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"He is a Bourbon," they said; "he must no longer rule."
"He is an unfortunate man," replied Bonaparte, proudly; "it is not worth while to attack him. If we leave him on his lands, he will rule only in our name; if we drive him away, he will be weaving intrigues everywhere. Let him remain where he is, I wish him no wrong; his presence can be useful, his absence would surely he hurtful."
"But he is a Bourbon, citizen general, a Bourbon!" exclaimed Augereau, with animation.
Bonaparte's countenance darkened, and his brow was overspread with frowns. "Well, then," cried he, with threatening tone, "he is a Bourbon! Is he therefore by nature of so despicable a family? Because three Bourbons have been killed in France, must we therefore hunt down all the others? I cannot approve of proscriptions which thus fall upon a whole family, a whole cla.s.s of people. An absurd law has prohibited all the n.o.bles from serving the republic, and yet Barras is in the Directory, and I am at the head of the army in Italy. We are consequently liable to punishment in virtue of your absurd and cruel system! Hunt down those who do wrong, but not ma.s.ses who are innocent. Can you punish Paris and France for the crimes of the sans-culottes? The Bourbons are, it is said, the enemies of freedom; they have been led to the scaffold under the action of a right which I do not acknowledge. The Duke of Parma is weak, and a poltroon,-he will not stir. His people seem to love him, for we are here, and they rise not, they utter no complaint. Let him, then, continue to rule as long as he pays all that I exact from him." [Footnote: Napoleon's words.-See Hazlitt, "Histoire de Napoleon," vol. v., p. 1.]
Thanks to the good-will and protection of the republican general, the Duke of Parma remained on his little throne-on the same throne which was one day to be to Napoleon's second wife a compensation for her lost imperial crown. The Empress of France was to become a d.u.c.h.ess of Parma; and now to her husband, the present general of the republic, the actual Duke of Parma was indebted that his little dukedom was not converted into a republic.
It is true that the duke had to pay dearly for the protection which Bonaparte granted. He had to pay a war-subsidy of two million francs, and, besides, give from his collection his most beautiful painting, that of St. Jerome by Correggio, for the Museum of the Louvre in Paris. [Footnote: This splendid picture is now in the Vatican at Rome.] The duke, as a lover of art, was more distressed at the loss of this picture than at the enormous contribution he had to pay; for he soon caused the proposition to be made to General Bonaparte, to redeem from the French government that painting, for the sum of two hundred thousand francs, a proposition which Bonaparte, without any further consultation with the authorities in Paris, rejected with some degree of irritation.
The Duke of Parma remained therefore the sovereign of his duchy, because it so pleased Bonaparte; but Bonaparte was led into error when he thought that, as his people rebelled not, they therefore loved their duke, and were satisfied with him. The women and the priests controlled entirely the feeble duke; and not only the people, but the better cla.s.ses and the aristocracy, submitted to all this with great unwillingness. Once, when Joseph Bonaparte, whom the French republic had sent to give a.s.surance of protection and recognition to the little Duke of Parma, was walking with a few cavaliers in the gardens around the duke's palace in Colorno, he expressed his admiration at the symmetry and beauty of the buildings.
"That is true," was the answer, "but just look at the buildings of the neighboring cloister! do you not see how superior that dwelling is to that of the sovereign? Wretched is the country where this can take place!" [Footnote: "Memoires du Roi Joseph," vol. i., p. 65.]
Even the representatives of the republic of Venice came to Bonaparte. They came not only to secure his friendship, but also to complain that the French army, in its advance upon Brescia, had done injury to the neutral territory of Venice.
Bonaparte directed at them a look of imperious severity, and, instead of laying stress on their neutrality, he asked in a sharp tone, "Are you for us, or against us?"
"Signor, we are neutral, and-"
"Do not be neutral," interrupted Bonaparte, with vehemence, "be strong, otherwise your friendship is useful to none."
And, with imperious tone, he reproached them for the vacillating, perfidious conduct which, since 1792, had been the policy of Venice, and he threatened to punish and destroy that republic if she did not immediately prove herself to be the loyal friend of the French.
While Bonaparte used the few short weeks of rest to bring Italy more and more under the yoke of France, it was Josephine's privilege to draw to herself and toward her husband the minds of the Italians, to win their hearts to her husband, and through him to the French republic, which he represented. She did this with all the grace and affability, all the genial tact and large-heartedness of a n.o.ble heart, which were the attributes of her beautiful and amiable person. She was unwearied in well-doing, in listening to all the pet.i.tions with which she was approached; she had for every complaint and every request an open ear; she not only promised to every applicant her intercession, but she made him presents, and was ever ready, by solicitations, flatteries, and expostulations, and, if necessary, even with tears, to entreat from her husband a mitigation of the punishment and sentence which he had decided upon in his just severity; and seldom had Bonaparte the courage to oppose her wishes. These were for Josephine glorious days of love and triumph. She depicts them herself in a letter to her aunt in plain, short words.
"The Duke de Serbelloni," writes she, "will tell you, my dear aunt, how I have been received in Italy; how, wherever I pa.s.sed, they celebrated my arrival; how all the Italian princes, even the Duke of Tuscany, the emperor's brother, gave festivities in my honor. Well, then, I would prefer to live as a plain citizeness of France. I like not the honorable distinctions of this country. They weary me. It is true, my health inclines me to be sad. I often feel very ill. If fate would bring me good health, then I should be entirely happy. I possess the most amiable husband that can be found. I have no occasion to desire anything. My wishes are his. The whole day he is worshipping me as if I were a deity; it is impossible to find a better husband. He writes often to my children-he loves them much. He sent to Hortense, through M. Serbelloni, a beautiful enamelled repeating watch, ornamented with fine pearls; to Eugene he sent also a fine gold watch." [Footnote: Aubenas, "Histoire de l'Imperatrice Josephine," vol. i., p. 349.]
But soon these days of quietness and happiness were to be broken; the armistice was drawing to a close, when, with redoubled energy, Bonaparte, who had received from the government the wished-for re- enforcements, longed to resume the war with Austria, which on her side had sent another army into Italy, under General Alvinzi, to relieve Mantua, and to deliver Wurmser from his peril.
On the 13th of August Bonaparte left Milan and returned to Brescia, where he established his headquarters, and where, with all the speed and restlessness of a warrior longing for victory, he made his preparations for the coming conflict.
But amid the anxieties, the cares, the chances of this new campaign, his heart remained behind in Milan with his Josephine; when the general began to rest, the lover began to breathe. No sooner were the battle-plans, the fight, the preparations and the dispositions accomplished, than all his thoughts returned to Josephine, and he had again recourse to his written correspondence with his adored wife; for although he longed so much to have her with him, yet he was unwilling to occasion her so much inconvenience and so many privations.
Bonaparte's letters are again way-marks during his glorious path of victory and triumph, while he was over-running Italy with wondrous rapidity-but, instead of relating these conquests, we turn to his letters to Josephine. Already, on his way to Brescia, he had written her several times. The very day after reaching there, after having made the necessary military arrangements, Bonaparte wrote to her:
"BRESCIA, the 14th Fructidor, Year IV. (August 31, 1795).
"I am leaving for Verona. I have hoped in vain to receive a letter from you; this makes me wretched and restless. At the time of my departure, you were somewhat suffering; I pray you, do not leave me in such a state of disquietude. You had promised me a greater punctuality; your tongue, then, chimed in with your heart. ...; you, whom Nature has gifted with a sweet disposition, with joyousness, and every thing which is agreeable, how can you forget him who loves you so warmly? Three days without a letter from you! I have during that time written to you several. Separation is horrible; the nights are long, tiresome, and insipid; the days are monotonous."
"To-day, alone with thoughts, works, men, and their destructive schemes, I have not received from you a single note that I can press to my heart."
"Headquarters are broken up; I leave in one hour. I have this night received expresses from Paris; there was nothing for you but the enclosed letter, which will afford you some pleasure."
"Think on me; live for me; be often with your beloved, and believe that there is for him but one sorrow; that he shrinks only from this-to be no more loved by his Josephine. A thousand right sweet kisses, right tender, right exclusive kisses."
"BONAPARTE."
Three days after he tells her that he is now in the midst of war operations; that hostilities have begun again, and that he hopes in a few days to advance upon Trieste. But this occupied his mind less than his solicitude for Josephine. After a short paragraph on his military affairs, he continues:
"No letter from you yet; I am really anxious; but I am a.s.sured that you are well, and that you have made an excursion on the Como Lake. Every day I wait impatiently for the courier who is to bring me news from you; you know how precious this is to me. I live no longer when away from you; the joy of my life is to be near my sweet Josephine. Think of me; write often, very often; this is the only remedy for separation; it is cruel, but I trust it will soon be over."
"BONAPARTE."
Meanwhile this separation was to last longer than Bonaparte had imagined. War held him entangled in its web so fast, that he had not time even to write to Josephine. In the next two letters he could only tell her, in a few lines, what had happened at the theatre of war; that he had again defeated Wurmser, and had surrounded him, and that he hopes to take Mantua. Even for his constant complaint about Josephine's slothfullness in writing, he finds no room in these short letters. In the next letter, however, it appears the more violently. He has no time to give her, as was his usual practice, any account of the war. He begins at once with the main object, which is-"Josephine has not written:"
"VERONA, 1st day of Complementaires in Year V," "(September 17, 1796).
"I write to you often, my beloved one, but you write seldom to me. You are wicked and hateful, very hateful-as hateful as you are inconstant. It is indeed faithlessness to deceive a wretched man, a tender lover! Must he lose his rights because he is away, burdened with hardship and labor? Without his Josephine, without the certainty of her love, what is there on earth for him? What would he do here?
"We had yesterday a very b.l.o.o.d.y affair; the enemy has lost many men, and is well beaten. We have taken his advanced works before Mantua.
"Farewell, adored Josephine! One of these nights the doors will open with a loud crash: as a jealous man, I am in your arms!
"A thousand dear kisses!
BONAPARTE."
But the doors were not to be opened on any of the following nights for the jealous one! The events of war were to keep him away a long time from his Josephine. The Austrian Generals Wurmser and Alvinzi, with their two armies, demanded all the energy and activity of Bonaparte. Meanwhile, as he was preparing for the great battles which were to decide the fate of Italy, his thoughts were always turned to his Josephine; his deep longings grew day by day, still he had no longer cause to complain that Josephine did not write, that she had forgotten him! Contrariwise, Josephine did write; she had, while he was writing her angry letters about her silence, written several times, for Bonaparte in the following letter says that he has received many letters from her, which, probably on account of the difficulties of communication, had been delayed. He had received them with the highest delight, and pressed them to his lips and heart. But no sooner had he rejoiced over them, than he complains that they are cold, reserved, and old. No word, no expression, satisfies his ardent love. He complains that her letters are cold, and then, when she dips her pen in the fire of tender love, he complains again that her glowing letters "turn his blood into fire, and stir up his whole being." Love, with all its wantonness and all its pains, holds him captive in its hands, and the general has no means of appeasing the lover.
The letter which complains of Josephine's coldness is dated
"MODENA, 26th Vendemiaire of the Year V." (October 17, 1796),
"I was yesterday the whole day on the field. To-day I have kept my bed. Fever and a violent headache have debarred me from writing to my adored one; but I have received her letters, I pressed them to my lips and to my heart, and the anguish of a separation of hundreds of miles disappeared. At this moment I see you at my side, neither capricious nor angry, but soft, tender, and wrapped in that goodness which is exclusively the attribute of my Josephine. It was a dream- judge if it could drive the fever away. Your letters are as cold as if you were fifty years old; they seem to have been composed after a marriage of fifteen years. One can see in them the friendship and sentiments of the winter of life. Pshaw! Josephine, ... that is very naughty, very abominable, very treasonable on your part. What more remains to make me worthy of pity? All is already done! To love me no more! To hate me! Well, then, let it be so! Every thing humiliates but hatred, and indifference with its marmoreal pulse, its staring eyes, and its measured steps. A thousand thousand kisses as tender as my heart! I am somewhat better. I leave to-morrow. The English are cruising on the Mediterranean. Corsica is ours. Good news for France and for the army.
"BONAPARTE."
Bonaparte had gone to wage the last decisive battle. He writes to her from Verona a few lines that he has arrived there, and that he is just going to mount his horse to pursue the march. In this letter, however, he does not tell Josephine that General Vaubois, with his fugitive regiments, has been beaten by the Tyrolese, and that, driven from their mountains, he has arrived in Verona; that Alvinzi occupies the Tyrol and has pushed on to Brenta and to Etsch. Bonaparte was gathering his troops to drive away General Alvinzi, who had occupied the heights of Caldiero, from these important positions, and to take possession of them by main force. A violent and desperate struggle ensued, and the day ended with victory on the side of the Austrians. Bonaparte had to return to Verona; Alvinzi maintained himself on the heights.
To the irritated general, disappointed in his plans and humiliated, his love becomes his "bete de souffrance," upon which he takes vengeance for the defeat of Caldiero. Josephine has to endure the flaming wrath of Bonaparte, in whom now general and lover are fused into one; but in his expressions of anger the general has no complaints-it is the lover who murmurs, who reprimands, and is irritated.
On the evening of the 12th November, the day of the defeat of Caldiero, Bonaparte returned to Verona. The next day he wrote to Josephine: "VERONA, the 3d Frimaire, Year V." (November 13, 1796)
"I love you no more; on the contrary, I hate you. You are a wicked creature, very inconsistent, very stupid, very silly. You do not write to me. You do not love your husband. You know how much pleasure your letters would afford, and you do not write to him even six lines, which you can readily scribble out."
"How, then, do you begin the day, madame? What important occupation takes away your time from writing to your very excellent lover? What new inclination chokes and thrusts aside the tender, abiding love which you have promised him? What can this wonderful, this new love be, which lays claim to all your time, and rules over your days, and hinders you from occupying yourself with your husband? Josephine, be on your guard; on some evil night the doors will be burst open and I shall stand before you!"
"In truth, I am restless, my dear one, because I receive no news from you. Write me at once four pages about those things, which fill my heart with emotion and pleasure.
"I trust soon to fold you in my arms, and then I will overwhelm you with a million of kisses burning like the equator."
"BONAPARTE."
Whilst Bonaparte was pursuing and engaging with Wurmser and Alvinzi in b.l.o.o.d.y hostilities, and writing to Josephine tender and angry letters of a lover ever jealous, ever dissatisfied and envious, Josephine was leading in Milan a life full of pleasure and amus.e.m.e.nt, full of splendor and triumphs, of receptions and festivities. Every new victory, every onward movement, was for the inhabitants of Milan, and her proud and rich n.o.bles, a fresh and welcome occasion to celebrate and glorify the wife of General Bonaparte, and, through her, the hero who was to take away from their necks the yoke of the Austrian, and who suspected not that he was so soon to place upon them another yoke.
Josephine, true to the wishes and commands of Bonaparte, accepted these festivities and this homage with all the affability and grace which distinguished her. She had by degrees become familiar with this ceaseless homage, which at first seemed so wearisome; by degrees she took delight in this life of pleasure, in the incense of adulation, and the brilliancies of fame. All the indolence, the dreamy carelessness, the graceful abandonment of the creole had been again awakened in her. She cradled herself playfully on the lulling, bright waves of pleasure as an insect with golden wings, and she smiled complacently at the stream of encircling festivities.
Bonaparte had told her to use all the arts of a woman to bind the Milanese and the Lombards to herself and to her husband. With her smiles she was to continue the conquest begun by Bonaparte's sword.
She could not, therefore, live alone in quiet solitude; she could not remain in obscurity while her husband was performing his part on the theatre of war; she could not, by an appearance of gravity, or by a clouded brow, furnish occasion to the suspicion that there existed doubt in the future success of her husband, or in his prosperity and victory.