From John O'Groats to Land's End - novelonlinefull.com
You’re read light novel From John O'Groats to Land's End Part 38 online at NovelOnlineFull.com. Please use the follow button to get notification about the latest chapter next time when you visit NovelOnlineFull.com. Use F11 button to read novel in full-screen(PC only). Drop by anytime you want to read free – fast – latest novel. It’s great if you could leave a comment, share your opinion about the new chapters, new novel with others on the internet. We’ll do our best to bring you the finest, latest novel everyday. Enjoy
Her portrait was painted by Sir Joshua Reynolds, her name appearing in his "Book of Sitters" in July 1788, when she was just over three years of age, and is one of the most famous child-pictures by that great master. The picture shows Little Penelope in a white dress and a dark belt, sitting on a stone sill, with trees in the background. Her mittened hands are folded in her lap, and her eyes are demurely cast down. She is wearing a high mob-cap, said to have belonged to Sir Joshua's grandmother.
This picture was sold in 1859 to the Earl of Dudley for 1,100 guineas, and afterwards exhibited at Burlington House, when it was bought by Mr.
David Thwaites for 20,060.
The model for the famous picture "Cherry Ripe," painted by Sir John Everett-Millais, was Miss Talmage, who had appeared as Little Penelope at a fancy-dress ball, and it was said in later years that if there had been no Penelope Boothby by Sir Joshua Reynolds, there would have been no "Cherry Ripe" by Sir John Everett-Millais.
Sir Francis Chantrey, the great sculptor, also visited Ashbourne Church.
His patron, Mrs. Robinson, when she gave him the order to execute that exquisite work, the Sleeping Children, in Lichfield Cathedral, expressly stipulated that he must see the figure of Penelope Boothby in Ashbourne Church before he began her work. Accordingly Chantrey came down to the church and completed his sketch afterwards at the "Green Man Inn,"
working at it until one o'clock the next morning, when he departed by the London coach.
Ashbourne is one of the few places which kept up the football match on Shrove Tuesday, a relic probably of the past, when the ball was a creature or a human being, and life or death the object of the game. But now the game was to play a stuffed case or the biggest part of it up and down the stream, the Ecclesbourne, until the mill at either limit of the town was reached.
The River Dove, of which it has been written the "Dove's flood is worth a king's good," formed the boundary between Derbyshire and Staffordshire, which we crossed by a bridge about two miles after leaving Ashbourne. This bridge, we were told, was known as the Hanging Bridge, because at one time people were hanged on the tree which stood on the border between the two counties, and we might have fared badly if our journey had been made in the good old times, when "tramps" were severely treated. Across the river lay the village of Mayneld, where the landlord of the inn was killed in a quarrel with Prince Charlie's men in their retreat from Derby for resisting their demands, and higher up the country a farmer had been killed because he declined to give up his horse. They were not nearly so orderly as they retreated towards the north, for they cleared both provisions and valuables from the country on both sides of the roads. A cottage at Mayneld was pointed out to us as having once upon a time been inhabited by Thomas, or Tom Moore, Ireland's great poet, whose popularity was as great in England as in his native country, and who died in 1852 at the age of seventy-three years.
The cottage was at that time surrounded by woods and fields, and no doubt the sound of Ashbourne Church bells, as it floated in the air, suggested to him one of his sweetest and saddest songs:
Those evening bells! those evening bells, How many a tale their music tells Of youth and home and that sweet time When last I heard their soothing chime.
Those joyous hours are pa.s.sed away, And many a heart that then was gay Within the tomb now darkly dwells, And hears no more those evening bells.
And so 'twill be when I am gone: The tuneful peal will still ring on: While other bards shall walk these dells And sing your praise, sweet evening bells.
We pa.s.sed Calwick Abbey, once a religious house, but centuries ago converted into a private mansion, which in the time of Handel (1685-1759) was inhabited by the Granville family. Handel, although a German, spent most of his time in England, and was often the guest of the n.o.bility. It was said that it was at Calwick Abbey that his greatest oratorios were conceived, and that the organ on which he played was still preserved. We ourselves had seen an organ in an Old Hall in Cheshire on which he had played when a visitor there, and where was also shown a score copy in his own handwriting. All that was mortal of Handel was buried in Westminster Abbey, but his magnificent oratorios will endure to the end of time.
On arrival at Ellastone we left our luggage at the substantially built inn there while we went to visit Norbury Church, which was well worth seeing, and as my foot had now greatly improved we were able to get over the ground rather more quickly. Norbury was granted to the Fitzherberts in 1125, and, strange as it may appear, the original deed was still in the possession of that ancient family, whose chief residence was now at Swynnerton at the opposite side of Staffordshire, where they succeeded the Swynnerton family as owners of the estate. The black image of that grim crusader Swynnerton of Swynnerton still remained in the old chapel there, and as usual in ancient times, where the churches were built of sandstone, they sharpened their arrows on the walls or porches of the church, the holes made in sharpening them being plainly visible. Church restorations have caused these holes to be filled with cement in many places, like the bullet holes of the more recent period of the Civil War, but holes in the exact shape of arrow heads were still to be seen in the walls at Swynnerton, the different heights showing some of the archers to have been very tall men. In spite of severe persecution at the time of the Reformation this branch of the family of the Fitzherberts adhered to the Roman Catholic Faith, Sir Thomas Fitzherbert being one of the most prominent victims of the Elizabethan persecutions, having pa.s.sed no less than thirty years of his life in various prisons in England.
Norbury church was not a large one, but the chancel was nearly as large as the nave. It dated back to the middle of the fourteenth century, when Henry of Kniveton was rector, who made the church famous by placing a number of fine stained-gla.s.s windows in the chancel. The gla.s.s in these windows was very chaste and beautiful, owing to the finely tinted soft browns and greens, now probably mellowed by age, and said to rank amongst the finest of their kind in England. The grand monuments to the Fitzherberts were magnificently fine examples of the art and clothing of the past ages, the two most gorgeous tombs being those of the tenth and eleventh lords, in all the grandeur of plate armour, collars, decorations, spurs, and swords; one had an angel and the other a monk to hold his foot as he crossed into the unknown. The figures of their families as sculptured below them were also very fine. Considering that one of the lords had seventeen children and the other fifteen it was scarcely to be wondered at that descendants of the great family still existed.
Sir Nicholas, who died in 1473, occupied the first tomb, his son the second, and his children were represented dressed in the different costumes of their chosen professions, the first being in armour with a cross, and the next as a lawyer with a scroll, while another was represented as a monk with a book, but as the next had his head knocked off it was impossible to decipher him; others seemed to have gone into businesses of one kind or another.
The oldest monument in the church was a stone cross-legged effigy of a warrior in armour, dating from about the year 1300; while the plainest was the image of a female corpse in a shroud, on a gravestone, who was named ... Elysebeth ...
The which decessed the yeare that is goone, A thousand four hundred neynty and oone.
The church was dedicated to St. Barloke, probably one of the ancient British Divines.
On returning to Ellastone we learned that the inn was a.s.sociated with "George Eliot," whose works we had heard of but had not read. We were under the impression that the author was a man, and were therefore surprised to find that "George Eliot" was only the _nom de plume_ of a lady whose name was Marian Evans. Her grandfather was the village wheelwright and blacksmith at Ellastone, and the prototype of "Adam Bede" in her famous novel of that name.
[Ill.u.s.tration: GEORGE ELLIOT'S "DONNITHORPE ARMS," ELLASTONE.]
It has been said that no one has ever drawn a landscape more graphically than Marian Evans, and the names of places are so thinly veiled that if we had read the book we could easily have traced the country covered by "Adam Bede." Thus Staffordshire is described as Loamshire, Derbyshire as Stoneyshire, and the Mountains of the Peak as the barren hills, while Oakbourne stands for Ashbourne, Norbourne for Norbury, and Hayslope, described so clearly in the second chapter of _Adam Bede_, is Ellastone, the "Donnithorpe Arms" being the "Bromley Arms Hotel," where we stayed for refreshments. It was there that a traveller is described in the novel as riding up to the hotel, and the landlord telling him that there was to be a "Methodis' Preaching" that evening on the village green, and the traveller stayed to listen to the address of "Dinah Morris," who was Elizabeth Evans, the mother of the auth.o.r.ess.
[Ill.u.s.tration: ALTON TOWERS.]
Wootton Hall, which stands immediately behind the village of Ellastone, was at one time inhabited by Jean Jacques Rousseau, the great French writer, who, when he was expelled from France, took the Hall for twelve months in 1776, beginning to write there his _Confessions_, as well as his _Letters on Botany_, at a spot known as the "Twenty oaks." It was very bad weather for a part of the time, and snowed incessantly, with a bitterly cold wind, but he wrote, "In spite of all, I would rather live in the hole of one of the rabbits of this warren, than in the finest rooms in London."
We now hurried across the country, along old country lanes and over fields, to visit Alton Towers; but, as it was unfortunately closed on that day, it was only by trespa.s.sing that we were able to see a part of the grounds. We could see the fine conservatories, with their richly gilded domes, and some portion of the ground and gardens, which were in a deep dell. These were begun by Richard, Earl of Shrewsbury, in the year 1814, who, after years of labour, and at enormous expense, converted them from a wilderness into one of the most extraordinary gardens in Europe, almost baffling description. There was a monument either to himself or the gardener, on which were the words:
He made the desert smile.
From the Uttoxeter Road we could see a Gothic bridge, with an embankment leading up to it, and a huge imitation of Stonehenge, in which we were much interested, that being one of the great objects of interest we intended visiting when we reached Salisbury Plain. We were able to obtain a small guide-book, but it only gave us the information that the gardens consisted of a "labyrinth of terraces, walls, trellis-work, arbours, vases, stairs, pavements, temples, paG.o.das, gates, parterres, gravel and gra.s.s walks, ornamental buildings, bridges, porticos, seats, caves, flower-baskets, waterfalls, rocks, cottages, trees, shrubs and beds of flowers, ivied walls, moss houses, rock, sh.e.l.l, and root work, old trunks of trees, etc., etc.," so, as it would occupy half a day to see the gardens thoroughly, we decided to come again on some future occasion. A Gothic temple stood on the summit of a natural rock, and among other curiosities were a corkscrew fountain of very peculiar character, and vases and statues almost without end.
We now followed the main road to the Staffordshire town of Uttoxeter, pa.s.sing the ruins of Croxden Abbey in the distance, where the heart of King John had been buried, and where plenty of traces of the extreme skill in agriculture possessed by the monks can be seen. One side of the chapel still served as a cowshed, but perhaps the most interesting features were the stone coffins in the orchard as originally placed, with openings so small, that a boy of ten can hardly lie in one.
But we missed a sight which as good churchmen we were afterwards told we ought to have remembered. October 31st was All-Hallows Eve, "when ghosts do walk," and here we were in a place they revelled in--so much so that they gave their name to it, Duninius' Dale. Here the curious sights known as "Will-o'-the-Wisp" could be seen magnificently by those who would venture a midnight visit. But we had forgotten the day.
[Ill.u.s.tration: CROXDEN ABBEY.]
We stopped for tea at Uttoxeter, and formed the opinion that it was a clean but rather sleepy town. There was little to be seen in the church, as it was used in the seventeenth century as a prison for Scottish troops, "who did great damage." It must, however, have been a very healthy town, if we might judge from the longevity of the notables who were born there: Sir Thomas Degge, judge of Western Wales and a famous antiquary, was born here in 1612, and died aged ninety-two; Thomas Allen, a distinguished mathematician and philosopher, the founder of the college at Dulwich and the local Grammar School as well, born 1542, died aged ninety; Samuel Bentley, poet, born 1720, died aged eighty-three; Admiral Alan Gardner, born at the Manor House in 1742, and who, for distinguished services against the French, was raised to the Irish Peerage as Baron Gardner of Uttoxeter, and was M.P. for Plymouth, died aged sixty-seven; Mary Howitt, the well-known auth.o.r.ess, born 1799, also lived to the age of eighty-nine. A fair record for a small country town!
John Wesley preached in the marketplace, in the centre of which was a fountain erected to the memory of Dr. Samuel Johnson, the distinguished lexicographer. His father, whose home was at Lichfield, was a bookseller and had a bookstall in Uttoxeter Market, which he attended on market days. The story is told that on one occasion, not feeling very well, he asked his son, Samuel, to take his place, who from motives of pride flatly refused to do so. From this illness the old man never recovered, and many years afterwards, on the anniversary of that sorrowful day, Dr.
Samuel Johnson, then in the height of his fame, came to the very spot in the market-place where this unpleasant incident occurred and did penance, standing bareheaded for a full hour in a pitiless storm of wind and rain, much to the surprise of the people who saw him.
[Ill.u.s.tration: THE WHITE CATTLE OF CHARTLEY.]
We now bade good-bye to the River Dove, leaving it to carry its share of the Pennine Range waters to the Trent, and walked up the hill leading out of the town towards Abbots Bromley. We soon reached a lonely and densely wooded country with Bagot's Wood to the left, containing trees of enormous age and size, remnants of the original forest of Needwood, while to the right was Chartley Park, embracing about a thousand acres of land enclosed from the same forest by the Earl of Derby, about the year 1248. In this park was still to be seen the famous herd of wild cattle, whose ancestors were known to have been driven into the park when it was enclosed. These animals resisted being handled by men, and arranged themselves in a semi-circle on the approach of an intruder. The cattle were perfectly white, excepting their extremities, their ears, muzzles, and hoofs being black, and their long spreading horns were also tipped with black. Chartley was granted by William Rufus to Hugh Lupus, first Earl of Chester, whose descendant, Ranulph, a Crusader, on his return from the Holy War, built Beeston Castle in Cheshire, with protecting walls and towers, after the model of those at Constantinople.
He also built the Castle at Chartley about the same period, A.D. 1220, remarkable as having been the last place of imprisonment for the unfortunate Mary Queen of Scots, as she was taken from there in 1586 to be executed at Fotheringhay.
[Ill.u.s.tration: THE "BANK INN," CHARTLEY.]
[Ill.u.s.tration: BEGGARS' OAK, BAGOTS WOOD. "We soon reached a lonely and densely wooded country with Bagots Wood to the left, containing trees of enormous size--remnants of the original forest of Needham."]
We were interested in these stories of Chartley Castle, for in our own county cattle with almost the same characteristics were preserved in the Parks of Lyme and Somerford, and probably possessed a similar history.
That Ranulph was well known can be a.s.sumed from the fact that Langland in his _Piers Plowman_ in the fourteenth century says:
I cannot perfitly my paternoster as the Priest it singeth.
But I can rhymes of Robin Hood and Randall Erie of Chester.
Queer company, and yet it was an old story that Robin did find an asylum at Chartley Castle.
[Ill.u.s.tration: THE HORN DANCERS, ABBOTS BROMLEY.]
We overtook an elderly man on the road returning home from his day's toil on the Bagot estate, and he told us of an old oak tree of tremendous size called the "Beggar's Oak"; but it was now too dark for us to see it. The steward of the estate had marked it, together with others, to be felled and sold; but though his lordship was very poor, he would not have the big oak cut down. He said that both d.i.c.k Turpin and Robin Hood had haunted these woods, and when he was a lad a good many horses were stolen and hidden in lonely places amongst the thick bushes to be sold afterwards in other parts of the country.
The "Beggar's Oak" was mentioned in the _History of Staffordshire_ in 1830, when its branches were measured by Dr. Darwen as spreading 48 feet in every direction. There was also a larger oak mentioned with a trunk 21 feet 4-1/2 inches in circ.u.mference, but in a decayed condition. This was named the Swilcar Lawn Oak, and stood on the Crown lands at Marchington Woodlands, and in Bagot's wood were also the Squitch, King, and Lord Bagot's Walking stick, all fine trees. There were also two famous oaks at Mavesyn Ridware called "Gog and Magog," but only their huge decayed trunks remained. Abbots Bromley had some curious privileges, and some of the great games were kept up. Thus the heads of the horses and reindeers for the "hobby horse" games were to be seen at the church.
[Ill.u.s.tration: MARKET PLACE, ABBOT'S BROMLAY]
The owner of this region, Lord Bagot, could trace his ancestry back to before the Conquest, for the Normans found one BaG.o.d in possession. In course of time, when the estate had become comparatively poor, we heard that the n.o.ble owner had married the daughter of Mr. Ba.s.s, the rich brewer of Burton, the first of the Peerage marriages with the families of the new but rich.
We pa.s.sed the b.u.t.ter Cross and the old inn, reminiscent of stage-coach days, as the church bell was tolling, probably the curfew, and long after darkness had set in, for we were trying to reach Lichfield, we came to the village of Handsacre, where at the "Crown Inn" we stayed the night.
(_Distance walked twenty-five miles_.)
_Wednesday, November 1st._
Although the "Crown" at Handsacre was only a small inn, we were very comfortable, and the company a.s.sembled on the premises the previous evening took a great interest in our travels. We had no difficulty in getting an early breakfast, and a good one too, before leaving the inn this morning, but we found we had missed seeing one or two interesting places which we pa.s.sed the previous night in the dark, and we had also crossed the River Trent as it flowed towards the great brewery town of Burton, only a few miles distant.
[Ill.u.s.tration: WHERE OFFA'S d.y.k.e CROSSES THE MAIS ROAD.]