Essays and Tales Part 2

When a royal palace is burnt to the ground, every man is at liberty to present his plan for a new one; and, though it be but indifferently put together, it may furnish several hints that may be of use to a good architect. I shall take the same liberty in a following paper of giving my opinion upon the subject of music; which I shall lay down only in a problematical manner, to be considered by those who are masters in the art.

LAMPOONS.

_Saevit atrox Volscens_, _nec teli conspicit usquam_ _Auctorem_, _nec quo se ardens immittere possit_.

VIRG., _AEn._ ix. 420.

Fierce Volscens foams with rage, and, gazing round, Descry'd not him who gave the fatal wound; Nor knew to fix revenge.

DRYDEN.

There is nothing that more betrays a base, ungenerous spirit than the giving of secret stabs to a man's reputation. Lampoons and satires, that are written with wit and spirit, are like poisoned darts, which not only inflict a wound, but make it incurable. For this reason I am very much troubled when I see the talents' of humour and ridicule in the possession of an ill-natured man. There cannot be a greater gratification to a barbarous and inhuman wit, than to stir up sorrow in the heart of a private person, to raise uneasiness among near relations, and to expose whole families to derision, at the same time that he remains unseen and undiscovered. If, besides the accomplishments of being witty and ill- natured, a man is vicious into the bargain, he is one of the most mischievous creatures that can enter into a civil society. His satire will then chiefly fall upon those who ought to be the most exempt from it. Virtue, merit, and everything that is praiseworthy, will be made the subject of ridicule and buffoonery. It is impossible to enumerate the evils which arise from these arrows that fly in the dark; and I know no other excuse that is or can be made for them, than that the wounds they give are only imaginary, and produce nothing more than a secret shame or sorrow in the mind of the suffering person. It must indeed be confessed that a lampoon or a satire do not carry in them robbery or murder; but at the same time, how many are there that would not rather lose a considerable sum of money, or even life itself, than be set up as a mark of infamy and derision? And in this case a man should consider that an injury is not to be measured by the notions of him that gives, but of him that receives it.

Those who can put the best countenance upon the outrages of this nature which are offered them, are not without their secret anguish. I have often observed a pa.s.sage in Socrates's behaviour at his death in a light wherein none of the critics have considered it. That excellent man entertaining his friends a little before he drank the bowl of poison, with a discourse on the immortality of the soul, at his entering upon it says that he does not believe any the most comic genius can censure him for talking upon such a subject at such at a time. This pa.s.sage, I think, evidently glances upon Aristophanes, who writ a comedy on purpose to ridicule the discourses of that divine philosopher. It has been observed by many writers that Socrates was so little moved at this piece of buffoonery, that he was several times present at its being acted upon the stage, and never expressed the least resentment of it. But, with submission, I think the remark I have here made shows us that this unworthy treatment made an impression upon his mind, though he had been too wise to discover it.

When Julius Caesar was lampooned by Catullus, he invited him to a supper, and treated him with such a generous civility, that he made the poet his friend ever after. Cardinal Mazarine gave the same kind of treatment to the learned Quillet, who had reflected upon his eminence in a famous Latin poem. The cardinal sent for him, and, after some kind expostulations upon what he had written, a.s.sured him of his esteem, and dismissed him with a promise of the next good abbey that should fall, which he accordingly conferred upon him in a few months after. This had so good an effect upon the author, that he dedicated the second edition of his book to the cardinal, after having expunged the pa.s.sages which had given him offence.

s.e.xtus Quintus was not of so generous and forgiving a temper. Upon his being made Pope, the statue of Pasquin was one night dressed in a very dirty shirt, with an excuse written under it, that he was forced to wear foul linen because his laundress was made a princess. This was a reflection upon the Pope's sister, who, before the promotion of her brother, was in those mean circ.u.mstances that Pasquin represented her. As this pasquinade made a great noise in Rome, the Pope offered a considerable sum of money to any person that should discover the author of it. The author, relying upon his holiness's generosity, as also on some private overtures which he had received from him, made the discovery himself; upon which the Pope gave him the reward he had promised, but, at the same time, to disable the satirist for the future, ordered his tongue to be cut out, and both his hands to be chopped off. Aretine is too trite an instance. Every one knows that all the kings of Europe were his tributaries. Nay, there is a letter of his extant, in which he makes his boast that he had laid the Sophi of Persia under contribution.

Though in the various examples which I have here drawn together, these several great men behaved themselves very differently towards the wits of the age who had reproached them, they all of them plainly showed that they were very sensible of their reproaches, and consequently that they received them as very great injuries. For my own part, I would never trust a man that I thought was capable of giving these secret wounds; and cannot but think that he would hurt the person, whose reputation he thus a.s.saults, in his body or in his fortune, could he do it with the same security. There is indeed something very barbarous and inhuman in the ordinary scribblers of lampoons. An innocent young lady shall be exposed for an unhappy feature; a father of a family turned to ridicule for some domestic calamity; a wife be made uneasy all her life for a misinterpreted word or action; nay, a good, a temperate, and a just man shall be put out of countenance by the representation of those qualities that should do him honour; so pernicious a thing is wit when it is not tempered with virtue and humanity.

I have indeed heard of heedless, inconsiderate writers that, without any malice, have sacrificed the reputation of their friends and acquaintance to a certain levity of temper, and a silly ambition of distinguishing themselves by a spirit of raillery and satire; as if it were not infinitely more honourable to be a good-natured man than a wit. Where there is this little petulant humour in an author, he is often very mischievous without designing to be so. For which reason I always lay it down as a rule that an indiscreet man is more hurtful than an ill-natured one; for as the one will only attack his enemies, and those he wishes ill to, the other injures indifferently both friends and foes. I cannot forbear, on this occasion, transcribing a fable out of Sir Roger L'Estrange, which accidentally lies before me. A company of waggish boys were watching of frogs at the side of a pond, and still as any of them put up their heads, they would be pelting them down again with stones.

"Children," says one of the frogs, "you never consider that though this be play to you, 'tis death to us."

As this week is in a manner set apart and dedicated to serious thoughts, I shall indulge myself in such speculations as may not be altogether unsuitable to the season; and in the meantime, as the settling in ourselves a charitable frame of mind is a work very proper for the time, I have in this paper endeavoured to expose that particular breach of charity which has been generally overlooked by divines, because they are but few who can be guilty of it.

TRUE AND FALSE HUMOUR.

--_Risu inepto res ineptior nulla est_.

CATULL., _Carm._ 39 _in Egnat_.

Nothing so foolish as the laugh of fools.

Among all kinds of writing, there is none in which authors are more apt to miscarry than in works of humour, as there is none in which they are more ambitious to excel. It is not an imagination that teems with monsters, a head that is filled with extravagant conceptions, which is capable of furnishing the world with diversions of this nature; and yet, if we look into the productions of several writers, who set up for men of humour, what wild, irregular fancies, what unnatural distortions of thought do we meet with? If they speak nonsense, they believe they are talking humour; and when they have drawn together a scheme of absurd, inconsistent ideas, they are not able to read it over to themselves without laughing. These poor gentlemen endeavour to gain themselves the reputation of wits and humorists, by such monstrous conceits as almost qualify them for Bedlam; not considering that humour should always lie under the check of reason, and that it requires the direction of the nicest judgment, by so much the more as it indulges itself in the most boundless freedoms. There is a kind of nature that is to be observed in this sort of compositions, as well as in all other; and a certain regularity of thought which must discover the writer to be a man of sense, at the same time that he appears altogether given up to caprice.

For my part, when I read the delirious mirth of an unskilful author, I cannot be so barbarous as to divert myself with it, but am rather apt to pity the man, than to laugh at anything he writes.

The deceased Mr. Shadwell, who had himself a great deal of the talent which I am treating of, represents an empty rake, in one of his plays, as very much surprised to hear one say that breaking of windows was not humour; and I question not but several English readers will be as much startled to hear me affirm, that many of those raving, incoherent pieces, which are often spread among us, under odd chimerical t.i.tles, are rather the offsprings of a distempered brain than works of humour.

It is, indeed, much easier to describe what is not humour than what is; and very difficult to define it otherwise than as Cowley has done wit, by negatives. Were I to give my own notions of it, I would deliver them after Plato's manner, in a kind of allegory, and, by supposing Humour to be a person, deduce to him all his qualifications, according to the following genealogy. Truth was the founder of the family, and the father of Good Sense. Good Sense was the father of Wit, who married a lady of a collateral line called Mirth, by whom he had issue Humour. Humour therefore being the youngest of this ill.u.s.trious family, and descended from parents of such different dispositions, is very various and unequal in his temper; sometimes you see him putting on grave looks and a solemn habit, sometimes airy in his behaviour and fantastic in his dress; insomuch that at different times he appears as serious as a judge, and as jocular as a merry-andrew. But, as he has a great deal of the mother in his const.i.tution, whatever mood he is in, he never fails to make his company laugh.

But since there is an impostor abroad, who takes upon him the name of this young gentleman, and would willingly pa.s.s for him in the world; to the end that well-meaning persons may not be imposed upon by cheats, I would desire my readers, when they meet with this pretender, to look into his parentage, and to examine him strictly, whether or no he be remotely allied to Truth, and lineally descended from Good Sense; if not, they may conclude him a counterfeit. They may likewise distinguish him by a loud and excessive laughter, in which he seldom gets his company to join with him. For as True Humour generally looks serious while everybody laughs about him, False Humour is always laughing whilst everybody about him looks serious. I shall only add, if he has not in him a mixture of both parents--that is, if he would pa.s.s for the offspring of Wit without Mirth, or Mirth without Wit, you may conclude him to be altogether spurious and a cheat.

The impostor of whom I am speaking descends originally from Falsehood, who was the mother of Nonsense, who was brought to bed of a son called Phrensy, who married one of the daughters of Folly, commonly known by the name of Laughter, on whom he begot that monstrous infant of which I have been here speaking. I shall set down at length the genealogical table of False Humour, and, at the same time, place under it the genealogy of True Humour, that the reader may at one view behold their different pedigrees and relations:--

Falsehood.

Nonsense.

Phrensy.--Laughter.

False Humour.

Truth.

Good Sense.

Wit.--Mirth, Humour.

I might extend the allegory, by mentioning several of the children of False Humour, who are more in number than the sands of the sea, and might in particular enumerate the many sons and daughters which he has begot in this island. But as this would be a very invidious task, I shall only observe in general that False Humour differs from the True as a monkey does from a man.

First of all, he is exceedingly given to little apish tricks and buffooneries.

Secondly, he so much delights in mimicry, that it is all one to him whether he exposes by it vice and folly, luxury and avarice; or, on the contrary, virtue and wisdom, pain and poverty.

Thirdly, he is wonderfully unlucky, insomuch that he will bite the hand that feeds him, and endeavour to ridicule both friends and foes indifferently. For, having but small talents, he must be merry where he can, not where he should.

Fourthly, Being entirely void of reason, he pursues no point either of morality or instruction, but is ludicrous only for the sake of being so.

Fifthly, Being incapable of anything but mock representations, his ridicule is always personal, and aimed at the vicious man, or the writer; not at the vice, or at the writing.

I have here only pointed at the whole species of false humorists; but, as one of my princ.i.p.al designs in this paper is to beat down that malignant spirit which discovers itself in the writings of the present age, I shall not scruple, for the future, to single out any of the small wits that infest the world with such compositions as are ill-natured, immoral, and absurd. This is the only exception which I shall make to the general rule I have prescribed myself, of attacking mult.i.tudes; since every honest man ought to look upon himself as in a natural state of war with the libeller and lampooner, and to annoy them wherever they fall in his way. This is but retaliating upon them, and treating them as they treat others.

SA GA YEAN QUA RASH TOW'S IMPRESSIONS OF LONDON.

_Nunquam aliud natura_, _aliud sapientia dicit_.

JUV., _Sat._ xiv. 321.

Good taste and nature always speak the same.

When the four Indian kings were in this country about a twelvemonth ago, I often mixed with the rabble, and followed them a whole day together, being wonderfully struck with the sight of everything that is new or uncommon. I have, since their departure, employed a friend to make many inquiries of their landlord the upholsterer relating to their manners and conversation, as also concerning the remarks which they made in this country; for next to the forming a right notion of such strangers, I should be desirous of learning what ideas they have conceived of us.

The upholsterer finding my friend very inquisitive about these his lodgers, brought him sometime since a little bundle of papers, which he a.s.sured him were written by King Sa Ga Yean Qua Rash Tow, and, as he supposes, left behind by some mistake. These papers are now translated, and contain abundance of very odd observations, which I find this little fraternity of kings made during their stay in the Isle of Great Britain.

I shall present my reader with a short specimen of them in this paper, and may perhaps communicate more to him hereafter. In the article of London are the following words, which without doubt are meant of the church of St. Paul:--

"On the most rising part of the town there stands a huge house, big enough to contain the whole nation of which I am the king. Our good brother E Tow O Koam, King of the Rivers, is of opinion it was made by the hands of that great G.o.d to whom it is consecrated. The Kings of Granajar and of the Six Nations believe that it was created with the earth, and produced on the same day with the sun and moon. But for my own part, by the best information that I could get of this matter, I am apt to think that this prodigious pile was fashioned into the shape it now bears by several tools and instruments, of which they have a wonderful variety in this country. It was probably at first a huge misshapen rock that grew upon the top of the hill, which the natives of the country, after having cut into a kind of regular figure, bored and hollowed with incredible pains and industry, till they had wrought in it all those beautiful vaults and caverns into which it is divided at this day. As soon as this rock was thus curiously scooped to their liking, a prodigious number of hands must have been employed in chipping the outside of it, which is now as smooth as the surface of a pebble; and is in several places hewn out into pillars that stand like the trunks of so many trees bound about the top with garlands of leaves. It is probable that when this great work was begun, which must have been many hundred years ago, there was some religion among this people; for they give it the name of a temple, and have a tradition that it was designed for men to pay their devotion in. And indeed, there are several reasons which make us think that the natives of this country had formerly among them some sort of worship, for they set apart every seventh day as sacred; but upon my going into one of these holy houses on that day, I could not observe any circ.u.mstance of devotion in their behaviour. There was, indeed, a man in black, who was mounted above the rest, and seemed to utter some thing with a great deal of vehemence; but as for those underneath him, instead of paying their worship to the deity of the place, they were most of them bowing and curtsying to one another, and a considerable number of them fast asleep.

"The queen of the country appointed two men to attend us, that had enough of our language to make themselves understood in some few particulars.

But we soon perceived these two were great enemies to one another, and did not always agree in the same story. We could make a shift to gather out of one of them that this island was very much infested with a monstrous kind of animals, in the shape of men, called Whigs; and he often told us that he hoped we should meet with none of them in our way, for that, if we did, they would be apt to knock us down for being kings.

"Our other interpreter used to talk very much of a kind of animal called a Tory, that was as great a monster as the Whig, and would treat us as ill for being foreigners. These two creatures, it seems, are born with a secret antipathy to one another, and engage when they meet as naturally as the elephant and the rhinoceros. But as we saw none of either of these species, we are apt to think that our guides deceived us with misrepresentations and fictions, and amused us with an account of such monsters as are not really in their country.