Gold of the Gods Part 8

Lockwood drew a pencil from his pocket and made several cross-marks over the names of some towns on the large map.

"Those are the points that we had proposed to work," he said simply, "before this terrible tragedy to Mendoza."

"Mining, you understand," explained Whitney. Then, after a pause, he resumed quickly. "Of course, you know that much has been said about the chances for mining investments and about the opportunities for fortunes for persons in South America. Peru has been the Mecca for fortune hunters since the days of Pizarro. But where one person has been successful thousands have failed because they don't know the game. Why, I know of one investment of hundreds of thousands that hasn't yielded a cent of profit just because of that."

Lockwood said nothing, evidently not caring to waste time or breath on any one who was not a possible investor. But Whitney had the true promoter's instinct of booming his scheme on the chance that the interest inspired might be carried to some third party.

"American financiers, it is true," he went on excitedly, taking out a beautifully chased gold cigarette case, "have lost millions in mining in Peru. But that is not the scheme that our group, including Mr.

Lockwood now, has. We are going to make more millions than they ever dreamed of--because we are simply going to mine for the products of centuries of labour already done--for the great treasure of Truxillo."

One could not help becoming infected by Whitney's enthusiasm.

Kennedy was following him closely, while a frown of disapproval spread over Lockwood's face.

"Then you know the secret of the hiding-place of the treasure?" queried Kennedy abruptly.

Whitney shook his head in the negative. "It is my idea that we don't have to know it," he answered. "With the hints that we have collected from the natives, I think we can locate it with the expenditure of comparatively little time and money. Senor Mendoza has obtained the concession from the government to hunt for it on a large scale in the big mounds about Truxillo. We know it is there. Is not that enough?"

If it had been any one less than Whitney, we should probably have said it was not. But it took more than that to deny anything he a.s.serted.

Lockwood's face was a study. I cannot say that it betrayed anything except disapproval of the mere discussion of the subject. In fact, it left me in doubt as to whether Whitney himself might not have been bluffing, in the certainty of finding the treasure--perhaps had already the secret he denied having and was preparing to cover it up by stumbling on it, apparently, in some other way. I recognized in Stuart Whitney as smooth an individual as ever we had encountered. His was all the sincerity of a crook. Yet he contrived to leave the whole matter in doubt. Perhaps in this case he actually knew what he was talking about.

The telephone rang and Lockwood answered it. Though he did not mention her name, I knew from his very tone and manner that it was Senorita de Mendoza who was calling up. Evidently his continued absence had worried her.

"There's absolutely nothing to worry about," we heard him say. "Nothing has changed. I shall be up to see you as soon as I can get away from the office."

There was an air of restraint about Lockwood's remarks, not as though he were keeping anything from the Senorita, but as though he were reluctant for us to overhear anything about his affairs.

Lockwood had been smoking, too, and he added the stubs of his cigarettes to the pile in the ash-tray on Whitney's desk. Once I saw Craig cast a quick glance at the tray, and I understood that in some way he was anxious to have a chance to investigate those cigarettes.

"You saw the dagger which Norton brought back, did you not?" asked Kennedy of Whitney.

"Only as I saw the rest of the stuff after it was unpacked," he replied easily. "He brought back a great many interesting objects on this last trip."

It was apparent that whether he actually knew anything about the secret of the Inca dagger or not, Whitney was not to be trapped into betraying it. I had an idea that Lockwood was interested in knowing that fact, too. At any rate, one could not be sure whether these two were perfectly frank with each other, or were playing a game for high stakes between themselves.

Lockwood seemed eager to get away and, with a hasty glance at his watch, rose.

"If you wish to find me, I shall be with Senorita de Mendoza," he said, taking his hat and stick, and bowing to us.

Whitney rose and accompanied him to the door in the outer office, his arm on his shoulder, conversing in a low tone that was inaudible to us.

No sooner, however, had the two pa.s.sed through the door, with their backs toward us, than Kennedy reached over quickly and swept the contents of the ash-tray, cigarette stubs, ashes, and all, into an empty envelope which was lying with some papers. Then he sealed it and shoved it into his pocket, with a sidelong glance of satisfaction at me.

"Evidently Mr. Lockwood and the Senorita are on intimate terms,"

hazarded Kennedy, as Whitney rejoined us.

"Poor little girl," soliloquized the promoter. "Yes, indeed. And Lockwood is a lucky dog, too. Such eyes, such a figure--did you ever see a more beautiful woman?"

One could not help recognizing that whatever else Whitney might have said that did not ring true his admiration for the unfortunate girl was genuine. That was not so remarkable, however. It could hardly have been otherwise.

"You are acquainted, I suppose, with a Senora de Moche?" ventured Kennedy again, taking a chance shot.

Whitney looked at him keenly. "Yes," he agreed, "I have had some dealings with her. She was an acquaintance of old Mendoza's--a woman of the world, clever, shrewd. I think she has but one ambition--her son.

You have met her?"

"Not the Senora," admitted Craig, "but her son is a student at the University."

"Oh, yes, to be sure," said Whitney. "A fine fellow--but not of the type of Lockwood."

Why he should have coupled the names was not clear for the moment. But he had risen, and was moving deliberately up and down the office, his thumbs in his waistcoat pockets, as though he were thinking of something very perplexing.

"If I were younger," he remarked finally, of a sudden, "I would give both of them a race for that girl. She is the greatest treasure that has ever come out of the country. Ah, well--as it is, I would not place my money on young de Moche!"

Kennedy had risen to go.

"I trust you will be able to unearth some clue regarding that dagger,"

said Whitney, as we moved toward the door. "It seems to have worried Norton considerably, especially since you told him that Mendoza was undoubtedly murdered with it."

Evidently Norton kept in close touch with his patron, but Kennedy did not appear to be surprised at it.

"I am doing my best," he returned. "I suppose I may count on your help as the case develops?"

"Absolutely," replied Whitney, accompanying us out into the hall to the elevator. "I shall back Norton in anything he wants to keep the Peruvian collection intact and protected."

Our questions were as yet unanswered. Not only had we no inkling as to the whereabouts of the dagger, but the source of the four warnings that had been sent us was still as much shrouded in mystery.

Kennedy beckoned to a pa.s.sing taxicab.

"The Prince Edward Albert," he directed briefly.

VI

THE CURSE OF MANSICHE

We entered the Prince Edward Albert a few minutes later, one of the new and beautiful family hotels uptown.

Before making any inquiries, Craig gave a hasty look about the lobby.

Suddenly I felt him take my arm and draw me over to a little alcove on one side. I followed the direction of his eyes. There I could see young Alfonso de Moche talking to a woman much older than himself.

"That must be his mother," whispered Craig. "You can see the resemblance. Let's sit here awhile behind these palms and watch."

They seemed to be engaged in an earnest conversation about something.

Even as they talked, though we could not guess what it was about, it was evident that Alfonso was dearer than life to the woman and that the young man was a model son. Though I felt that I must admire them each for it, still, I reflected, that was no reason why we should not suspect them--perhaps rather a reason for suspecting.

Senora de Moche was a woman of well-preserved middle age, a large woman, with dark hair and contrasting full, red lips. Her face, in marked contradiction to her Parisian costume and refined manners, had a slight copper swarthiness about it which spoke eloquently of her ancestry.