Father Payne Part 20

"Tell me what it is, then," said Father Payne. "Rose, you seem to have ideas on the subject. What do you mean by honour?"

"Isn't it one of the ultimate things," said Rose, "which can't be defined, but which everyone recognises--like blue and green, let me say, or sweet and bitter?"

"No," said Father Payne; "at least I don't think so. It seems to me rather an artificial thing, because it varies at different dates. It used, not so long ago, to be considered an affair of honour to fight a duel with a man if he threw a gla.s.s of wine in your face. And what do you make of the old proverb, 'All is fair in love and war'? That seems to mean that honour is not a universal obligation. Then there's the phrase, 'Honour among thieves,' which isn't a very exalted one; or the curious thing, schoolboy honour, which dictates that a boy may know that another boy is being disgracefully and cruelly bullied, and yet is prevented by his sense of honour from telling a master about it. I admit that honour is a fine idea; but it seems to me to cover a lot of things in human nature which are very bad indeed. It may mean only a sort of prudential arrangement which binds a set of people together for a bad purpose, because they do not choose to be interfered with, and yet call the thing honour for the sake of the a.s.sociations."

"Yes, I don't think it is necessarily a moral thing," said Rose, "but that doesn't seem to me to matter. It is simply an obligation, pledged or implied, that you will act in a certain way. It may conflict with a moral obligation, and then you have to decide which is the greater obligation."

"Yes, that is perfectly true," said Father Payne, "and as long as you admit that honour isn't in itself bound to be a good thing, that is all I want.

Lestrange seemed to use it as if you had only got to say that a motive was honourable, to have it recognised by everyone as right. Take the case of what are called 'national obligations.' A certain party in the State, having secured a majority of votes, enters into some arrangement--a treaty, let us say--without consulting the nation. Is that held to be for ever binding on a nation till it is formally repealed? Is it dishonourable for a citizen belonging, let us say, to the minority which is not represented by the particular Government which makes the treaty, to repudiate it?"

"Yes, I think it may be fairly called dishonourable," said Rose; "there is an obligation on a citizen to back up his Government."

"Then I should feel that honour is a very complicated thing," said Father Payne. "If a citizen thinks a treaty dishonourable, and if it is also dishonourable for him to repudiate it, it seems to me he is dishonourable whatever he does. He is obliged to consent for the sake of honour to a dishonourable thing being done. It seems to me perilously like a director of a firm having to condone fraudulent practices, because it is dishonourable to give his fellow-directors away. It is this conflict between individual honour and public honour which puzzles me, and which makes me feel that honour isn't a simple thing at all. A high conception of private honour seems to me a very fine thing indeed. I mean by it a profound hatred of anything false or cowardly or perfidious, and a loathing of anything insincere or treacherous. That sort of proud and stainless chivalry seems to me to be about the brightest thing we can discern, and the furthest beauty we can recognise. But honour seems also, according to you, to be a principle to which you can be committed by a majority of votes, whether you approve of it or not; and then it seems to me a merely detestable thing, if you can be bound by honour to acquiesce in something which you honestly believe to be base. It seems to me a case of what Tennyson describes:

"'His honour rooted in dishonour stood, And faith unfaithful kept him falsely true.'"

"But surely social obligations must often conflict with private beliefs,"

said Rose. "A nation or a society has got to act collectively, and a minority must be over-ridden."

"I quite agree," said Father Payne, "but why mix up honour with it at all?

I don't object to a man who conscientiously dissents to some national move being told that he must lump it. But if he is called dishonourable for dissenting, then honour does not seem to me to be a real word at all, but only a term of abuse for a man who objects to some concerted plan. You can't make a dishonest thing honest because a majority choose to do it--at least I do not believe that morality is purely a matter of majorities, or that the dishonour of one century can become the honour of the next. I am inclined to believe just the opposite. I believe that the man who has so sensitive a conscience about what is honourable or not, that he is called a Quixotic fool by his contemporaries, is far more likely to be right than the coa.r.s.er majority who only see that a certain course is expedient. I should believe that he saw some truth of morality clearly which the rougher sort of minds did not see. The saint--call him what you like--is only the man who stands higher up, and sees the sunrise before the people who stand lower down."

"But everyone has a right to his own sense of honour," said Rose.

"Certainly," said Father Payne, "but you must be certain that a man's sense of honour is lower than your own before you call him dishonourable for differing from you. If a man is less scrupulous than myself, I may think him dishonourable, if I also think that he knows better. But what I do not think that any of us has a right to do is to call a man dishonourable if he has more scruples than oneself. He may be over-scrupulous, but the chances are that any man who sacrifices his convenience to a scruple has a higher sense of honour than the man who throws over a scruple for the sake of his convenience. That is why I think honour is a dangerous word to play with, because it is so often used to frighten people who don't fall in with what is for the convenience of a gang."

"But surely," said Rose, "morality is after all only a word for what society agrees to consider moral."

"Yes, in a sense that is so," said Father Payne; "it is only a word to express a phenomenon. But I believe that morality is a real thing, for all that; and that our conceptions of it get clearer, as the world goes on. It is something outside of us--a law of nature if you like--which we are learning; not merely a thing which we invent for our convenience.

But that is too big a business to go into now."

LI

OF WORK

I cannot remember now what public man it was who had died of a breakdown from overwork, but I heard Father Payne say, after dinner, referring to the event, "I wish it to be clearly understood that I think a man who dies of deliberate or reckless overwork is a victim of self-indulgence. It is nothing more or less than giving way to a pa.s.sion. I am as sure as I can be of anything," he went on, "that a thousand years hence that will be recognised by human beings, and that they will feel it to be as shameful for a man to die of spontaneous overwork as for him to die of drink or gluttony or any other vice. I don't of course mean," he added, "the cases of men who have had some definite and critical job to carry through, and have decided that the risk is worth running. A man has always the right to risk his life for a definite aim--but I mean the men--you can see it in biographies, and the worst of it is that they are often the biographies of clergymen--who, in spite of physical warnings, and entreaties from their friends, and definite statements by their doctors that they are shortening their lives by labour, still cannot stop, or, if they stop, begin again too soon. No man has any right to think his work so important as that--to take unimportant things too seriously is the worst sort of frivolity."

"But isn't it the finer kind of people," said Kaye, "who make the mistake?"

"Yes, of course," said Father Payne, "but so, too, if you look into it, you will too often find that it is the finer kinds of imaginative people who take to drink and drugs. I remember," he added, "once going to see a poor friend of mine in an asylum, and the old doctor at the head of it said, 'It isn't the stupid people who come here, Mr. Payne; it is the clever people!'"

"But does not your principle about the right to risk one's life hold good here too?" said Barthrop.

"No, I think not," said Father Payne. "A man may choose to try a dangerous thing, climb a mountain, explore a perilous country, go up in a balloon, where an element of risk is inseparable from the experiment; but ordinary work isn't risky in itself. Why," he added, "I was reading a book the other day, the life of Fitzherbert, you know, who was a man of prodigious laboriousness, who died early, worn out. He had an impossible standard of perfection. If he had to write an article, he read all the literature on the subject over and over; he wrote and re-wrote his stuff. There was a case quoted in the book, as if it were to Fitzherbert's credit, when he had to send in an article by a certain date--just a _Quarterly_ article.

It had to go in on the Friday. He had finished it on the Monday before, when his mind misgave him. He destroyed the article, began again, sate up all Monday night and all Wednesday night, and wrote the whole thing afresh.

He was laid up for a month after it. That is simply the act of an unbalanced mind."

"I can't help feeling that there is something fine about it," said Vincent.

"There is always something fine about unreasonable things," said Father Payne, "or in a man making a sacrifice for an idea. But there is an entire lack of proportion about this performance; and if Fitzherbert thought his work so valuable as that, then he ought to have reflected that he was simply limiting his future output by this reckless expenditure of force.

But the whole case was a sad one--Fitzherbert worked in a ghastly way as a boy and as a young man. He had a very broad outlook, he was interested in everything; and when he was at Oxford, he told a friend that he was discovering a hundred subjects on which he hoped to have a say. Well, then, the middle part of his life was spent in preparing himself, under the same sort of pressure, to ent.i.tle himself to have his say: and then came his first bad break-down--and the end of his life, which was a wretched period, was spent in finding elaborate reasons why he should not commit himself to any opinion whatever. If he was asked his opinion, he always said he had not studied the subject adequately. That seems to me the life of a man suffering from a sort of nightmare. Things are not so deep as all that--at least, if no one is to give an opinion on any point until he has mastered the whole sum of human opinion on the point, then we shall never make any progress at all. I remember Fitzherbert's strong condemnation of Ruskin, for giving his opinion cursorily on all subjects of importance. Yet Ruskin did a greater work than Fitzherbert, because he at least made people think, while Fitzherbert only prevented them from daring to think. I don't mean that people ought to feel competent to express an opinion on everything--yet even that habit cures itself, because, if you do it, no one pays any attention. But if a man has gone into a subject with decent care, or if he has reflected upon problems of which the data are fairly well known, I think there is every reason why he should give an opinion. It is very easy to be too conscientious. There are plenty of fine hints of opinions in Fitzherbert's letters. You could make a very good book of _Pensees_ out of them--he had a clear, forcible, and original mind; but he did not dare to say what he thought; and you may remember that if he was ever sharply criticised, he felt it deeply, as a sort of imputation of dishonesty. A man must not go down before criticism like that."

"But everyone must do their work in their own way?" said I.

"Yes," said Father Payne, "but Fitzherbert ended by doing nothing--he only snubbed and silenced his own fine mind, by giving way to this unholy pa.s.sion for examining things. No, I want you fellows to have common-sense about these matters. There is a great deal too much sanct.i.ty attached to print. The written word--there's a dark superst.i.tion about it! A man has as much right to write as he has to talk. He may say to the world, to his unseen and unknown friends in it, whatever he may say to his intimates. You should write just as you could talk to any gentleman, with the same courtesy and frankness. Of course you must run the risk of your book falling into the hands of ill-bred people--that can't be helped--and of course you must not pretend that your book is the result of deep and copious labour, if it is nothing of the kind. But heart-breaking toil is not the only qualification for speaking. There are plenty of complicated little topics--all the problems which arise from the combination of individuals into societies--which people ought to think about, and which are really everyone's concern. The interplay, I mean, of human relations--the moral, religious, social, intellectual ideas--which have all got to be co-ordinated. A man does not need immense knowledge for that; in fact if he studies the history of such things too deeply, he is often apt to forget that old interpreters of such things had not got all the present data. There is an immense future before writers who will interest people in and familiarise them with ideas. Some people get absorbed in life in the wrong way, just bent on acquisition and comfort--some people, again, live as if they were staying in somebody else's house--but what you want to induce men and women to do is to realise the sort of thing that life really is, and to attempt to put it in some kind of proportion. The mischief done by men like Fitzherbert, who was fond of snapping at people who produced ideas for inspection, is that ordinary people get to confuse wisdom with knowledge; and that won't do! And so the man who sets to work like Fitzherbert loses his alertness and his observation, with the result that instead of bringing a very fresh and incisive mind to bear on life, he loses his way in books, and falls a victim to the awful pa.s.sion for feeling able to despise other people's opinions."

"But isn't it possible," said Vincent, "for a man to get the best out of life for himself by a sort of pa.s.sion for exact knowledge--like the man in the Grammarian's funeral, I mean?"

"Personally," said Father Payne, "I always think that Browning did a lot of harm by that poem. He was glorifying a real vice, I think. If the Grammarian had said to himself, 'There is all this nasty work to be done by someone; I can do it, and I can save other people having to waste their time over it, by doing it once and for all,' it would have been different.

But I think he was partly indulging a poor sort of vanity by just determining to know what no other man knew. The point of work is twofold.

It is partly good for the worker, to tranquillise his life and to reduce it to a certain order and discipline; but you mustn't do it only for the sake of your own tranquillity, any more than the artist must work for the sake of luxuriating in his own emotions. You must have something to give away: you must have some idea of combination, of helping other people to find each other and to understand each other. It is vicious to isolate yourself for your own satisfaction. Fitzherbert and the Grammarian were really misers. They just acc.u.mulated, and enjoyed the pleasure of having their own minds clear. That doesn't seem to me in itself to be a fine thing at all.

It is simply the oldest of temptations, 'Ye shall be as G.o.ds, knowing good and evil.' That is the danger of the critical mind, that it says, 'I will know within myself what is good,' The only excuse for the critical mind is to help people not to be taken in by what is bad. It is better to be like Plato and Ruskin, to make mistakes, to have prejudices, to be unfair, even to be silly, because at least you encourage people to think that life is interesting--and that is about as much as any of us can do."

LII

OF COMPANIONSHIP

"Isn't it rather odd," said someone to Father Payne after dinner, "that great men have as a rule rather preferred the company of their inferiors to the company of their equals?"

"I don't know," said Father Payne; "I think it's rather natural! By Jove, I know that a very little of the society of a really superior person goes a very long way with me. No, I think it is what one would expect. When the great man is at work, he is on the strain and doing the lofty business for all he is worth; when he is at leisure, he doesn't want any more strain--he has done his full share."

"But take the big groups," said someone, "like the Wordsworth set, or the pre-Raphaelite set--or take any of the great biographies--the big men of any time seem always to have been mutual friends and correspondents. You have letters to and from Ruskin from and to all the great men of his day."

"Letters, yes!" said Father Payne; "of course the great men know each other, and respect each other; but they don't tend to coagulate. They relish an occasional meeting and an occasional letter, and they say how deeply they regret not seeing more of each other--but they tend to seek the repose of their own less exalted circle. The man who has fine ideas prefers his own disciples to the men who have got a different set of fine ideas.

That is natural enough! You want to impart the ideas you believe in--you don't want to argue about them, or to have them knocked out of your hand.

Depend upon it, the society of an intelligent person, who can understand you enough to stimulate you, and who is grateful for your talk, is much pleasanter, and indeed more fruitful, than the society of a man who is fully as intelligent as yourself, and thinks some of your conclusions to be rot!"

"But doesn't all that encourage people to be prophets?" Vincent said. "One of the depressing things about great men is that they grow to consider themselves a sort of special providence--the originators of great ideas rather than the interpreters."

"Yes," said Father Payne, "of course the little coteries and courts of great men are rather repulsive. But the best people don't do that. They live contentedly in a circle which combines with its admiration for the hero a comfortable feeling that, if other people knew what they know, they wouldn't feel genius to be quite so extraordinary as is commonly believed.

And we must remember, too, that most great men seem greater afterwards than they did at the time. More of a treat and a privilege, I mean."

"Do you think one ought to try to catch a sight of great men who are contemporaries?" said I.

"Yes, a sight, I think," said Father Payne. "It's a pleasant thing to realise how your big man sits and looks and talks, what his house is like, and so forth. I have often rather regretted I haven't had the curiosity to get a sight of the giants. It helps you to understand them. I remember a pleasant old gentleman, Vinter by name, who lived in London. Vinter the novelist was his son. When young Vinter became famous for a bit, and people wanted to know him, old Vinter made a glorious rule. He told his son that he might invite any well-known person he liked to the house, to luncheon or dinner--but that unless he made a special exception in any one's favour, they were not to be invited again. There's a fine old Epicurean! He liked to realise what the bosses looked like, but he wasn't going to be bothered by having to talk respectfully to them time after time."

"But that's rather tame," said Vincent. "The point surely would be to get to know a big man well."

"Why, yes," said Father Payne, "but Vinter was a wise _old_ man; now I should say to any _young_ man who had a chance of really having a friendship with a great man, 'Of course, take it and thank your stars!' But I shouldn't advise any young man to make a collection of celebrities, or to go about hunting them. In fact I think for an original young man, it is apt to be rather dangerous to have a real friendship with a great man. There's a danger of being diverted from your own line, and of being drawn into imitative worship. A very moderate use of great men in person should suffice anyone. Your real friends ought to be people with whom you are entirely at ease, not people whom you reverence and defer to. It's better to learn to bark than to wag your tail. I don't think the big men themselves often begin by being disciples."

"Then who _is_ worth seeing?" said Vincent. "There must be somebody!"

"Why, to be frank," said Father Payne, "agreeable men like me, who haven't got too much authority, and are not surrounded by glory and worship! I'm interested in most things, and have learnt more or less how to talk--you look out for ingenious and kindly elderly men, who haven't been too successful, and haven't frozen into Tories, and yet have had some experience;--men of humour and liveliness, who have a rather more extended horizon than yourself, and who will listen to what you say instead of shutting you up, and saying 'Very likely' as Newman did--after which you were expected to go into a corner and think over your sins! Or clever, sympathetic, interesting women--not too young. Those are the people whom it is worth taking a little trouble to see."