From John O'Groats to Land's End Part 43

He had attended Warrington Market, and was returning over the river bridge when he stopped to look at a placard announcing a missionary meeting to be held in the town that night. He decided to stay, although he had quite seven miles to walk on his way home, and was so impressed by what he heard that he decided to become a missionary himself, and became one of the most famous missionaries of the nineteenth century.

His name was Robert Moffat, and he laboured hard in South Africa, where his son-in-law, David Livingstone, following his example, also became a renowned explorer and missionary in the "Dark Continent."

Accept me for Thy service, Lord, And train me for Thy will, For even I in fields so broad Some duties may fulfil; And I will ask for no reward Except to serve Thee still.

MOFFAT.

[Ill.u.s.tration: ROBERT MOFFAT.]

We soon arrived at Leamington, which was quite an aristocratic town, and different from any other we had seen on our journey, for it consisted chiefly of modern houses of a light stone colour, which contrasted finely with the trees with which the houses were interspersed and surrounded, and which must have appeared very beautiful in the spring time.

The chief object of interest there was the Spa, which although known to travellers in the seventeenth century, had only come into prominence during recent times, or since the local poets had sung its praises. In the introduction to a curious book, published in 1809 by James Bissett, who described himself as "Medallist to his Majesty King George the Third, proprietor of the Picture Gallery, public, news-room, and the museum at Leamington," there appeared the following lines:

Nay! Foreigners of rank who this look o'er To try the Wells may quit their native sh.o.r.e; For when they learn the virtues of the Spaw Twice tens of thousands to the spot will draw, As when its wondrous powers are pointed out And men found cap'ring who have had the gout; When pallid cheeks regain their roseate blush And vigorous health expels the hectic flush When those once hypp'd cast the crutch away; Sure when the pride of British Spas they see They'll own the humble instrument in me!

The Spa, it appeared, had been patronised by royalty on several occasions, and Queen Victoria in 1838 acceded to the request that the inhabitants might henceforth style the town the "Royal Leamington Spa."

Benjamin Satchwell claimed to have discovered the princ.i.p.al well there in 1784, and on his tombstone in the churchyard appeared the following:

Hail the una.s.suming tomb Of him who told where health and beauty bloom, Of him whose lengthened life improving ran-- A blameless, useful, venerable man.

We only stayed a short time here, and then walked quickly through a fine country to the ancient town of Warwick, with Guy's Cliffe and Blacklow Hill to our right, the monument on the hill being to Piers Gaveston, Earl of Cornwall, the hated favourite of Edward II. Gaveston was beheaded on the hill on July 1st, 1312, and the modern inscription reads:

In the hollow of this rock was beheaded, on the first day of July 1312, by barons, lawless as himself, Piers Gaveston, Earl of Cornwall, the minion of a hateful King, in life and death a memorable instance of misrule.

[Ill.u.s.tration: GUY'S TOWER, WARWICK]

Gaveston surrendered to the insurgent barons at Scarborough, on condition that his life should be spared; but he had offended the Earl of Warwick by calling him the "Black Hound of Arden," and the earl caused him to be conveyed to Warwick Castle. When brought before Warwick there, the Earl muttered, "Now you shall feel the Hound's teeth," and after a mock trial by torchlight he was led out of the castle and beheaded on the hill. Every one of the barons concerned in this rather diabolical action died by violence during the next few years.

[Ill.u.s.tration: WARWICK CASTLE FROM THE RIVER. "As we crossed the bridge we had a splendid view of Warwick Castle ... the finest example of a fortified castle in England ... the 'fairest monument of ancient and chivalrous splendour yet uninjured by time.'"]

[Ill.u.s.tration: WARWICK CASTLE]

[Ill.u.s.tration: THE PORTCULLIS.]

[Ill.u.s.tration: ENTRANCE TOWERS.]

[Ill.u.s.tration: WARWICK CASTLE]

As we crossed the bridge leading over the River Avon we had a splendid view of Warwick Castle, which had the reputation of being the finest example of a fortified castle in England, Sir Walter Scott describing it as "the fairest monument of ancient and chivalrous splendour which yet remain uninjured by time." It could boast of a continuous history from the time of Ethelfreda, the daughter of the Saxon King, Alfred the Great, and its towers rose to a considerable height, Caesar's tower reaching an elevation of 174 feet. Here could be seen the famous and exquisite Vase of Warwick, in white marble, of unknown age and of fabulous value, said to have been found at the bottom of a lake near Hadrian's Villa, at Tivoli, in Italy. There were an immense number of curios in the castle, some of which were connected with that famous character Guy, Earl of Warwick, including his shield, sword, and helmet, and his kettle of bell-metal, twenty-six feet wide and capable of holding 120 gallons of water. We had no time to visit the interior of the castle, but it was interesting to read, in one of his letters, what Dr. Adam Clark saw there in 1797: "I was almost absolutely a prey to astonishment and rapture while I contemplated the painting of the wife of Schneider by Rubens, such a speaking canvas I never beheld." He saw the large Etruscan vases collected by Sir William Hamilton, some bronze cups dug out of the ruins of Herculaneum, and the bed in which Queen Anne slept and which, according to report, she wrought with her own hands. In the Armoury he was permitted to fit on some of the armour, and attempted also to wield the sword of Guy, Earl of Warwick, which weighed seventy pounds. He also examined the rest of Guy's gigantic equipments, not omitting his porridge-pot, which held no gallons and was filled every time an Earl of Warwick came of age. This Guy was not the famous King Maker, but the original Guy, who lived at a time when England was covered with thick forests in which savage beasts, now unknown, roamed at large, causing great havoc amongst the early settlers, both to their persons and their cattle. Of gigantic stature, he was renowned for his courage and prowess, and, being in love with the fair Felice at Warwick Castle, for her sake he performed prodigious feats of valour, both at home and abroad. Amongst other monsters which preyed upon and terrified human beings he killed the wild and fierce Dun Cow which infested Dun's Moor, a place we had pa.s.sed by the previous day; and we were reminded of his prowess when we saw the sign of the "Dun Cow" displayed on inns in the country, including that on the hotel at Dunchurch. He went on a pilgrimage to the Holy Land, where he killed many Saracens, and when on his return he landed at Portsmouth, King Athelstane, ignorant of his name, asked him if he would become his champion in a contest on which the fate of England depended. The king told him that the Danes had with them a champion named Colbran, a gigantic Saracen, and that they had offered to stake their fortunes on a duel between him and an English champion, not yet found, on condition that if Colbran won, England must be given up to Anlaf, King of Denmark, and Govelaph, King of Norway. Guy undertook the fight willingly, and defeated and killed the gigantic Saracen, after which he privately informed the king that he was the Earl of Warwick. He secured the hand and affections of the fair Felice, but when the thoughts of all the people he had killed began to haunt him, he left her, giving himself up to a life of devotion and charity, while he disappeared and led the life of a hermit. She thought he had gone into foreign lands, and mourned his loss for many years; but he was quite near the castle all the time, living beside the River Avon in a cave in a rock, which is still called Guys Cliffe, and where he died. Huge bones were found and kept in the castle, including one rib bone, which measured nine inches in girth at its smallest part and was six and a half feet long; but this was probably a bone belonging to one of the great wild beasts slain by the redoubtable Guy. We were sorry we could not explore the castle, but we wanted particularly to visit the magnificent Beauchamp Chapel in St. Mary's Church at Warwick. We found this one of those places almost impossible to describe, and could endorse the opinion of others, that it was "an architectural gem of the first water and one of the finest pieces of architectural work in the kingdom." It occupied twenty-one years in building, and contains the tomb of Richard Beauchamp, under whose will the chapel was begun in 1443; Robert Dudley, Earl of Leicester, the haughty favourite of Queen Elizabeth, was also entombed here. We had too much to do to-day to stay very long in any place we visited, but we were interested in the remains of a ducking-stool in the crypt of the church, although it was far from being complete, the only perfect one of which we knew being that in the Priory Church of Leominster, which reposed in a disused aisle of the church, the property of the Corporation of that town. It was described as "an engine of universal punishment for common scolds, and for butchers, bakers, brewers, apothecaries, and all who give short measure, or vended adulterated articles of food," and was last used in 1809, when a scolding wife named Jenny Pipes was ducked in a deep place in one of the small rivers which flowed through that town. The following lines, printed on a large card, appeared hanging from one of the pillars in the aisle near the stool:

[Ill.u.s.tration: TOMBS IN THE BEAUCHAMP CHAPEL.]

[Ill.u.s.tration: THE DUCKING-STOOL, WARWICK.]

There stands, my friend, in yonder pool, An engine called a Ducking Stool; By legal power commanded down, The joy, and terror of the town.

If jarring females kindle strife, Give language foul, or lug the coif: If noisy dames should once begin To drive the house with horrid din, Away! you cry, you'll grace the stool We'll teach you how your tongue to rule.

Down in the deep the stool descends, But here, at first, we miss our ends, She mounts again, and rages more Than ever vixen did before.

If so, my friend, pray let her take A second turn into the lake; And rather than your patience lose Thrice and again, repeat the dose, No brawling wives, no furious wenches No fire so hot, but water quenches.

[Ill.u.s.tration: THE DUCKING-STOOL, LEOMINSTER]

The stool was exactly like a chair without legs, fastened on one end of a long pole, in the centre of which was a framework with solid wooden wheels. The culprit was fastened in the chair with her face towards the men, who were at the other end of the pole, and who had to push and guide the machine through the narrow streets of the town until they reached the "deep hole," where the unfortunate woman had to be ducked overhead in the river. Her feet were securely tied to the top of the pole to prevent them from being hurt when pa.s.sing through the town, and to hinder her from using them to keep her head above the water. The poet describes the "engine called a ducking-stool" as the "joy and terror of the town," but the "joy" could only have been that of the men, women, and children who could be spared to see the show, and knew the woman's scolding propensities. If she continued scolding after the first "duck,"

down she went again, and again, until, as we imagined, half filled with water, she was unable to scold further, and so the water triumphed in the end:

No brawling wives, no furious wenches No fire so hot, but water quenches.

The tower of St. Mary's Church was built on four lofty arches, one of which formed the entrance to the church while the other three formed entrances to the street, the footpath pa.s.sing through two of them.

[Ill.u.s.tration: LORD LEICESTER'S HOSPITAL AND GATE.]

We pa.s.sed alongside the ancient and picturesque half-timbered building known as Lord Leicester's Hospital, which was one of the few buildings in the town that escaped the fire in 1694. It had been built by Robert Dudley, Earl of Leicester, the favourite of Queen Elizabeth and of Kenilworth fame, to accommodate twelve poor men or brethren besides the master, who, according to Dugdale the famous antiquary, "were to be clothed in blew cloth, with a ragged staff embroydered on the left sleeve," and not to go into the town without them. The hospital dated from 1571, but what was formerly the banqueting-hall belonged to an earlier period, and owed its preservation largely to the fact that the timber of which the roof had been constructed was Spanish chestnut, a timber which grew luxuriantly in the forests of England, and resembled English oak. It was largely used by the monks in the building of their refectories, as no worm or moth would go near it and no spider's web was ever woven there, the wood being poisonous to insects. It is lighter in colour than oak, and, seeing the beams so clean-looking, with the appearance of having been erected in modern times, it is difficult for the visitor to realise that they have been in their present position perhaps for five or six centuries. Over one of the arched doorways in the old hospital appeared the insignia of the bear and the ragged staff, which was also the sign of public houses, notably that at c.u.mnor, the village of Amy Robsart. This we discovered to be the arms of the Earls of Warwick, originating during the time of the first two earls: the first being Arth or Arthgal of the Round Table--Arth meaning bear--and the second Morvid, who in single combat overcame a mighty giant who came against him with a club--a tree pulled up by the roots and stripped of its branches; and in remembrance of his victory over the giant the "ragged staff" ever afterwards appeared on the coat of arms of the Earls of Warwick.

[Ill.u.s.tration: CaeSAR'S TOWER, WARWICK CASTLE.]

At the end of the hospital stood St. James's Chapel, built over the West Gate of the town, which we left by the footpath leading both under the church and its tower, on our way to Stratford-on-Avon.

[Ill.u.s.tration: SHAKESPEARE'S HOUSE (Before Restoration).]

We walked the eight miles which separated the two towns at a quick speed, and, leaving our luggage at the "Golden Lion Inn" at the entrance to Stratford, we went to explore that town, and soon arrived at the birthplace of Shakespeare, one of the few houses in England where no fire is ever lit or candle lighted. It was a very old-fashioned house built with strong oak beams, the ceiling of the room in which Shakespeare was born in 1564 being so low that visitors could easily reach it, and they had written their names both on it and the walls until there was scarcely an available s.p.a.ce left. Written with lead pencil, some of the autographs were those of men distinguished in every rank of life both past and present, and would doubtless have become very valuable if they had been written in a book, but we supposed Visitors'

Books had not been thought of in those days. We wondered if the walls would ever be whitewashed again, and this thought might have occurred to Sir Walter Scott when he scratched his name with a diamond on one of the window panes. It was at another house in the town that Shakespeare wrote his plays and planted a mulberry-tree in the garden. This mulberry-tree used to be one of the objects of interest at Stratford, nearly every pilgrim who arrived there going to see it. There came a time when the house and garden changed hands, and were sold to a clergyman named Gastrell, who we were sorry to learn was a countryman of ours, as he belonged to Cheshire. He had married a "lady of means," who resided at Lichfield, and they bought this house and garden, we supposed, so that they might "live happily ever afterwards"; but the parson, who must have had a very bad temper, was so annoyed at people continually calling to see the mulberry-tree that he cut it down. It was probably owing to this circ.u.mstance that he had a furious quarrel with the Corporation of Stratford because they raised the rates on his property. When he complained that they were excessive and the surveyor insisted on their being paid, Gastrell ended the matter by pulling the house down to the ground, and leaving the neighbourhood, so we supposed it was then a case of--

Where he's gone and how he fares n.o.body knows and n.o.body cares.

Eventually the site became a public garden, where a slip of the mulberry-tree may still be seen.

[Ill.u.s.tration: SHAKESPEARE'S TOMB, STRATFORD-ON-AVON.]

Shakespeare died in 1616, and was buried in the church at Stratford, where on the ancient stone that covered his remains were inscribed in old English characters the well-known words:

Good friend, for Jesus' sake forbear To dig the dust enclosed here, Blest be the man that spares these stones, And curst be he that moves my bones.

Shakespeare's threatened curse was doubtless one reason why his bones had remained undisturbed, for it was no uncommon occurrence in his time for the bones of the dead to be removed from a tomb and to be replaced or mingled with those of a stranger, for even the tomb of his daughter, who died in 1649, shared that fate, her epitaph being effaced and replaced by another of a person in no way related to the Shakespeare family, but who was buried in the same grave.

In one corner of the church was a tomb bearing the effigy of John O'Combe, who we thought might have hailed from the neighbourhood of the old abbey of that name which we pa.s.sed the night before. In spite of his benefactions recorded in the church, he was looked upon as a usurer, because he charged 10 per cent, for his money. He was at one time a friend of Shakespeare, and often asked the poet, who was no doubt acquainted with his rate of interest, to write him an epitaph. When at length he acceded to his request he greatly offended Combe by writing:

"Ten in the hundred" lies here en-graved, 'Tis a hundred to ten if his soul be saved.

If any one asks who lies in his tomb-- "Oho" quoth the devil "'tis my John O'Combe."

Shakespeare bought the house in which he wrote his plays from the Clopton family, calling it "New Place," and a sorrowful story was connected with the Clopton vault in Stratford Church. Sir Hugh Clopton, who was buried there, was Lord Mayor of London in 1492, and had a very beautiful young daughter named Charlotte, who, according to her portrait, which was still in existence, had light blue eyes and pale golden hair. In the time when a plague was raging in Stratford she was said to have been found sitting in a chair in the garden apparently dead, and was at once carried to the vault to be buried. A few days afterwards another member of the family died of the plague, and was also taken to the vault; but when the torch-bearers descended the steps leading into the vault, the light from their torches revealed the form of Charlotte Clopton leaning against the side of the tomb. They were stricken with horror, but had arrived too late to save her, as she was now quite dead. The poor girl must have been in a trance when they carried her to the vault, and in her agony of hunger had bitten a piece of flesh from her own shoulder!

We found the "Golden Lion" quite a comfortable hotel, and had a first-cla.s.s tea there in the company of an actor from London, who, like ourselves, was exploring the country hereabouts, though perhaps from a different point of view, and who had a lot to tell us about Shakespeare and his plays. He had been to a village named Bidford a few miles away where there was an old-fashioned inn, in the courtyard of which Shakespeare and his friends had acted his _Midsummer's Night Dream_ long before it appeared in London. It was at that inn that Shakespeare on one occasion had too much to drink, and when on his way home to Stratford he lay down under a thorn tree to sleep off the effects; the tree was fenced round later on in memory of that rather inglorious event. Although we were temperance men, we had to admit that the old inns where the stage-coaches stopped to exchange pa.s.sengers and horses had a great attraction for us, and it was not without a feeling of regret that we found them being gradually closed throughout the country we pa.s.sed through. They had mostly been built after the same model, the gateway or door at the entrance being arched over and placed in the centre of the front of the hotel. Through this archway the coaches, with pa.s.sengers and luggage, could pa.s.s in and out, a door on each side of the entrance leading into different sections of the inn. The yards of the inns were in the form of an oblong, generally roofed over, and along each side were the out-offices, storerooms, and stables, with a flat roof overhead, extending backwards as far as the bedroom doors, and forming a convenient platform for pa.s.sengers' luggage as it was handed on and off the roof of the coach. The outside edge of the platform was sometimes ornamented with a low palisade, which gave the interior of the covered yard quite a pleasant and ornamental appearance.

[Ill.u.s.tration]

Such was the character of the inns that existed in the time of Shakespeare, and although sanitary regulations in later times required the horses to be provided for in stable-yards farther in the rear, very little structural alteration in the form of the inns had taken place.

The actor told us that in Shakespeare's time nearly all the acting outside London and much within was done in the courtyards of these inns.

The actors travelled in two covered wagons or coaches, and when they arrived at the inn they were drawn into the inn yard, while two members of the party went out into the town or village vigorously beating a drum to announce the arrival of the actors, almost the entire resident population, men, women, and children, following them to the inn yard to listen to the play, which custom, he said, was referred to by Shakespeare in one of his plays in the pa.s.sage:

The Actors have come and the rout are following!