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Gerfaut Part 19

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"But what motive could they have to send you away?" continued Marillac, "you are a clever workman. I have seen your work at the chateau; there are some rooms yet unfinished; there must have been some very grave reason for their not employing you just at the moment when they needed you most."

"They said that I talked with Mademoiselle Justine, and Madame caused me to be discharged. She is mistress there, is she not? But I am the one to make her repent for it."

"And how can you make her repent for it?" asked the artist, whose curiosity, left ungratified by Mademoiselle Reine, was growing more and more excited, "what can you have in common with Madame la Baronne?"

"Because she is a lady and I am a workman, you mean? All the same, if I could only whisper two or three words in her ear, she would give me more gold than I have earned since I worked at the chateau, I am sure of it."

"By the powers! if I were in your place, I would say those words to her this very day."

"So as to be thrown out by that band of idle fellows in their red coats.

None of that for me. I have my own scheme; let them laugh that win!"

As he repeated this proverb, the workman uttered his usual sardonic laugh.

"Lambernier," said the artist, in a serious tone, "I have heard of certain very strange speeches that you have made within the last few days. Do you know that there is a punishment by law for those who invent calumnies?"

"Is it a calumny, when one can prove what he says?" replied the carpenter, with a.s.surance.

"What is it that you undertake to prove?" exclaimed Marillac, suddenly.

"Eh! you know very well that if Monsieur le Baron--" he did not continue, but with a coa.r.s.e gesture he finished explaining his thoughts.

"You can prove this?"

"Before the courts, if necessary."

"Before the courts would not amount to very much for you; but if you will cease this talk and never open your mouth about all this, whatever it may be, and will give to me, and me only, this proof of which you speak, I will give you ten napoleons."

For a moment Lambernier gazed at the artist with a singularly penetrating glance.

"So you have two sweethearts, then--one from the city and one from the country, a married woman and this poor girl," said he, in a jeering tone; "does little Reine know that she is playing second fiddle?"

"What do you mean to insinuate?"

"Oh! you are more clever than I."

The two men looked at each other in silence, trying to read each other's thoughts.

"This is a lover of Madame de Bergenheim," thought Lambernier, with the barefaced impudence of his kind; "if I were to tell him what I know, my vengeance would be in good hands, without my taking the trouble to commit myself."

"Here is a sneaking fellow who pretends to be deucedly strong in diplomacy," said Marillac to himself; "but he is revengeful and I must make him explain himself."

"Ten napoleons are not to be found every day," continued the carpenter, after a moment's silence; "you may give them to me, if you like, in a week."

"You will be able to prove to me, then, what you have said," replied Marillac, with hesitation, blushing in spite of himself at the part he was playing at that moment, upon the odious side of which he had not looked until now. "Bah!" said he to himself, in order to quiet his conscience, "if this rascal really knows anything it is much better that I should buy the secret than anybody else. I never should take advantage of it, and I might be able to render the lady a service. Is it not a gentleman's sworn duty to devote himself to the defence of an imprudent beauty who is in danger?"

"I will bring you the proof you want," said the carpenter.

"When?"

"Meet me Monday at four o'clock in the afternoon at the cross-roads near the corner of the Come woods."

"At the end of the park?"

"Yes, a little above the rocks."

"I will be there. Until then, you will not say a word to anybody?"

"That is a bargain, since you buy the goods I have for sale--"

"Here is some money to bind the trade," replied the artist. And he handed him the silver pieces he still held in his hand; Lambernier took them this time without any objections, and put them in his pocket.

"Monday, at four o'clock!"

"Monday, at four o'clock!" repeated Marillac, as he mounted his horse and rode away in great haste as if eager to take leave of his companion.

He turned when he reached the road, and, looking behind him, saw the workman standing motionless at the foot of the tree.

"There is a scamp," thought he, "whose ball and chain are waiting for him at Toulon or Brest, and I have just concluded a devilish treaty with him. Bah! I have nothing to reproach myself with. Of two evils choose the least; it remains to be seen whether Gerfaut is the dupe of a coquette or whether his love is threatened with some catastrophe; at all events, I am his friend, and I ought to clear up this mystery and put him on his guard."

"Ten francs to-day, and ten napoleons Monday," said Lambernier as, with an eye in which there was a mixture of scorn and hatred, he watched the traveller disappear. "I should be a double idiot to refuse. But this does not pay for the blows from your whip, you puppy; when we have settled this affair of the fine lady, I shall attend to you."

CHAPTER XII. AN INHARMONIOUS MUSICALE

The visitors referred to in the conversation between the two friends arrived at the castle at an early hour, according to the custom in the country, where they dine in the middle of the day. Gerfaut saw from his chamber, where he had remained like Achilles under his tent, half a dozen carriages drive one after another up the avenue, bringing the guests announced by Marillac. Little by little the company scattered through the gardens in groups; four or five young girls under Aline's escort hurried to a swing, to which several good-natured young men attached themselves, and among them Gerfaut recognized his Pylades.

During this time Madame de Bergenheim was doing the honors of the house to the matrons, who thought this amus.e.m.e.nt too youthful for their age and preferred a quiet walk through the park. Christian, on his side, was explaining methods of improvements to gentlemen of agricultural and industrial appearance, who seemed to listen to him with great interest.

Three or four others had taken possession of the billiard-table; while the more venerable among the guests had remained in the parlor with Mademoiselle de Corandeuil.

"Have you a pair of clean trousers?" asked Marillac, hastily entering his friend's room as the first bell rang for dinner. An enormous green stain upon one of his knees was all the explanation necessary on this subject.

"You, lose no time," said Gerfaut, as he opened a drawer in his closet.

"Which of these rustic beauties has had the honor of seeing you on your knees at her feet?"

"It was that confounded swing! Silly invention! To sacrifice one's self to please little girls! If I am ever caught at it again I'll let you know! Your selfish method is a better, one. By the way, Madame de Bergenheim asked me, with a rather sly look, whether you were ill and whether you would not come down to dinner?"

"Irony!"

"It: seemed like it. The lady smiled in a decidedly disagreeable manner.

I am not timid, but I would rather write a vaudeville in three acts than to be obliged to make a declaration to her if she had that impish smile on her lips. She has a way of protruding her under lip-ugh! do you know you are terribly slender? Will you let me cut the band of your trousers?

I never could dance with my stomach compressed in this manner."

"What about this secret you were to reveal to me?" Gerfaut interrupted, with a smile which seemed to denote perfect security.

Marillac looked at his friend with a grave countenance, then began to laugh in an embarra.s.sed manner.

"We will leave serious matters until to-morrow," he replied. "The essential thing to-day is to make ourselves agreeable. Madame de Bergenheim asked me a little while ago whether we would be kind enough to sing a few duets? I accepted for us both. I do not suppose that the inhabitants of this valley have often heard the duet from Mose with the embellishments a la Tamburini:

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Gerfaut Part 19 summary

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