Half Portions Part 29

Of the roomful, Dike and old Ben were the only quiet ones. The others were taking up the explanation and going over it again and again, and marvelling, and asking questions.

"He come in to--what's that place, Dike?--Hoboken--yesterday only. An'

he sent a dispatch to the farm. Can't you read our letters, Dike, that you didn't know we was here now? And then he's only got an hour more here. They got to go to Camp Grant to be, now, demobilized. He come out to Minnie's on a chance. Ain't he big!"

But Dike and his father were looking at each other quietly. Then Dike spoke. His speech was not phlegmatic, as of old. He had a new clipped way of uttering his words:

"Say, pop, you ought to see the way the Frenchies farm! They got about an acre each, and, say, they use every inch of it. If they's a little dirt blows into the crotch of a tree, they plant a crop in there. I never see nothin' like it. Say, we waste enough stuff over here to keep that whole country in food for a hundred years. Yessir. And tools! Outta the ark, believe me. If they ever saw our tractor, they'd think it was the Germans comin' back. But they're smart at that. I picked up a lot of new ideas over there. And you ought to see the old birds--womenfolks and men about eighty years old--runnin' everything on the farm. They had to.

I learned somethin' off of them about farmin'."

"Forget the farm," said Minnie.

"Yeh," echoed Gus, "forget the farm stuff. I can get you a job here out at the works for four a day, and six when you learn it right."

Dike looked from one to the other, alarm and unbelief on his face. "What d'you mean, a job? Who wants a job! What you all--"

Bella laughed, jovially. "F'r Heaven's sakes, Dike, wake up! We're livin' here. This is our place. We ain't rubes no more."

Dike turned to his father. A little stunned look crept into his face. A stricken, pitiful look. There was something about it that suddenly made old Ben think of Pearlie when she had been slapped by her quick-tempered mother.

"But I been countin' on the farm," he said, miserably. "I just been livin' on the idea of comin' back to it. Why, I--The streets here, they're all narrow and choked up. I been countin' on the farm. I want to go back and be a farmer. I want--"

And then Ben Westerveld spoke. A new Ben Westerveld--no, not a new, but the old Ben Westerveld. Ben Westerveld, the farmer, the monarch over six hundred acres of bounteous bottomland.

"That's all right, Dike," he said. "You're going back. So'm I. I've got another twenty years of work in me. We're going back to the farm."

Bella turned on him, a wildcat. "We ain't! Not me! We ain't! I'm not agoin' back to the farm."

But Ben Westerveld was master again in his own house. "You're goin'

back, Bella," he said, quietly. "An' things are goin' to be different.

You're goin' to run the house the way I say, or I'll know why. If you can't do it, I'll get them in that can. An' me and Dike, we're goin'

back to our wheat and our apples and our hogs. Yessir! There ain't a bigger man-size job in the world."

THE DANCING GIRLS

When, on opening a magazine, you see a picture of a young man in uniform with a background of a.s.sorted star-sh.e.l.ls in full flower; a young man in uniform gazing into the eyes of a young lady (in uniform); a young man in uniform crouching in a trench, dugout, or sh.e.l.l-hole, this happens:

You skip lightly past the story of the young man in uniform; you jump hurriedly over the picture; and you plunge into the next story, noting that it is called "The Crimson Emerald" and that, judging from the pictures, all the characters in it wear evening clothes all the time.

Chug Scaritt took his dose of war with the best of them, but this is of Chug before and after taking. If, inadvertently, there should sound a faintly martial note it shall be stifled at once with a series of those stylish dots ... indicative of what the early Victorian writers conveniently called a drawn veil.

Nothing could be fairer than that.

Chug Scaritt was (and is) the proprietor and sole owner of the Elite Garage, and he p.r.o.nounced it with a long i. Automobile parties, touring Wisconsin, used to mistake him for a handy man about the place and would call to him, "Heh, boy! Come here and take a look at this engine. She ain't hitting." When Chug finished with her she was. .h.i.tting, all right.

A medium-sized young fellow in the early twenties with a serious mouth, laughing eyes, and a muscular grace pretty well concealed by the grease-grimed grotesquerie of overalls. Out of the overalls and in his tight-fitting, belted green suit and long-visored green cap and flat russet shoes he looked too young and insouciant to be the sole owner--much less the proprietor--of anything so successful and established as the Elite Garage.

In a town like Chippewa, Wisconsin--or in any other sort of town, for that matter--a prosperous garage knows more about the scandals of the community than does a barber-shop, a dressmaker-by-the-day, or a pool-room habitue. It conceals more skeletons than the catacombs. Chug Scaritt, had he cared to open his lips and speak, might have poured forth such chronicles as to make Spoon River sound a paean of sweetness and light. He knew how much Old Man Hatton's chauffeur knocked down on gas and repairs; he knew just how much the Tillotsons had gone into debt for their twin-six, and why Emil Sauter drove to Oshkosh so often on business, and who supplied the flowers for Mrs. Gurnee's electric. Chug didn't encourage gossip in his garage. Whenever possible he put his foot down on its ugly head in a vain attempt to crush it. But there was something about the very atmosphere of the place that caused it to thrive and flourish. It was like a combination newspaper office and Pullman car smoker. Chug tried to keep the thing down but there might generally be seen lounging about the doorway or perched on the running board of an idle car a little group of slim, flat-heeled, low-voiced young men in form-fitting, high-waisted suits of that peculiarly virulent shade of green which makes its wearer look as if he had been picked before he was ripe.

They were a lean, slim-flanked crew with a feline sort of grace about them; terse of speech, quick of eye, engine-wise, and, generally, nursing a boil just above the collar of their soft shirt. Not vicious.

Not even tough. Rather bored, though they didn't know it. In their boredom resorting to the only sort of solace afforded boys of their cla.s.s in a town of Chippewa's size: cheap amus.e.m.e.nts, cheap girls, cheap talk. This last unless the topic chanced to be of games or of things mechanical. Baseball, or a sweet-running engine brought out the best that was in them. At their worst, perhaps, they stood well back in the dim, cool shade of the garage doorway to watch how, when the girls went by in their thin summer dresses, the strong sunlight made a transparency of their skirts. At supper time they would growl to their surprised sisters:

"Put on some petticoats, you. Way you girls run around it's enough to make a person sick."

Chug Scaritt escaped being one of these by a double margin. There was his business responsibility on one side; his very early history on the other. Once you learn the derivation of Chug's nickname you have that history from the age of five to twenty-five, inclusive.

Chug had been christened Floyd (she had got it out of a book) but it was an appendix rather then an appellation. No one ever dreamed of addressing him by that misnomer, unless you except his school teachers.

Once or twice the boys had tried to use his name as a weapon, shrieking in a shrill falsetto and making two syllables of it. He put a stop to that soon enough with fists and feet. His virility could have triumphed over a name twice as puerile. For that matter, I once knew a young husky named Fayette who--but that's another story.

The Scaritts lived the other side of the tracks. If you know Chippewa, or its equivalent, you get the significance of that. n.o.bodys. Not only did they live the other side of the tracks; they lived so close to them that the rush and rumble of the pa.s.sing trains shook the two-story frame cottage and rattled the crockery on the pantry shelves. The first intelligible sound the boy made was a chesty chug-chug-chug in imitation of a panting engine tugging its freight load up the incline toward the Junction. When Chug ran away--which was on an average of twice daily--he was invariably to be found at the switchman's shanty or roaming about the freight yards. It got so that Stumpy Gans, the one-legged switchman, would hoist a signal to let Mrs. Scaritt know that Chug was safe.

He took his first mechanical toy apart, piece by piece. "Wait till your pa comes home!" his mother had said, with terrible significance. Chug, deep in the toy's wreckage, seemed undismayed, so Mrs. Scaritt gave him a light promissory slap and went on about her housework. That night, before supper, Len Scaritt addressed his son with a sternness quite at variance with his easy-going nature.

"Come here to me! Now, then, what's this about your smashing up good toys? Huh? Whatdya mean! Christmas not two days back and here you go smashing--"

The culprit trotted over to a corner and returned with the red-painted tin thing in his hand. It was as good as new. There may even have been some barely noticeable improvement in its locomotive powers. Chug had merely taken it apart in order to put it together again, and he had been too absorbed to pause long enough to tell his mother so. After that, nothing that bore wheels, internally or externally, was safe from his investigating fingers.

It was his first velocipede that really gave him his name. As he rode up and down, his short legs working like piston-rods gone mad, pedestrians would scatter in terror. His onrush was as relentless as that of an engine on a track, and his hoa.r.s.e, "Chug-chug! Da-r-r-n-ng!

Da-r-r-n-ng!" as he bore down upon a pa.s.serby caused that one to sidestep precipitously into the gutter (and none too soon).

Chug earned his first real bicycle carrying a paper route for the Chippewa _Eagle_. It took him two years. By the time he had acquired it he knew so much about bicycles, from ball-bearings to handle-bars, that its possession roused very little thrill in him. It was as when a lover has had to wait over-long for his bride. As Chug whizzed about Chippewa's streets, ringing an unnecessarily insistent bell, you sensed that a motorcycle was already looming large in his mechanism-loving mind. By the time he was seventeen Chug's motorcycle was spitting its way venomously down Elm Street. And the sequence of the seasons was not more inevitable than that an automobile should follow the motorcycle.

True, he practically built it himself, out of what appeared to be an old wash-boiler, some wire, and an engine made up of parts that embraced every known car from Ford to Fiat. He painted it an undeniable red, hooded it like a demon racer, and shifted to first. The thing went.

He was a natural mechanic. He couldn't spend a day with a piece of mechanism without having speeded it up, or in some way done something to its belt, gears, wheels, motor. He was almost never separated from a monkey-wrench or pliers, and he was always turning a nut or bolt or screw in his grease-grimed fingers.

Right here it should be understood that Chug never became a Steinmetz or a Wright. He remained just average-plus to the end, with something more than a knack at things mechanical; a good deal of grease beneath his nails; and, generally, a smudge under one eye or a swipe of black across a cheek that gave him a misleadingly sinister and piratical look.

There's nothing very magnificent, surely, in being the proprietor of a garage, even if it is the best-paying garage in Chippewa, where six out of ten families own a car, and summer tourists are as locusts turned beneficent.

Some time between Chug's motorcycle and the home-made automobile Len Scaritt died. The loss to the household was social more than economic.

Len had been one of those good-natured, voluble, walrus-moustached men who make such poor providers. A carpenter by trade, he had always been a spasmodic worker and a steady talker. His high, hollow voice went on endlessly above the fusillade of hammers at work and the clatter of dishes at home. Politics, unions, world events, local happenings, neighbourhood gossip, all fed the endless stream of his loquacity.

"Well, now, looka here. Take, f'rins'ance, one these here big concerns--"

After he was gone Mrs. Scaritt used to find herself listening to the silence. His ceaseless talk had often rasped her nerves to the point of hysteria, but now she missed it as we miss a dull ache to which we have grown accustomed.

Chug was in his second year at the Chippewa high school. He had always earned some money, afternoons and Sat.u.r.days. Now he quit to go to work in earnest. His mother took it hard.

"I wanted you to have an education," she said. "Not just schooling. An education." Mittie Scaritt had always had ambition and a fierce sort of pride. She had needed them to combat Len's shiftlessness and slack good nature. They had kept the two-story frame cottage painted and tidy, had her pride and ambition; they had managed a Sunday suit, always, for Chug; money for the contribution box; pork roast on Sundays; and a sitting room, chill but elegant, with its plump pyramids of pillows, embroidered with impossible daisies and carnations and violets, filling every corner.

Mrs. Scaritt had had to fight for Chug's two years of high school. "He don't need no high school," Len Scaritt had argued, in one of the rare quarrels between the two. "I never had none."

The retort to this was so obvious that his wife refrained from uttering it. Len continued: "He don't go with none of my money. His age I was working 'n' had been for three years and more. You'll be fixing to send him to college, next."

"Well, if I do? Then what?"

"Then you're crazy," said Len, without heat, as one would state a self-evident fact.