Half a Rogue Part 1

Half a Rogue.

by Harold MacGrath.

Chapter I

It was Warrington's invariable habit--when no business or social engagement pressed him to go elsewhere--to drop into a certain quaint little restaurant just off Broadway for his dinners. It was out of the way; the throb and rattle of the great commercial artery became like the far-off murmur of the sea, restful rather than annoying. He always made it a point to dine alone, undisturbed. The proprietor nor his silent-footed waiters had the slightest idea who Warrington was. To them he was simply a profitable customer who signified that he dined there in order to be alone. His table was up stairs. Below, there was always the usual dinner crowd till theater time; and the music had the faculty of luring his thoughts astray, being, as he was, fonder of music than of work. As a matter of fact, it was in this little restaurant that he winnowed the day's ideas, revamped scenes, trimmed the rough edges of his climaxes, revised this epigram or rejected this or that line; all on the backs of envelopes and on the margins of newspapers. In his den at his bachelor apartments, he worked; but here he dreamed, usually behind the soothing, opalescent veil of Madame Nicotine.

What a marvelous thing a good after-dinner cigar is! In the smoke of it the poor man sees his ships come in, the poet sees his muse beckoning with hands full of largess, the millionaire reverts to his early struggles, and the lover sees his divinity in a thousand graceful poses.

To-night, however, Warrington's cigar was without magic. He was out of sorts. Things had gone wrong at the rehearsal that morning. The star had demanded the removal of certain lines which gave the leading man an opportunity to shine in the climax of the third act. He had labored a whole month over this climax, and he revolted at the thought of changing it to suit the whim of a capricious woman.

Everybody had agreed that this climax was the best the young dramatist had yet constructed. A critic who had been invited to a reading had declared that it lacked little of being great. And at this late hour the star wanted it changed in order to bring her alone in the lime-light! It was preposterous. As Warrington was on the first wave of popularity, the business manager and the stage manager both agreed to leave the matter wholly in the dramatist's hands. He resolutely declined to make a single alteration in the scene. There was a fine storm. The star declared that if the change was not made at once she would leave the company. In making this declaration she knew her strength. Her husband was rich; a contract was nothing to her. There was not another actress of her ability to be found; the season was too late. There was not another woman available, nor would any other manager lend one. As the opening performance was but two weeks hence, you will realize why Warrington's mood this night was anything but amiable.

He scowled at his cigar. There was always something, some sacrifice to make, and seldom for art's sake. It is all very well to witness a play from the other side of the footlights; everything appears to work out so smoothly, easily and without effort. To this phenomenon is due the amateur dramatist--because it looks simple. A play is not written; it is built, like a house. In most cases the dramatist is simply the architect. The novelist has comparatively an easy road to travel. The dramatist is beset from all sides, now the business manager--that is to say, the box-office--now the stage manager, now the star, now the leading man or woman. Jealousy's green eyes peer from behind every scene. The dramatist's ideal, when finally presented to the public, resembles those mutilated marbles that decorate the museums of Rome and Naples. Only there is this difference: the public can easily imagine what the sculptor was about, but seldom the dramatist.

Warrington was a young man, tolerably good-looking, noticeably well set up. When they have good features, a cleft chin and a generous nose, clean-shaven men are good to look at. He had fine eyes, in the corners of which always lurked mirth and mischief; for he possessed above all things an inexhaustible fund of dry humor. His lines seldom provoked rough laughter; rather, silent chuckles.

Warrington's scowl abated none. In business, women were generally nuisances; they were always taking impossible stands. He would find some way out; he was determined not to submit to the imperious fancies of an actress, however famous she might be.

"Sir, will you aid a lady in distress?" The voice was tremulous, but as rich in tone as the diapason of an organ.

Warrington looked up from his cigar to behold a handsome young woman standing at the side of his table. Her round, smooth cheeks were flushed, and on the lower lids of her splendid dark eyes tears of shame trembled and threatened to fall. Behind her stood a waiter, of impa.s.sive countenance, who was adding up the figures on a check, his movement full of suggestion.

The dramatist understood the situation at once. The young lady had ordered dinner, and, having eaten it, found that she could not pay for it. It was, to say the least, a trite situation. But what can a man do when a pretty woman approaches him and pleads for a.s.sistance? So Warrington rose.

"What may the trouble be?" he asked coldly, for all that he instantly recognized her to be a person of breeding and refinement.

"I--I have lost my purse, and I have no money to pay the waiter." She made this confession bravely and frankly.

He looked about. They were alone. She interpreted his glance rather shrewdly.

"There were no women to appeal to. The waiter refused to accept my word, and I really can't blame him. I had not even the money to send a messenger home."

One of the trembling tears escaped and rolled down the blooming cheek.

Warrington surrendered. He saw that this was an exceptional case. The girl was truly in distress. He knew his New York thoroughly; a man or woman without funds is treated with the finished cruelty with which the jovial Romans amused themselves with the Christians. Lack of money in one person creates incredulity in another. A penniless person is invariably a liar and a thief. Only one sort of person is pitied in New York: the person who has more money than she or he can possibly spend.

The girl fumbled in her hand-bag and produced a card, which she gave to Warrington--"Katherine Challoner." He looked from the card to the girl and then back to the card. Somehow, the name was not wholly unfamiliar, but at that moment he could not place it.

"Waiter, let me see the check," he said. It amounted to two dollars and ten cents. Warrington smiled. "Scarcely large enough to cause all this trouble," he added rea.s.suringly. "I will attend to it."

The waiter bowed and withdrew. So long as the check was paid he did not care who paid it.

"Oh, it is so horribly embarra.s.sing! What must you think of me?" She twisted her gloves with a nervous strength which threatened to rend them.

"May I give you a bit of friendly advice?" he asked.

She nodded, hiding the fall of the second tear.

"Well, never dine alone in public; at any rate, in the evening. It is not wise for a woman to do so. She subjects herself to any number of embarra.s.sments."

She did not reply, and for a moment he believed that she was about to break down completely. He aimlessly brushed the cigar ashes from the tablecloth. He hated a scene in public. In the theater it was different; it was a part of the petty round of business to have the leading lady burst into tears when things didn't suit her. What fools women are in general! But the girl surprised him by holding up determinedly, and sinking her white teeth into her lips to smother the sob which rose in her throat.

"Be seated," he said, drawing out the opposite chair.

A wave of alarm spread over her face. She clasped her hands.

"Sir, if you are a gentleman--"

Warrington interrupted her by giving her his card, which was addressed. She glanced at it through a blur of tears, then sat down.

He shrugged his shoulders slightly; his vanity was touched. There was, then, a young woman in New York who had not heard of Richard Warrington.

"In asking you to be seated," he explained, "it was in order that you might wait in comfort while I despatched a messenger to your home.

Doubtless you have a brother, a father, or some male relative, who will come at once to your a.s.sistance." Which proved that Warrington was prudent.

But instead of brightening as he expected she would, she straightened in her chair, while her eyes widened with horror, as if she saw something frightful in perspective.

What the deuce could be the matter now? he wondered, as he witnessed this inexplicable change.

"No, no! You must not send a messenger!" she protested.

"But--"

"No, no!" tears welling into her beautiful eyes again. They were beautiful, he was forced to admit.

"But," he persisted, "you wished the waiter to do so. I do not understand." His tone became formal again.

"I have reasons. Oh, heavens! I am the most miserable woman in all the world!" She suddenly bowed her head upon her hands and her shoulders rose and fell with silent sobs.

Warrington stared at her, dumfounded. NOW what? He glanced cautiously around as if in search of some avenue of escape. The waiter, ever watchful, a.s.sumed that he was wanted, and made as though to approach the table; but Warrington warned him off. All distrust in the girl vanished. Decidedly she was in great trouble of some sort, and it wasn't because she could not pay a restaurant check. Women--and especially New York women--do not shed tears when a stranger offers to settle for their dinner checks.

"If you will kindly explain to me what the trouble is," visibly embarra.s.sed, "perhaps I can help you. Have you run away from home?"

he asked.

A negative nod.

"Are you married?"

Another negative nod.

Warrington scratched his chin. "Have you done anything wrong?"

A decided negative shake of the head. At any other time the gesticulation of the ostrich plume, so close to his face, would have amused him; but there was something eminently pathetic in the diapasm which drifted toward him from the feather.

"Come, come; you may trust me thoroughly. If you are afraid to return home alone--"

He was interrupted by an affirmative nod this time. Possibly, he conjectured, the girl had started out to elope and had fortunately paused at the brink.