Ghostwritten Part 4

'Seedy! CD! See-Dee!'

I wince in genuine pain and Mr Fujimoto gurgles appreciatively. The worse the better.

This lunchtime Mr Fujimoto was looking for something Lee Morgan-ish. I recommendedHank Mobley's 'A Caddyfor Daddy', which he promptly bought. I know his tastes. Anything on the loony side of funky. As I handed over his change he suddenly became serious. He switched to a more formal mode of speech, took off his heavy gla.s.ses, and started cleaning the lenses.

'I was wondering whether you might be planning to apply for college next year?'

'Not really, no...'

'So, would you be thinking about entering a particular profession?'

He'd rehea.r.s.ed this beforehand. I guessed what was coming.

'I don't really have any plans at the moment. I guess I'll just wait and see.'

'Of course, Satoru, it's absolutely none of my business, and please forgive me for interfering in your plans, but the only reason I'm asking is that a couple of positions in my office have just become available. Very humble. Just glorified editorial a.s.sistants, basically, but if you were interested in applying then I'd be happy to recommend you for one of them. Certainly I could get you to the interview stage. And it would be a foot in the door. I started out myself this way, you know. Everybody needs a step up, occasionally.'

I looked around the shop.

'That's a very generous offer, Mr Fujimoto. I'm not sure how to answer.'

'Think it over, Satoru. I'm going to Kyoto for a few days on business. We won't start interviewing until I get back. I'd be happy to have a word with your present employer on your behalf, if that's what's worrying you... I know Takeshi has a lot of respect for you, so he wouldn't stand in your way.'

'No, it's not really that. Thank you. I'll think seriously about it. Thank you... How much are the books?'

'Nothing. Your consultancy fee. They're just a few samples, we give 'em out free to people in the trade. These pocket paperback cla.s.sics, they walk off the shelves. I remember you said you enjoyed The Great Gatsby The Great Gatsby there's a new Murakami translation of Fitzgerald's short stories we've just brought out, there's a new Murakami translation of Fitzgerald's short stories we've just brought out, The Lord of the Flies The Lord of the Flies, that's a laugh-a-minute, and a new Garcia Marquez.'

'It's very kind of you.'

'Nonsense! Just give the idea of publishing a serious think. There are worse ways to make a living.'

I'd thought about the girl every day since. Twenty or thirty or forty times a day. I'd find myself thinking of her and then not want to stop, like not wanting to get out of a hot shower on a winter morning. I ran my fingers through my hair and contemplated my face, using a Fats Navarro CD as a hand-mirror. Could she ever feel the same way back? I couldn't even remember accurately what she looked like. Smooth skin, highish cheekbones, narrowish eyes. Like a Chinese empress. I didn't really think of her face when I thought of her. She was just there, a colour that didn't have a name yet. The idea of her.

I got angry with myself. It's not as if I'm ever going to see her again. This is Tokyo. And besides, even if I did see her again, why should she be in the least bit interested in me? My mind can only hold one thought at a time. I may as well make it a thought worthwhile.

I thought about Mr Fujimoto's offer. What am I doing here? Koji's getting on with his life. All my high school cla.s.smates are in college or in a company. I am unfailingly updated on their progress by Koji's mum. What am I doing?

A guy in a wheelchair flashed by outside.

Hey, hey, this is my place, remember. Time for jazz.

'Undercurrent' by Jim Hall and Bill Evans. An alb.u.m of water, choppy and brushed by the wind, at other times silent and slow under trees. On other songs, chords glinting on inland seas.

The girl was there, too, swimming naked on her back, buoyed along by the currents.

I made myself some green tea and watched the steam rise into the disturbed afternoon. Koji was knocking on the window, grinning at me berkishly, and pressing his face up against the gla.s.s so he looked like a poison dwarf.

I had to grin back. He came in, walking his loping b.u.mpy walk.

'You were miles away. I came via Mister Donuts. Vanilla Angel Donuts okay?'

'Thanks. Let me make you some tea. This great Keith Jarrett record came in yesterday, you must give it a listen. I can't believe he makes it up as he goes along.'

'A hallmark of genius. Fancy a couple of drinks later?'

'Where?'

'Dunno. Somewhere frequented by nubile girls on the prowl for young male flesh. The Students Union bar perhaps. But if you're busy sorting out the meaning of existence we could make it another night. Smoke?'

'Sure. Pull up a chair.'

Koji likes to think of himself as a ruthless womaniser like Takeshi, but really his emotions are as ruthless as a Vanilla Angel Donut. That's one reason I like him.

We lit up. 'Koji, do you believe in love at first sight?'

He rocked back on his chair and smiled like a wolf. 'Who is she?'

'No no no no. No one. I was just asking.'

Koji the philosopher gazed upwards. At length he blew a smoke ring. 'I believe in l.u.s.t at first sight. You gotta keep a certain hardness, or you just turn to goo. And goo isn't attractive. And whatever you do, don't let her know how you feel. Or you're lost.' Koji went into Humphrey Bogart mode. 'Stay enigmatic, kid. Stay tough. You hear?'

'Yeah, yeah, like you, for example. You were as tough as Bambi when you were last in love. But seriously?'

Another smoke ring. 'But seriously... well, love has got to be based on knowledge, hasn't it? You have to know someone intimately to be able to love them. So love at first first sight is a contradiction in terms. Unless in that first sight there's some sort of mystical gigabyte downloading of information from one mind into the other. That doesn't sound too likely, does it?' sight is a contradiction in terms. Unless in that first sight there's some sort of mystical gigabyte downloading of information from one mind into the other. That doesn't sound too likely, does it?'

'Mmm. Dunno.'

I poured my friend's tea.

The cherry blossoms were suddenly there. Magic, frothing and bubbling and there just above our heads filling the air with colour too delicate for words like 'pink' or 'white'. How had such grim trees created something so otherworldy in a backstreet with no agreed-upon name? An annual miracle, beyond my understanding.

It was a morning for Ella Fitzgerald. There are fine things in the world, after all. Dignity, refinement, warmth and humour, where you'd never expect to find them. Even as an old woman, an amputee in a wheelchair, Ella sang like a girl who could still be at high school, falling in love for the first time.

The phone rang. 'It's Takeshi.'

'Hi, boss. Are you having a good day?'

'I am not having a good day. I'm having a very bad day.'

'I'm sorry to hear that.'

'I am a fool. A b.l.o.o.d.y fool. A b.l.o.o.d.y, b.l.o.o.d.y fool. Why do men do this?' He was drunk, and me still on my morning tea. 'Where does this impulse come from, Satoru? Tell me!' Like I knew but was refusing to grant him enlightenment. 'A sticky wrestle in an anonymous bedroom, a few bitemarks, about three seconds' worth of o.r.g.a.s.m if you're lucky, a pleasant drowse for thirty minutes and when you come to you suddenly realise you've become a lecherous, lying sleazebag who's flushing several million sperm and six years of marriage down the toilet. Why are we programmed to do this? Why?'

I couldn't think of an answer that was both honest and consoling. So I went for honesty. 'No idea.'

Takeshi told the same story three times in a loop. 'My wife dropped by to pick me up for lunch. We were going to go out, talk things over, maybe sort things out... I'd bought her some flowers, she'd bought me a new striped jacket she'd seen somewhere. Hopelessly uncool, of course, but she remembered my size. It was a peace-pipe. We were just leaving when she went to the bathroom and what did she find?'

I almost said 'a nurse's corpse', but thought better of it. 'What?'

'Her bag. And dressing gown. The nurse's. And the message she'd written to me, in lipstick. On the inside of the mirror.'

'What was the message?'

I heard ice cubes crack as Takeshi poured himself another drink. 'None of your business. But when my wife read it she calmly walked back into the living room, poured vodka on the jacket, set it alight, and left. The jacket shrivelled up and melted.'

'The power of the written word.'

'd.a.m.n it, Satoru, I wish I was your age again. It was all so b.l.o.o.d.y simple back then! What have I done? Where does this myth come from?'

'What myth?'

'The one that plagues all men. The one that says a life without darkness and s.e.x and mystery is only half a life. Why? And it was hardly like I'd been rooting Miss Celestial Beauty Incarnate. She was just some stupid slag of a nurse... Why?'

I'm only nineteen. Graduated from high school last year. I don't know.

It was all pretty pathetic to listen to. Luckily at that moment Mama-san and Taro came in so I could leave Takeshi's unanswerable questions unanswered.

If Mama-san were a bird she would be a kind, white, crow.

Taro would not be a bird. Taro would be a tank. For decades, long before I was on the scene, he has escorted Mama-san everywhere. Their relationship has depths to it that I've certainly never sussed. I've seen old photos of them from the sixties and seventies. They were a beautiful couple, in their way. Now they make me think of a frail mistress and a faithful bulldog. Taro, the rumours go, used to do odd jobs for the yakuza in his youth. Debt collection, and suchlike. He still has some versatile friends in that world, which is very useful when it comes to paying protection money on The Wild Orchid. Mama-san gets a sixty per cent discount. Another of those friends with connections at city hall managed to obtain my full j.a.panese citizenship.

Mama-san brought me my lunch box. 'I know you overslept this morning,' she crackled, 'because of all the b.l.o.o.d.y racket.'

'Sorry. What time did the last guests leave last night?'

'The Mitsubishi men: 3.30 a.m., or so... One of them has a real thing for Yumi-chan. He insisted on a date next Sat.u.r.day.'

'What did Yumi-chan say?'

'The Mitsubishi men pay on time. They have a whacking entertainment budget they need to use up every month. I promised her a new outfit from somewhere plush if she said yes. Besides, the man's married, so it won't get complicated.'

'Go out with Koji last night?' Taro cased the joint like a bodyguard looking for escape routes.

'Yes. I drank a bit too much. That's why I overslept.'

Taro guffawed. 'He's a good lad, that Koji. He's got his s.h.i.t together. Meet any chicks?'

'Only ones who want to know whether your sportscar has tinted windows.'

Taro harrumphed. 'Brains aren't everything in a woman. Ayaka was saying only this morning, a lad your age should be stoking the poker more, it's not healthy to-'

'Taro, put Satoru down.' Mama-san smiled at me contentedly. 'Aren't the cherry blossoms outside a picture? Taro's taking me on a shopping expedition, and then we're going to see the blossoms in Ueno Park. Mrs Nakamori's girls have invited ours along to a cherry-blossom party this afternoon, so we're going along to make sure they don't get up to too much mischief. Oh yes. That reminds me. Mrs Nakamori asked if you and Koji might be free to play in their c.o.c.ktail lounge next Sunday. Apparently the trombonist in their regular band was involved in some sort of accident involving a bent pipe and some zoo animals. I thought it best not to pry. The poor man isn't going to be able to unbend his arm until June, so the band has had to cancel their fixtures. I told Mrs Nakamori that I wasn't sure when Koji started back at college. Maybe you could give her a ring today or tomorrow? Come along now, Taro. We must be off.'

Taro picked up the book I was reading. 'What's this? Madame Bovary Madame Bovary, eh? That French geezer? Wouldn't you credit it, Mama-san? We couldn't get him to study for six years of education, now he's reading on the job.' He read out a bit I'd underlined: '"One should be wary of touching one's idols, for the gilt comes off on one's fingers."' He thought about it for a moment. 'Funny things, books. Yes, Mama-san. We'd better go.'

'Thanks for bringing my lunch.'

Mama-san nodded. 'Ayaka made it. It's broiled eel. She knows how much you like it. Remember to thank her later. Goodbye now.'

The sky was brightening up. I ate my boxed lunch, wishing I was in Ueno Park too. Mama-san's girls are fun. They treat me like a kid brother. They would have spread out a big blanket under a tree and would be singing old tunes with made-up words. I've seen foreigners get drunk in bars out in Shibuya and places, and they turn into animals. j.a.panese people never do that. The men might get friskier, but never violent. Alcohol lets off steam for j.a.panese. For foreigners, alcohol just seems to build steam up. And they kiss in public, too! I've seen them stick their tongues in and grope the girl's b.r.e.a.s.t.s. In bars, where everyone can see! I can never get over that. Mama-san always tells Taro to tell them we're full, or else she stings them for such a whopping cover charge that they never come back.

The disc finished. I ate the last morsel of broiled eel, rice and pickle. Ayaka knew how to make a good boxed lunch.

My back hurt. I'm too young for my back to hurt. This chair has become really uncomfortable lately, I can't sit still. When Takeshi gets over his present financial crisis I'll ask him about getting a new one. Looks like I'll have to wait a long time, though. I wondered what to play next. I burrowed through a box full of unsorted discs that Takeshi had left on the floor behind the counter, but there was nothing I didn't already know. Surely I could find something. We have twelve thousand discs in stock. I realised I was scared of not needing music any more.

It turned out to be quite a busy afternoon. A lot of browsers, but a lot of buyers too. Seven o'clock came round quickly. I cashed up, put the takings in the safe in the tiny office, set the alarm and locked the office door. Put my lunch box and Madame Bovary Madame Bovary in my bag, a Benny Goodman CD that I was going to borrow that night a perk of the job flicked off the lights, and locked the door. in my bag, a Benny Goodman CD that I was going to borrow that night a perk of the job flicked off the lights, and locked the door.

I was outside rolling down the shutter when I heard the phone ringing inside. d.a.m.n! My first impulse was to pretend I hadn't heard it, but then I knew that I'd be spending the whole evening wondering who had been trying to ring. I'd probably have to start phoning round people just to see if they'd phoned me, me, and if I did that I'd have to explain why I hadn't answered in the first place... d.a.m.n it. It would be easier just to open up the shop again and answer it. and if I did that I'd have to explain why I hadn't answered in the first place... d.a.m.n it. It would be easier just to open up the shop again and answer it.

I've thought about it many times since: if that phone hadn't rung at that moment, and if I hadn't taken the decision to go back and answer it, then everything that happened afterwards wouldn't have happened.

An unknown voice. Soft, worried. 'It's Quasar. The dog needs to be fed!' 'It's Quasar. The dog needs to be fed!'

Excuse me? I listened for more. The static hiss sounded like the crashing of waves, or could it be the noise of a pac.h.i.n.ko arcade? I didn't say anything it's best not to encourage these crank callers. There was nothing more. As though he was waiting for something. So I waited a little longer, and then I hung up, puzzled. Oh well.

I had my back to the door when it opened. The bell jingled, and I thought, 'Oh no, let me out of here!' I turned round, and when I looked up I almost fell backwards over a limited edition box set of Lester Young. The floor of Takeshi's Jazz Hole swelled.

It's you! Peering into the dimness of my place. Peering into the dimness of my place.

She was speaking to me. She was actually here. She'd come back alone. I'd imagined this scene so many times in my head, but each time it was I I who started things. I almost didn't catch what she was saying. She'd actually come back! who started things. I almost didn't catch what she was saying. She'd actually come back!

'Are you still open?'

'-yes!'

'You don't seem very open. The lights are off.'

'-yes! Erm, I was getting ready to close, but until I close, I'm very completely open. Here!' I switched the lights on again. 'There.' Wishing I sounded cooler. I must look like a junior high school kid.

'Don't let me stop you going home.'

'Don't let no, you're not. Erm, I. Take your time. Please. Come in.'

'Thank you.' The her that lived in her looked out through her eyes, through my eyes and at the me that lives in me.

'I-' I began.

'This-' she began.

'Go on,' we both said.

'No,' I said. 'You go on. You're the lady.'

'You're going to think I'm a nutcase, but I came in about ten days ago, and,' she was unconsciously rolling on the b.a.l.l.s of her heels, 'and there was this piece of music you were playing... I can't get it out of my head. A piano and a saxophone. I mean, there's no reason why you should have remembered it or me or anything...' She trailed off. There was something odd about the way she spoke. Her accent swung this way and that. I loved it.