Grace Harlowe's Second Year at Overton College Part 24

"She likes you very much," interposed Grace. "She said so."

"Then I'm going to give a luncheon for her to-morrow afternoon at Vinton's," declared Elfreda with shining eyes. "I wanted to suggest it, to-night, but I was afraid she might not care to come."

"Couldn't you 'see' that she liked you?" teased Miriam.

"No, I couldn't. There are lots of things I can't 'see.' One of them is why you girls ever went to so much trouble to make me 'see.' Good night." Casting one glance of love and loyalty toward her friends, Elfreda vanished into her room, and wise Miriam took care not to enter the room until the stout girl's moment of self-communion had pa.s.sed.

CHAPTER XXI

A GIFT TO SEMPER FIDELIS

When the news was whispered about through Overton College that the attractive young woman who was frequently seen in company with Grace Harlowe and her friends was the daughter of Guido Savelli, the renowned virtuoso, it created a wide ripple of excitement among the four cla.s.ses.

Curious juniors and dignified seniors grew interested, and Mabel Ashe and Frances Marlton, who were Eleanor's sworn cavaliers, were besieged with requests for introductions. Far from being spoiled by so much adulation, Eleanor laughingly attributed it to her father's genius, and flouted the idea that her own delightful personality had made her a reigning favorite during her stay in Overton.

It took Grace some time to recover from the surprise occasioned by Eleanor's unexpected arrival. During the month in which she had received no letter from Eleanor, Guido Savelli had reconsidered his decision not to appear in America and instead of canceling his contract had sailed at the eleventh hour to fulfill it, taking Eleanor with him.

"You arrived just in time for our show!" exclaimed Grace gleefully to Eleanor. The two girls sat opposite each other at the library table in the living room at Wayne Hall, making up the programme for the vaudeville performance which was to be held in Music Hall, on the following Friday evening. "Oh, Eleanor, don't you think you can go home with me for Easter? Never mind if 'Heartsease' is closed. You can have just as much fun at our house. We have only one more week here, you know, and your father's concert tour doesn't end for another month,"

pleaded Grace.

"I think I can arrange it," reflected Eleanor. "It is only that Father misses me so. In some ways he is like an overgrown child. All great musicians are like that, I believe."

"It is a pity to take you away from him," admitted Grace, "but we would like to have you with us. Besides, Tom Gray is going to bring Donald Earle to Oakdale with him for the Easter. Donald will be so disappointed if he doesn't see you, Eleanor."

"I'd like to see him, too," returned Eleanor frankly. "He is one of the nicest young men I know. Father is coming down here for our show, unless something unforeseen happens. I shall coax him to play. I imagine he will be willing. He will play if you ask him, Grace."

"I wish we might feature him on the bulletin board," reflected Grace, with a managerial eye to business, "but he wouldn't like that. We could have him for a surprise, though."

"I'll tell you what I will do," volunteered Eleanor. "I will telephone to his hotel in New York and ask him. If he says yes, we can go ahead and count on him to furnish Overton with a surprise."

"Oh, Eleanor, could you, would you do it?" asked Grace, a note of excitement in her voice.

"I'll telephone at once," nodded Eleanor, rising. "Suppose we go over to the 'Tourraine' to do it."

Within the next hour Eleanor and Grace had talked with Guido Savelli. It had taken very little coaxing to secure his promise to play at Overton on Friday night, as he gave his last performance in New York on Thursday evening, and was free until the following Monday, when he would appear in Boston.

"It seems almost providential, doesn't it?" asked Eleanor, as she hung up the receiver. "He could not have come here at any other time."

"I'm so happy over it I could hurrah," declared Grace jubilantly.

"I knew Father would not refuse us," smiled Eleanor. "Now hadn't we better hurry home and make up the rest of the programme?"

By eight o'clock Friday evening every available foot of s.p.a.ce in Music Hall was crowded with Overton students. The front rows of the hall had been reserved for the faculty, who were quite in sympathy with the idea of the new club. In order to obtain permission to use this hall, Grace had gone to the dean with the story of the organization of Semper Fidelis and its purpose. The dean had sympathized heartily with the movement, and had at once laid the matter before the president of the college, who willingly gave the desired permission.

As the Semper Fidelis Club was composed entirely of soph.o.m.ores, twelve young women of the soph.o.m.ore cla.s.s had been detailed as ushers and ticket takers. The majority of the club members were down on the programme, therefore these duties had been turned over to their cla.s.smates. Grace, besides appearing in the Spanish dance with Miriam, had taken upon herself the duties of stage manager. The two smallest soph.o.m.ores in the cla.s.s, dressed as pages, had been chosen to place the posters announcing the various numbers on the standards at each side of the stage. These posters had been designed and painted by Beatrice Alden and Frances Marlton, who, with Mabel Ashe, Constance Fuller and several other public-spirited seniors, had generously offered their services. As both Beatrice and Frances possessed considerable skill with the brush they turned out extremely decorative posters, which were afterward sold to various admiring students for souvenirs of the club's first entertainment.

"I am so tired," declared Grace to Eleanor as they stood at one side of the stage while the Glee Club, composed of juniors and seniors, arranged themselves preparatory to filing on to the stage. "Everything seems to be going beautifully though. Not a single performer has disappointed us.

How pretty the Glee Club girls look to-night."

"Lovely," agreed Eleanor. "The audience is out in its best bib and tucker, too. Nearly every girl in the house is in evening dress."

"Consider the occasion," laughed Grace. "Our show would not have amounted to much if it had not been for you and your distinguished father. Anne could not have recited 'Enoch Arden,' without your accompaniment, and the crowning glory of having the great Savelli play would have been missing. It reminds me of our concert, Eleanor," she added softly.

Eleanor's blue eyes met Grace's gray ones with ineffable tenderness.

"The concert that brought me my father," she murmured. "It seems ages since that night, Grace. I can't realize that I have ever been away from Father."

"It does seem a long time since our senior year in high school," agreed Grace musingly. "Good gracious, Eleanor, the Glee Club are waiting for the signal to go on while we stand here reminiscing!" Grace hurried to the wing where one of the pages stood patiently holding the Glee Club poster, and signaled to the page on the opposite side. An instant later the singers had filed on the stage for their opening song.

As the show progressed the audience became more enthusiastic and clamored loudly for encores. Elfreda's imitations provoked continuous laughter, and dainty Arline Thayer, looking not more than seven years old, was a delightful success from her first babyish lisp. Her song of the goblin man who stole little children to work for him in his underground cellar, with its catchy chorus of "Run away, you little children," was immediately adopted by Overton, and when later it was noised about that Ruth had written the words while Arline had composed the music, both girls were later rushed by the Dramatic Club and made members, an honor to which una.s.suming Ruth had some difficulty in becoming accustomed.

Anne's "Enoch Arden," to Eleanor's piano accompaniment, met with an ovation. Guido Savelli had been purposely placed last on the programme.

"No one will care for anything else after he plays. The audience will have the memory of his music to take away with them," Grace had said wisely. Knowing the musician's horror of being lionized, Grace had confided the secret to no one except Miriam, Anne, Mabel Ashe and Elfreda, who, in company with her and Eleanor, had met him at the train and dined with him at the "Tourraine." It had been arranged that at half-past nine o'clock Anne and Elfreda should go for him and escort him to Music Hall.

At precisely ten minutes past ten o'clock he was escorted through the side entrance to the hall by his two smiling guides, and into the little room just off the stage that did duty for a green room. Eleanor's quick exclamation of, "You have plenty of time, Father, there are two more numbers before yours," caused the various performers to open their eyes, and when Eleanor turned to those in the room, saying sweetly, "Girls, this is my father. He is going to play for us," astonishment looked out from every face.

In order that the surprise might be complete, Grace had purposely withheld until the last moment the posters bearing Guido Savelli's name.

When the two pages placed them up on their respective standards, a positive sigh of astonishment went up from the audience that changed to vociferous applause as Eleanor appeared and took her place at the piano.

A second later the great Savelli walked on the stage, violin in hand.

Eleanor, having frequently accompanied him on the piano in private, had begged to be allowed for once to accompany him in public.

As the delighted audience listened to the music of the man whose playing had won for him the homage of two continents, they realized that they had been granted an unusual privilege.

"How did he happen to stray into Overton?" "I supposed great artists like him never condescended to play outside of the large cities," were the whispered comments.

One stately old gentleman in particular, who had been the guest of the president at dinner, and who sat beside him during the performance, grew enthusiastically curious, asking all sorts of questions. Who had planned and managed the entertainment? What was the object of the "Semper Fidelis Club"? How long had it been in existence? Who had been on familiar enough terms with Savelli to induce him to play at the "show"?

The president answered his questions with becoming patience, promising to introduce him to Grace Harlowe and Arline Thayer, who, he stated, had been responsible for the organization of the club.

Later, the curious old gentleman was presented to Grace and Arline, who answered his flow of inquiries so courteously and with such apparent good will that he left the hall, smiling to himself as though he had gained possession of some wonderful bit of information.

The vaudeville show netted the Semper Fidelis Club two hundred dollars, which Arline deposited in the bank the following morning.

"'Every little bit helps'" chuckled Arline as she opened the bank book and pointed to the new entry. She and Grace were on their way from the bank.

"I should say it did," returned Grace warmly. "I only wish we could always make money as easily and pleasantly as we made that two hundred dollars."

"It was lots of fun, wasn't it?" declared Arline happily. "When we come back next fall as juniors we can give another show and add to our fund.

We won't have time this year. We are all going home next week and after Easter it will be too late in the year to bother with entertainments."

"We might give a carnival in the gymnasium next fall," suggested Grace.

"We had a bazaar at home and made over five hundred dollars. If we gave it early in the fall we would have as much as a thousand dollars on hand to lend where it was needed. I imagine we can find plenty of places for it."

"We can be thinking about it through the summer," planned Arline.

That night when Grace reached Wayne Hall she found a letter bearing her address in the bulletin board at the foot of the stairs. After glancing curiously at the superscription, Grace tore it open and read:

"To MISS GRACE HARLOWE, "Wayne Hall, "Overton.