Gerfaut Part 31

replied the artist, rubbing his hands with a radiant air. "Would you like a tale from the Middle Ages? a fairy, an eastern, a comical, or a private story? I warn you that the latter style is less old-fashioned than the others."

"Let us have it, then, by all means," said all the drunken voices.

"Very well. Now would you like it to be laid in Spain, Arabia, or France?"

"France!" exclaimed the prosecutor.

"I am French, you are French, he is French. You shall have a French story."

Marillac leaned his forehead upon his hands, and his elbows upon the table, as if to gather his scattered ideas. After a few moments'

reflection, he raised his head and looked first at Gerfaut, then at Bergenheim, with a peculiar smile.

"It would be very original," said he, in a low voice as if replying to his own thoughts.

"The story!" exclaimed one of the party, more impatient than the rest.

"Here it is," replied the artist. "You all know, gentlemen, how difficult it always is to choose a t.i.tle. In order not to make you wait, I have chosen one which is already well known. My story is to be called 'The husband, the wife, and the lover.' We are not all single men here, and a wise proverb says that one must never speak--"

In spite of his muddled brain, the artist did not finish his quotation.

A remnant of common-sense made him realize that he was treading upon dangerous ground and was upon the point of committing an unpardonable indiscretion. Fortunately, the Baron had paid no attention to his words; but Gerfaut was frightened at his friend's jabbering, and threw him a glance of the most threatening advice to be prudent. Marillac vaguely understood his mistake, and was half intimidated by this glance; he leaned before the notary and said to him, in a voice which he tried to make confidential, but which could be heard from one end of the table to the other:

"Be calm, Octave, I will tell it in obscure words and in such a way that he will not see anything in it. It is a scene for a drama that I have in my mind."

"You will make some grotesque blunder, if you go on drinking and talking," replied Gerfaut, in an anxious voice. "Hold your tongue, or else come away from the table with me."

"When I tell you that I will use obscure words," replied the artist; "what do you take me for? I swear to you that I will gloss it over in such a way that n.o.body will suspect anything."

"The story! the story!" exclaimed several, who were amused by the incoherent chattering of the artist.

"Here it is," said the latter, sitting upright in his char, and paying no heed to his friend's warnings. "The scene takes place in a little court in Germany--Eh!" said he, looking at Gerfaut and maliciously winking his eye--"do you not think that is glossed over?"

"Not in a German court, you said it was to be a French story," said the public prosecutor, disposed to play the critic toward the orator who had reduced him to silence.

"Well, it is a French story, but the scene is laid in Germany," he replied, coolly. "Do you desire to teach me my profession? Understand that nothing is more elastic than a German court; the story-teller can introduce there whoever he likes; I may bring in the Shah of Persia and the Emperor of China if I care to. However, if you prefer the court of Italy, it is the same thing to me."

This conciliating proposal remained without response. Marillac continued raising his eyes in such a way that nothing but the whites could be seen, and as if he were searching for his words in the ceiling.

"The Princess Borinski was walking slowly in the mysterious alley on the borders of the foaming torrent--"

"Borinski! she is a Pole, then?" interrupted M. de Camier.

"Oh! go to the devil, old man! Do not interrupt me," exclaimed the artist, impatiently.

"That is right. Silence now."

"You have the floor," said several voices at once.

"--She was pale, and she heaved convulsive sighs and wrung her soft, warm hands, and a white pearl rolled from her dark lashes, and--"

"Why do you begin all your phrases with 'and?'" asked the public prosecutor, with the captiousness of an inexorable critic.

"Because it is biblical and unaffected. Now let me alone," replied Marillac, with superb disdain. "You are a police-officer; I am an artist; what is there in common between you and me? I will continue: And he saw this pensive, weeping woman pa.s.s in the distance, and he said to the Prince: 'Borinski, a bit of root in which my foot caught has hurt my limb, will you suffer me to return to the palace? And the Prince Borinski said to him, 'Shall my men carry you in a palanquin?' and the cunning Octave replied--"

"Your story has not even common-sense and you are a terrible bore,"

interrupted Gerfaut brusquely. "Gentlemen, are we going to sit at the table all night?"

He arose, but n.o.body followed his example. Bergenheim, who for the last few minutes had lent an attentive ear to the artist's story, gazed alternately at the two friends with an observing eye.

"Let him talk," said the young magistrate, with an ironical smile.

"I like the palanquin in the court of Germany. That is probably what novelists call local color. O Racine, poor, deserted Racine!"

Marillac was not intimidated this time by Gerfaut's withering glance, but, with the obstinacy of drunkenness, continued in a more or less stammering voice:

"I swore that I would gloss it over; you annoy me. I committed an error, gentlemen, in calling the lover in this story Octave. It is as clear as day that his name is Boleslas, Boleslas Matalowski. There is no more connection between him and my friend Octave than there is between my other friend Bergenheim and the prince Kolinski--Woginski--what the devil has become of my Prince's name? A good reward to whoever will tell me his name!"

"It is wrong to take advantage of his condition and make him talk any more," said Gerfaut. "I beg of you, Marillac, hold your tongue and come with me," said he, lowering his voice as he leaned toward the headstrong story-teller and took him by the arm, trying to make him rise. This attempt only irritated Marillac; he seized hold of the edge of the table and clung to it with all his might, screaming:

"No! a thousand times no! I will finish my story. President, allow me to speak. Ah! ha! you wish to prevent me from speaking because you know that I tell a story better than you, and that I make an impression upon my audience. You never have been able to catch my chic. Jealous!

Envious! I know you, serpent!"

"I beg of you, if you ever cared for me, listen!" replied Octave, who, as he bent over his friend, noticed the Baron's attentive look.

"No, I say no!" shouted the artist again, and he added to this word one of the ugliest-sounding oaths in the French language. He arose, and pushing Octave aside, leaned upon the table, bursting into a loud laugh.

"Poets all," said he, "be rea.s.sured and rejoice. You shall have your story, in spite of those envious serpents. But first give me something to drink, for my throat is like a box of matches. No wine," he added, as he saw the notary armed with a bottle. "This devilish wine has made me thirsty instead of refreshing me; besides, I am going to be as sober as a judge."

Gerfaut, with the desperation of a man who sees that he is about to be ruined, seized him again by the arm and tried to fascinate him by his steady gaze. But he obtained no response to this mute and threatening supplication except a stupid smile and these stammering words:

"Give me something to drink, Boleslas--Marinski-Graboski--I believe that Satan has lighted his heating apparatus within my stomach."

The persons seated near the two friends heard an angry hiss from Gerfaut's lips. He suddenly leaned over, and taking, from among several bottles, a little carafe he filled Marillac's gla.s.s to the brim.

"Thanks," said the latter, trying to stand erect upon his legs; "you are an angel. Rest easy, your love affairs will run no risk. I will gloss it all over--To your health, gentlemen!"

He emptied the gla.s.s and put it upon the table; he then smiled and waved his hand at his auditors with true royal courtesy; but his mouth remained half open as if his lips were petrified, his eyes grew large and a.s.sumed a haggard expression; the hand he had stretched out fell to his side; a second more, and he reeled and fell from his chair as if he had had a stroke of apoplexy.

Gerfaut, whose eyes had not left him, watched these different symptoms with unutterable anxiety; but in spite of his fright, he drew a sigh of relief when he saw Marillac mute and speechless.

"It is singular," observed the notary, as he aided in removing his neighbor from the table, "that gla.s.s of water had more effect upon him than four or five bottles of wine."

"Georges," said Gerfaut to one of the servants, in an agitated voice, "open his bed and help me carry him to it; Monsieur de Bergenheim, I suppose there is a chemist near here, if I should need any medicine."

The greater part of the guests arose at this unexpected incident, and some of them hastened to Marillac's side, as he remained motionless in his chair. The repeated bathing of his temples with cold water and the holding of salts to his nose were not able to bring him to consciousness.

Instead of going to his aid with the others, Bergenheim profited by the general confusion to lean over the table. He plunged his finger into the artist's gla.s.s, in which a part of the water remained, and then touched his tongue. Only the notary noticed this movement. Thinking this rather strange, he seized the gla.s.s in his turn and swallowed the few drops that it contained.

"Heavens!" he exclaimed, in a low voice, to Bergenheim, "I am not surprised that the b.u.mper asphyxiated him on the spot. Do you know, Baron, if this Monsieur de Gerfaut had taken anything but water during the evening, I should say that he was the drunker of the two; or that, if they were not such good friends, he wished to poison him in order to stop his talk. Did you notice that he did not seem pleased to hear this story?"

"Ah! you, too!" exclaimed the Baron angrily, "everybody will know it."