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Fairies and Folk of Ireland Part 7

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The King had lost the most of his boldness. "They say," he said, "that men can burst open the rock. Can I not do that as well?"

"You can open this rock for us to pa.s.s through," said Naggeneen; "and what then? A man can see it open for a moment, if you choose to let him, and the next minute it's all as one as if you had never touched it. And the man thinks that's wonderful, for he doesn't know that you can do it no other way. All glamour again! Can you burst the rock open and leave it open, so that it will always be so, for mortal and for fairy?"

"Why should I want to be doin' that?" said the King.

"For the same reason makes the men want to do it, but you couldn't.

And those boats that cross the river, full of iron--can you make them, and can you cross the running water in them?"

The King had no voice to answer. "And the pictures in the boxes,"

Naggeneen went on; "can you make pictures dance?"

"Sure," said the King, "I can make a man think he sees anything I like--a woman dancing or a horse running, or anything."

"Glamour! Glamour! Glamour!" cried Naggeneen. "You can make him think he sees! Yes, but he does not see. You can no more make a picture dance than you can cross a river!" And Naggeneen turned on his heel and walked off, as if he thought the King a poor creature that was not worth talking to.

The King had no more courage left in him than if he had been talking to the King of All Ireland instead of to Naggeneen. "Naggeneen," he cried, "come back and tell us something better nor all this. It's not pleasant you are in your talk, and it's often you make me angry with you, but after all you're cleverer than any of us. Tell us what to do.

It was not like this where we lived before. There we could do all manner of things that mortals could not, and they were afraid of us."

"And so here too," said Naggeneen, "you can do all manner of things that mortals cannot, but they can do as many that you cannot--as many and better."

"But what are we to do," the King went on, "to show them that we're their masters? Sure we're cleverer than them all out, and we can prove it in some way."

"King," said Naggeneen, speaking as boldly as if he were himself a greater king, "you can never prove that you're cleverer than men, for you're not cleverer. It was a poor, wasted, weak, and sorrowful country that we came from, and it's a rich, new, strong, and happy country that we've come to. There's the differ. Clever you are, maybe, and your people, too, and I may be clever in my own way, and we may play our little tricks on mortals, as I did on the Sullivans, if they're as stupid as them. But mortals can be cleverer than we ever can when they are clever, and they can beat us every time if they know how. And do you know why? Because they have what we have not--because they have souls. I heard a school-master say once that the word 'mortal' was made from a word that meant death. And they call mortals that, I'm thinkin', because they never die. But you will die, King, and all your people, and I. We live on and on for thousands of years, and men come and change and pa.s.s away, but at the last day we shall be gone, as a bit of cloud up in the sky is gone when the sun shines on it. That's why men will always be greater and finer and stronger than us, with all our magic."

The fairies were all so terrified that they shrank away from Naggeneen and clung together and shook, in their fright, for this fear of living for a long time and then going out like a candle is their greatest fear. There was not a bit of color left in the King's face now. It was almost with a sob that he spoke again, and there was a kind of beseeching in his tone as he said: "Naggeneen, don't talk like that to us! We don't know it! It may be so, but we don't know it! We've tried many a time to find out, but no one that knew would ever tell us! We may have souls! We don't know that we've not! We may be saved!"

"You do know it!" Naggeneen cried. "Why will you try to deceive yourselves? You've no soul and I've no soul, and there's no way that we can have them. If there'd been any way, I'ld have had one long ago.

But we'll never have them, and mortals will always outwit us, if they half know how. Shall I tell you how one of them outwitted me--a big, lazy, stupid gommoch, with not enough brains to keep his neck safe?"

The fairies were far past caring whether they heard a story or not, but they listened as Naggeneen went on. "I'm after tellin' you," he said, "that if there was any way that one of us could be gettin' a soul, I'ld have had one long ago. This was the way I tried it, and a silly mortal outwitted me. Guleesh na Guss Dhu was the name that was on him. I had heard--and I believed it--that if I could get a mortal woman married to me--a woman with a soul--that I would get a soul, too, that way. Well, I was never over-modest in my tastes, you know, and I thought that the daughter of the King of France was about right for me. A beautiful girl she was, with the rose and the lily fighting in her cheeks, and she was eighteen years old. But sure I thought that the differ of a few thousand years in our ages would be nothing to me, and I hoped it would be nothing to her either.

"I was living in a rath and wearing a green jacket then. All the others in the rath promised that they'ld help me. The King's daughter was to be married to the son of the King of another country on November Eve; and you know there's no better time to steal a girl than the night she's to be married, and November Eve is a fine time, too, so it was settled that we'ld go over to France and steal her on that night. But, as you know, we needed a mortal to help us. How else could we be bringin' her across from France? If we could put her on a horse behind a man, she'ld have flesh and blood to take a grip of, but if she was put up behind one of us, she might as well try to hold to a puff of smoke. You know that.

"We got ready, making sure that we'ld find some fool of a mortal ready for us when the time came, and sure enough, when we'd been out for a little look at the country before starting, and were coming back, there sat this same Guleesh na Guss Dhu, between the rath and the gable of his father's house, that was near by, staring up at the moon, like he'd never seen one before. There was no need to try to catch him or to bring him with us, or the likes of that. All we had to do was to let him hear us as we pa.s.sed and let him see the door of the rath open, and in he came of himself to see what it was all about. We hadn't let him see ourselves yet, but he heard us all calling: 'My horse and bridle and saddle! My horse and bridle and saddle!' and what did he do but call out after us: 'My horse and bridle and saddle!'

"There was the beam of a plough lying near, and I changed it into a horse for him, and pleased he was when he saw it standing forninst him, with its bridle of gold and saddle of silver and all. The minute he saw it he jumped on it, and then we let him see all ourselves and our horses, and he nearly fell off again, with the sight of the crowd of us.

"Then I said to him: 'Are you coming with us to-night, Guleesh?'

"'I am,' he said.

"And with that we set off, and we overtook the wind that was before us, and the wind that was behind us did not overtake us. And we never stopped till we came to the sea. Then every one of us said: 'Hie over cap! Hie over cap!' and Guleesh said it after us, and the next second we was all up in the air, and we never stopped till we was in Rome.

And why the whole tribe wanted to go by the way of Rome, never a know I know, for it's not on the way from Ireland to the palace of the King of France at all.

"Then I spoke up to Guleesh and says I: 'Do you know why we brought you here?' says I. 'The daughter of the King of France is to be married this night, and we mean to carry her off, and we need you so that she can sit behind you on the horse, for you are flesh and blood and she'll have something to hold to. Will you do that for us now?'

"'I'll do whatever you say,' says Guleesh; 'and where are we now, if you please?'

"'We're in Rome,' says I.

"'Oh, in Rome is it?' says Guleesh. 'Sure, then, I'm glad of that. The priest of our parish lost his place a little while ago, only because they said he drank too much, as if there'ld be any harm in that, and now is the fine time to go to the Pope and get a bull to put him back in his place.'

"'Ah, we've no time for that, Guleesh,' says I, 'and we must be gettin' to the palace of the King of France before we lose any more.'

"'Not a foot will I go,' says Guleesh, 'till I get the bull for the priest. You can go on and leave me here if you like, and you can stop for me when you come back.'

"Well, we had more talk about it, and then one of the others says: 'Sure, Naggeneen, we can't go without him and we can't get him to come with us, so we'll have to try to get the Pope's bull for him. Go with him to the Pope and help him all you can, and we'll wait for you.'

"'Come with me, then,' says I, and I took him by the hand, and before he knew how I did it, I had him in the room where the Pope was. The Pope was sitting by himself, reading a book, and he had a tumbler of hot whiskey, with a little bit of sugar, beside him on the table, all as comfortable as you please. 'Now, Guleesh,' says I, 'ask him for the bull, and tell him that if he won't give it to you, you'll set the house on fire. Then leave the rest to me.'

"So Guleesh walked up to him as bold as you please, and when the Pope saw him he was near scared to death, because he thought that n.o.body could get into the room where he was. Then Guleesh says to him: 'Don't be afraid, Your Honor; all I want of you is your bull to put our parish priest back in his place, that lost it some time ago, because somebody told lies about him and said that he drank too much. And when I have your bull I'll be leavin' you in peace again.'

"'Go on out o' this,' says the Pope; 'where are all my servants?' and he began calling for them, but Guleesh put his back against the door, so that n.o.body could open it on the other side, and then he began telling the Pope all about the priest, and the Pope had nothing to do but listen.

"And when he was done the Pope refused up and down to give him any pardon for the priest. 'Then,' says Guleesh, 'unless you give it to me at once I'll burn your house.' And with that I began blowing fire out of my mouth all around the room.

"'Oh, stop the fire,' cries the Pope, 'and I'll give you the pardon or anything else you ask!'

"So then I stopped the fire, and the Pope sat down and wrote the pardon for the priest, giving him back his old place, and gave it to Guleesh. That second I caught him by the hand and we were off again through the keyhole to where the other fairies were. In another minute we were all on our horses and away again. We overtook the wind that was before us, and the wind that was behind us did not overtake us till we were at the palace of the King of France. And there my fine boy Guleesh saw sights that he never saw the like of before.

"The place was almost as fine as this of yours here. There were long tables all about it, with everything on them that a body would be wanting to eat and drink, and as fast as any of it was eaten or drunk, there was more put in its place. Then there were hundreds of n.o.blemen and ladies, all in clothes of silk and velvet and gold and silver, and all covered with jewels, till they shone in the light of the gold chandeliers, almost like they'd been chandeliers themselves. And they were talking and laughing and singing and playing, and some of them were dancing--not so well as we dance, of course, when we've a mind, but enough to make Guleesh think he was seeing the grandest sight that ever was in the world entirely. And up at one end of the hall was an altar and two bishops, ready to marry the Princess to the King's son as soon as it would be the right time.

"'And which of them all is the Princess?' says Guleesh to me.

"'That one there near to ye,' says I, pointing her out."

Naggeneen stopped in his story and seemed to forget for a moment that he was telling it. "Oh, but she was the beauty of the world!" he went on, speaking so low that the fairies could scarcely hear him. "There was the lily and the rose in her cheeks, and her arms like snow, and her hair like soft gold. Not like the gold that you dig out of the ground for your palace, but gold with life in it. And her eyes were like two big violets with the dew on them. And there stood the others all around her, all merry and happy, and she--

"'What is she crying for?' says Guleesh to me. 'Sure it's not right that eyes like those would have tears in them.'

"'True for you, it's not, Guleesh,' said I, 'and it's because there's no love in her heart for the man that she's to be married to. It's her father that's compelling her, for he has some arrangement of the sort with the other King, that's the father of the young man. And it's for that,' I said, 'that we're going to carry her off, and it's the best thing we could be doing for her as well as ourselves.'

"Just that minute the young Prince came and offered her his hand, and away they went in the dance, and the tears in her eyes all the time.

And as soon as the dance was over, the King, her father, and the Queen, her mother, came and said that it was time they were married, and the two bishops waiting there all the time. So they led the Prince and the Princess up toward the altar, and she with the rose all gone out of her cheeks and only the lily left. But when they were not more than four yards from the altar I put out my foot before the Princess, and she fell, and then, with a word of a charm, I made her invisible to all but Guleesh and ourselves. Then I made a sign to Guleesh, and he took up the Princess and ran with her out of the hall, and all the rest of us after them. 'My horse and bridle and saddle!' says every one of us, and the same says Guleesh. He lifted the Princess up behind him on his horse and we were away again. We overtook the wind that was before us, and the wind that was behind us did not overtake us till we came to the sea. 'Hie over cap!' cried every one of us, and 'Hie over cap!' cried Guleesh, and in a moment we were in Ireland again.

"Another minute and we were close to our own rath, and it was then that all the work of the night was lost. For then what did the fool Guleesh do but take the Princess in his arms and leap down off his horse, and he cried: 'I call you to myself, in the name of--' Oh, now, you little cowards, you've no call to shrink away like that and to try to be hiding in the dark corners! You know I can't say the name that he said. But he said it, and then the enchantment was all gone, and he saw that the horse he'd been riding was nothing but the beam of a plough and that the horse that each of the others had was only an old broom, or maybe a rag weed, or the like of that.

"And you know that there was no getting the Princess away from him after the words that he said. But I came close to her and struck her on the mouth. 'Now, Guleesh,' said I, 'you may keep her if you will, but she'll be dumb forever.' And with that we all disappeared from them.

"But you may be sure I watched them. They stood there together and Guleesh talked to her and tried to make her talk back, but it was of no use at all, and he soon found that she was dumb completely. Then he stood thinking what would he do with her, and at last he took her by the hand and started toward the priest's house. It was getting near day now, and the priest was up by the time they came to the door, and he opened it himself. And when he saw Guleesh and the girl, sure he thought they were come to be married, and he said: 'Ah, Guleesh, isn't it the nice boy ye are, that ye can't wait till a decent hour to be married, but ye must be comin' to me this early? And don't ye know I can't marry ye lawfully anyway, and I put out of my place?'

"Then says Guleesh: 'Sure, father, you can marry me or anybody else you like, for you have your place back again, and here's the Pope's bull for that same. But it's not that I come for, but to ask you to give shelter to this young lady, the daughter of the King of France.'

[Ill.u.s.tration: "HERE'S THE POPE'S BULL FOR THAT SAME."]

"And with that he takes the Pope's bull out of his pocket and gives it to the priest, and the priest looked at the writing and the seal and saw that there was no doubt but it was right. And so he made Guleesh and the Princess come in and sit down, while Guleesh told him the whole story, and not a word of it would he have believed only there was the Pope's bull that he couldn't deny, and so at long last he had to believe all that Guleesh told him. And the end of it was that the Princess stayed at the priest's house, for they didn't know how to send her back to her father's palace, and they had no money, and she couldn't speak to help them. And the priest gave out that she was the daughter of his brother, that lived in another county, and that she was making him a visit. And Guleesh went home and said how he'd been sleeping beside the rath all night."

Naggeneen paused in his story, while all the fairies drew quietly closer to him. "Do you see," he said, "how I was tricked by a fool of a mortal? Oh, she was the beauty of the world, and he took her from me with a word, as easily as you'ld steal the b.u.t.ter out of a churn. And that was not all.

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Fairies and Folk of Ireland Part 7 summary

You're reading Fairies and Folk of Ireland. This manga has been translated by Updating. Author(s): William Henry Frost. Already has 668 views.

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