Hilda Lessways Part 21

"Which one? The Ineffable?"

"The Ineffable," replied Mr. Orgreave, who had wandered, smiling enigmatically, to the sofa. His legs, like the whole of his person, had a distinguished air; and he held up first one slippered foot and then the other to the silent, sham-ecstatic inspection of the girls. "He may look in again, later on. It's evidently Hilda he wants to see." This said, Mr. Orgreave lazily sank into an easy chair, opposite the sofa, and lighted a cigarette. He was one of the most industrious men in the Five Towns, and a.s.suredly the most industrious architect; but into an idle hour he could pack more indolence than even Johnnie and Jimmie, alleged wastrels, could accomplish in a week.

"I say, Janet," Tom sang out from the piano, "you aren't really exhausted, are you?"

"I'm getting better."

"Well, let's dash through the scherzo before the infant comes back. She can't take it half fast enough."

"And do you think I can?" said Janet, rising. In theory, Janet was not a pianist, and she never played solos, nor accompanied songs; but in the actual practice of duet-playing her sympathetic presence of mind at difficult crises of the music caused her to be esteemed by Tom, the expert and enthusiast, as superior to all other performers in the family.

II

Hilda listened with pleasure and with exaltation to the scherzo. Beyond a little part-singing at school she had no practical acquaintance with music; there had never been a piano at home. But she knew that this music was Beethoven's; and from the mere intonation of that name, as it was uttered in her presence in the house of the Orgreaves, she was aware of its greatness, and the religious faculty in her had enabled her at once to accept its supremacy as an article of genuine belief; so that, though she understood it not, she felt it, and was uplifted by it.

Whenever she heard Beethoven--and she heard it often, because Tom, in the words of the family, had for the moment got Beethoven on the brain--her thoughts and her aspirations were enn.o.bled.

She was singularly content with this existence amid the intimacy of the Orgreaves. The largeness and prodigality and culture of the family life, so different from anything she had ever known, and in particular so different from the desolating atmosphere of the Cedars, soothed and flattered her in a manner subtly agreeable. At the same time she was but little irked by it, for the reason that her spirit was not one to be unduly affected by exterior social, intellectual, and physical conditions. Moreover, the Orgreaves, though obviously of a cla.s.s superior to her own, had the facile and yet aristocratic unceremoniousness which, unconsciously, repudiates such distinctions until circ.u.mstances arise that compel their acknowledgment. To live among the Orgreaves was like living in a small private republic that throbbed with a hundred activities and interests. Each member of it was a centre of various energy. And from each, Hilda drew something that was precious: from Mrs. Orgreave, sheer love and calm wisdom; from Janet, sheer love and the spectacle of elegance; from little Alicia candour and admiration; from Tom, knowledge, artistic enthusiasm, and shy, curt sympathy; from Johnnie and Jimmie the homage of their proud and nave mannishness: as for Mr. Orgreave, she admired him perhaps as much as she admired even Janet, and once when he and she had taken a walk together up to Toft End, she had thought him quite exquisite in his att.i.tude to her, quizzical, worldly, and yet sensitively understanding and humane.

And withal they never worried her by interferences and criticisms; they never presumed on their hospitality, but left her as free as though her age had been twice what it was. Undoubtedly, in the ardour of her grat.i.tude she idealized every one of them. The sole reproach which in secret she would formulate against them had reference to their quasi- cynical levity in conversation. They would never treat a serious topic seriously for more than a few minutes. Either one or another would yield to the temptation of clever facetiousness, and clever facetiousness would always carry off the honours in a discussion. This did not apply to Mrs. Orgreave, who was incapable of humour; but it applied a little even to Janet.

The thought continually arising in Hilda's mind was: "Why do they care for me? What can they see in me? Why are they so good to me? I was never good to them." She did not guess that, at her very first visit to Lane End House, the force and mystery of her character had powerfully attracted these rather experienced amateurs of human nature. She was unaware that she had made her mark upon Janet and Charlie so far back as the days of the dancing-cla.s.ses. And she under-estimated the appeal of her situation as an orphan and a solitary whose mother's death, in its swiftness, had amounted to a tragedy.

The scherzo was finished, and Alicia had not returned into the drawing-room. The two pianists sat hesitant.

"Where is that infant?" Tom demanded. "If I finish it all without her she'll be vexed."

"I can tell you where she ought to be," said Mrs. Orgreave placidly.

"She ought to be in bed. No wonder she looks pale, stopping up till this time of night!"

Then there were unusual and startling movements behind the door, accompanied by giggling. And Alicia entered, followed by Charlie--Charlie who was supposed at that precise instant to be in London!

"h.e.l.lo, mater!" said the curly-headed Charlie, with a sublime affectation of calmness, as though he had slipped out of the next room.

He produced an effect fully equal to his desires.

III

In a little while, Charlie, on the sofa, was seated at a small table covered with viands and fruit; the white cloth spread on the table made a curiously charming patch amid the sombre colours of the drawing-room.

He had protested that, having consumed much food en route, he was not hungry; but in vain. Mrs. Orgreave demolished such arguments by the power of her notorious theory, which admitted no exceptions, that any person coming off an express train must be in need of sustenance. The odd thing was that all the others discovered mysterious appet.i.tes and began to eat and drink with gusto, sitting, standing, or walking about, while Charlie, munching, related how he had miraculously got three days'

leave from the hospital, and how he had impulsively 'cabbed it' to Euston, and how, having arrived at Knype, he had also 'cabbed it' from Knype to Bleakridge instead of waiting for the Loop Line train. The blot on his advent, in the eyes of Mrs. Orgreave, was that he had no fresh news of Marian and her children.

"You don't seem very surprised to find Hilda here," said Alicia.

"It's not my business to be surprised at anything, kid," Charlie retorted, smiling at Hilda, who sat beside him on the sofa. "Moreover, don't I get ten columns of news every three days? I know far more about this town than you do, I bet!"

Everybody laughed at Mrs. Orgreave, the great letter-writer and universal disseminator of information.

"Now, Alicia, you must go to bed," said Mrs. Orgreave. And Alicia regretted that she had been so indiscreet as to draw attention to herself.

"The kid can stay up if she will say her piece," said Charlie mockingly.

He knew that he could play the autocrat, for that evening at any rate.

"What piece?" the child demanded, blushing and defiant.

"Her 'Abou Ben Adhem,'" said Charlie. "Do you think I don't know all about that too?"

"Oh, mother, you are a bore!" Alicia exclaimed, pouting. "Why did you tell him that?... Well, I'll say it if Hilda will recite something as well."

"Me!" murmured Hilda, staggered. "I never recite!"

"I've always understood you recite beautifully," said Mrs. Orgreave.

"You know you do, Hilda!" said Janet.

"Of course you do," said Charlie.

"_You've_ never heard me, anyhow!" she replied to him obstinately. How could they have got it fixed into their heads that she was a reciter?

This renown was most disconcerting.

"Now, Hilda!" Mr. Orgreave soothingly admonished her from the back of the sofa. She turned her head and looked up at him, smiling in her distress.

"Go ahead, then, kid! It's agreed," said Charlie.

And Alicia galloped through Leigh Hunt's moral poem, which she was preparing for an imminent speech-day, in an extraordinarily short s.p.a.ce of time.

"But I can't remember anything. I haven't recited for years and years,"

Hilda pleaded, when the child burst out, "Now, Hilda!"

"_Stuff_!" Charlie p.r.o.nounced.

"Some Tennyson?" Mrs. Orgreave suggested. "Don't you know any Tennyson?

We must have something, now." And Alicia, exulting in the fact that she had paid the penalty imposed, cried that there could be no drawing back.

Hilda was lost. Mrs. Orgreave's tone, with all its softness, was a command. "Tennyson? I've forgotten 'Maud,'" she muttered.

"I'll prompt you," said Charlie. "Thomas!"

Everybody looked at Tom, expert in literature as well as in music; Tom, the collector, the owner of books and bookcases. Tom went to a bookcase and drew forth a green volume, familiar and sacred throughout all England.

"Oh dear!" Hilda moaned.

"Where do you mean to begin?" Charlie sternly inquired. "It just happens that I'm reading 'In Memoriam,' myself. I read ten stanzas a day."

Hilda bent over the book with him.

"But I must stand up," she said, with sudden fire. "I can't recite sitting down."

They all cried "Bravo!" and made a circle for her. And she stood up.