From the Caves and Jungles of Hindostan Part 18

As the last golden ray disappeared on the horizon, a gauze-like veil of pale lilac fell over the world. But as every moment decreased the transparency of this tropical twilight, the tint gradually lost its softness and became darker and darker. It looked as if an invisible painter, unceasingly moving his gigantic brush, swiftly laid one coat of paint over the other, ever changing the exquisite background of our islet. The phosphoric candles of the fireflies began to twinkle here and there, shining brightly against the black trunks of the trees, and lost again on the silvery background of opalescent evening sky. But in a few minutes more thousands of these living sparks, precursors of Queen Night, played round us, pouring like a golden cascade over the trees, and dancing in the air above the gra.s.s and the dark lake.

And behold! here is the queen in person. Noiselessly descending upon earth, she rea.s.sumes her rights. With her approach, rest and peace spread over us; her cool breath calms the activities of day. Like a fond mother, she sings a lullaby to nature, lovingly wrapping her in her soft black mantle; and, when everything is asleep, she watches over nature's dozing powers till the first streaks of dawn.

Nature sleeps; but man is awake, to be witness to the beauties of this solemn evening hour. Sitting round the fire we talked, lowering our voices as if afraid of awaking night. We were only six; the colonel, the four Hindus and myself, because Mr. Y---- and Miss X---- could not resist the fatigue of the day and had gone to sleep directly after supper.

Snugly sheltered by the high "gra.s.s," we had not the heart to spend this magnificent night in prosaic sleeping. Besides, we were waiting for the "concert" which the Takur had promised us.

"Be patient," said he, "the musicians will not appear before the moon rises."

The fickle G.o.ddess was late; she kept us waiting till after ten o'clock.

Just before her arrival, when the horizon began to grow perceptibly brighter, and the opposite sh.o.r.e to a.s.sume a milky, silvery tint, a sudden wind rose. The waves, that had gone quietly to sleep at the feet of gigantic reeds, awoke and tossed uneasily, till the reeds swayed their feathery heads and murmured to each other as if taking counsel together about some thing that was going to happen.... Suddenly, in the general stillness and silence, we heard again the same musical notes, which we had pa.s.sed unheeded, when we first reached the island, as if a whole orchestra were trying their musical instruments before playing some great composition. All round us, and over our heads, vibrated strings of violins, and thrilled the separate notes of a flute. In a few moments came another gust of wind tearing through the reeds, and the whole island resounded with the strains of hundreds of Aeolian harps.

And suddenly there began a wild unceasing symphony. It swelled in the surrounding woods, filling the air with an indescribable melody. Sad and solemn were its prolonged strains; they resounded like the arpeggios of some funeral march, then, changing into a trembling thrill, they shook the air like the song of a nightingale, and died away in a long sigh.

They did not quite cease, but grew louder again, ringing like hundreds of silver bells, changing from the heartrending howl of a wolf, deprived of her young, to the precipitate rhythm of a gay tarantella, forgetful of every earthly sorrow; from the articulate song of a human voice, to the vague majestic accords of a violoncello, from merry child's laughter to angry sobbing. And all this was repeated in every direction by mocking echo, as if hundreds of fabulous forest maidens, disturbed in their green abodes, answered the appeal of the wild musical Saturnalia.

The colonel and I glanced at each other in our great astonishment.

"How delightful! What witchcraft is this?" we exclaimed at the same time.

The Hindus smiled, but did not answer us. The Takur smoked his gargari as peacefully as if he was deaf.

There was a short interval, after which the invisible orchestra started again with renewed energy. The sounds poured and rolled in unrestrainable, overwhelming waves. We had never heard anything like this inconceivable wonder. Listen! A storm in the open sea, the wind tearing through the rigging, the swish of the maddened waves rushing over each other, or the whirling snow wreaths on the silent steppes.

Suddenly the vision is changed; now it is a stately cathedral and the thundering strains of an organ rising under its vaults. The powerful notes now rush together, now spread out through s.p.a.ce, break off, intermingle, and become entangled, like the fantastic melody of a delirious fever, some musical phantasy born of the howling and whistling of the wind.

Alas! the charm of these sounds is soon exhausted, and you begin to feel that they cut like knives through your brain. A horrid fancy haunts our bewildered heads; we imagine that the invisible artists strain our own veins, and not the strings of imaginary violins; their cold breath freezes us, blowing their imaginary trumpets, shaking our nerves and impeding our breathing.

"For G.o.d's sake stop this, Takur! This is really too much," shouted the colonel, at the end of his patience, and covering his ears with his hands. "Gulab-Sing, I tell you you must stop this."

The three Hindus burst out laughing; and even the grave face of the Takur lit up with a merry smile. "Upon my word," said he, "do you really take me for the great Parabrahm? Do you think it is in my power to stop the wind, as if I were Marut, the lord of the storms, in person. Ask for something easier than the instantaneous uprooting of all these bamboos."

"I beg your pardon; I thought these strange sounds also were some kind of psychologic influence."

"So sorry to disappoint you, my dear colonel; but you really must think less of psychology and electrobiology. This develops into a mania with you. Don't you see that this wild music is a natural acoustic phenomenon? Each of the reeds around us--and there are thousands on this island--contains a natural musical instrument; and the musician, Wind, comes here daily to try his art after nightfall--especially during the last quarter of the moon."

"The wind!" murmured the colonel. "Oh, yes! But this music begins to change into a dreadful roar. Is there no way out of it?"

"I at least cannot help it. But keep up your patience, you will soon get accustomed to it. Besides, there will be intervals when the wind falls."

We were told that there are many such natural orchestras in India. The Brahmans know well their wonderful properties, and calling this kind of reed vina-devi, the lute of the G.o.ds, keep up the popular superst.i.tion and say the sounds are divine oracles. The sirka gra.s.s and the bamboos always shelter a number of tiny beetles, which make considerable holes in the hollow reeds. The fakirs of the idol-worshipping sects add art to this natural beginning and work the plants into musical instruments. The islet we visited bore one of the most celebrated vina-devis, and so, of course, was proclaimed sacred.

"Tomorrow morning," said the Takur, "you will see what deep knowledge of all the laws of acoustics was in the possession of the fakirs. They enlarged the holes made by the beetle according to the size of the reed, sometimes shaping it into a circle, sometimes into an oval. These reeds in their present state can be justly considered as the finest ill.u.s.tration of mechanism applied to acoustics. However, this is not to be wondered at, because some of the most ancient Sanskrit books about music minutely describe these laws, and mention many musical instruments which are not only forgotten, but totally incomprehensible in our days."

All this was very interesting, but still, disturbed by the din, we could not listen attentively.

"Don't worry yourselves," said the Takur, who soon understood our uneasiness, in spite of our attempts at composure. "After midnight the wind will fall, and you will sleep undisturbed. However, if the too close neighborhood of this musical gra.s.s is too much for you, we may as well go nearer to the sh.o.r.e. There is a spot from which you can see the sacred bonfires on the opposite sh.o.r.e."

We followed him, but while walking through the thickets of reeds we did not leave off our conversation. "How is it that the Brahmans manage to keep up such an evident cheat?" asked the colonel. "The stupidest man cannot fail to see in the long run who made the holes in the reeds, and how they come to give forth music."

"In America stupid men may be as clever as that; I don't know," answered the Takur, with a smile; "but not in India. If you took the trouble to show, to describe, and to explain how all this is done to any Hindu, be he even comparatively educated, he will still see nothing. He will tell you that he knows as well as yourself that the holes are made by the beetles and enlarged by the fakirs. But what of that? The beetle in his eyes is no ordinary beetle, but one of the G.o.ds incarnated in the insect for this special purpose; and the fakir is a holy ascetic, who has acted in this case by the order of the same G.o.d. That will be all you will ever get out of him. Fanaticism and superst.i.tion took centuries to develop in the ma.s.ses, and now they are as strong as a necessary physiological function. Kill these two and the crowd will have its eyes opened, and will see truth, but not before. As to the Brahmans, India would have been very fortunate if everything they have done were as harmless. Let the crowds adore the muse and the spirit of harmony. This adoration is not so very wicked, after all."

The Babu told us that in Dehra-Dun this kind of reed is planted on both sides of the central street, which is more than a mile long. The buildings prevent the free action of the wind, and so the sounds are heard only in time of east wind, which is very rare. A year ago Swami Dayanand happened to camp off Dehra-Dun. Crowds of people gathered round him every evening. One day he delivered a very powerful sermon against superst.i.tion. Tired out by this long, energetic speech, and, besides, being a little unwell, the Swami sat down on his carpet and shut his eyes to rest as soon as the sermon was finished. But the crowd, seeing him so unusually quiet and silent, all at once imagined that his soul, abandoning him in this prostration, entered the reeds--that had just begun to sing their fantastical rhapsody--and was now conversing with the G.o.ds through the bamboos. Many a pious man in this gathering, anxious to show the teacher in what fulness they grasped his teaching and how deep was their respect for him personally, knelt down before the singing reeds and performed a most ardent puja.

"What did the Swami say to that?"

"He did not say anything.... Your question shows that you don't know our Swami yet," laughed the Babu. "He simply jumped to his feet, and, uprooting the first sacred reed on his way, gave such a lively European bakshish (thrashing) to the pious puja-makers, that they instantly took to their heels. The Swami ran after them for a whole mile, giving it hot to everyone in his way. He is wonderfully strong is our Swami, and no friend to useless talk, I can tell you."

"But it seems to me," said the colonel, "that that is not the right way to convert crowds. Dispersing and frightening is not converting."

"Not a bit of it. The ma.s.ses of our nation require peculiar treatment.... Let me tell you the end of this story. Disappointed with the effect of his teachings on the inhabitants of Dehra-Dun, Dayanand Saraswati went to Patna, some thirty-five or forty miles from there. And before he had even rested from the fatigues of his journey, he had to receive a deputation from Dehra-Dun, who on their knees entreated him to come back. The leaders of this deputation had their backs covered with bruises, made by the bamboo of the Swami! They brought him back with no end of pomp, mounting him on an elephant and spreading flowers all along the road. Once in Dehra-Dun, he immediately proceeded to found a Samaj, a society as you would say, and the Dehra-Dun Arya-Samaj now counts at least two hundred members, who have renounced idol-worship and superst.i.tion for ever."

"I was present," said Mulji, "two years ago in Benares, when Dayanand broke to pieces about a hundred idols in the bazaar, and the same stick served him to beat a Brahman with. He caught the latter in the hollow idol of a huge Shiva. The Brahman was quietly sitting there talking to the devotees in the name, and so to speak, with the voice of Shiva, and asking money for a new suit of clothes the idol wanted."

"Is it possible the Swami had not to pay for this new achievement of his?"

"Oh, yes. The Brahman dragged him into a law court, but the judge had to p.r.o.nounce the Swami in the right, because of the crowd of sympathizers and defenders who followed the Swami. But still he had to pay for all the idols he had broken. So far so good; but the Brahman died of cholera that very night, and of course, the opposers of the reform said his death was brought on by the sorcery of Dayanand Saraswati. This vexed us all a good deal."

"Now, Narayan, it is your turn," said I. Have you no story to tell us about the Swami? And do you not look up to him as to your Guru?"

"I have only one Guru and only one G.o.d on earth, as in heaven," answered Narayan; and I saw that he was very unwilling to speak. "And while I live, I shall not desert them."

"I know who is his Guru and his G.o.d!" thoughtlessly exclaimed the quick-tongued Babu. "It is the Takur--Sahib. In his person both coincide in the eyes of Narayan."

"You ought to be ashamed to talk such nonsense, Babu," coldly remarked Gulab-Sing. "I do not think myself worthy of being anybody's Guru. As to my being a G.o.d, the mere words are a blasphemy, and I must ask you not to repeat them... Here we are!" added he more cheerfully, pointing to the carpets spread by the servants on the sh.o.r.e, and evidently desirous of changing the topic. "Let us sit down!"

We arrived at a small glade some distance from the bamboo forest.

The sounds of the magic orchestra reached us still, but considerably weakened, and only from time to time. We sat to the windward of the reeds, and so the harmonic rustle we heard was exactly like the low tones of an Aeolian harp, and had nothing disagreeable in it. On the contrary, the distant murmur only added to the beauty of the whole scene around us.

We sat down, and only then I realized how tired and sleepy I was--and no wonder, after being on foot since four in the morning, and after all that had happened to me on this memorable day. The gentlemen went on talking, and I soon became so absorbed in my thoughts that their conversation reached me only in fragments.

"Wake up, wake up!" repeated the colonel, shaking me by the hand. "The Takur says that sleeping in the moonlight will do you harm."

I was not asleep; I was simply thinking, though ex-hausted and sleepy.

But wholly under the charm of this enchanting night, I could not shake off my drowsiness, and did not answer the colonel.

"Wake up, for G.o.d's sake! Think of what you are risking!" continued the colonel. "Wake up and look at the landscape before us, at this wonderful moon. Have you ever seen anything to equal this magnificent panorama?"

I looked up, and the familiar lines of Pushkin about the golden moon of Spain flashed into my mind. And indeed this was a golden moon. At this moment she radiated rivers of golden light, poured forth liquid gold into the tossing lake at our feet, and sprinkled with golden dust every blade of gra.s.s, every pebble, as far as the eye could reach, all round us. Her disk of silvery yellow swiftly glided upward amongst the big stars, on their dark blue ground.

Many a moonlit night have I seen in India, but every time the impression was new and unexpected. It is no use trying to describe these feerique pictures, they cannot be represented either in words or in colors on canvas, they can only be felt--so fugitive is their grandeur and beauty!

In Europe, even in the south, the full moon eclipses the largest and most brilliant of the stars, so that hardly any can be seen for a considerable distance round her. In India it is quite the contrary; she looks like a huge pearl surrounded by diamonds, rolling on a blue velvet ground. Her light is so intense that one can read a letter written in small handwriting; one even can perceive the different greens of the trees and bushes--a thing unheard of in Europe. The effect of the moon is especially charming on tall palm trees. From the first moment of her appearance her rays glide over the tree downwards, beginning with the feathery crests, then lighting up the scales of the trunk, and descending lower and lower till the whole palm is literally bathing in a sea of light. Without any metaphor the surface of the leaves seems to tremble in liquid silver all the night long, whereas their under surfaces seem blacker and softer than black velvet. But woe to the thoughtless novice, woe to the mortal who gazes at the Indian moon with his head uncovered. It is very dangerous not only to sleep under, but even to gaze at the chaste Indian Diana. Fits of epilepsy, madness and death are the punishments wrought by her treacherous arrows on the modern Acteon who dares to contemplate the cruel daughter of Latona in her full beauty. The Hindus never go out in the moonlight without their turbans or pagris. Even our invulnerable Babu always wore a kind of white cap during the night.

As soon as the reeds concert reaches its height and the inhabitants of the neighborhood hear the distant "voices of the G.o.ds," whole villages flock together to the bank of the lake, light bonfires, and perform their pujas. The fires lit up one after the other, and the black silhouettes of the worshippers moved about on the opposite sh.o.r.e. Their sacred songs and loud exclamations, "Hari, Hari, Maha-deva!" resounded with a strange loudness and a wild emphasis in the pure air of the night. And the reeds, shaken in the wind, answered them with tender musical phrases. The whole stirred a vague feeling of uneasiness in my soul, a strange intoxication crept gradually over me, and in this enchanting place the idol-worship of these pa.s.sionate, poetical souls, sunk in dark ignorance, seemed more intelligible and less repulsive. A Hindu is a born mystic, and the luxuriant nature of his country has made of him a zealous pantheist.

Sounds of alguja, a kind of Pandean pipe with seven openings, struck our attention; their music was wafted by the wind quite distinctly from somewhere in the wood. They also startled a whole family of monkeys in the branches of a tree over our heads. Two or three monkeys carefully slipped down, and looked round as if waiting for something.

"What is this new Orpheus, to whose voice these monkeys answer?" asked I laughingly.

"Some fakir probably. The alguja is generally used to invite the sacred monkeys to their meals. The community of fakirs, who once inhabited this island, have removed to an old paG.o.da in the forest. Their new resting-place brings them more profit, because there are many pa.s.sers by, whereas the island is perfectly isolated."

"Probably they were compelled to desert this dreadful place because they were threatened by chronic deafness," Miss X---- expressed her opinion.