Gold Boy, Emerald Girl Part 10

Which one?

That pink pack.

What size? They come in three different sizes, the woman said, and the other woman laughed audibly across the store.

The medium size, the girl said.

Are you sure?

The man watched the girl's face and neck burn with shame. Such a young woman, he thought, not experienced enough to know that all married people with respectable jobs had condoms distributed monthly to them by the birth control officers in their working units. He wished the women would be adamant in not selling the condoms to the girl; he wanted to suggest they require her marriage certificate, but before he opened his mouth, the woman asked for the marked price and then threw the pack to the girl. It slid on the gla.s.s counter and then fell onto the floor.

Young girl, the man said. Do you know what you're doing?

The girl watched the man step on the naked couple with one foot. Please, sir, I paid for them, she said. They belong to me.

She's not like my wife, the man thought. He remembered one time running out of the monthly ration of condoms from his work; he had begged his wife to ask the birth control officer in her working unit, but she had cried and said she would rather die instead of going to ask a man for them. He would rather die now, the man thought, to make her alive again, but what was the point of wishing for that? It was a better arrangement that he was left behind; without him she would be bullied every day by people like those women behind the counters.

Please, it's getting late, the girl said. Had she been a different person she would have found a sharp voice and ordered the man to return to her what by law belonged to her; she would have turned to the two women, who were enjoying the scene for their end-of-the-day shift, and told them that they had better stop feeling good about themselves, because after all, they were old and loose and not as desirable as she was. The women would curse her as if she were a madwoman, and they would try to get rid of her and pretend that they were not stung by her words, but for the rest of the evening they would stay furious and their meals would remain undigested, a big lump of stone in their stomachs where her poisonous words sat, and she would walk away with a triumphant pleasure, but the truth was, she was not that person. She was the girl who went to buy condoms and planned to give herself to the boy she loved; the boy had been beaten so badly that he would never become a husband, his parents had told her, but she was the kind of girl who did not believe their words. She believed that her love would save and change him.

The old man moved away his foot. He could go on chiding the girl but he was tired. Perhaps it was good that they had not had children; his wife would be heartbroken if their daughter had turned out to be like the girl in front of him.

The girl bent down to pick up the condoms and clutched the pack in her fist. Someday, when she became an old woman, she would show the pink pack to her children, a souvenir of her hopeful youth. She was aware of the old man's shaking hands, just an arm's length away from her, and she was aware of the two women watching with ridicule, behind the counters. She wondered how much they understood love, and love despite the fatality of humankind.

Gold Boy, Emerald Girl

HE WAS RAISED by his mother alone, as she was by her father. She wondered if his mother, who had set up their date, had told him about that. by his mother alone, as she was by her father. She wondered if his mother, who had set up their date, had told him about that.

Siyu was thirty-eight, and the man, Hanfeng, was forty-four. Siyu's father, after supporting her through college, had remarried, choosing a woman thirty years his junior. The woman had a young son from her previous marriage, whom Siyu's father had taken on as his responsibility. The boy was now in his last year of high school, and Siyu, having told her father many times that he deserved peace and simplicity, maintained a respectful distance from his new family. Each year she spent New Year's Eve, and sometimes other holidays, with Hanfeng's mother, who had been her zoology professor in college. There was no way to predict when the older woman would be in the mood to invite Siyu, so she tried to keep herself uncommitted, which meant that most of the holidays she spent alone.

"Professor Dai must miss her students these days," Siyu said after she and Hanfeng had exchanged greetings, although she knew it was not the students that his mother missed but the white skulls of mammals and birds on her office shelves, the drawers filled with scalpels and clamps and tweezers that she had cleaned and maintained with care, and the fact that she could mask her indifference to the human species with her devotion to animals. The first time Siyu had seen Professor Dai, on a campus tour during the opening week of college, the older woman had been following a strutting owl down a dimly lit hallway; she paid little attention to the group of new students, and stooped slightly the whole time, as if she were the mother of a toddler and had to watch out for minor accidents. When a boy stepped over to take a closer look at the owl, she scooped up the bird and glared at him before striding away.

"Retirement is a strange thing for her," Hanfeng said. His mother had always despised women who grabbed every opportunity to matchmake, but within days of his return to China she had mentioned a former student she thought he should meet. His mother did not say much else, but he could sense that it was marriage she was thinking about. Twenty years of living away from her had not changed that in him: He always knew what was on her mind before she said it, and he wondered if she was ever aware of that.

The teahouse where Hanfeng and Siyu were meeting, at a hillside pavilion in the Summer Palace, had been chosen by his mother, and she had suggested that they also take a long stroll along the lakefront. It was early March. The day turned out overcast and windy, and secretly Hanfeng hoped that the wind would not die down, so they could forgo the romantic walk. He wondered if Siyu was wishing for a different scenario. He could not yet read much from her face. She smiled courteously as she gave him a few facts about White Peony, the tea she had ordered for them both, but the smile and the words seemed to come with effort, as if her interest in interacting with him could easily fade. Her body was slender, and her hair, black with noticeable strands of gray, was kept straight and at shoulder length. He wondered why the woman, who was beautiful in an una.s.suming way, had never married.

"Do you find Beijing a different city now?" Siyu said. It must be a question that he was asked all the time, but it would not do anyone any harm, she thought. It was not the first time that Siyu had been set up with a stranger-since she had turned twenty, neighbors and acquaintances, pitying her for not having a mother to fuss over her future, had taken it as their responsibility to find a husband for her-but with those men she had known from the beginning that she would not bother trying to impress them. Over the years, she had developed a reputation as unmatchable, and nowadays only the most persistent of the matchmakers would mention a widower or a divorce, in his fifties or sometimes sixties, as a possible solution. The first time such a prospect was presented in an enthusiastic speech, Siyu had the odd feeling that she was now expected to marry her father; only later did she realize that she was no longer a young woman.

Siyu worked as a librarian in a zoology inst.i.tute, and her life had not changed much from that of a college student. In her mind, she might still be the eighteen-year-old who had set her alarm clock early so that by six o'clock she would be sitting on the bench under an ancient ginkgo tree in front of the biology building. At half past six, Professor Dai would arrive on her bicycle-a tall, rusty, heavy-built one that would have better suited a peasant or a street peddler-and she would nod at Siyu almost imperceptibly as she locked it up. It had taken two years for Professor Dai to cross the courtyard and ask Siyu about the thick volume she had been reading every day. Charles d.i.c.kens, Siyu replied, and then added that she was trying to memorize Great Expectations Great Expectations. Professor Dai nodded, expressing neither surprise nor curiosity at the task that had already made Siyu an eccentric in the eyes of her cla.s.smates. Siyu did not explain to them that her grandfather-her mother's father, whom she had never met-had once memorized volumes of d.i.c.kens on the small balcony of a Shanghai flat, a feat that had eventually led him, before the liberation, to a high position in a bank run by Englishmen. It was d.i.c.kens who had in the end killed Siyu's mother: As a daughter of the British capitalists' loyal lapdog, she had hanged herself when her own daughter was four months of age, barely old enough to be weaned.

Hanfeng looked at Siyu's face, detecting a familiar absentmindedness. His mother, too, asked him questions to which she seemed scarcely interested in knowing the answers. He wondered if this happened to women who lived by themselves. "Too many cars," he replied, nonetheless-the standard response he gave when asked about his impression of Beijing these days. "I miss the bicycles."

Hanfeng had returned from the States a month earlier. He had told his former colleagues in San Francisco about his intention to settle down in China, and they had joked about moving with him and becoming the forty-niners of the new gold rush. He went along with the joke, making up ambitious business plans that he knew he would not carry out. His mother was getting old, he explained to his friends; the thought that he, too, was no longer a young man in need of adventures he kept to himself. Semiretired was how he liked to think of his situation, but within days of returning to Beijing he realized that what he had made in the States at the tail end of the dot-com bubble would not be sufficient to support a life of idleness, as he had hoped. Still, he was not eager to go out and seek employment. He deposited half his money into his mother's account and told her that he would take a break; she did not ask about his plans, in the same way that she had not questioned his decision to leave or to come home.

At seventy-one, his mother was as independent as ever, and she loathed most activities that a woman her age enjoyed: taking morning walks with a companion, gossiping and bargaining at the marketplace, watching soap operas in the afternoon. Hanfeng had never wondered how his mother spent her days in retirement until his return, when, all of a sudden, the three-bedroom flat that must have seemed empty to her became crowded. He had been the one to cook for the two of them when he was a boy, dividing the meals in half and eating his portion alone; his mother, her preoccupation with her research a ready excuse, had eaten at odd hours then. Since his return, he had taken over the cooking again, and now that neither of them was eager to go out into the world to fulfill any duty, they ate together.

The idea of renting a flat had occurred to Hanfeng, but as soon as the thought formed he dismissed it as a waste: He had left for America right after college, a move intended to claim a place for himself-a whole continent, in the end, as in twenty years he had drifted from New York to Montreal, then Vancouver, and later San Francisco-and a life that had to be lived away from a mother, but with the return to China he no longer felt the urgency to have his own place. Freedom is like restaurant food, he once told an old friend in the States, and one can lose one's appet.i.te for even the best restaurants. Pure nonsense, replied his friend, who, unlike Hanfeng, had long ago settled down with a partner, a house, and two dogs, and talked of adopting a baby. Take a break, he said, urging Hanfeng to return to California after he refreshed himself with his homemade dumplings and noodles. Hanfeng, however, could envision himself living a bachelor's life in his mother's flat, reading the same newspapers and comparing notes on the stories that interested them both, wandering freely through the flat when she went out for her piano lessons twice a week.

The piano was the only thing that kept his mother actively engaged with the world. Soon after Hanfeng's return, she had asked him to go to a recital she was playing in, at a local music school. It was attended by men and women Hanfeng's age, who seemed nervous when their well-trained and nicely dressed children took the stage. His mother was the only one who went up without a puppetlike show. She gazed at the sheets of music for a long moment, then started to pound on the keys with a seriousness that took Hanfeng by surprise. He had thought the piano was merely a retirement pastime for his mother, and had protested mildly when she mentioned that her goal was to be good enough one day to play four-hand with him. Hanfeng had not told her that he was no longer playing, even though a rented piano had always been the first piece of furniture to fill an empty flat in each city he moved to. Small children giggled in the audience, and a few older ones smirked, pitying the old woman for her stiff arthritic fingers, which would never again be as good and agile as theirs. Some parents shook their heads at their children disapprovingly, and it occurred to Hanfeng that he was becoming a parent for his mother, that he would be the one to protect her from the hostility of the world.

The thought baffled him. His mother had always been a headstrong woman, and with her grayish-white mane and unsmiling face, she appeared as regal and intimidating as she had ever been. Still, seeing her through other people's eyes, Hanfeng realized that all that made her who she was-the decades of solitude in her widowhood, her coldness to the prying eyes of people who tried to mask their nosiness with friendliness, and her faith in the notion of living one's own life without having to go out of one's way for other people-could be deemed pointless and laughable. Perhaps the same could be said of any living creature: a caterpillar chewing on a leaf, unaware of the beak of an approaching bird; an egret mesmerized by its reflection in a pond, as if it were the master of the universe; or Hanfeng's own folly of repeating the same pattern of hope and heartbreak, hoping despite heartbreak.

Siyu asked a few more questions, and Hanfeng replied. When there was nothing much left to say, he curled his fingers around the teacup and studied its shape, and Siyu pictured him as a young boy, spreading his slender fingers on the cold keys of a piano. His mother must have told him, when he complained about the open windows in the winter, that playing would keep the blood circulating in his hands. Siyu did not know why she imagined that; it was as unfounded as all the other things she had made up about him. In Professor Dai's flat, there were framed snapshots of Hanfeng playing in piano contests at five, eight, ten, fifteen. There were snapshots of him when he had first arrived in America, with his bright-colored T-shirt, long and flying hair, and broad smile, as picturesque and unreal as the Statue of Liberty in the background.

Siyu had been eighteen when she first saw those photographs, when she was sent as a representative from her cla.s.s to deliver a New Year's present to Professor Dai. No one had wanted that job; Professor Dai's coldness was known to be hurtful, and it made sense that Siyu, with her mild eccentricity, would be the one chosen. But that day, to Siyu's surprise, Professor Dai did not simply dismiss her from the doorway, even though she immediately placed the present, a framed painting of a golden carp, next to the wastebasket. Instead, Professor Dai invited Siyu into the flat, moved the papers that covered the dining table onto the piano bench, and let Siyu sit while she went to the kitchen to make tea. Her son was the one who played the piano, Professor Dai answered when Siyu asked, and pointed out the pictures of Hanfeng. Very vaguely, Siyu had thought that he was the kind of boy she would like to have as a boyfriend, a prize badge that she could wear to make other girls jealous. Years later, she knew it was not the thought of the boy that had made her wait on the bench outside the biology building in the mornings during college; nor was he the reason she continued to befriend Professor Dai in a manner allowed by the older woman. Occasionally, Siyu would carefully study the pictures of Hanfeng in Professor Dai's flat, and when they ran out of things to say about animals she would ask about his life in America. When Professor Dai called and asked her to meet Hanfeng, Siyu wondered if the matchmaking had come as a result of a beguiling impression she had left of her interest in a good-looking bachelor.

The waitress came to offer a fresh pot of tea. Hanfeng turned to Siyu and asked her if she was ready to leave. They had spent almost an hour talking, and he had fulfilled his mother's wish without humiliating the woman with his lack of interest. Siyu looked out the window at the willow trees, their branches waving like unruly hair in the wind. Not a great day for a walk, Hanfeng said. Siyu agreed, then asked him if he needed a ride.

"I'll take a cab home," he said.

"I'm driving past your mother's place, in any case," Siyu said. Her own flat, a small studio that she rented from a retired couple, was only minutes from Professor Dai's flat, but Siyu thought she would appear too eager if she mentioned that.

Hanfeng wished that he had made up an excuse-a lunch with a friend in another district; an exhibition or a film to see-but it was too late to correct himself now.

A WEEK LATER, Hanfeng's mother asked him if he planned to see Siyu again. They had finished their breakfast and were reading that morning's newspapers, plates and bowls scattered on the table between them. Hanfeng's mother did not raise her eyes from the page as she asked, but he knew the question was not as haphazard as it seemed. Should he? he replied.

"Do you dislike her?"

It took more than an hour over tea for him to say that he disliked a woman, Hanfeng thought, but he just shook his head slightly. He was not surprised by his mother's question. Do you dislike piano? Do you dislike piano? she had asked, when he wanted to give up the instrument at twelve for games that he could play with boys his age; she had asked, when he wanted to give up the instrument at twelve for games that he could play with boys his age; Do you dislike engineering? Do you dislike engineering?, when he thought of pursuing a literature degree in college rather than the one she had chosen for him. Before he left China, she told him that she might not have been a good mother in the worldly sense, but she considered herself successful in having given him two things: practical skills with which to earn a living, and music as the only trustworthy companion and consolation for his soul. Twenty-three, and in love with a childhood friend who was dating a chirpy girl, Hanfeng did not believe that either of his mother's gifts would in any way contribute to his happiness. America, at first glance, seemed a happy enough place, and when his friend called with the news of his engagement, Hanfeng sought out companions. All he wanted was to have some fun, he replied when more was asked of him; "have fun"-wasn't that the phrase that replaced words of farewell in many Americans' lexicon? But eventually the reply came back to taunt him: I thought we would have some fun and that's all, his last lover had said, a Chinese boy, a new immigrant, as Hanfeng himself had once been, whom Hanfeng had helped support through college.

He should ask Siyu out to a movie, his mother suggested, or a concert. When he showed a lukewarm reaction, she said, "Or ask her to have dinner with us here."

"Wouldn't that be too quick?" Hanfeng said. Even though Siyu had been introduced to him by his mother, a dinner invitation, after meeting only once, seemed to imply an approval of sorts from both him and his mother.

"She is not a stranger," his mother replied, and proceeded to check the calendar on the kitchen wall. Sat.u.r.day was a good day, she said, and when Hanfeng questioned Siyu's availability at such short notice, his concerns were dismissed. "She'll rearrange her schedule if she has to," his mother said, and wrote down the date and Siyu's number on a piece of sc.r.a.p paper.

Hanfeng wondered if Siyu had felt similar pressure from his mother. What would she have said to Siyu-I would like you to date my son? Knowing his mother, he wondered if she had simply mentioned that her son needed a wife and that she thought Siyu would be the right person for the role. "Why has she never married?" he asked. Knowing his mother, he wondered if she had simply mentioned that her son needed a wife and that she thought Siyu would be the right person for the role. "Why has she never married?" he asked.

"I imagine for the obvious reason of not having felt the need to get married."

"Does she want to get married now?" Hanfeng said. He had expected his mother to reply that Siyu had not met the right person-and then he could have questioned why his mother thought him a good choice for her.

"She didn't say no to the date last time, no?"

When Hanfeng called Siyu to invite her to dinner, the line was quiet for a moment. He waited for her to find an excuse to turn down the invitation, or, better still, to tell him that she had obliged his mother with their last meeting and the sensible thing to do now was to make their mutual disinterest known to his mother. Instead, Siyu asked him if they could possibly meet once more before the dinner. Anytime after she got off from work would do, she said. He wondered why she needed to see him when all could be settled on the phone, but he agreed to a late-afternoon meeting that day.

There was a power outage at the coffee shop where Siyu had suggested they meet. Apart from the light of a few candles on the counter, the inside of the shop, a long, narrow rectangle, was almost pitch-black. Siyu, who had arrived a few minutes earlier and taken a seat by the only window, explained to Hanfeng that the place was always quiet, and more so today, as the coffeemakers were not hissing. A sulky young girl placed a pot of tea and two cups heavily on the table. Siyu apologized for the shop's unfriendliness after the girl returned to the counter. "I'm about their only regular customer, but for three years no one has acknowledged me," she said.

"Why do you still come here?"

"It's quiet. I can a.s.sure you it's not easy to find a quiet place like this in Beijing," Siyu said. "My theory is that the proprietress is a rich man's mistress. She does not want the shop to make money for him, and he cannot close it, because it was his present to her."

Hanfeng looked around, but no one was there besides the girl at the counter. "They seem to hire unhappy people," he said.

"The proprietress is a beautiful woman," Siyu said. Hanfeng nodded. He had no further questions, and she could see that he was one of those people who would not return to the place. She wished she could tell him that, apart from the beauty of the woman who once in a while showed up at the coffee shop with an air of authority, there was little evidence to support her guess. Yet there had to be an explanation for the sad, lifeless appearance of the shop. She thought of telling him this, but he was part of the world that did not seek her explanations. The world had made up its mind about her oddity in her spinsterhood.

They sat in silence for a moment. In another place, a more romantic setting, lovers' murmurs would have been well masked by soft jazz coming from hidden speakers, their faces illuminated by candlelight, but here there was no music and the candles were lit out of necessity. The idea of getting to know Hanfeng better before having dinner with him and his mother seemed, like all the other ideas that had occurred to Siyu, a regrettable mistake. When he did not help find a harmless topic of discussion, she asked him if he was aware of his mother's wish to see him get married.

"I suppose all mothers worry about their children's marriage status," Hanfeng said vaguely. He had thought that his mother had long ago accepted who he was; when he had visited in the past, she had never pressed for any details of his American life, sparing him the pain of explaining himself. "Doesn't your mother?"

She had no right to feel let down, Siyu thought. Nevertheless, it disappointed her that Professor Dai had not told him much about her. That she had been raised by her father was, from a young age, the first thing people said of her. "I never met my mother," she said. "My father brought me up by himself."

Hanfeng looked up at her. Before he could form an apology, she said there was no need for one. She had grown up not knowing her loss, so there had not been any real loss. She wondered if that was how Hanfeng thought of his father. Professor Dai had never mentioned her late husband, but Siyu had once had a summer job in the department office, and had heard other professors and the secretaries talk about how he had died in a snowstorm when his bicycle skidded in front of a bus. An accident that no one could be blamed for, but Siyu had sensed the others' disapproval of Professor Dai, as if she were partially responsible for the unfair fate that befell the man; the dead husband, by contrast, was always praised as the gentlest person.

"What was it like to grow up with only a father?" Hanfeng asked. He had little recollection of his father, but there were photographs, taken when Hanfeng had turned a hundred days, six months, one year, and then two years old. In all four pictures, he was flanked by his parents, who looked serious and attentive. They would have been called "gold boy" and "emerald girl" at their wedding, enviable for their matching good looks. It must have been his father's idea to have a family picture taken at every milestone of his life, since after his father's death Hanfeng had never been in the same photograph as his mother.

Siyu replied that she imagined it was not very different from growing up with only a mother. There was no other parent to whom they could compare the one they had, and love did not have to be balanced and divided between two people; the claiming of loyalty was unnecessary. Siyu did not say these things, but there was a gentleness in Hanfeng's eyes where before there had been only aloofness, and she knew that he understood.

Hanfeng turned away from Siyu's gaze and looked out the window. A woman in a heavy mud-colored coat was riding a bicycle and threading through the long line of cars in the street. A young child, bundled up in a gray shawl, so that its gender could not be determined, sat on a bamboo chair affixed to the back rack of the bicycle, as unfazed as the mother was by the impatient honking of drivers around them. Hanfeng pointed out the child to Siyu, knowing that both of them had traveled the streets of Beijing in that way, he behind his mother, she her father.

After the woman and her child had disappeared from sight, Siyu said that when she started to ride her bicycle to school at twelve, her father would get up every morning and run after her until she reached the school gate. She used to be ashamed of being the only one escorted to school by a running father, but she could never say no to him.

"He must be the most loving father in the world," Hanfeng said.

Siyu nodded. A door behind the counter opened and then closed, and for a moment it seemed that the flickering candles would be extinguished. She had had to squeeze the hand brake often on the downhill ride to the school so that her father's panting would not be so loud that other people took notice, and only when she was much older did she realize that her father had insisted on running beside her so that she would not become one of the wild youngsters who sped and broke an arm or a skull in an accident. She had always been aware of his love for her and for her mother, even though he had not said much, but in the end she had been the one to make up grand excuses for her absence. You're still my only daughter, he said to her when she decided not to attend his wedding; you're part of the family, he said when she told him that she would not be coming home for the Lunar New Year. He did not need her to complicate his life, she replied, knowing that he would stoically accept her proposal of a monthly lunch as their only way of remaining father and daughter.

Ungrateful and coldhearted she must seem in the eyes of old neighbors and family friends, but how could she stay in his sight when she was going through her life with a reckless speed known only to herself, all because of a love she could not explain and did not have the right to claim in the first place? I wonder if I made a mistake by bringing you up alone, her father had said to her at their most recent lunch, taking it as his failure that she had not found a husband. I was afraid of what a stepmother would do to a girl, but perhaps a woman would have made a difference, he said, less guarded and more talkative now in his old age. Siyu shook her head and denied that he had anything to regret. That she had grown up without a mother could be a ready explanation for anything-her oddness in her teenage years, her choice of an unremarkable job despite her excellence in schoolwork, her singleness. Were people to know her secret, they might easily conclude that she had spent her life looking for a mother in her love of an older woman, but Siyu did not believe that things would have turned out any differently had she had a mother.

A beautiful and sad woman, Hanfeng thought as he looked at Siyu's face. As beautiful and sad a woman, perhaps, as his mother had once been. Could this account for his mother's wish for a marriage between Siyu and him? Hanfeng had been surprised, at first, that a former student would remain close to his mother. She had not been the kind to pick favorites among her students; nor had she ever encouraged any personal interaction with them, as far as he knew, though he could see why Siyu, motherless and with a gentle and loving father, might seek out a professor despite, or perhaps because of, her sternness. But Siyu seemed to know his mother only in a peripheral way, as a pupil, and Hanfeng wondered if this was why his mother had allowed the younger woman to remain a friend. When Hanfeng was ten, a woman had come from a southern province to see his mother. An unannounced visit, he could tell, when his mother had returned home in the evening and found him sh.e.l.ling peas alongside the guest, their knees almost touching, on two low stools. The woman, who had told Hanfeng that she was a very old friend of his mother's and was planning to stay with them for a week, left the next morning before he awoke. He was puzzled but intuitively knew not to ask his mother about it. Still, the image of the woman's face, pale at the sight of his mother, and her hands, which let the peas fall into the pile of sh.e.l.ls, stayed with Hanfeng. He could not pinpoint when he understood that there had been betrayals between the two friends, but by the time he left home for college he knew that he would never learn the true story, his mother having long ago decided to live alone with the secret until her death.

AT THE DINNER, both Siyu and Hanfeng felt a shyness around each other, but Professor Dai did not let the awkwardness deter her. "When you are young, you marry for pa.s.sion," she said, looking first at her son and then at her future daughter-in-law. "When you're older, you marry for companionship."

Hanfeng glanced down at his plate. One day she would die, his mother had said to him the night before, after he had listened to her stumble through a Chopin piece on the piano. There was nothing to grieve about in her death, but she would like to see that he did not repeat her fate. Repeat? Hanfeng asked, pretending that he did not understand and knowing that she could see through him. She would like him to marry Siyu, his mother had said. There were many ways to maintain a marriage, and she expected theirs to be far from the worst.

The same message had been conveyed to Siyu, when Hanfeng was sent to buy a bottle of wine for dinner. She was helping Professor Dai lay the table, and when she looked over, the older woman paired the chopsticks without meeting her eyes. Siyu had never mentioned the strangers she had been matched up with over the years, but one New Year's Eve, Professor Dai had told Siyu that she shouldn't get married if it was not what she wanted. They had just finished dinner, and sitting across the table from Professor Dai, Siyu could see the prints of bamboo leaves on the curtain lit up by the fireworks outside. Professor Dai had opened a bottle of wine that year, an unusual addition to the holiday meal, as neither of them was the type to celebrate. You could feel trapped by the wrong man, Professor Dai said. Her voice, softened by the wine, was less steely and almost inaudible beneath the booming of the fireworks. You would have to wish for his death every day of your marriage, she said, but once the wish was granted by a miracle, you would never be free of your own cruelty. Siyu listened, knowing that the older woman was talking about herself, knowing also that both of them would pretend to have forgotten the conversation after that night. Other conversations, on other New Year's Eves, were never mentioned again. One year, Siyu told Professor Dai about her mother's suicide; another year, Professor Dai mentioned that her son had no interest in marriage. Professor Dai's acknowledgment of Siyu's decision to purchase a secondhand car so that the older woman could avoid taking a crowded bus or enduring a chatty cabdriver was hinted at but not directly stated, and so was her grat.i.tude for Siyu's alertness, when she failed to answer Siyu's weekly phone call and Siyu discovered the older woman on the floor by the piano, having suffered a stroke.

She had remained unmarried for Professor Dai, Siyu thought now, and she would, with her blessing, become a married woman. She would not wish for her husband's death, as his mother had, because the marriage, arranged as it was, would still be a love marriage. Siyu had wished to be a companion for Professor Dai in her old age, and her wish would now be granted, an unexpected gift from a stingy life.

"So this is an engagement dinner, then?" Hanfeng said, feeling that it was his duty to say something to avoid silence among the three of them. He doubted that he would feel any deficiency in his life without a wife, he had said the night before, and his mother had replied that Siyu was not the kind of woman who would take much away from him.

"We don't need any formality among us," Professor Dai said now, and told Siyu that she should move in at her earliest convenience instead of wasting money on rent. Siyu looked down the hallway, knowing that the room which served as a piano studio for Professor Dai would be converted into the third bedroom, the piano relocated to the living room. She could see herself standing by the window and listening to Hanfeng and Professor Dai play four-hand, and she could see the day when she would replace Professor Dai on the piano bench, her husband patient with her inexperienced fingers. They were half orphans, and beyond that there was the love for his mother that they could share with no one else, he as a son who had once left but had now returned, she who had not left and would never leave. They were lonely and sad people, all three of them, and they would not make one another less sad, but they could, with great care, make a world that would accommodate their loneliness.

Acknowledgments.

As always, I am deeply grateful to: Sarah Chalfant and Jin Auh, for taking extraordinary care of my work; Kate Medina and Nicholas Pearson, for their continuing support; Cressida Leyshon, for the many great discussions about stories.

Amy Leach and Aviya Kushner, for being indefatigable friends.

Dapeng, Vincent, and James, for their love.

Mr. William Trevor, for his generosity and kindness.

ABOUT THE AUTHOR.

YIYUN L LI is the author of is the author of A Thousand Years of Good Prayers A Thousand Years of Good Prayers and and The Vagrants The Vagrants. A native of Beijing and a graduate of the Iowa Writer's Workshop, she is the recipient of the Frank O'Connor International Short Story Award, the Hemingway Foundation/PEN Award, the Whiting Writers' Award, and the Guardian Guardian First Book Award. In 2007, First Book Award. In 2007, Granta Granta named her one of the best American novelists under thirty-five. Her work has appeared in named her one of the best American novelists under thirty-five. Her work has appeared in The New Yorker, A Public s.p.a.ce, The Best American Short Stories, The O. Henry Prize Stories The New Yorker, A Public s.p.a.ce, The Best American Short Stories, The O. Henry Prize Stories, and elsewhere. She teaches writing at the University of California, Davis, and lives in Oakland, California, with her husband and their two sons.

Reading Group Questions and Discussion Topics for

Gold Boy, Emerald Girl

Reading Group Questions and Discussion Topics for Gold Boy, Emerald Girl: Gold Boy, Emerald Girl: 1. It seems that none of the stories from the collection can straightforwardly be called a happy story, yet happiness is never far from the characters' minds. For instance, in "Kindness," Moyan describes her happiness looking at trees, saying: "I loved trees more than I loved people; I still do." In "Souvenir," the unnamed young woman believes that she was happiest when she sat with a young man who had gone crazy from torture, because she could be like a piece of harmless furniture to him. What are other instances of happiness for the characters in this collection? What have the characters given up to achieve their happiness, and what do these compromises reveal about the characters and the time they live in?

2. Every one of the stories in the collection has a love story, or several love stories, in it. What are the moments in these stories when love transcends the bleakness and "fatality of humankind," as the young woman in "Souvenir" calls it at the end of the story?

3. Many of the stories are set in China at a time when the modern world clashes with traditions, creating situations that baffle the characters and change their lives in one way or another. For instance, in "The Proprietress," a young woman finds herself the object of a great deal of media attention when she pet.i.tions to have a baby with her husband, who is on death row. What are some other situations that you find especially fascinating or perplexing in these stories? Do you think these situations are particular to life in China, or are they more universal?

4. The beauty of human memory is that, in any given moment, each of us is living multiple lives, anch.o.r.ed in different time periods-our decisions and perceptions about our lives reflect not only the present moment but also what has been carried on in our memories. History, especially Chinese history in the past fifty years, has given Li's characters richly layered memories. Which of their memories moved you most, and why?

5. Many of the stories feature older characters-an old woman unwilling to give her son and daughter-in-law control of her life in "The Proprietress"; Teacher Fei, the retired art teacher, and his mother in "A Man Like Him"; the six friends who establish a business to fight against extramarital affairs in "House Fire." What do you think Li, a writer in her thirties, has done to make these characters believable? What makes their stories important and compelling?

6. Many of the stories are set in China, which, in the past thirty years, has transformed itself with dazzling speed. Yet in any society, during any given period, human nature evolves at a much slower pace. What are some of the beauties and follies of human nature that you have seen in the characters that seem to have remained unchanged, despite the surface excitement of a new country and a new millennium?

7. The centerpiece of the collection is the novella "Kindness." What sorts of kindness and unkindness are present in the novella? And in the other stories? How do the characters in these stories come to term with the kindness and unkindness of their fates?

8. Despite the major and minor tragedies many of these characters have to live with, there are moments in each story when a character allows him- or herself to envision a future that is at least a little better than the past, or the present. In "Number Three, Garden Road," the two neighbors allow themselves to be "happily occupied" in the falling dusk by the music of an old banjo; the t.i.tle story, "Gold Boy, Emerald Girl," ends with Siyu's thought that "they were lonely and sad people, all three of them, and they would not make one another less sad, but they could, with great care, make a world that would accommodate their loneliness." What are other instances when the characters, despite the harshness or bleakness of their lives, do not lose their ability to imagine a better future?

9. Li grew up in China, and English is not her first language. Is there anything about her writing that would indicate this to you, if you didn't know already? What do you think makes her writing stand out, as a writer in a second language?

ALSO BY YIYUN LI.

The Vagrants