Harper's Round Table, July 16, 1895 Part 2

[Ill.u.s.tration: L-EPHANT.]

This the Pen proceeded to do at once, and here is his idea of the L-ephant.

"That's more like an elephant than either of the two zebras was like a zebra," said Jimmieboy, with a grin.

"Thank you," said the Pen, simply. "Which part have I done best, the L or the 'ephant?"

"Well, it's hard to say," smiled Jimmieboy. "I think the hair on his forehead is very much like that of the elephants I have seen, and then you've got his eye just right. I've seen elephants look exactly like that when they have caught sight of a peanut."

[Ill.u.s.tration: THE SWARM OF BEES.]

"How is this for a swarm of bees?" asked the Quill, gratified at his success, and dashing off this little artistic gem in an instant.

"Ho!" e.j.a.c.u.l.a.t.ed Jimmieboy. "What kind of bees are those? They aren't the honey kind that sting."

"No, they are bees you can spell with, and don't sting," returned the Pen. "I like 'em better than the other kind."

"Can you draw ostriches?" asked Jimmieboy.

[Ill.u.s.tration: THE OSTRICH.]

"I can try one," said the Pen. "How will this do?" he added, producing the following. "The horse part is all right, but I'm afraid the strich isn't so good," said the artist, as Jimmieboy threw himself on the floor in a paroxysm of laughter. "I never saw a strich, so why should I make a good one? I think it's real mean of you to laugh."

"Well, really, Penny," said Jimmieboy, "I don't want to hurt your feelings, but that's the worst-looking animal I ever saw. But never mind; it's a better-looking creature than most monkeys."

"I never saw a monkey," said the Pen. "How many legs has it?"

"Two legs, two arms, a tail, and a head," Jimmieboy answered.

[Ill.u.s.tration: THE MON-KEY.]

"Something like this?" queried the Quill, dashing off a picture complacently--he felt so sure that this time he was right.

"Very much like that," Jimmieboy replied, smothering his mirth for fear of offending the Quill, though if you will refer to the drawing you will see that the Quill was quite as inaccurate in his picture of the monkey as he was with his zebras.

"I thought I'd get you to admit that that was a good monkey," observed the Quill, regarding his work with pride. "I've seen a good many keys, and, of course, when you said the creature had two legs, two arms, a tail, and a head, I knew that he was nothing but a key to whom had been given those precious gifts of nature. To draw a key is easy, and to provide it with the other features was not hard."

Jimmieboy was silent. He was too full of laughter even to open his mouth, and so he kept it tightly closed.

"What'll I draw next?" asked the Quill, after a minute or two of silence.

"Can you do mountains?" queried Jimmieboy.

"What are they?" asked the Quill.

"They're great big rocks that go up in the air and have trees on 'em,"

explained Jimmieboy.

The Quill looked puzzled, and then he glanced reproachfully at Jimmieboy.

"I think you are making fun of me," he said, solemnly.

"No, I'm not," said Jimmieboy. "Why should you think such a thing as that?"

"Well, I know some things, and what I know makes me believe what I think. I think you are making fun of me when you talk of big rocks going up in the air with trees on 'em. Rocks are too heavy to go up in the air even when they haven't trees on 'em, and I don't think it's very nice of you to try to fool me the way you have."

"I don't mean like a balloon," Jimmieboy hastened to explain. "It's a big rock that sits on the ground and reaches up into the air and has trees on it."

"I don't believe there ever was such a thing," returned the offended Quill. "Here's what one would look like if it could ever be," he added, sketching the following:

[Ill.u.s.tration: MOUNTAIN.]

"What on earth!" e.j.a.c.u.l.a.t.ed Jimmieboy.

"What? Why, a mountain--that's what!" retorted the Quill. "Don't you see, my dear boy, you've just proved you were trying to fool me. I've put down the thing you said a mountain was, and you as much as say yourself that it can't be."

"But--how do you make it out? That's what I can't see," remonstrated Jimmieboy.

"It's perfectly simple," said the Quill. "You said a mountain was a rock; there's the rock in the picture. You said it had trees on it; those two things that look like pen-wipers on sticks are the trees."

"But that other thing?" interrupted Jimmieboy. "That arm? I never, never, never said a mountain had one of those."

"Why, how you do talk!" cried the Quill, angrily. "You told me first that the rocks went up in the air, and when I showed you why that couldn't be, you corrected yourself, and said that they reached up into the air."

"Well, so I did," said Jimmieboy.

"Will you kindly tell me how a rock could reach up in the air, or around a corner, or do any reaching at all, in fact, unless it had an arm to do it with?" snapped the Quill, triumphantly.

Again Jimmieboy found it best to keep silent. The Quill, thinking that his silence was due to regret, immediately became amiable, and volunteered the statement that if he knew the names of flowers he thought he could draw some of them.

"Pansies, cowslips, and geraniums," suggested Jimmieboy.

"Good! Here you are," returned the Quill, rapidly sketching the following:

[Ill.u.s.tration: A PANSY. A COWSLIP. A POTTED G-RANIUM.]

"That pansy," he said, as Jimmieboy gazed at his work, "is a frying-pansy. How is this for a battle scene?" he added, drawing the following singular-looking picture.

[Ill.u.s.tration]

"Very handsome!" said Jimmieboy. "But--er--just what are those things?

Snakes?"

"No, indeed," said the Quill. "The idea! Who ever saw a snake with wings? One is a C gull and the other is a J bird."

"Can you draw a blue bird?" asked Jimmieboy.

"I think so," answered the Quill, as he carefully drew this strange creature.