Galusha the Magnificent Part 72

But perhaps the most surprising effect of the mammoth "toot" was that which it produced in the spirit world. It seemed to blow Little Cherry Blossom completely back to her own sphere, for it was a voice neither Chinese nor ethereal which, coming from Miss Hoag's lips, shrieked wildly: "Oh, my good land of love! Wh--what's that?"

It was only after considerable pounding of the table and repeated orders for silence that Captain Jethro succeeded in obtaining it. Then he explained concerning the foghorn.

"It'll blow every minute from now on, I presume likely," he growled, "but I don't see as that need to make any difference about our goin' on with this meetin'. That is, unless Marietta minds. Think 'twill bother you about gettin' back into the trance state, Marietta?"

Erastus Beebe had turned up one of the lamps and it happened to be the one just above Miss Hoag's head. By its light Martha Phipps could see the medium's face, and it seemed to her--although, as she admitted afterward, perhaps because of subsequent happenings she only imagined that it seemed so--it seemed to her that Marietta was torn between an intense desire to give up mediumizing for that evening and a feeling that she must go on.

"She looked to me," said Martha, "as if she was afraid to go on, but more afraid to stop."

However, go on she did. She told the light keeper that she guessed she could get back if Tamson would play a little spell more. Miss Black agreed to do so, provided she might have a chair instead of a music stool.

"I wouldn't risk settin' on that plaguy, slippery haircloth thing again for no mortal soul," declared the irate Tamson, meaning, doubtless, to include immortals. A chair was provided, again the lights were dimmed, and the seance resumed, punctuated now at minute intervals by the shattering bellows of the great foghorn.

In a few minutes the messages began to arrive. They were of similar vague import to those of the previous seance and, couched in Little Cherry Blossom's weird gibberish, were vaguer still. Occasionally a spirit seeking identification went away unrecognized, but not often. For the most part the identifying details supplied were so general that they were almost certain to fit a departed relative or friend of some one present. And, as is usual under such circ.u.mstances, the would-be recognizer was so pathetically eager to recognize. Even Galusha, dully inert as he was just then, again felt his indignation stirred by the shabby mockery of it all.

Obed Taylor received a message from his brother Daniel who had died in infancy. Daniel declared himself very happy. So, too, did Ophelia Beebe's great-aunt Samona, who had "pa.s.sed over" some time in the 'fifties. Aunt Samona was joyful--oh, so joyful. Miss Black's name was called.

"Tamson!" croaked Little Cherry Blossom. "Some one heree wantee Tamson."

Miss Black uttered an exclamation of startled surprise. "Good gracious me!" she cried. "Who is it?"

"Namee seem likee--likee Flora--Flora--somethin'," announced the control. The circle rustled in antic.i.p.ation while Tamson ransacked her memory.

"Flora?" she repeated. "Flora?"

"Yes--yes. Flora--ah--ah--somethin'. Somethin'--soundee likee somethin'

you ring."

"Somethin' I RING. Why, all a body rings is a bell. Hey? My heavens above, you don't mean Florabel? That ain't the name, is it--Florabel?"

"Yes--yes--yes--yes." Little Cherry Blossom was eagerly certain that that was the name.

"Mercy on us! Florabel? You don't mean you've got a message from my niece Florabel Tidditt, do you?"

"Yes--yes--yes--oh, yes!" The control was just as certain that niece Florabel was on the wire.

"I don't believe a word of it."

This unusual manner of receiving a message shocked the devout. A murmur of protest arose.

"Now, now, now, Tamson," remonstrated Miss Beebe. "You mustn't talk so.

Course you believe it if the control says so."

"I don't neither. Florabel Tidditt ain't dead. She's as well as I be. I had a letter from her yesterday."

There was considerable agitation for a few minutes. Then it developed that the Florabel seeking to communicate was not Miss Tidditt, but another, a relative so long gone that Tamson had forgotten she ever existed. At length she was brought to the point of admitting that it seemed as if she had heard of a cousin of her grandmother's named Florabel or Annabel or something. The message was not very coherent nor particularly interesting, so the incident ended.

A short time later came the sensation which was to make the evening memorable in East Wellmouth's spiritualistic circles. Little Cherry Blossom called the name which many had expected and some, Lulie Hallett and Martha Phipps in particular, dreaded to hear.

"Jethro!" croaked the Blossom. "Jethro!"

Captain Hallett had been very quiet, particularly since the Florabel message was tangled in transit. Martha could see his s.h.a.ggy head in silhouette against the dim light of the lamp and had noticed that that head scarcely moved. The light keeper seemed to be watching the medium very intently. Now he spoke.

"Yes?" he said, as if awakened from sleep. "Yes, here I am. What is it?"

"Jethro," cried the control once more. "Jethro, somebodee come speakee to you.... Julia! Julia!"

Captain Jethro rose from his chair. The loved name had as always an instant effect. His heavy voice shook as he answered.

"Yes, yes, Julia," he cried. "Here I am, Julia, waitin'--waitin'."

It was pathetic, pitiful. One listener in that circle felt, in spite of his own misery, a pang of remorse and a little dread. After all, perhaps it would have been better to--

"Julia," cried the light keeper. "Speak to me. I'm waitin'."

The foghorn boomed just here, but even after the sound had subdued Little Cherry Blossom seemed to find it difficult to proceed. She--or the medium--choked, swallowed, and then said:

"Julia got message. Yes, indeedee. Important message, she sayee, for Jethro. Jethro must do what she sayee."

The captain's big head nodded vigorously. Martha could see it move, a tousled shadow against the light.

"Yes, yes, Julia, of course," he said. "I always do what you say. You know I do. Go on."

"Father!" It was Lulie's voice, raised in anxious protest. "Father, please."

Her father sharply ordered her to be quiet.

"Go on, Julia," he persisted. "Tell me what you want me to do."

Again Little Cherry Blossom seemed to have difficulty in articulating.

There was a quaver in her voice when she did speak.

"Julia say," she faltered; "Julia sayee 'Jethro, you sell R.P.'"

This was unexpected. It was not at all the message the group of listeners, with one exception, had antic.i.p.ated. There was no hint of Nelson Howard here. They did not know what to make of it. Nor, it was evident, did Jethro Hallett.

"What?" he demanded. "What, Julia? I don't understand."

Little Cherry Blossom cleared her--or the medium's--throat and falteringly went on.

"Julia sayee 'Jethro, you sell R. P. what you got.' Sellee him what you got, what he want buyee. You know. You sellee R. P. the stock."

But still it was clear that Captain Jeth did not understand.

"Sell R. P.?" he repeated. "R. P. Who's R. P.? And what... Eh? Do you mean--"

He paused. When he next spoke his tone was quite different. There was a deeper note in it, almost a note of menace.

"R. P.?" he said again. "Does 'R. P.' mean--is that supposed to stand for Horatio Pulcifer? Eh? Does 'R. P.' mean Raish Pulcifer?"