and made fun of his dress and surroundings. He was not conciliatory; he did not bow to the storm. In June, 1839, appeared the second part of "Illusions Perdues," which was ent.i.tled "Un Grand Homme de Province a Paris," and was a violent attack on French journalism; and in March, 1843, Balzac published the "Monographie de la Presse Parisienne," a brilliant piece of work, but certainly not calculated to repair the breach between him and the publishing world.

Nevertheless, though his pride and independence prevented him from trying to temporise, there is no doubt that Balzac suffered keenly from the hostility he encountered on all sides. He writes to Madame Hanska directly after the lawsuit: "Ah! you cannot imagine how intense my life has been during this month! I was alone for everything; hara.s.sed by the journal people who demanded money of me, hara.s.sed by payments to make, without having any money because I was making none, hara.s.sed by the lawsuit, hara.s.sed by my book, the proofs of which I had to correct day and night. No, I am astonished at having survived this struggle. Life is too heavy; I do not live with pleasure."[*] To add to his difficulties, Madame Bechet had lately become Madame Jacquillard, and possibly urged to action by M. Jacquillard, and alarmed by tales of Balzac's misdemeanours, she became restive, and demanded the last two volumes of the "Etudes de Moeurs" in twenty-four hours, or fifty francs for each day's delay. The affairs of the _Chronique_ were at this time causing Balzac much anxiety, and he fled to the Margonnes at Sache; not for rest, but to work fifteen hours a day for "cette odieuse Bechet"; and there, in eight days, he not only invented and composed the "Illusions Perdues," but also wrote a third of it.

[*] "Lettres a l'Etrangere."

However, the strain had been too great even for _his_ extraordinary powers, and while walking in the park after dinner with M. and Mme. de Margonne, on the day that letters arrived from Paris with the news that liquidation of the _Chronique_ was necessary, he fell down in a fit under one of the trees. Completely stunned for the time, he could write nothing; and thought, in despair, of giving up the hopeless struggle, and of hiding himself at Wierzchownia. Fortunately, his unconquerable courage soon returned; he travelled to Paris, wound up the affairs of the _Chronique_; and as Werdet had allowed him twenty days' liberty, and his tailor and a workman had lent him money to pay his most pressing debts, he obtained a letter of credit from Rothschild, and started for Italy.

His ostensible object was a visit to Turin, to defend the Comte Guidoboni-Visconti in a lawsuit, as the Count, whose acquaintance he had made at the Italian Opera, could not go himself to Italy. In reality, however, in his exhaustion, and the overstrained state of his nerves, he craved for the freedom and distraction which he could only find in travel. Madame Visconti was an Englishwoman--another Etrangere --her name before her marriage had been Frances Sarah Lowell. Later on, she became one of Balzac's closest friends, and Madame Hanska was extremely jealous of her influence.

It is amusing to discover that Balzac did not take this journey alone.

He was accompanied by a lady whom he describes in a letter as "charming, _spirituelle_, and virtuous," and who, never having had the chance in her life of breathing the air of Italy, and being able to steal twenty days from the fatigues of housekeeping, had trusted in him for inviolable secrecy and "scipionesque" behaviour. "She knows whom I love, and finds there the strongest safeguard."[*] This lady was Madame Marbouty, known in literature as Claire Brunne, and during her stay in Italy as "Marcel"--a name taken from the devoted servant in Meyerbeer's opera "Les Huguenots," which had just appeared. A few weeks earlier, she had refused to travel in Touraine with Balzac, as she considered that a journey with him in France would compromise her; but, apparently, in Italy this objection did not apply. She travelled in man's clothes, as Balzac's page, and both he and she were childishly delighted by the mystification they caused. Comte Sclopis, the celebrated Piedmontese statesman, who acted as their cicerone in Turin society, was much fascinated by the charming page. The liking was evidently mutual, as, after the travellers had left Italy, Balzac records that at Vevey, Lausanne, and all the places they visited, Marcel cried: "And no Sclopis!" and it sounds as though the exclamation had been accompanied by a sigh. Several times during the journey the lively Amazon was mistaken for George Sand, whom she resembled in face, as well as in the fancy for donning masculine attire; and the mistake caused her intense satisfaction. At Geneva, haunted to Balzac by happy memories, the travellers stayed at the Hotel de l'Arc, and Balzac's mind was full of his lady-love, whose spirit seemed to him to hallow the place. He saw the house where she stayed, went along the road where they had walked together, and was refreshed in the midst of his troubles and anxieties by the thought of her.

[*] See "L'Ecole des Manages," in "Autour de Honore de Balzac," by the Vicomte de Spoelberch de Lovenjoul.

On August 22nd the travellers returned to Paris on excellent terms with each other, and for some years after this journey friendly relations continued. In 1842, in remembrance of their adventure, Balzac dedicated "La Grenadiere" to Madame Marbouty, under the name of Caroline, and added the words, "A la poesie du voyage, le voyageur reconnaissant." Later on, however, they quarrelled, and she wrote "Une Fausse Position," in which Balzac is represented in a decidedly unflattering light; and after this he naturally withdrew the dedication in "La Grenadiere."

On his return from this amusing trip a terrible trouble awaited Balzac. Among the letters heaped together upon his writing-table was one from Alexandre de Berny, announcing abruptly the death of Madame de Berny, which had taken place on July 27th. Balzac was utterly crushed by this blow. He had not seen Madame de Berny for some time, as since the death of her favourite son she had shut herself up completely, pretending to Balzac that she was not very ill, but saying laughingly that she only wanted to see him when she was beautiful and in good health. Now she was dead, and the news came without preparation in the midst of his other troubles. She was half his life, he cried in despair; and writing to Madame Hanska he said that his sorrow had almost killed him. In the midst of this overwhelming grief other worries added their quota to the weight oppressing Balzac. Henri de Balzac gave his family continual trouble, while Laurence's husband, M. de Montzaigle, refused to support his children; in fact, the only faint relief to the darkness surrounding the Balzac family at this time was M. Surville's hopefulness about the Loire Ca.n.a.l scheme.

In addition to all these misfortunes, Balzac had to submit to the annoyance of several days' imprisonment in the Hotel des Haricots, for his refusal to serve in the Garde Nationale, a duty which was, he said, the nightmare of his life. The place of detention was not luxurious. There was no fire, and he was in the same hall for a time with a number of workmen, who made a terrible noise. Fortunately, he was soon moved to a private room, where he was warm and could work in peace. After this, in terrible pecuniary difficulties, and feeling acutely the loss of the woman who had been an angel to him in his former troubles, he left the Rue Ca.s.sini and fled from Paris, to avoid further detention by the civic authorities. He took refuge at Chaillot, and under the name of Madame Veuve Durand hid at No. 13, Rue des Batailles. Here he lodged for a time in a garret formerly occupied by Jules Sandeau, from the window of which there was a magnificent view of Paris, from the Ecole Militaire to the barrier of the Trone, and from the Pantheon to L'Etoile. From time to time Balzac would pause in his work to gaze on the ocean of houses below; but he never went out, for he was pursued by his creditors.

It is curiously characteristic of his love of luxury that, dest.i.tute as he was, he had no intention of occupying this modest garret for long, but that a drawing-room on the second floor, which would cost 700 francs, was already in preparation for his use. It was to No. 13, Rue des Batailles, that Emile de Girardin, who had just started _La Presse_, wrote asking him to contribute to its pages; and, in consequence, Balzac produced "La Vieille Fille," which began to appear on October 23rd, and shocked the subscribers very much. Here, too, at a most inopportune moment, Madame Hanska addressed to him a depressed and mournful letter, of which he complains bitterly. She was at this time extremely jealous of Madame Visconti, from whom she suspected that Madame de Mortsauf, in the "Lys dans la Vallee," had been drawn; and Balzac says he supposes that he must give up the Italian opera, the only pleasure he has, because a charming and graceful woman occupies the same box with him. In October he paid a sad little visit to La Boulonniere, which must have brought before him keenly the loss he had sustained; and after he spent a few days at Sache, where he was ill for a day or two as a result of mental worry and overwork.

Another blow was to fall on Balzac before the disastrous year 1836 came to a close. The "Lys dans la Vallee," on which Werdet had pinned all his hopes, had sold very badly, possibly owing to the hostility of the newspapers. As a climax to all Balzac's miseries, in October Werdet failed. This was doubly serious, as Balzac had signed several bills of exchange for his publisher, and was therefore liable for a sum of 13,000 francs. Werdet wrote a book abusing Balzac as the cause of his failure; and Balzac, on his side, was certainly unsympathetic about the misfortunes of a man whose interests, after all, were bound up with his own, and whom he politely called "childish, bird-witted, and obstinate as an a.s.s." The truth seems to have been that, as Werdet aspired to be Balzac's sole publisher, he was obliged to buy up all the copies of Balzac's books which were already in the hands of publishers, and not having capital for this, he obtained money by credit and settled to pay by bills at long date. He also brought before the public a certain number of books by writers sympathetic to his client, and as these books were usually by young and unknown authors, their printing did not cover expenses. As a consequence of these imprudent ventures he was unable to meet his bills on maturity; and Balzac, being liable for some of them, was naturally furious, as _he_ had to be in hiding from the creditors, while Werdet, as he remarked bitterly, was walking comfortably about Paris. Werdet was young and enthusiastic, and no doubt his imagination was fired by Balzac's picture of the glorious time in the future, when the great writer and his publisher should have both made their fortunes, and their carriages should pa.s.s each other in the Bois de Boulogne. There is no reason, however, to think that Balzac wilfully misrepresented matters, as Werdet insinuates. He was essentially good-hearted, as every one who knew him testifies; but his extraordinary optimism and power of self-deception, combined with the charm of his personality and the overmastering influence he exercised, made him a most dangerous man to be connected with in business; and Werdet, like many another, suffered from his alliance with the improvident man of genius.

Balzac also at this times suffered severely; but he had now completely recovered his energy. In his efforts to clear himself he worked thirty nights without going to bed, sending contributions to the _Chronique_, the _Presse_, the _Revue Musicale_, and the _Dictionnaire de la Conversation_, composing the "Perle Brisee," "La Vieille Fille," and "Le Secret des Ruggieri," besides finishing the last volumes of the "Etudes de Moeurs" and bringing out new editions of several of his books. As the result of his labours, he calculated, with his usual cheerfulness, that if he worked day and night for six months, and after that ten hours a day for two years, he would have paid off his debts and would have a little money in hand. In the end, he bound himself for fifteen years to an a.s.sociation formed by a speculator named Bohain: 50,000 francs being given him at once to pay off his most pressing debts, while, by the terms of the agreement, he provided a stipulated number of volumes every year, and was given 1,500 francs a month for the first year, 3,000 francs a month for the second year, 4,000 francs for the third, and so on. Besides this, he was to receive half the profits of each book after the publisher's expenses had been defrayed. As he was extremely pleased with this arrangement, which at any rate freed him from his immediate embarra.s.sments, a faint ray of sunlight shone for him on the close of the sad year of 1836.

CHAPTER XI

1836 - 1840

"Louise"--Drawing-room in Rue des Batailles--The "Cheval Rouge"

--Balzac's second visit to Italy--Conversation with Genoese merchant--Buys Les Jardies at Sevres--Travels to Sardinia to obtain silver from worked-out mines--Disappointment--Balzac goes on to Italy--Takes up his abode in Les Jardies--Life there--He hopes to write a successful play--"L'Ecole des Menages"--Balzac's half-starved condition--He defends Peytel.

It is curious to find that during the events recorded in the last chapter, when, to put the matter mildly, Balzac's spare time was limited, he yet managed to conduct a sentimental correspondence with "Louise," a lady he never met and whose name he did not know.

Apparently, in the midst of his troubles, he was seized by an overmastering desire to pour out his feelings in writing to some kindred soul. Madame Hanska was far away, and could not answer promptly; besides, though pa.s.sionately loved, she was not always sympathetic, the solid quality of her mind not responding readily to the quickness and delicacy of Balzac's emotions. Louise, to whom in 1844 he dedicated "Facino Cane," was close at hand; she was evidently mournful, sentimental, and admiring; she sent him flowers when he was in prison, and at another time a sepia drawing. Besides, her shadowy figure was decked for him with the fascination of the unknown, and there was excitement in the wonder whether the veil enveloping her would ever be lifted, and, like Madame Hanska, she would emerge a divinity of flesh and blood. However, in spite of Balzac's entreaties she refused to reveal her ident.i.ty; and after about a year's correspondence, during which time Louise suffered from a great misfortune, the nature of which she kept secret, the letters between them ceased altogether.

Balzac had now left his garret, and was established in the drawing-room on the second floor of 13, Rue des Batailles, which is exactly described in "La Fille aux Yeux d'Or." The room was very luxurious, and the details had been thought out with much care.[*] One end of it had square corners, the other end was rounded, and the corners cut off to form the semicircle were connected by a narrow dark pa.s.sage, and contained--one a camp bedstead, and the other a writing-table. A secret door led to this hiding-place, and here Balzac took refuge when pursued by emissaries from the Garde Nationale, creditors, or enraged editors. The scheme of colour in the room was white and flame-colour shading to the deepest pink, relieved by arabesques of black. A huge divan, fifty feet long and as broad as a mattress, ran round the horseshoe. This, like the rest of the furniture, was covered in white cashmere decked with flame-coloured and black bows, and the back of it was higher than the numerous cushions by which it was adorned. Above it the walls were hung with pink Indian muslin over red material, the flame-colour and black arabesques being repeated. The curtains were pink, the mantelpiece clock and candlesticks white marble and gold, the carpet and _portieres_ of rich Oriental design, and the chandelier and candelabra to light the divan of silver gilt. About the room were elegant baskets containing white and red flowers, and in the place of honour on the table in the middle was M. de Hanski's magnificent gold and malachite inkstand.

Balzac showed the glories of this splendid apartment with infantile pride and delight to visitors; and here, reckless of his pecuniary embarra.s.sments, he gave a grand dinner to Theophile Gautier, the Marquis de Belloy, and Boulanger, and entertained them in the evening with good stories "a la Rabelais."

[*] See "Honore de Balzac" in "Portraits Contemporains," by Theophile Gautier.

About this time Balzac started the a.s.sociation he called the "Cheval Rouge," which was intended to be a mutual help society among a number of friends, who were to push and praise each other's compositions, and to rise as one man against any one who dared to attack a member of the alliance. The idea was a good one; but there was a comic side to it as conducted by Balzac, and the "Cheval Rouge," after five or six meetings, ceased to exist without having seriously justified its existence. Theophile Gautier, Jules Sandeau, and Leon Gozlan were among the members; and so dazzling were the pictures drawn by Balzac of the powers and scope of the society, that each one saw himself in imagination with a seat in the French Academy, and in succession peer of France, minister, and millionaire. It was sad that with these lofty aims the a.s.sociation should have been dissolved because most of its members were not able to pay their fifteen francs subscription. The first meeting was held at the Cheval Rouge, a very modest restaurant on the "Quai de l'Entrepot," from which the society took its name. The members were summoned by a card with a little red horse on it, and under this the words "Stable such a day, such a place." Everything was carried on with the greatest secrecy and mystery, and the arrangements, which were conducted by Balzac with much seriousness, afforded him intense pleasure. The "Cheval Rouge" might have been a dangerous political society from the precautions he took. In order to avoid suspicion one member was always to greet another member coldly in society; and Balzac would pretend to meet Gautier with much ceremony for the first time in a drawing-room, and then by delighted winks and grimaces would point out to him how well he was acting.

In March, 1837, Balzac paid a second visit to Italy; travelling through a part of Switzerland, stopping at Milan, Venice, Genoa, and Florence, and returning to Paris on May 3rd. His health was, he said, detestable at this time, and he required rest and change. He went alone, as Gautier, who had intended to be his companion, was kept in Paris by the necessity of writing criticisms on the pictures in the Salon. One object of Balzac's journey was to visit Florence to see Bartolini's bust of Madame Hanska, of which he evidently approved, as he asked M. de Hanski's permission to have a small copy made of it which he could always keep on his writing-table; but this was never sent to him. He was delighted with Venice, which he now saw for the first time; and in Florence was specially charmed with the pictures at the Pitti, though he found travelling by himself rather dull, and decided that his next journey should be undertaken at a time when Gautier could accompany him. At Genoa he met a wily merchant, to whom he unfortunately confided the last brilliant scheme for making his fortune which was floating through his active brain.

He had read in Tacitus that the Romans found silver in Sardinia; and it occurred to him, that, as the ancients were not learned in extracting metals, silver might still be found among the lead which was turned out of the mines as refuse. The Genoese merchant appeared much interested in Balzac's conversation, and remarked that, owing to the carelessness of the Sardinians, whole mountains of dross, containing lead, and most probably silver, were left in the vicinity of the mines. He was most obliging: he promised to send Balzac a specimen of the dross that it might be submitted to Parisian experts, and if the result were satisfactory, Balzac and he were to ask for a permit from the Government at Turin, and would work the mines together. When this had been arranged Balzac departed in high spirits, determined to keep his secret carefully, and feeling that at last he was on the high road to fortune. On the way back he was detained in quarantine for some time, and partly from economy, partly because he wanted to see Neufchatel, where he had first met Madame Hanska, he travelled back by Milan and the Splugen, and reached Paris in perfect health.

Here fresh misfortunes awaited him, as Werdet was bankrupt, and, as a consequence, his creditors pursued Balzac. Never in future would he be answerable or sign his name for any one, he cried in despair. He had forestalled the money allowed him by his treaty with Bohain, was working day and night, and in a few days would retire into an unknown garret, and live as he had done in the Rue Lesdiguieres. Nevertheless, in his anxiety to see Madame Hanska, he had begun to think out economical ways of getting to Ukraine. He was not very well at this time, and in August he went to Sache, to see whether his native air would revive him.

His next action would be astonishing to any one unacquainted with his extraordinary recklessness. In October 1837 he gave up the rooms at the Rue Ca.s.sini, which he had kept during the time of his residence at Pa.s.sy; and in order to escape what he termed "an atrocious law" on the subject of his abhorrence the Garde Nationale, he bought a piece of land in the Ville d'Avray, at Sevres, on which he began to build a house, planned by himself. This soon acquired celebrity as "Les Jardies," and gave much amus.e.m.e.nt to the Parisians, who were never tired of inventing stories about Balzac's villa. In March, 1838, before he settled in his new abode, he started on a journey to Sardinia to investigate matters himself about the mines. It was a year since the Genoese merchant had promised to send him a specimen of the dross, and as nothing had yet arrived, he was beginning to feel anxious.

The object of his journey was kept absolutely secret; owing to the dangers of the post even Madame Hanska being told only that "it is neither a marriage, nor anything adventurous, foolish, frivolous, or imprudent. It is a serious and scientific affair, about which it is impossible for me to tell you a word, because I am bound to the most absolute secrecy."[*] He had to borrow from his mother and from a cousin, and to p.a.w.n his jewellery to obtain money for his expedition.

On the way he stayed with the Carrauds at Frapesle, where he was ill for a few days; and he went from there to pay his "comrade" George Sand a three days' visit at Nohant. He found her in man's attire, smoking a "houka," very sad, and working enormously; and he and she had long talks, lasting from five in the evening till five in the morning, and ranging over manners, morals, love affairs, and literature. She approved of "La Premiere Demoiselle," a play planned in February, 1837, which Madame Hanska had discouraged because she did not like the plot; and Balzac determined to work at it seriously now that "Cesar Birotteau" was finished. This brilliant picture of the Parisian _bourgeoisie_ had been published in December, 1837, under the t.i.tle of "Histoire de la Grandeur et de la decadence de Cesar Birotteau." Since then, Balzac had produced nothing new in book form, though he was writing "La Maison de Nucingen" for _La Presse_, and working at "Ma.s.similla Doni," and at the second part of "Illusions Perdues." He was also preparing to bring out a "Balzac Ill.u.s.tre,"

which was to be a complete edition of his works with pictures; but of this only one volume, "La Peau de Chagrin," was ever published.

[*] "Lettres a l'Etrangere."

From Nohant he went to Ma.r.s.eilles, and from there he sent letters both to his mother and to Madame Carraud, written in a very different frame of mind from his usual one when he embarked on a scheme for making his fortune. "Now that I am almost at my destination, I begin to have a thousand doubts; anyhow, one cannot risk less to gain more. I do not fear the journey, but what a return if I fail!"[*]

[*] "Correspondance," vol. i. p. 394.

He crossed from Ma.r.s.eilles to Ajaccio, and suffered much on the voyage, though he travelled on the mail steamer from Toulon, and spent a great deal of money by doing this. However, he was really trying to be economical, as on his way to Ma.r.s.eilles he had lived on ten sous'

worth of milk a day, and when he reached there he put up at an hotel where his room cost fifteen sous and his dinner thirty.

The scenery of Corsica was, he said, magnificent; but he did not much appreciate Ajaccio, where he had to wait some time for a boat to take him to Sardinia, and said the civilisation was as primitive as that of Greenland. His only consolation about the delay was in the idea that he would have time to go on with "La Premiere Demoiselle," for which George Sand predicted a great success, while his sister told him it was superb. Therefore, as he had written the "Physiologie du Mariage"

and "La Peau de Chagrin" against the advice of Madame de Berny, he determined to continue his play in spite of Madame Hanska's disapproval. His five days' journey to Sardinia was most uncomfortable, as he travelled in a rowing-boat belonging to French coral fishers. The food caught consisted of execrable soup, made from the fish caught by the fishermen during the voyage; and Balzac had to sleep on the bridge, where he was devoured by insects. To add to his misfortunes, the boat was kept for five days in quarantine in view of the port, and the inhabitants refused to give the occupants any food, or to allow them in a bad storm to attach their cables to the port-rings. This they managed at last to do, in spite of the objections of the governor, who, determined to a.s.sert his authority, decreed that the cable should be taken off as soon as the sea became calm: a regulation which, as Balzac said, was absurd, because either the people would by that time have caught the cholera, or they would not catch it at all.

When Balzac at last landed, he felt as though he were in Central Africa or Polynesia, as the inhabitants wore no clothes, and were bronzed like Ethiopians. He was much horrified at their misery and savage condition. Their dwellings he describes as dens without chimneys, and their food in many parts consisted of a horrible bread made of acorns ground, and mixed with clay.

No doubt he was not disposed to take a particularly favourable view of Sardinia, as it was to him the scene of a bitter disappointment. He had been right in his calculations about the value of the refuse from the mines: the dross contained 10 per cent of lead, and the lead 10 per cent of silver. But a Ma.r.s.eilles company as well as his Genoese friend had been beforehand with him, had obtained from the Government at Turin the right to work the mines, and were already in possession.

Balzac's monetary sacrifices, and the hardships he had suffered on his journey, were in vain; he must return to sleepless nights of work, and must redouble his efforts in the endeavour to pay back the money he had borrowed for his expedition. He showed his usual pluck at this juncture; there were no complaints in his letters, and with singular forbearance he does not even abuse the faithless Genoese merchant. His expedition was useful to others, if not to himself; as he travelled on to Italy, and made a long stay at Milan in order to work for the interests of the Viscontis, whose property, without his efforts, would have been sequestrated owing to political complications. It is significant that Madame Hanska, who was always suspicious about Madame Visconti, was not informed of this reason for his long sojourn at Milan, which we hear of from a letter to his sister. Balzac was terribly low-spirited at this time; his whole life seemed to have been a failure, and he was approaching the age of forty, the date at which he had always determined to give up his aspirations, to fight no more, and to join the great company of the resigned. He was tired out, and very homesick. He admired the Cathedral, the churches, the pictures; but he was weary of Italy, and longed for France with its grey skies and cold winds. Behind this longing, and possibly the origin of it, was a pa.s.sionate desire in his disappointment and disgust of life to be again near his "polar star."

It was a comfort when, the affairs of the Viscontis being at last satisfactorily arranged, he was able on June 6th to start on his journey back to France. He travelled by the Mont Cenis, and was nearly blinded by clouds of fine dust, so that he was unable to write for some days.

When he reached Paris he only remained for a short time in the Rue des Batailles, as in July, 1838, in defiance of his doctor's warnings about damp walls, he took up his residence at Les Jardies, having at the same time a _pied-a-terre_ in Paris at the house of Buisson, his tailor, 108, Rue Richelieu. Les Jardies was a quaint abode. Built on a slippery hill, it overlooked the Ville d'Avray with smoky Paris below, and in the distance there was a view of the plain of Mont-rouge and the road to Orleans, which led also to Balzac's beloved Tours. The princ.i.p.al staircase was outside, because Balzac, in designing the house, found that a staircase seriously interfered with the symmetry of the rooms. Therefore he placed it in an inconspicuous position in a special construction at the back, and owing to the extremely steep slope the visitor entered by the top floor, and made his way down instead of up. There were three stories, the lowest containing the drawing-room and dining-room, the second a bedroom and dressing-room, and the third Balzac's study. All round the house, which was painted to represent bricks, was a verandah supported by black columns, and the cage in the rear which held the staircase was painted red. About sixty feet behind this curious habitation was the real living-place of Les Jardies, where Balzac kept his servants. Part of this he let at a later date to the Viscontis, and they had charge of his rich library, and of the beautiful furniture brought from the Rue des Batailles, which might, if kept by its owner, have been seized by his creditors.

The interior of this charming abode was intended to be adorned with the utmost magnificence, but it was never finished; there were no curtains, and no furniture to speak of. Years after, descriptions such as the following were still scrawled in charcoal on the bare stucco: "Here is a veneering of Parian marble"; "Here is a mantelpiece in cipolin marble"; "Here is a ceiling painted by Eugene Delacroix."

Balzac laughed himself at these imaginary decorations, and was much delighted when Leon Gozlan wrote in large letters in his study, which was as bare as the other rooms, "Here is a priceless picture by Raphael." However, there was one thing at Les Jardies of which he was really proud; and that was his system of bell-ringing, which he considered a _chef-d'oeuvre_. Instead of having hanging wires with "big, stupid, indiscreet bells" at the end of them, _his_ bells were hidden ingeniously in an angle of the wall; and his pride in this brilliant invention made him forget any possible deficiencies in the decorations and appointments of the mansion.

The great feature, however, at Les Jardies, and the torment, the delight, and the despair of Balzac's life, was the piece of land round the house where the garden ought to have been. He had beautiful plans about this when first he arrived at Les Jardies. The soil was then absolutely bare; but, as he remarked, it was possible to buy everything in Paris, and as money was, of course, no object with him, he intended in the autumn to have good-sized magnolias, limes, poplars, and willows transported there, and to make a little Eden of sweet scents, covered with plants and bushes. No doubt, in imagination he already saw his beautiful flowers, and wandered in this delightful and well-kept garden, which, as nothing with Balzac could possibly be ordinary, was to be "surprising." The reality, however, was sadly different from his expectations. In vain, by his orders asphalt paths were made in all directions, and landscape gardeners worked for months, trying with stones cunningly inserted to prop up the steep, slippery slope, and to form little terraces on which something might have a chance of growing. With the slightest shower, down tumbled these plateaus; and the work of building had to begin again. It was amusing, Leon Gozlan tells us, to see the amazement of the actor Frederick Lemaitre when he came to see Balzac; and found himself expected to walk up the side of a hill, with the ground at each step slipping under his feet. To support himself he stuck stones behind his heels, and Balzac meanwhile walked by his side with the calmness of a proprietor who is thoroughly used to the vagaries of his own territory, and scorns foreign a.s.sistance.

Occasionally, however, even Balzac came to the end of his equanimity.

The wall, which separated his property from that of the neighbour below him, was a continual anxiety. In spite of all possible precautions it tumbled down constantly, and scattered stones and mortar over the ground on each side of it. After this had happened two or three times, and Balzac, while investigating the extent of the damage on one of these occasions, had fallen and injured his leg, so that he was in bed for forty days, a meeting of experts was held, and it was decided that the angle at which the wall had been built was not sufficiently acute. The error was rectified, and there were general rejoicings and congratulations; but the next day it rained, and in the evening news was brought to Balzac that the whole structure had toppled over, and was reposing in ruins in his neighbour's garden.

This was serious, as the neighbour promptly sent in an enormous bill for damages done to his carrots and turnips; and it was probably on this occasion that Balzac wrote in March 1839 a despairing letter to Madame Carraud, containing the words: "To you, sister of my soul, I can confide my greatest secrets; I am now in the midst of terrible misery. All the walls of Les Jardies have fallen down through the fault of the builder, who did not make any foundations."[*] No builder, however, managed to effect the feat of making this unfortunate wall stand upright; and in the end, to allow it to come down in peace and comfort whenever it felt so disposed, Balzac bought the strip of his neighbour's land which bordered it, and after that, ceased to feel anguish at its vagaries.

[*] "Correspondance," vol. i. p. 453.

The wall was decidedly important, as Balzac's fortune was to be made by the contents of the garden at Les Jardies, and it would not have been satisfactory for strangers to be able to wander there at will.

Balzac's new plan for becoming rich was to cover most of his territory with gla.s.s houses, and to plant 100,000 feet with pineapples. Owing to the warmth of the soil, he considered that these pineapples would not need much heat, and could be sold at five francs apiece, instead of the louis charged for them in Paris. They would therefore be quickly disposed of, and 500,000 francs would be made, which, deducting 100,000 francs for expenses, would mean a clear profit of 400,000 francs a year. "And this money will be made without a page of copy,"

said poor Balzac. He was, of course, absolutely confident about the success of this new undertaking, and Theophile Gautier, who tells the story,[*] says that a search was made for a shop in which to sell these pineapples of the future. This shop was to be painted black with lines of gold, and was to have on it in huge letters the announcement, "Ananas des Jardies"; but Gautier managed to persuade Balzac in order to avoid useless expense, not to hire it till the next year, when the pineapples would have had time to grow. However, perhaps Balzac was discouraged by the sight of the snow falling silently on his slope, or possibly his desire to make a fabulous sum of money by a successful play had for a time blotted out all other ambitions; at any rate, we hear no more of the pineapples of Les Jardies.