Hidden In Paris Part 1

Hidden in Paris.

Corine Gantz.

To my three men.

Prologue.

Paris, Two Years before.

Johnny dressed like a Frenchman these days, Annie noticed. The cut of his sport coat was flashier than anything he would have worn in the States. As usual, Annie's curves, the good ones and the not-so-good ones, overflowed from her burgundy Chantal Thoma.s.s dress in a very un-French manner.

They kissed their boys goodnight, and asked the sitter to put them to bed before ten. Then Johnny pushed open the ma.s.sive front door of their Parisian Hotel Particulier, and from this simple push, his stiffness, Annie knew Johnny was mad. At what, or whom, she did not know. She just hoped it wasn't at her.

The night air, humid and warm, caressed her skin as they walked in silence on rue Nicolo under the old-fashioned street lamps. She put her hand in Johnny's but he let go of it after only a minute. "You drive," he said, stopping in front of her minivan. "You hold your liquor better than I do."

Annie drove. He sat in the pa.s.senger seat. She rolled her window all the way down, dangled her bare arm, and caressed the air as she drove down rue de Pa.s.sy towards Trocadero. This was June 21, the summer solstice and night of the Fete de la Musique. This was a night for dancing in the streets, a night of ivresse and amour, and Annie's great hope for the night was to get a little bit of both.

In the pa.s.senger seat, Johnny sat and cringed at the usual mess of candy wrappers and kids' broken toys.

"You're all right?" she asked tentatively. Johnny only shrugged.

Rue de Boulainvilliers and Avenue Mozart bustled with people on foot. In the streets, the collective mood was electric. A woman moved her hips to the rhythm of a bongo, while the drummer's blond dreadlocks swayed against his back as he played.

"Let's go dancing after dinner," she said. "We have to go dancing on a night like this."

Johnny didn't respond.

From Place Rodin, notes of jazz floated in the air. At Place Costa Rica, that odd man with the rickety tuxedo, the one she had seen whistling opera at metro Ranelagh, bellowed "Nessun Dorma" as he stood in the middle of the sidewalk.

"You don't seem all right," she said again.

"Annie. We need to talk."

When they were done talking, her whole body was trembling. Johnny was quiet, his hands resting on his lap, his chin down like a falsely repentant child. She could notmake it to the Champs-elysees. She parked the minivan the best she could on Avenue Victor Hugo and rested her elbows and her forehead on the wheel, her heart pounding. It was a struggle to think straight, to breathe right. An instant later, rage overtook her. She felt herself grabbing junk-toys, her cell phone, an old map, anything she could get her hands on-and launching them at Johnny. He had his arms up, a three-hundred-pound gorilla victim of domestic violence.

"Annie..."

"Get. Out!" She screamed.

"Listen..."

"Get the f.u.c.k out of my car!"

"Annie, you better calm down," he said in his warm reasonable voice, a voice like expensive red wine. But his hand was already on the door.

She launched out of her seat, threw herself at him, pummeled his shoulder." Get the f.u.c.k out!"

Johnny got out of the car, shut the door without looking at her, and walked away.

"a.s.shole!" she screamed at his disappearing silhouette.

She drove aimlessly. Her senses had abandoned her. She drove, not seeing the streets, not hearing the music. She drove for an hour or more and wept like a child.

For an eternity, she circled the block around her house, unable to find a parking s.p.a.ce through her tears. Home. She needed to be home. She removed the five-inch Manolo Blahniks she had purchased just for this night, and walked barefoot toward the house, thankful for the cool asphalt under her bare feet. Then she sat at the bottom of the stone steps, cried some more, dried her eyes, and walked up the stairs.

On the other side of Paris, Johnny and Steve were leaving the bar rue des Pyrenees. They were laughing. Steve could barely walk. Johnny took the wheel of Steve's Jaguar and veered left towards the Peripherique, all tires screeching.

By the time Annie entered her house, Johnny and Steve were already dead.

Janvier.

Chapter 1.

Ten years ago, back in the land of cheeseburgers and donuts, Annie didn't give a thought to what she ingested. These days, Food with a capital letter; thinking about it, talking about it, preparing it and ultimately gaining an unacceptable number of kilos on it-at least unacceptable by Parisian standards-was pretty much the obsession. In fact, the day before she must have hit some kind of gustatory bottom when she bought the Bible du Beurre on an empty stomach. This was a cookbook solely devoted to b.u.t.ter, a bible to its ode no less. Last night, after putting the boys to bed, she had mustered the nerve to peer at the croissant recipe. Had she cringed when she discovered that those innocent-looking pastries she had wolfed down without the slightest suspicion over the last ten years were essentially composed of 99% b.u.t.ter? Absolutely. Had this stopped her from jumping straight into the preparation of her own croissant? Apparently not.

So maybe this was her therapy. b.u.t.ter. She needed the b.u.t.ter, she reasoned, and wads of it. She needed the b.u.t.ter because she was grieving.

That is, of course, if what she felt was indeed grief, and not rage. She preferred that it was grief and not rage that had made her gain thirty pounds and growing since the night of the accident. She preferred that it was grief and not rage that had kept her from remembering to put on lipstick or going to a hair salon in years.

No matter how anxiously she stared out her window, Paris stubbornly refused to wake up. It was six in the morning and there was no sign that daylight would ever break. Today, again, she'd awakened at four, feeling restless and lonely. Lonely enough to seriously contemplate creeping up three sets of stairs and shaking the kids awake for an early breakfast at the crack of dawn.

She was still in her bathrobe, uncombed, unwashed but the shower would have to wait. The water pipes tended to scream like a cat in heat at the slightest provocation and the kids needed their sleep. So she searched the walls and high ceilings of her kitchen for a task, preferably a brutal one, to occupy her for an hour. But the ancient tile floor was already immaculate. Her collection of colorful flea market finds well organized on the open shelves. On another shelf, nuts, grains and legumes arranged by color in gla.s.s jars did not need another rearranging. Chicken soup already simmered on the antique stove, and on the Carrera marble countertop were the twelve adorable miniature croissants prepared last night, all virginal and doughy, ready to pop into the oven, and her mouth.

With the gentle bubbling of the soup as soundtrack to her morning, and the smell of yeast, cooked vegetables and fresh brewed coffee wafting through the kitchen she grabbed a cookbook and her well-used French-to-English dictionary from a shelf, sat at the ma.s.sive farm table in the center of the room, and flipped through the cookbook's pages impatiently. Finally a photograph of a fish encapsulated in something white caught her interest. Bar de mer dans sa croute de sel was the name of the recipe. Just to make sure, her fingers hunted the pages for the word croute in the dictionary.

Crust! Salt Encrusted Sea Ba.s.s. The recipe called for one kilo of coa.r.s.e sea salt from the Guerande region the use of lowly table salt apparently a punishable offense in French cookbooks. The recipe looked impossibly difficult to prepare or shop for. Perfect. She grabbed the Pokemon calculator and punched in numbers. Ten years after moving to France, she still converted recipes from French to English, grammes to ounces, and centilitres to cups.

It's not that she could not learn, it's that she had her own insubordinate way of doing things. Food residues on the calculator cracked and popped, and she took satisfaction in the revelation that her calculator too was en croute.

The prospect of the recipe made her feel better suddenly. Perhaps she would end up spending the day planning, shopping, and preparing a baked sea ba.s.s that no one would eat, but at least she would be busy enough for her mind to shut up. Especially she would not think about money, or the absence of it, for a little while. And maybe it would m.u.f.fle the perpetual match of ping-pong playing in her head where the ball never stopped and no points could be scored. Because now that Johnny was dead, it would forever be his responsibility, her responsibility, his fault, her fault, his betrayal, her betrayal, back and forth for all eternity.

The accident had, in a way, been the result of a simple mathematical equation: Alcohol + Speed = Death, and no one in his right mind would say that luck had anything to do with it. But all the irreversible things that were said that night... now that was the unlucky part. Knowing, and pretending not to know, was what gnawed at her heart, rotted her spirit and haunted her nights.

A distant tap came from the front door. Lucas! In the same instant, she remembered she had not locked the front door the night before-again. Oh mon Dieu, and Lucas was going to let himself in and sulk over the contentious topic of her negligence alarmante. Of course he could have simply entered through the back door and into the kitchen like everybody else, but no, he had to check the front door to make a point. Whoever gave him that mission was anyone's guess. Besides, this was the sixteenth arrondiss.e.m.e.nt of Paris, and a private street mind you.

She heard Lucas struggle with the front door, the wiggling the doork.n.o.b just so, then the pushing of the warped door with all his weight, which was how most things worked, or failed to work, in her house. How he liked to point out how run down the house was! Which she took as a criticism of how she ran her life in general.

Annie straightened the powder pink, heart-infested terry bathrobe the boys had given her for Mother's Day. The robe was a disgrace in every way and made her look like a tub, but what's a mother to do? They'd pooled their allowances to buy it. She quickly flattened her hair with her hand before Lucas could glimpse what her boys dubbed the "momhawk" and braced herself for her French friend's righteous indignation, and for the inevitability that he would be wearing cashmere, be clean-shaven, and smell deliciously of Habit Rouge by Guerlain, while she reeked of soup and looked like one of those vagrants who wander the streets of Paris talking to themselves and wearing pink bathrobes with hearts on them.

A gust of January wind entered with Lucas and he wrestled with the door to close it. He blew on his fingers, tucked his hands in the pockets of his black coat, and shuffled toward the stove like a penguin in a very affected show of self-pity.

"Oh give me a break!" Annie said.

Lucas approached the stove, sniffed the boiling soup with suspicion, put his hands over the heat of the pot for a few seconds before removing his coat and folding his lanky body onto a kitchen chair. "Do you have any of that very bad American coffee?" he finally asked. Lucas's English was good but his accent was thick enough to trip on. Annie rose from her chair and turned her back to him mostly so that he wouldn't see her smile-she was after all, officially mad at him and he at her. She grabbed a Mickey Mouse mug from the cabinet, and moved the coffeepot from the countertop to the table, all the while worrying about the size of her a.s.s in that bathrobe. She did not exactly slam the mug on the table, but she wasn't gentle either, as she poured the coffee for him.

Lucas, she needed to remind herself, had her best interests at heart. He was here because he knew of her insomnia, and of everything else. Almost everything else. He was here to have a cup of coffee before work, and, she suspected, to check on her and make sure she was going to get dressed that day, and maybe comb her hair all the way through. And his plan usually worked: nothing like a terminally elegant French man's eyebrow raised in disapproval to whip you into shape and send you to the shower.

She often wondered why Lucas still bothered with her, and just as often, and especially today, why she bothered with him. Since Johnny's death, she had kicked plenty of well-intentioned people out of her life. Better alone than in bad company she told her boys. And yes, it did occur to her that she might be the bad company.

Lucas inspected his cup for food-borne bacteria, or perhaps for the words to his next sentence. "You're firing the messenger," he said.

"Killing! We say killing." Here they were again. She felt anger rise in her like the steam of an old fashioned engine. Lucas was truly gifted at p.i.s.sing her off. It was not some old anger, oh no. It was fresh and new every time. And no-she was sure of that-it had nothing to do with Lucas escaping the accident when Johnny had not.

Johnny had tried to talk Lucas into going out that night but Lucas had wanted to stay home and watch the Fete de la Musique safely on television. The best way to resist Johnny was to play dead, so Lucas had not picked up the phone. "Steve and I are coming to get you," Johnny's recorded message said. "You can't experience life on the TV, you inbred p.r.i.c.k."

Surely there would have been no accident had they not gone to pick him up, but Lucas could never be blamed for this. The papers had called the ten-car pile-up a blood bath. Too much alcohol in the system had perhaps delayed Johnny's reflexes. Alcohol, or being preoccupied with the fight he'd just had with her. No, she did not hold Lucas responsible; it would have been misplaced. She only wished she could apply the same logic to her own sense of self-blame.

The reasons she was angry with Lucas --furious in fact-- had nothing to do with the accident and was absolutely, one hundred percent Lucas's fault for minding what was unequivocally her business and for trying to control her life.

Lucas dropped a sugar cube into his coffee, stirred, brought the cup to his mouth, and looked around as if dismayed at having landed in Annie's kitchen again. "Ideally, you would put the house on the market in February," he said, not looking up.

Annie felt that p.r.i.c.kly sensation she got in her nose before she cried. She pointed in the direction of the trays on the counter, three neat little rows of two-inch pots under the bio lights. "My tomato seedlings?" she said, not meaning to raise her voice, but there it was: the screech. "What about them? Do the seedlings mean anything to you?"

"There is..." Lucas said before pausing, "no miraculous way to come up with the money it takes to raise three children in a trendy Parisian neighborhood."

"I'll get a job," she said coldly.

Lucas looked at his well-groomed nails. "You may lack marketable skills."

"Skills, skills," she mimicked, in her best rendition of Peter Seller's French accent. "I'm the mother of three boys under nine. I have skills coming out the Ying Yang. And I was the valedictorian at my school! Does that tell you anything?"

"No," he said with sincerity.

Of course it didn't, she realized all too well. It meant nothing in France, and ten years after the fact and with no work experience, it didn't mean much in the States either.

"The house is all we have left since the tragedy."

"The tragedy's three years old, Annie."

Everything that was wrong with Lucas appeared to her, like a newly produced Technicolor, 3-D version of the same old film, starting with his aristocratic posture, his grave face, the hands he waved as he spoke. So annoyingly, snootily, abjectly French! Her eyes lingered on his jugular area. "Two and a half years! The kids are nearly as raw and fragile today as they were when Johnny died."

Lucas looked at her. "You are. You are, maybe. The boys are doing fine."

"No one is fine! We are scarred! We are scarred for life!" Her voice broke and before she could do a thing to stop it, she was hunched over the table, crying softly. Lucas unfolded from his chair, fetched a tissue, and handed it to her. She ignored the tissue; instead, she grabbed a dubiously clean sheet of paper towel from the table and blew her nose with it. He stood next to her and tapped her back awkwardly. Her tears did not deter him for long, already he was putting his hand on her arm and saying, "Annie, you must sell or the house will be taken away from you and you'll get nothing. You can't pay the mortgage. I am sorry, but financially, you don't have a choice."

Annie dabbed her eyes with the paper towel and sprung to her feet. "The h.e.l.l I don't!" she said. Relieved to see the tears had stopped, Lucas sat back in his chair and watched her as she proceeded to hurry around the kitchen, opening and slamming cabinet doors, gathering flour, b.u.t.ter, and eggs before whacking the ingredients onto the kitchen table one at a time.

Lucas raised an eyebrow. "What are you doing now? You are making what? You are making a cake?"

Her teeth clenching hard enough to break a molar, she measured three cups full of flour and threw them in a heap onto the table, glad to see a small cloud of flour invade Lucas's s.p.a.ce. He waved the cloud away as she dug a hole in the center of her preparation and chucked spoonfuls of soft b.u.t.ter onto the mixture.

"C'est beaucoup de beurre, non?" Lucas offered.

"I have tons of choices, myriads of choices in fact," she said as she cracked egg after egg and dropped them into the mixture from high up, plop, plop, making a mess with determination.

"Please sit down for a minute. Stop with those eggs," he pleaded.

"It's the eggs or your skull, Lucas. And taxes are due! And electricity!" She practically yelled. "And I am keeping the f.u.c.king house!"

"Your monthly grocery expenditure alone," Lucas began, "which, by the way, is quite extravagant."

Was Lucas still talking? It came to her like a vision, right there, at six thirty in the morning. All of it came together: the perfect little crescents of dough on the countertop, Lucas in his designer suit, moving his mouth, the children still asleep upstairs, the Mickey Mouse mug, the open cookbook, the gooey mess on the wooden table. She raised her dough-coated hands and held them in mid air. She had flour in her hair, a wayward expression on her face.

Lucas looked at her. "What?"

"I'm having an idea, that's what." Annie said, wide eyed, and at the same time white as a sheet and looking ill.

Her mind was made up that same instant.

Chapter 2.

Somewhere up rue de Cambronne, a truck blocked both lanes. Deliverymen unloaded boxes methodically, indifferent to the honking and the wrath of drivers. Jared watched from the window of his apartment, his forehead glued to the cold window as he tried to wake up and piece together the source of his headache and hangover. He was pretty sure he had not spent the night alone but there was no sign of a woman anywhere. This would make things difficult if and when he saw her again. Merde, he thought.

He peeled little bits of red oil paint off his forearm. Obviously he had painted last night. It was two in the afternoon, and he doubted he'd get any hot water whatsoever, only the lukewarm trickle that would leave him with a sense of being punished for the previous night's excesses. He remembered that his last razor blade had died on him in mid shave and that he was out of cigarettes. The shower and the shave would have to wait. The red paint was sprinkled all over his hair, face, and even his chest like he had been playing paintball in the nude. He tried to scrub it off but the water was too cold. He found last night's clothes scattered around the bedroom, which confirmed that there had been a woman, ran wet fingers through his hair, and walked out of his apartment.

The building manager, in her robe and slippers, was already onto him, her diminutive body creating a barrier in front of the elevator. "Bonjour Madame Dumont!" he called out merrily as he made a rapid 180-degree turn towards the stairs. The furious steps of the old lady's slippers on the wood floor pursued him. "Mais c'est l'apres midi! You think it's morning? Well it isn't. And you think it's still December maybe, but this is January and the owner wants her January rent."

"Not the morning? I thought, since you're wearing slippers?" he added with a flirtatious smile. "I like this color on you, by the way."

The building manager almost blushed, giggled, and then came back to her senses. "The rent! La proprietaire wants her rent!"

"Bien sur, Madame Dumont. Demain," he said as he zoomed down three sets of stairs.

Jared slowed down the instant he came out on the street. He stepped into the corner Cafe Des Artistes where he stood at the zinc counter, foraging his pockets for money.

"Salut, Jared," Maurice grunted. He noticed the red paint on Jared's face. "Did you slit someone's throat this morning?"