Hard Cash Part 19

Eu un Da' ei u aa an oo. By oo eeeeyee aa Vaullee, Vaullee, Vaullee, Vaullee, Vaullee om is igh eeaa An ellin in is ud.

_Mrs. Dodd._ That sounds like gibberish.

_Sampson._ It is gibberish, but it's Drydenish in articulating mouths.

It is--

He sung Darius great and good, By too severe a fate Fallen, fallen, fallen, fallen, Fallen from his high estate, And wiltering in his blood.

_Mrs. Dodd._ I think you exaggerate. I will answer for Julia that she shall speak as distinctly to music as you do in conversation.

_Sampson_ (all unconscious of the tap). Time will show, madam. At prisent they seem to be in no hurry to spatter us with their word-jelly.

Does some spark of pity linger in their marble bos'ms? or do they prefer inaud'ble chit-chat t' inarticulate mewing?

Julia, thus pressed, sang one of those songs that come and go every season. She spoke the words clearly, and with such variety and intelligence, that Sampson recanted, and broke in upon the--"very pretty"--"how sweet"--and "who is it by?" of the others, by shouting, "Very weak trash very cleanly sung. Now give us something worth the wear and tear of your orgins. Immortal vairse widded t' immortal sounds; that is what I understand b' a song."

Alfred whispered, "No, no, dearest; sing something suitable to you and me."

"Out of the question. Then go farther away, dear; I shall have more courage."

He obeyed, and she turned over two or three music-books, and finally sung from memory. She cultivated musical memory, having observed the contempt with which men of sense visit the sorry pretenders to music, who are tuneless and songless among the nightingales, and anywhere else away from their books. How will they manage to sing in heaven? Answer me that.

The song Julia Dodd sang on this happy occasion, to meet the humble but heterogeneous views of Messrs. Sampson and Hardie, was a simple eloquent Irish song called Aileen Aroon. Whose history, by-the-bye, was a curious one. Early in this century it occurred to somebody to hymn a son of George the Third for his double merit in having been born, and going to a ball. People who thus apply the fine arts in modern days are seldom artists; accordingly, this parasite could not invent a melody; so he coolly stole Aileen Aroon, soiled it by inserting sordid and incongruous jerks into the refrain, and called the stolen and adulterated article Robin Adair. An artisan of the same kidney was soon found to write words down to the degraded ditty: and, so strong is Flunkeyism, and so weak is Criticism, in these islands, that the polluted tune actually superseded the clean melody; and this sort of thing--

Who was in uniform at the ball?

Silly Billy,

smothered the immortal lines.

But Mrs. Dodd's severe taste in music rejected those ign.o.ble jerks, and her enthusiastic daughter having the option to hymn immortal Constancy or mortal Fat, decided thus:--

When like the early rose, Aileen aroon, Beauty in childhood glows, Aileen aroon,

When like a diadem, Buds blush around the stem, Which is the fairest gem?

Aileen aroon.

Is it the laughing eye?

Aileen aroon.

Is it the timid sigh?

Aileen aroon.

Is it the tender tone?

Soft as the string'd harp's mean?

No; it is Truth alone, Aileen aroon.

I know a valley fair, Aileen aroon.

I know a cottage there, Aileen aroon.

Far in that valley's shade, I know a gentle maid, Flower of the hazel glade, Aileen aroon.

Who in the song so sweet?

Aileen aroon, Who in the dance so fleet?

Aileen aroon.

Dear are her charms to me, Dearer her laughter free, Dearest her constancy.

Aileen aroon.

Youth must with time decay, Aileen aroon, Beauty must fade away, Aileen aroon.

Castles are sacked in war, Chieftains are scattered far, Truth is a fixed star, Aileen areon.

The way the earnest singer sang these lines is beyond the conception of ordinary singers, public or private. Here one of nature's orators spoke poetry to music with an eloquence as fervid and delicate as ever rung in the Forum. She gave each verse with the same just variety as if she had been reciting, and, when she came to the last, where the thought rises abruptly, and is truly n.o.ble, she sang it with the sudden pathos, the weight, and the swelling majesty, of a truthful soul hymning truth with all its powers.

All the hearers, even Sampson, were thrilled, astonished, spell-bound: so can one wave of immortal music and immortal verse (alas! how seldom they meet!) heave the inner man when genius interprets. Judge, then, what it was to Alfred, to whom, with these great words and thrilling tones of her rich, swelling, ringing voice, the darling of his own heart vowed constancy, while her inspired face beamed on him like an angel's.

Even Mrs. Dodd, though acquainted with the song, and with her daughter's rare powers, gazed at her now with some surprise, as well as admiration, and kept a note Sarah had brought her, open, but unread, in her hand, unable to take her eyes from the inspired songstress. However, just before the song ended, she did just glance down, and saw it was signed Richard Hardie. On this her eye devoured it; and in one moment she saw that the writer declined, politely but peremptorily, the proposed alliance between his son and her daughter.

The mother looked up from this paper at that living radiance and incarnate melody in a sort of stupor: it seemed hardly possible to her that a provincial banker could refuse an alliance with a creature so peerless as that. But so it was; and despite her habitual self-government, Mrs. Dodd's white hand clenched the note till her nails dented it; and she reddened to the brow with anger and mortification.

Julia, whom she had trained never to monopolise attention in society, now left the piano in spite of remonstrance, and soon noticed her mother's face; for from red it had become paler than usual. "Are you unwell, dear?" said she _sotto voce._

"No, love."

"Is there anything the matter, then?"

"Hush! We have guests: our first duty is to them." With this Mrs. Dodd rose, and, endeavouring not to look at her daughter at all, went round and drew each of her guests out in turn. It was the very heroism of courtesy; for their presence was torture to her. At last, to her infinite relief, they went, and she was left alone with her children.

She sent the servants to bed, saying she would undress Miss Dodd, and accompanied her to her room. There the first thing she did was to lock the door; and the next was to turn round and look at her full.

"I always thought you the most lovable child I ever saw; but I never admired you as I have to-night, my n.o.ble, my beautiful daughter, who would grace the highest family in England." With this Mrs. Dodd began to choke, and kissed Julia eagerly with the tears in her eyes, and drew her with tender, eloquent defiance to her bosom.

"My own mamma," said Julia softly, "what has happened?"

"My darling," said Mrs. Dodd, trembling a little, "have you pride? have you spirit?"

"I think I have."

"I hope so: for you will need them both. Read that!"

And she held out Mr. Hardie's letter, but turned her own head away, not to see her girl's face under the insult.

CHAPTER VI

JULIA took Mr. Hardie's note and read it:--

"MADAM,--I have received a very juvenile letter from my son, by which I learn he has formed a sudden attachment to your daughter. He tells me, however, at the same time, that you await my concurrence before giving your consent. I appreciate your delicacy; and it is with considerable regret I now write to inform you this match is out of the question. I have thought it due to you to communicate this to yourself and without delay, and feel sure that you will, under the circ.u.mstances, discountenance my son's further visits at your house--I am, Madam, with sincere respect, your faithful servant,