Harlequin and Columbine Part 4

She gave him a startled look; then, without a word, slowly obeyed.

"Ah, yes," he said a moment later. "We'll find something else for Miss Lyston when she recovers. You will keep the part."

V

When Canby (with his hair smoothed) descended to the bas.e.m.e.nt dining room of his Madison Avenue boarding-house that evening, his table comrades gave him an effective entrance; they rose, waving napkins and cheering, and there were cries of "Author! Author!" "Speech!" and "Cher maitre!"

The recipient of these honours bore them with an uneasiness attributed to modesty, and making inadequate response, sat down to his soup with no importunate appet.i.te.

"Seriously, though," said a bearded man opposite, who always broke into everything with "seriously though," or else, "all joking aside," and had thereby gained a reputation for conservatism and soundness--"seriously, though, it must have been a great experience to take charge of the rehearsal of such a company as Talbot Potter's."

"Tell us how it felt, Canby, old boy," said another. "How does it feel to sit up there like a king makin' everybody step around to suit you?"

Other neighbors took it up.

"Any pretty girls in the company, Can?"

"How does it feel to be a great dramatist, old man?"

"When you goin' to hire a valet-chauffeur?"

"Better ask him when he's goin' to take us to rehearsal, to see him in his glory."

"Gentlemen, gentlemen," said the hostess deprecatingly, "Miss Cornish is trying to speak to Mr. Canby."

Miss Cornish, a middle-aged lady in black lace, sat at her right, at the head of the largest table, being the most paying of these paying guests, by which virtue she held also the ingleside premiership of the parlour overhead. She was reputed to walk much among gentles, and to have a high taste in letters and the drama; for she was chief of an essay club, had a hushing manner, and often quoted with precision from reviews, or from such publishers' advertis.e.m.e.nts as contained no slang; and she was a member of one of the leagues for patronizing the theatre in moderation.

"Mr. Canby," said the hostess pleasantly, "Miss Cornish wishes to--"

This obtained the attention of the a.s.sembly, while Canby, at the other end of the room, sat back in his chair with the unenthusiastic air of a man being served with papers.

"Yes, Miss Cornish."

Miss Cornish cleared her throat, not practically, but with culture, as preliminary to an address. "I was saying, Mr. Canby," she began, "that I had a suggestion to make which may not only interest you, but certain others of us who do not enjoy equal opportunities in some matters--as--as others of us who do. Indeed, I believe it will interest all of us without regard to--to--to this. What I was about to suggest was that since today you have had a very interesting experience, not only interesting because you have entered into a professional as well as personal friendship with one of our foremost artists--an artist whose work is cultivated always--but also interesting because there are some of us here whose more practical occupations and walk in life must necessarily withhold them from--from this. What I meant to suggest was that, as this prevents them from--from this--would it not be a favourable opportunity for them to--to glean some commentary upon the actual methods of a field of art? Personally, it happens that whenever opportunities and invitations have been--have been urged, other duties intervened, but though, on that account never having been actually present, I am familiar, of course, through conversation with great artists and memoirs and--and other sources of literature--with the procedure and etiquette of rehearsal. But others among us, no doubt through lack of leisure, are perhaps less so than--than this. What I wished to suggest was that, not now, but after dinner, we all a.s.semble quietly, in the large parlour upstairs, of which Mrs. Reibold has kindly consented to allow us the use for the evening, for this purpose, and that you, Mr. Canby, would then give us an informal talk--" (She was momentarily interrupted by a deferential murmur of "Hear! Hear!" from everybody.) "What I meant to suggest," she resumed, smiling graciously as from a platform, "was a sort of descriptive lecture, of course wholly informal--not so much upon your little play itself, Mr. Canby, for I believe we are all familiar with its subject-matter, but what would perhaps be more improving in artistic ways would be that you give us your impressions of this little experience of yours to-day while it is fresh in your mind. I would suggest that you tell us, simply, and in your own way, exactly what was the form of procedure at rehearsal, so that those of us not so fortunate as to be already en rapport with such matters may form a helpful and artistic idea of--of this. I would suggest that you go into some details of this, perhaps adding whatever anecdotes or incidents of--of--of the day--you think would give additional value to this. I would suggest that you tell us, for instance, how you were received upon your arrival, who took you to the most favourable position for observing the performance, and what was said. We should be glad to hear also, I am sure, and artistic thoughts or--or knowledge--Mr. Potter may have let fall in the green-room; or even a few witticisms might not be out of place, if you should recall these. We should all like to know, I am sure, what Mr. Potter's method of conceiving his part was. Also, does he leave entire freedom to his company in the creation of their own roles, or does he aid them? Many questions, no doubt, occur to all of us. For instance: Did Mr. Potter offer you any suggestions for changes and alterations that might aid to develop the literary and artistic value of the pl--"

The placid voice, flowing on in gentle great content of itself (while all the boarders gallantly refrained from eating), was checked by an interruption which united into one shattering impact the effects of lese-majeste and of violence.

"Couldn't! No! No parlour! Horrib--"

The words mingled in the throat of the playwright, producing an explosion somewhere between choke and bellow, as he got upon his feet, overturning his chair and coincidentally dislodging several articles of china and gla.s.sware. He stood among the ruins for one moment, publicly wiping his brow with a napkin, then plunged, murmuring, out of the room and up the stairway; and, before any of the company had recovered speech, the front door was heard to slam tumultuously, its reverberations being simultaneous with the sound of footsteps running down the stoop.

Turning northward upon the pavement, the fugitive hurriedly pa.s.sed the two lighted windows of the dining-room; they rattled with a concussion--the outburst of suddenly released voices beginning what was to be a protracted wake over the remains of his reputation as a gentleman. He fled, flinging on his overcoat as he went. In his pockets were portions of the ma.n.u.script of his play, already distorted since rehearsal to suit the new n.o.bleness of "Roderick Hanscom," and among these inky sheets was a note from Talbot Potter, received just before dinner:

Dear Mr. Canby,

Come up to my apartments at the Pantheon after dinner and let me see what changes you have been able to make in the second and third acts.

I should like to look at them before deciding to put on another play I have been considering.

Hastily y'rs,

Tal't Potter.

VI

Canby walked fast, the clamorous dining-room seeming to pursue him, and the thought of what figure he had cut there filling him with horror of himself, though he found a little consolation in wondering if he hadn't insulted Miss Cornish because he was a genius and couldn't help doing queer things. That solace was slight, indeed; Canby was only twenty-seven, but he was frightened.

The night before he had been as eagerly happy as a boy at Christmas Eve.

He had finished his last day at the office, and after initiating the youth who was to take his desk, had parted with his employer genially, but to the undeniable satisfaction of both. The new career, opening so gloriously, a month earlier, with Talbot Potter's acceptance of the play, was thus definitely adopted, and no old one left to fall back upon. And Madison Avenue, after dark, shows little to rea.s.sure a new playwright who carries in his pocket a note ending with the words, "before deciding to put on another play I have been considering." It was Bleak Street, that night, for young Stewart Canby, and a bleak, bleak walk he took therein.

Desperate alterations were already scratched into the ma.n.u.script; plans for more and more ran overlapping one another in his mind, accompanied by phrases--echoes and fragments of Talbot Potter: "Punch! What this play needs is Punch!" "Big love scenes!" "Big scene with a man!" "Great sacrifice for a woman!" "Big-hearted, lovable fellow!" "You dog! So on, so on!" "Zowie!" He must get all this into the play and yet preserve his "third act situation," leniently admitted to be "quite a fair" one.

Slacking his gait somewhat, the tormented young man lifted his hat in order to run his hand viciously through his hair, which he seemed to blame for everything. Then he muttered, under his breath, indignantly: "Darn you, let me alone!"

Curious bedevilment! It was not Talbot Potter whom he thus adjured: it was Wanda Malone. And yet, during the rehearsal, he had not once thought consciously of the understudy; and he had come away from the theatre occupied--exclusively, he would have sworn--with the predicament in which he found himself and his play. Surely that was enough to fill and overflow any new playwright's mind, but, about half an hour after he had reached his room and set to work upon the ma.n.u.script of the second act, he discovered that he had retained, unawares, a singularly clear impression of Miss Malone.

Then, presently, he realized that distinct pictures of her kept coming between him and his work, and that her voice rang softly and persistently in his ear. Over and over in that voice's slender music--plaintive, laughing, reaching everywhere so clearly--he heard the detested "line": "What are you two good people conspiring about?" Over and over he saw the slow, comprehending movement with which she removed her hat and veil to let Talbot Potter judge her. And as she stood, with that critic's eye searching her, Canby remembered that through some untraceable a.s.sociation of ideas he had inexplicably thought of a drawing of "Florence Dombey" in an old set of d.i.c.kens engravings he had seen at his grandfather's in his boyhood--and had not seen since. And he remembered the lilac bushes in bloom on a May morning at his grandfather's. Somehow she made him think of them, too.

And as he sat at his desk, striving to concentrate upon the ma.n.u.script, the clearness with which Wanda Malone came before him increased; she became more and more vivid to him, and she would not be dismissed; she persisted and insisted, becoming first an annoyance, and then, as he fought the witchery, a serious detriment to his writing. She became part of every thought about his play, and of every other thought. He did not want her; he felt no interest in her; he had vital work to do--and she haunted him, seemed to be in the very room with him. He worked in spite of her, but she pursued him none the less constantly; she had gone down the stairs to dinner with him; she floated before him throughout the torture of Miss Cornish's address; she was present even when he exploded and fled; she was with him now, in this desolate walk toward Talbot Potter's apartment--the pale, symmetrical little face and the relentless sweet voice commandeering the attention he wanted desperately to keep upon what he meant to say to Potter.

Once before in his life he had suffered such an experience: that of having his thoughts possessed, against his will, by a person he did not know and did not care to know. It had followed his happening to see an intoxicated truck-driver lying beneath an overturned wagon. "Easy, boys!

Don' mangle me!" the man kept begging his rescuers. And Canby recalled how "Easy, boys! Don' mangle me!" sounded plaintively in his ears for days, bothering him in his work at the office. Remembering it now, he felt a spiteful satisfaction in cla.s.sing that obsession with this one.

It seemed at least a step toward teaching Miss Wanda Malone to know her place.

But he got no respite from the siege, and was still incessantly beleaguered when he encountered the marble severities of the Pantheon Apartments' entrance hall and those of its field-marshal, who paraded him stonily to the elevator. Mr. Potter's apartment was upon the twelfth floor, a facet stated in a monosyllable by the field-marshal, and confirmed, upon the opening of the cage at that height, by Mr. Potter's voice melodiously belling a flourish of laughter on the other side of a closed door bearing his card. It was rich laughter, cadenced and deep and loud, but so musically modulated that, though it might never seem impromptu, even old Carson Tinker had once declared that he liked to listen to it almost as much as Potter did.

Old Carson Tinker was listening to it now, as Canby discovered, after a lisping j.a.panese had announced him at the doorway of a cream-coloured Louis Sixteenth salon: an exquisite apartment, delicately personalized here and there by luxurious fragilities which would have done charmingly, on the stage, for a marquise's boudoir. Old Tinker, in evening dress, sat uncomfortably, sideways, upon the edge of a wicker and brocade "chaise lounge," finishing a tiny gla.s.s of chartreuse, while Talbot Potter, in the middle of the room, took leave of a second guest who had been dining with him.

Potter was concluding the rendition of hilarity which had penetrated to the outer hall, and, merely waving the playwright toward Tinker, swept the same gesture upward to complete it by resting a cordial hand upon the departing guest's shoulder. This personage, a wasp-figured, languorous youth, with pale plastered hair over a talc.u.m face, flicked his host lightly upon the breast with a pair of white gloves.

"None the less, Pottuh," he said, "why shouldn't you play Oth.e.l.lo as a mulatto? I maintain, you see, it would be taking a step in technique; they'd get the face, you see. Then I want you to do something really and truly big: Oedipus. Why not Oedipus? Think of giving the States a thing like Oedipus done as you could do it! Of coss, I don't say you could ever be another Mewnay-Sooyay. No. I don't go that far. You haven't Mewnay-Sooyay's technique. But you could give us just the savour of Attic culture--at least the savour, you see. The mere savour would be something. Why should you keep on producing these cheap little plays they foist on you? Oh, I know you always score a personal success in the wahst of them, but they've never given you a Big character--and the play, outside of you, is always piffle. Of coss, you know what I've always wanted you to do, what I've constantly insisted in print: Rostand. You commission Rostand to do one of his magnificent things for you and we serious men will do our part. Now, my duh good chap, I must be getting on, or the little gel will be telephoning all round the town!" He turned to the door, pausing upon the threshold. "Now, don't let any of these cheap little fellows foist any of their cheap little plays on you. This for my stirrup-cup: you cable Rostand tomorrow. Drop the cheap little things and cable Rostand. Tell him I suggested it, if you like." He disappeared in the hallway, calling back: "My duh Pottuh, good-night!" And the outer door was heard to close.

Canby, feeling a natural prejudice against this personage, glanced uneasily at Talbot Potter's face and was surprised to find that fine bit of modelling contorted with rage. The sight of this emotion was rea.s.suring, but its source was a mystery, for it had seemed to the playwright that the wasp-waisted youth's remarks--though horribly damaging to the cheap little Canbys with their cheap little "Roderick Hanscoms"--were on the whole rather flattering to the subject of them, and betokened a real interest in his career.

"a.s.s!" said Potter.

Canby exhaled a breath of relief. He began to feel that it might be possible to like this man.

"a.s.s!" said Potter, striding up and down the room. "a.s.s! a.s.s! a.s.s! a.s.s!"

And Canby felt easier and happier. He foresaw, too, that there would be no cabling to Rostand, a thing he had naively feared, for a moment, as imminent.