Flowers For Algernon Part 7

Burt introduced me to an economics professor at the faculty cafeteria, one well known for his work on the economic factors affecting interest rates. I had long wanted to talk to an economist about some of the ideas I had come across in my reading. The moral aspects of the military blockade as a weapon in times of peace had been bothering me. I asked him what he thought of the suggestion by some senators that we begin using such tactics as "blacklisting" and reinforcement of the navicert controls that had been used in World Wars I and II, against some of the smaller nations which now oppose us.

He listened quietly, staring off into s.p.a.ce, and I a.s.sumed he was collecting his thoughts for an answer, but a few minutes later he cleared his throat and shook his head. That, he explained apologetically, was outside his area of specialization. His interest was in interest rates, and he hadn't given military economics much thought. He suggested I see Dr. Wessey, who once did a paper on War Trade Agreements during World War II. He might be able to help me.

Before I could say anything else, he grabbed my hand and shook it. He had been glad to meet me, but there were some notes he had to a.s.semble for a lecture. And then he was gone.

The same thing happened when I tried to discuss Chaucer with an American literature specialist, questioned an Orientalist about the Trobriand Islanders, and tried to focus on the problems of automation-caused unemployment with a social psychologist who specialized in public opinion polls on adolescent behavior. They would always find excuses to slip away, afraid to reveal the narrowness of their knowledge.

How different they seem to be now. And how foolish I was ever to have thought that professors were intellectual giants. They're people-and afraid the rest of the world will find out. And Alice is a person too-a woman, not a G.o.ddess-and I'm taking her to the concert tomorrow night.

May 17-Almost morning and I can't fall asleep. I've got to understand what happened to me last night at the concert.

The evening started out well enough. The Mall at Central Park had filled up early, and Alice and I had to pick our way among the couples stretched out on the gra.s.s. Finally, far back from the path, we found an unused tree where-out of the range of lamplight-the only evidence of other couples was the protesting female laughter and the glow of lit cigarettes.

"This will be fine," she said. "No reason to be right on top of the orchestra."

"What's that they're playing now?" I asked.

"Debussy's La Mer. La Mer. Do you like it?" Do you like it?"

I settled down beside her. "I don't know much about this kind of music. I have to think about it."

"Don't think about it," she whispered. "Feel it. Let it sweep over you like the sea without trying to understand." She lay back on the gra.s.s and turned her face in the direction of the music.

I had no way of knowing what she expected of me. This was far from the clear lines of problem-solving and the systematic acquisition of knowledge. I kept telling myself that the sweating palms, the tightness in my chest, the desire to put my arms around her were merely biochemical reactions. I even traced the pattern of stimulus-and-reaction that caused my nervousness and excitement. Yet everything was fuzzy and uncertain. Should I put my arm around her or not? Was she waiting for me to do it? Would she get angry? I could tell I was still behaving like an adolescent and it angered me.

"Here," I choked, "why don't you make yourself more comfortable? Rest on my shoulder." She let me put my arm around her, but she didn't look at me. She seemed to be too absorbed in the music to realize what I was doing. Did she want me to hold her that way, or was she merely tolerating it? As I slipped my arm down to her waist, I felt her tremble, but still she kept staring in the direction of the orchestra. She was pretending to be concentrating on the music so that she wouldn't have to respond to me. She didn't want to know what was happening. As long as she looked away, and listened, she could pretend that my closeness, my arms around her, were without her knowledge or consent. She wanted me to make love to her body while she kept her mind on higher things. I reached over roughly and turned her chin. "Why don't you look at me? Are you pretending I don't exist?"

"No, Charlie," she whispered. "I'm pretending I don't exist."

When I touched her shoulder she stiffened and trembled, but I pulled her toward me. Then it happened. It started as a hollow buzzing in my ears ... an electric saw ... far away. Then the cold: arms and legs p.r.i.c.kly, and finger numbing. Suddenly, I had the feeling I was being watched.

A sharp switch in perception. I saw, from some point in the darkness behind a tree, the two of us lying in each other's arms.

I looked up to see a boy of fifteen or sixteen, crouching nearby. "Hey!" I shouted. As he stood up, I saw his trousers were open and he was exposed.

"What's the matter?" she gasped.

I jumped up, and he vanished into the darkness. "Did you see him?"

"No," she said, smoothing her skirt nervously. "I didn't see anyone."

"Standing right here. Watching us. Close enough to touch you."

"Charlie, where are you going?"

"He couldn't have gotten very far."

"Leave him alone, Charlie. It doesn't matter."

But it mattered to me. I ran into the darkness, stumbling over startled couples, but there was no way to tell where he had gone.

The more I thought about him, the worse became the queasy feeling that comes before fainting. Lost and alone in a great wilderness. And then I caught hold of myself and found my way back to where Alice was sitting.

"Did you find him?"

"No, but he was there. I saw him."

She looked at me strangely. "Are you all right?"

"I will be ... in a minute ... Just that d.a.m.ned buzzing in my ears."

"Maybe we'd better go."

All the way back to her apartment, it was on my mind that the boy had been crouching there in the darkness, and for one second I had caught a glimpse of what he was seeing-the two of us lying in each other's arms.

"Would you like to come in? I could make some coffee."

I wanted to, but something warned me against it. "Better not. I've got a lot of work to do tonight."

"Charlie, is it anything I said or did?"

"Of course not. Just that kid watching us upset me."

She was standing close to me, waiting for me to kiss her. I put my arm around her, but it happened again. If I didn't get away quickly, I would pa.s.s out.

"Charlie, you look sick."

"Did you see him, Alice? The truth..."

She shook her head. "No. It was too dark. But I'm sure-"

"I've got to go. I'll call you." And before she could stop me, I pulled away. I had to get out of that building before everything caved in.

Thinking about it now, I'm certain it was a hallucination. Dr. Strauss feels that emotionally I'm still in that adolescent state where being close to a woman, or thinking of s.e.x, sets off anxiety, panic, even hallucinations. He feels that my rapid intellectual development has deceived me into thinking I could live a normal emotional life. But I've got to accept the fact that the fears and blocks triggered in these s.e.xual situations reveal that emotionally I'm still an adolescent-s.e.xually r.e.t.a.r.ded. I guess he means I'm not ready for a relationship with a woman like Alice Kinnian. Not yet.

May 20-I've been fired from my job at the bakery. I know it was foolish of me to hang on to the past, but there was something about the place with its white brick walls browned by oven heat ... It was home to me.

What did I do to make them hate me so?

I can't blame Donner. He's got to think of his business, and the other employees. And yet, he's been closer to me than a father.

He called me into his office, cleared the statements and bills off the solitary chair beside his roll-top desk, and without looking up at me, he said, "I've been meaning to talk to you. Now is as good a time as any."

It seems foolish now, but as I sat there staring at him-short, chubby, with the ragged light-brown moustache comically drooping over his upper lip-it was as if both of me, the old Charlie and the new, were sitting on that chair, frightened at what Old Mr. Donner was going to say.

"Charlie, your Uncle Herman was a good friend of mine. I kept my promise to him to keep you on the job, good times and bad, so that you didn't ever want for a dollar in your pocket and a place to lay your head without being put away in that home."

"The bakery is my home-"

"And I treated you like my own son who gave up his life for his country. And when Herman died-how old were you? seventeen? more like a six-year-old boy-I swore to myself ... I said, Arthur Donner, as long as you got a bakery and a business over your head, you're going to look after Charlie. He is going to have a place to work, a bed to sleep in, and bread in his mouth. When they committed you to that Warren place, I told them how you would work for me, and I would take care of you. You didn't spend even one night in that place. I got you a room and I looked after you. Now, have I kept that solemn promise?"

I nodded, but I could see by the way he was folding and unfolding his bills that he was having trouble. And as much as I didn't want to know-I knew. "I've tried my best to do a good job. I've worked hard...."

"I know, Charlie. Nothing's wrong with your work. But something happened to you, and I don't understand what it means. Not only me. Everyone has been talking about it. I've had them in here a dozen times in the last few weeks. They're all upset. Charlie, I got to let you go."

I tried to stop him but he shook his head.

"There was a delegation in to see me last night. Charlie, I got my business to hold together."

He was staring at his hands, turning the paper over and over as if he hoped to find something on it that was not there before. "I'm sorry, Charlie."

"But where will I go?"

He peered up at me for the first time since we'd walked into his cubbyhole office. "You know as well as I do that you don't need need to work here any more." to work here any more."

"Mr. Donner, I've never worked anywhere else."

"Let's face it. You're not the Charlie who came in here seventeen years ago-not even the same Charlie of four months ago. You haven't talked about it. It's your own affair. Maybe a miracle of some kind-who knows? But you've changed into a very smart young man. And operating the dough mixer and delivering packages is no work for a smart young man."

He was right, of course, but something inside me wanted to make him change his mind.

"You've got to let me stay, Mr. Donner. Give me another chance. You said yourself that you promised Uncle Herman I would have a job here for as long as I needed it. Well, I still need it, Mr. Donner."

"You don't, Charlie. If you did then I'd tell them I don't care about their delegations and their pet.i.tions, and I'd stick up for you against all of them. But as it is now, they're all scared to death of you. I got to think of my own family too."

"What if they change their minds? Let me try to convince them." I was making it harder for him than he expected. I knew I should stop, but I couldn't control myself. "I'll make them understand," I pleaded.

"All right," he sighed finally. "Go ahead, try. But you're only going to hurt yourself."

As I came out of his office, Frank Reilly and Joe Carp walked by me, and I knew what he had said was true. Having me around to look at was too much for them. I made them all uncomfortable.

Frank had just picked up a tray of rolls and both he and Joe turned when I called. "Look, Charlie, I'm busy. Maybe later-"

"No," I insisted. "Now-right now. Both of you have been avoiding me. Why?"

Frank, the fast talker, the ladies' man, the arranger, studied me for a moment and then set the tray down on the table. "Why? I'll tell you why. Because all of a sudden you're a big shot, a know-it-all, a brain! Now you're a regular whiz kid, an egghead. Always with a book-always with all the answers. Well, I'll tell you something. You think you're better than the rest of us here? Okay, go someplace else."

"But what did I do to you?"

"What did he do? Hear that, Joe? I'll tell you what you did, Mister Mister Gordon. You come pushing in here with your ideas and suggestions and make the rest of us all look like a bunch of dopes. But I'll tell you something. To me you're still a moron. Maybe I don't understand some of them big words or the names of the books, but I'm as good as you are-better even." Gordon. You come pushing in here with your ideas and suggestions and make the rest of us all look like a bunch of dopes. But I'll tell you something. To me you're still a moron. Maybe I don't understand some of them big words or the names of the books, but I'm as good as you are-better even."

"Yeah." Joe nodded, turning to emphasize the point to Gimpy who had just come up behind him.

"I'm not asking you to be my friends," I said, "or have anything to do with me. Just let me keep my job. Mr. Donner says it's up to you."

Gimpy glared at me and then shook his head in disgust. "You got a nerve," he shouted. "You can go to h.e.l.l!" Then he turned and limped off heavily.

And so it went. Most of them felt the way Joe and Frank and Gimpy did. It had been all right as long they could laugh at me and appear clever at my expense, but now they were feeling inferior to the moron. I began to see that by my astonishing growth I had made them shrink and emphasized their inadequacies. I had betrayed them, and they hated me for it.

f.a.n.n.y Birden was the only one who didn't think I should be forced to leave, and despite their pressure and threats, she had been the only one not to sign the pet.i.tion.

"Which don't mean to say," she remarked, "that I don't think there's something mighty strange about you, Charlie. The way you've changed! I don't know. You used to be a good, dependable man-ordinary, not too bright maybe, but honest-and who knows what you done to yourself to get so smart all of a sudden. Like everybody's been saying-it ain't right."

"But what's wrong with a person wanting to be more intelligent, to acquire knowledge, and understand himself and the world?"

"If you'd read your Bible, Charlie, you'd know that it's not meant for man to know more than was given to him to know by the Lord in the first place. The fruit of that tree was forbidden to man. Charlie, if you done anything you wasn't supposed to-you know, like with the devil or something-maybe it ain't too late to get out of it. Maybe you could go back to being the good simple man you was before."

"There's no going back, f.a.n.n.y. I haven't done anything wrong. I'm like a man born blind who has been given a chance to see light. That can't be sinful. Soon there'll be millions like me all over the world. Science can do it, f.a.n.n.y."

She stared down at the bride and groom on the wedding cake she was decorating and I could see her lips barely move as she whispered: "It was evil when Adam and Eve ate from the tree of knowledge. tree of knowledge. It was evil when they saw they was naked, and learned about l.u.s.t and shame. And they was driven out of Paradise and the gates was closed to them. If not for that none of us would have to grow old and be sick and die." It was evil when they saw they was naked, and learned about l.u.s.t and shame. And they was driven out of Paradise and the gates was closed to them. If not for that none of us would have to grow old and be sick and die."

There was nothing more to say, to her or to the rest of them. None of them would look into my eyes. I can still feel the hostility. Before, they had laughed at me, despising me for my ignorance and dullness; now, they hated me for my knowledge and understanding. Why? What in G.o.d's name did they want of me?

This intelligence has driven a wedge between me and all the people I knew and loved, driven me out of the bakery. Now, I'm more alone than ever before. I wonder what would happen if they put Algernon back in the big cage with some of the other mice. Would they they turn against him? turn against him?

May 25-So this is how a person can come to despise himself-knowing he's doing the wrong thing and not being able to stop. Against my will I found myself drawn to Alice's apartment. She was surprised but she let me in.

"You're soaked. The water is streaming down your face."

"It's raining. Good for the flowers."

"Come on in. Let me get you a towel. You'll catch pneumonia."

"You're the only one I can talk to," I said. "Let me stay."

"I've got a pot of fresh coffee on the stove. Go ahead and dry yourself and then we can talk."

I looked around while she went to get the coffee. It was the first time I had ever been inside her apartment. I felt a sense of pleasure, but there was something disturbing about the room.

Everything was neat. The porcelain figurines were in a straight line on the window-ledge, all facing the same way. And the throw-pillows on the sofa hadn't been thrown at all, but were regularly s.p.a.ced on the clear plastic covers that protected the upholstery. Two of the end tables had magazines, neatly stacked so that the t.i.tles were clearly visible. On one table: The Reporter, The Sat.u.r.day Review, The New Yorker; The Reporter, The Sat.u.r.day Review, The New Yorker; on the other: on the other: Mademoiselle, House Beautiful, Mademoiselle, House Beautiful, and and Reader's Digest. Reader's Digest.

On the far wall, across from the sofa, hung an ornately framed reproduction of Pica.s.so's "Mother and Child," and directly opposite, above the sofa, was a painting of a dashing Renaissance courtier, masked, sword in hand, protecting a frightened, pink-cheeked maiden. Taken all together, it was wrong. As if Alice couldn't make up her mind who she was and which world she wanted to live in.

"You haven't been to the lab for a few days," she called from the kitchen. "Professor Nemur is worried about you."

"I couldn't face them," I said. "I know there's no reason for me to be ashamed, but it's an empty feeling not going in to work every day-not seeing the shop, the ovens, the people. It's too much. Last night and the night before, I had nightmares of drowning."