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Gerfaut Part 25

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In the midst of this racket, a cry, more piercing than the others, rang out, a cry of agony and despair.

"Constance!" exclaimed Mademoiselle de Corandeuil, in a falsetto voice full of terror; she rushed to one of the windows and all followed her.

The spectacle in the courtyard was as noisy as it was picturesque.

Marillac, seated upon a bench, was blowing upon a trumpet, trying to play the waltz from Robert-le-Diable in a true infernal manner. At his feet were seven or eight hunters and as many servants encouraging him by their shouts. The Baron's pack of hounds, of great renown in the country, was composed of about forty dogs, all branded upon their right thighs with the Bergenheim coat-of-arms. From time immemorial, the chateau's dogs had been branded thus with their master's crest, and Christian, who was a great stickler for old customs, had taken care not to drop this one. This feudal sign had probably acted upon the morals of the pack, for it was impossible to find, within twenty leagues, a collection of more snarly terriers, dissolute hounds, ugly bloodhounds, or more quarrelsome greyhounds. They were perfect hunters, but it seemed as if, on account of their being dogs of quality, all vices were permitted them.

In the midst of this horde, without respect for law or order, the unfortunate Constance had found herself after crossing the ante-chamber, vestibule, and outside steps, still pursued by the sounds from Christian's huge horn. An honest merchant surprised at the turn of the road by a band of robbers would not have been greeted any better than the poodle was at the moment she darted into the yard. It may have been that the quarrel between the Bergenheims and Corandeuils had reached the canine species; it may have been at the instigation of the footmen, who all cordially detested the beast--the sad fact remains that she was pounced upon in a moment as if she were a deer, s.n.a.t.c.hed, turned topsy-turvy, rolled, kicked about, and bitten by the forty four-legged brigands, who each seemed determined to carry away as a trophy some portion of her cafe-au-lait colored blanket.

The person who took the most delight in this deplorable spectacle was Pere Rousselet. He actually clapped his hands together behind his back, spread his legs apart in the att.i.tude of the Colossus of Rhodes, while his coat-skirts almost touched the ground, giving him the look of a kangaroo resting his paws under his tail. From his large c.o.c.katoo mouth escaped provoking hisses, which encouraged the a.s.sa.s.sins in their crime as much as did Marillac's racket.

"Constance!" exclaimed Mademoiselle de Corandeuil a second time, frozen with horror at the sight of her poodle lying upon its back among its enemies.

This call produced no effect upon the animal section of the actors in this scene, but it caused a sudden change among the servants and a few of the hunters; the shouts of encouragement ceased at once; several of the partic.i.p.ants prudently tried to efface themselves; as to Rousselet, more politic than the others, he boldly darted into the melee and picked up the fainting puppy in his arms, carrying her as tenderly as a mother would an infant, without troubling himself whether or not he was leaving part of his coat-tails with the savage hounds.

When the old lady saw the object of her love placed at her feet covered with mud, sprinkled with blood, and uttering stifled groans, which she took for the death-rattle, she fell back in her chair speechless.

"Let us go," said Bergenheim in a low voice, taking his guest by the arm. Gerfaut threw a glance around him and sought Clemence's eyes, but he did not find them. Without troubling herself as to her aunt's despair, Clemence had hurried to her room; for she felt the necessity of solitude in order to calm her emotions, or perhaps to live them over a second time. Octave resigned himself to following his companion. At the end of a few moments, the barking of the dogs, the joking of the hunters, even the wind in the trees and the rustling leaves, had bored Octave to such an extent that, in spite of himself, his face betrayed him.

"What a doleful face you have!" exclaimed his host, laughingly. "I am sorry that I took you away from Madame de Bergenheim; it seems that you decidedly prefer her society to ours."

"Would you be very jealous if I were to admit the fact?" replied Octave, making an effort to a.s.sume the same laughing tone as the Baron.

"Jealous! No, upon my honor! However, you are well const.i.tuted to give umbrage to a poor husband.

"But jealousy is not one of my traits of character, nor among my principles."

"You are philosophical!" said the lover, with a forced smile.

"My philosophy is very simple. I respect my wife too much to suspect her, and I love her too much to annoy her in advance with an imaginary trouble. If this trouble should come, and I were sure of it, it would be time enough to worry myself about it. Besides, it would be an affair soon settled."

"What affair?" asked Marillac, slackening his pace in order to join in the conversation.

"A foolish affair, my friend, which does not concern you, Monsieur de Gerfaut, nor myself any longer, I hope; although I belong to the cla.s.s exposed to danger. We were speaking of conjugal troubles."

The artist threw a glance at his friend which signified: "What the deuce made you take it into your head to start up this hare?"

"There are many things to be said on this subject," said he, in a sententious tone, thinking that his intervention might be useful in getting his friend out of the awkward position in which he found himself, "an infinite number of things may be said; books without number have been written upon this subject. Every one has his own system and plan of conduct as to the way of looking at and acting upon it."

"And what would be yours, you consummate villain?" asked Christian; "would you be as cruel a husband as you are an immoral bachelor? That usually happens; the bolder a poacher one has been, the more intractable a gamekeeper one becomes. What would be your system?"

"Hum! hum! you are mistaken, Bergenheim; my boyish love adventures have disposed me to indulgence. 'Debilis caro', you know! Shakespeare has translated it, 'Frailty, thy name is woman!'"

"I am a little rusty in my; Latin and I never knew a word of English.

What does that mean?"

"Upon my word, it means, if I were married and my wife deceived me, I should resign myself to it like a gentleman, considering the fragility of this enchanting s.e.x."

"Mere boy's talk, my friend! And you, Gerfaut?"

"I must admit," replied the latter, a little embarra.s.sed, "that I have never given the subject very much thought. However, I believe in the virtue of women."

"That is all very well, but in case of misfortune what would you do?"

"I think I should say with Lanoue: 'Sensation is for the fop, complaints for the fool, an honest man who is deceived goes away and says nothing.'"

"I partly agree with Lanoue; only I should make a little variation--instead of goes away should say avenges himself."

Marillac threw at his friend a second glance full of meaning.

"Per Bacco!" said he, "are you a Venetian or a Castilian husband?"

"Eh!" replied Bergenheim, "I suppose that without being either, I should kill my wife, the other man, and then myself, without even crying, 'Beware!' Here! Brichou! pay attention; Tambeau is separated from the rest."

As he said these words the Baron leaped over a broad ditch, which divided the road from the clearing which the hunters had already entered.

"What do you say to that?" murmured the artist, in a rather dramatic tone, in his friend's ear.

Instead of replying, the lover made a gesture which signified, according to all appearance: "I do not care."

The clearing they must cross in order to reach the woods formed a large, square field upon an inclined plane which sloped to the river side. Just as Marillac in his turn was jumping the ditch, his friend saw, at the extremity of the clearing, Madame de Bergenheim walking slowly in the avenue of sycamores. A moment later, she had disappeared behind a ma.s.s of trees without the other men noticing her.

"Take care that you do not slip," said the artist, "the ground is wet."

This warning brought misfortune to Gerfaut, who in jumping caught his foot in the root of a tree and fell.

"Are you hurt?" asked Bergenheim.

Octave arose and tried to walk, but was obliged to lean upon his gun.

"I think I have twisted my foot," said he, and he carried his hand to it as if he felt a sharp pain there.

"The devil! it may be a sprain," observed the Baron, coming toward them; "sit down. Do you think you will be able to walk?"

"Yes, but I fear hunting would be too much for me; I will return to the house."

"Do you wish us to make a litter and carry you?"

"You are laughing at me; it's not so bad as that. I will walk back slowly, and will take a foot-bath in my room."

"Lean upon me, then, and I will help you," said the artist, offering his arm.

"Thanks; I do not need you," Octave replied; "go to the devil!" he continued, in an expressive aside.

"Capisco!" Marillac replied, in the same tone, giving his arm an expressive pressure. "Excuse me," said he aloud, "I am not willing that you should go alone. I will be your Antigone--

Antigone me reste, Antigone est and fille.

"Bergenheim, I will take charge of him. Go on with your hunting, the gentlemen are waiting for you. We will meet again at supper; around the table; legs are articles of luxury and sprains a delusion, provided that the throat and stomach are properly treated."

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Gerfaut Part 25 summary

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