Five Little Plays Part 6

LADY ALINE DE VAUX _enters, leaning on the arm of_ MR. HARRISON CROCKSTEAD.

LADY ALINE _is a tall, exquisitely-gowned girl, of the conventional and much-admired type of beauty. Put her in any drawing-room in the world, and she would at once be recognised as a highborn Englishwoman. She has in her, in embryo, all those excellent qualities that go to make a great lady: the icy stare, the haughty movement of the shoulder, the disdainful arch of the lip; she has also, but only an experienced observer would notice it, something of wistfulness, something that speaks of a sore and wounded heart--though it is sufficiently evident that this organ is kept under admirable control. A girl who has been placed in a position of life where artificiality rules, who has been taught to be artificial and has thoroughly learned her lesson; yet one who would unhesitatingly know the proper thing to do did a camel bolt with her in the desert, or an eastern potentate invite her to become his two hundred and fifty-seventh wife. In a word, a lady of complete self-possession and magnificent control._ MR.

CROCKSTEAD _is a big, burly man of forty or so, and of the kind to whom the ordinary West End butler would consider himself perfectly justified in declaring that her ladyship was not at home. And yet his evening clothes sit well on him; and there is a certain air of command about the man that would have made the butler uncomfortable. That functionary would have excused himself by declaring that_ MR. CROCKSTEAD _didn't look a gentleman. And perhaps he doesn't. His walk is rather a slouch; he has a way of keeping his hands in his pockets, and of jerking out his sentences; a way, above all, of seeming perfectly indifferent to the comfort of the people he happens to be addressing. The impression he gives is one of power, not of refinement; and the ma.s.sive face, with its heavy lines, and eyes that are usually veiled, seems to give no clue whatever to the character of the man within._

_The couple break apart when they enter the room;_ LADY ALINE _is the least bit nervous, though she shows no trace of it;_ MR.

CROCKSTEAD _absolutely imperturbable and undisturbed._

CROCKSTEAD. [_Looking around._] Ah--this is the place--very quiet, retired, romantic--et cetera. Music in the distance--all very appropriate and sentimental.

[_She leaves him, and sits, quietly fanning herself; he stands, looking at her._] You seem perfectly calm, Lady Aline?

ALINE. [_Sitting._] Conservatories are not unusual appendages to a ball-room, Mr. Crockstead; nor is this conservatory unlike other conservatories.

CROCKSTEAD [_Turning to her._] I wonder why women are always so evasive?

ALINE. With your permission we will not discuss the s.e.x. You and I are too old to be cynical, and too young to be appreciative. And besides, it is a rule of mine, whenever I sit out a dance, that my partner shall avoid the subjects of women--and golf.

CROCKSTEAD. You limit the area of conversation. But then, in this particular instance, I take it, we have not come here to talk?

ALINE. [_Coldly._] I beg your pardon!

CROCKSTEAD. [_Sitting beside her._] Lady Aline, they are dancing a cotillon in there, so we have half an hour before us. We shall not be disturbed, for the d.u.c.h.ess, your aunt, has considerately stationed her aged companion in the corridor, with instructions to ward off intruders.

ALINE. [_Very surprised._] Mr. Crockstead!

CROCKSTEAD. [_Looking hard at her._] Didn't you know? [ALINE _turns aside, embarra.s.sed._] That's right--of course you did. Don't you know why I have brought you here? That's right; of course you do. The d.u.c.h.ess, your aunt, and the Marchioness, your mother--observe how fondly my tongue trips out the t.i.tles--smiled sweetly on us as we left the ball-room. There will be a notice in the _Morning Post_ to-morrow: "A Marriage Has Been Arranged Between--"

ALINE. [_Bewildered and offended._] Mr. Crockstead! This--this is--

CROCKSTEAD. [_Always in the same quiet tone._] Because I have not yet proposed, you mean? Of course I intend to, Lady Aline. Only as I know that you will accept me--

ALINE. [_In icy tones, as she rises._] Let us go back to the ball-room.

CROCKSTEAD. [_Quite undisturbed._] Oh, please! That won't help us, you know. Do sit down. I a.s.sure you I have never proposed before, so that naturally I am a trifle nervous. Of course I know that we are only supers really, without much of a speaking part; but the spirit moves me to gag, in the absence of the stage-manager, who is, let us say, the d.u.c.h.ess--

ALINE. I have heard of the New Humour, Mr. Crockstead, though I confess I have never understood it. This may be an exquisite example--

CROCKSTEAD. By no means. I am merely trying to do the right thing, though perhaps not the conventional one. Before making you the formal offer of my hand and fortune, which amounts to a little over three millions--

ALINE. [_Fanning herself._] How people exaggerate! Between six and seven, _I_ heard.

CROCKSTEAD. Only three at present, but we must be patient. Before throwing myself at your feet, metaphorically, I am anxious that you should know something of the man whom you are about to marry.

ALINE. That is really most considerate!

CROCKSTEAD. I have the advantage of you, you see, inasmuch as you have many dear friends, who have told me all about you.

ALINE. [_With growing exasperation, but keeping very cool._] Indeed?

CROCKSTEAD. I am aware, for instance, that this is your ninth season--

ALINE. [_Snapping her fan._] You are remarkably well-informed.

CROCKSTEAD. I have been told that again to-night, three times, by charming young women who vowed that they loved you. Now, as I have no dearest friends, it is unlikely that you will have heard anything equally definite concerning myself. I propose to enlighten you.

ALINE. [_Satirically._] The story of your life--how thrilling!

CROCKSTEAD. I trust you may find it so. [_He sits, and pauses for a moment, then begins, very quietly._] Lady Aline, I am a self-made man, as the foolish phrase has it--a man whose early years were spent in savage and desolate places, where the devil had much to say; a man in whom whatever there once had been of natural kindness was very soon kicked out.

I was poor, and lonely, for thirty-two years: I have been rich, and lonely, for ten. My millions have been made honestly enough; but poverty and wretchedness had left their mark on me, and you will find very few men with a good word to say for Harrison Crockstead. I have no polish, or culture, or tastes. Art wearies me, literature sends me to sleep--

ALINE. When you come to the chapter of your personal deficiencies, Mr.

Crockstead, please remember that they are sufficiently evident for me to have already observed them.

CROCKSTEAD. [_Without a trace of annoyance._] That is true. I will pa.s.s, then, to more intimate matters. In a little township in Australia--a horrible place where there was gold--I met a woman whom I loved. She was what is technically known as a bad woman. She ran away with another man. I tracked them to Texas, and in a mining camp there I shot the man. I wanted to take the woman back, but she refused. That has been my solitary love affair; and I shall never love any woman again as I loved her. I think that is all that I have to tell you. And now--will you marry me, Lady Aline?

ALINE. [_Very steadily, facing him._] Not if you were the last man in this world, Mr. Crockstead.

CROCKSTEAD. [_With a pleasant smile._] At least that is emphatic.

ALINE. See, I will give you confidence for confidence. This is, as you suggest, my ninth season. Living in an absurd milieu where marriage with a wealthy man is regarded as the one aim in life, I have, during the past few weeks, done all that lay in my power to wring a proposal from you.

CROCKSTEAD. I appreciate your sincerity.

ALINE. Perhaps the knowledge that other women were doing the same lent a little zest to the pursuit, which otherwise would have been very dreary; for I confess that your personality did not--especially appeal to me.

CROCKSTEAD. [_Cheerfully._] Thank you very much.

ALINE. Not at all. Indeed, this room being the Palace of Truth, I will admit that it was only by thinking hard of your three millions that I have been able to conceal the weariness I have felt in your society. And now will you marry me, Mr. Crockstead?

CROCKSTEAD. [_Serenely._] I fancy that's what we're here for, isn't it?

ALINE. [_Stamping her foot._] I have, of course, been debarred from the disreputable amours on which you linger so fondly; but I loved a soldier cousin of mine, and would have run away with him had my mother not packed me off in time. He went to India, and I stayed here; but he is the only man I have loved or ever shall love. Further, let me tell you I am twenty-eight; I have always been poor--I hate poverty, and it has soured me no less than you. Dress is the thing in life I care for most, vulgarity my chief abomination. And to be frank, I consider you the most vulgar person I have ever met. Will you still marry me, Mr. Crockstead?

CROCKSTEAD. [_With undiminished cheerfulness._] Why not?

ALINE. This is an outrage. Am I a horse, do you think, or a ballet-dancer? Do you imagine I will sell myself to you for your three millions?

CROCKSTEAD. Logic, my dear Lady Aline, is evidently not one of your more special possessions. For, had it not been for my--somewhat eccentric preliminaries--you _would_ have accepted me, would you not?

ALINE. [_Embarra.s.sed._] I--I--

CROCKSTEAD. If I had said to you, timidly: "Lady Aline, I love you: I am a simple, unsophisticated person; will you marry me?" You would have answered, "Yes, Harrison, I will."

ALINE. It is a mercy to have escaped marrying a man with such a Christian name as Harrison.

CROCKSTEAD. It has been in the family for generations, you know; but it is a strange thing that I am always called Harrison, and that no one ever adopts the diminutive.

ALINE. That does not surprise me: we have no pet name for the East wind.