Elizabeth Street Part 26

"We'll go to the slides for Frances."

At the sight of the long stairs and thousands of people, they were unwilling to allow Frances to go alone, so after negotiating with Clement, they agreed that this didn't count as his choice but that he should accompany his sister.

The wait wasn't nearly as long as Frances's and Clement's detailed descriptions of climbing the stairs, the fear in their bellies at the top, the push off, and each obstacle, twist, and turn along the way to the bottom, where they both tumbled head over heels. Giovanna cringed at seeing Frances upside down in her dress, but there were women far older who were doing the same thing with no one much noticing or caring.

"On the way up, I heard these boys talking about a Trip to Mars at Luna Park. That's where I want to go!" shouted Clement.

"Va bene. But first we will walk around here," answered Rocco.

"Mamma, look!" Angelina spied a miniature railroad that circled Dreamland. Children and adults, looking ridiculously out of scale, were stuffed into its little cars. The puffing engine enthralled Angelina, but none of her siblings could be persuaded to go on the ride, and her mother's big belly would never fit. On the verge of tears, she turned to her father. "Papa, it's your birthday, don't you want to ride with me on the train?"

Rocco, not generally a pushover even with his daughters, looked at Angelina and said, "Let's ride the train."

Giovanna and the children hid their laughter as the train circled round. Seated behind Angelina, Rocco had his knees nearly drawn to his chest. His embarra.s.sment was washed away with Angelina's kisses and exclamations of joy when the ride ended.

"To Luna Park!" directed Clement.

The entrance to Luna Park was decorated with moons and half-moons of light. It was even more grandiose than Dreamland. They walked into a little Venice complete with gondoliers but flanked by paG.o.da-like structures. Frances let out a huge sigh upon seeing the Helter Skelter slide at Luna Park and worried that it might be better than the one at Dreamland. They wove their way through the crowds until they reached the Trip to Mars by Aeroplane. Clement got in line, and the family sat down on a bench nearby. Giovanna was grateful for the rest, but all too soon Clement came back.

"There were these boys on line who've been on everything here! I asked them which was the best and they said the Musical Railway near Dreamland."

"Clement, they're making fun of you! A musical railway! That is something Angelina would like!" growled Rocco.

"Papa, I only have one choice. Please let me see about this ride. They say the Trip to Mars is only medza menz medza menz."

"Okay, but we're not going back to Mars if you don't like this railway!"

Giovanna looked at Clement's excitement. For years now he had functioned as a man. It was wonderful to see him acting like a boy again. Giovanna got up off the bench, and they headed back toward Dreamland. From the size of the line at the Musical Railway, it appeared that the boys were right. Mary decided to make this her ride and went off with her brother. The sunlight was infused with the warm glow of early evening. They found an open bench; Angelina sat on Frances's lap, and Giovanna sat beside them. Rocco waited for Clement and Mary at the ride's exit. Nearly an hour later, the trio walked back to the bench. When Mary saw Giovanna, she broke from her father and ran to her, flinging herself into Giovanna's arms.

"Zia! We were in a train car, and it was completely dark, and then the train car fell straight down in the dark. I thought we would die!"

Rocco and Clement reached the bench. "Oh, Mary, don't be a baby!"

"You screamed, too, Clement, right before that beam almost took our heads off!"

"It was great, Zia. Don't listen to her."

Mary still clutched Giovanna, who caressed her head. "We never did have a treat after dinner, and I saw something for us to try. Let's go."

Giovanna led them to a stand selling ice cream on a wafer that you could hold and eat at the same time. Rocco counted out six nickels. Leaning on the rail by the water, they all laughed at the sight of one another licking the ice cream. "Mary, guarda! Don't lick too hard, it will fall off!" cautioned Giovanna. Clement was the first to make it down to the wafer and took a bite. "It's good!" he p.r.o.nounced with melted ice cream running down his chin. But it was Giovanna who seemed most taken with these new concoctions.

As they licked their cones, they surveyed the boardwalk's goings-on. A barker in front of what was supposed to be a funny show did nothing but stand on a pedestal and laugh. Next door, a man outside a menagerie mimicked the sounds of wild animals to call attention to the attraction, roaring one minute and screeching like a bird the next.

A painting of a saint outside an attraction prompted Giovanna to ask Frances to translate the sign. "The Temptation of Saint Anthony," answered Frances. "The man keeps saying, 'See Saint Anthony avoid temptation!'"

"Giovanna, if you want, I will go with you."

Giovanna was surprised at Rocco's interest, but she figured it out when she saw the predominantly male crowd lined up for the "show." Her curiosity got the best of her, though, and after threatening Clement with his life if he or his sisters moved from the spot where they left them, Giovanna and Rocco joined the crowd, paying ten cents each to see the Temptation of Saint Anthony.

They entered a small room where a curtain was drawn to reveal a large oil painting of Saint Anthony on his knees, praying. The man who sold the tickets disappeared behind the painting and in an exaggerated but disinterested voice, began to tell of the life of the saint. Within minutes, men were grousing under their breath, and a second panel was revealed picturing a blonde clad in scanty garments. In a few more minutes, the murmured complaints started again and the blonde was replaced with another painting, this time of a brunette in slightly less clothing. Saint Anthony's life story conveniently ended after the third panel, of a near-naked redhead, was put in place. Giovanna was too amused to be offended and left simply shaking her head. "At least he knows a bit more about Saint Anthony," she thought.

Waiting like obedient soldiers, the children asked for an explanation of their parents' adventure. "It was nothing you haven't heard in church," remarked Giovanna, putting an end to further questions.

The sun was setting, and the electric lights were switched on. The sky began to swirl with color both natural and man-made. Cacophonous music drowned out the pounding of the surf. Rocco once again counted his money. "I have an idea. Before we go home, how about we all go on that Ferris wheel." The girls hugged him, and Giovanna smiled at the sight of her serious husband having fun.

By the time they got through the long line at the Ferris wheel, the sun had set but the sky was ablaze. It didn't seem possible that in darkness there could be so much light. The attendants opened the door to the car, which could have fit twenty people, but closed it after the family of six entered. They inched up into the sky as each car was unloaded and refilled, and then, the gigantic wheel began to turn in a slow, continuous motion.

The dancing lights of Luna Park, the view of Dreamland, and the searchlights on the sea left them breathless. Angelina wanted to stay on this Ferris wheel forever and squeezed her eyes shut trying to lock in the memory. When she opened her eyes, she saw her mother smiling at her and her father puffed-up with pride as they circled in the New York night.

"Happy birthday to you, happy birthday to you..." Angelina's voice trailed off in the salty night air.

THIRTY-ONE.

AUGUST 27, 1909.

Rocco decided to bring his cart back an hour early to leave time to change for the Feast of Saint Rocco procession. Usually, his name day was the only day of the year he took off, but this year with their troubles, he decided to work.

It was hard maneuvering the cart through the throngs of people-and animals. Sheep were being led through the streets to be raffled off later that night in one of the many backyard celebrations. Because the Sicilians and Calabrians wouldn't gather together, there were competing holy rituals throughout Little Italy. Nearly any alley would take you to a shrine and backyard fire escapes festooned with decorations. At each shrine, a statue of Saint Rocco, typically owned by the local tavern, along with hundreds of candles and flowers, sat atop a makeshift altar covered in bedsheets.

Rocco had sold most everything he had because people bought more generously on feast days to prepare large meals. So when he was cleaning up, it didn't take long to notice a piece of paper in his cart. Unfolding it, he saw a drawing of a knife and a black handprint, but also something else-a crude drawing of a Ferris wheel with a car falling into the ocean.

The realization that they had been watching his family out of the neighborhood immobilized Rocco. He was frozen in fear, and for the first time he didn't immediately rip up a Black Hand threat-and for the first time he wanted to know what it said.

"It says bring the money, five hundred dollars, on Tuesday the twenty-fourth to the Garibaldi statue in Washington Square Park," read Clement.

"Five hundred dollars! They are crazy!"

"Papa, how did they know we went to Coney Island?"

"How? I don't know!" Rocco spit. "You trust no one."

"Maybe we should pay."

"Pay with what? We don't have five hundred dollars!"

"If they took the time to follow us to Coney Island, they're not going to go away."

"That's why I'll kill them."

"Papa, you're old..."

"Look at these muscles..."

Clement interrupted, "Papa! These are thugs."

"Then what, Clement?"

"Give them something until I find out who's behind this."

"No! You're not getting involved! I knew I shouldn't have shown you this! I want you to go far away! Do you hear me? Even if you go to Pennsylvania and work in those mines."

"Pop, you still have to decide what to do."

"I'll give them something. And if you try to get involved, I'll kill you myself."

AUGUST 29, 1909.

HIGHLAND, NEW YORK.

"How long you going to stay in the woods up here, Lupo?" asked Tommaso.

"It's not the woods. It's a cheese farm. Can't you see that, you jerk?"

"Lupo, you're not a country boy."

"Give me the ink and shut your mouth."

Tommaso pulled a large bottle from the sack around his shoulder. "How they doing in there?" asked Tommaso, pointing to the barn where two men were printing two-dollar bills off counterfeit plates.

"With this ink they can finish and we'll get rid of everything."

"But what if you get another order?"

"We're not taking no more orders. The cops, and not the kind we own, are poking around. Secret police from Washington. Do you have the money from Siena, the fruit seller?"

Tommaso the Bull put a twenty-dollar bill on the table.

"Twenty? We told him five hundred!"

"Lupo, those two punks who were working the street got their money and then blew up their store. He's only got a pushcart."

"No brains! Since when do you think you have brains? You listen to me. You think I'd demand five hundred dollars from a guy with a pushcart if I didn't know better? Huh? His wife, she sent a thousand dollars to her family in Italy after the earthquake. I got it direct. And how come those two morons knew they had money before we did? Get the five hundred dollars! And make it a regular payment!"

"I need money to get back."

"Walk, you idiot!"

"Come on, Lupo, just give me a couple of those," he said, pointing to a stack of counterfeit two-dollar bills.

"You really are an idiot. Here," said Lupo, throwing a five-dollar bill on the table. "You owe me change."

SEPTEMBER 1, 1909.

Her belly was getting even bigger, but all out front. "It's a boy," thought Giovanna, rubbing her swelled stomach, "Little Nunzio." She made a strong espresso at the stove for Rocco while he dressed. In the predawn quiet, Giovanna wondered what was bothering her husband. He was even quieter than usual and avoided her eyes. In bed, he turned to the wall. He acted as if he couldn't bear to be near her, or the children for that matter.

"No bread. Just espresso," barked Rocco, coming to the table. Not taking the time to sit down, he threw back the thick black coffee. Mumbling "Ciao," "Ciao," he left. he left.

Rocco was leaving the house earlier and coming home from work later. He was exhausted, but his anger and stubbornness kept him going. After he had given them money, they'd left more notes. This time he didn't ask Clement to translate and instead went back to ripping the notes into shreds. He told Clement all was well after he paid them twenty dollars.

When Giovanna sent the second payment to Scilla, he'd been relieved they weren't moving as he'd promised her they would. Life was dangerous on Elizabeth Street-but it could be worse somewhere else. Now, in idle moments, he spent his time counting the months to the next and final check, and he paid more attention when he heard people talking about places like Newark and Hoboken.

Rocco wheeled his cart into his regular spot. He eyed everyone who pa.s.sed suspiciously and made a habit of patting his pocket to check on the presence of his knife. Today was a dull day, moisture clouding the dawn light. Only a few other vendors were setting up this early. Rocco methodically stacked his fruit into small towers on the cart. Across the street, the pepper seller alternated his greens and reds even though it was more practical to keep them separate. There was great pride and compet.i.tiveness in the display of produce, but Rocco was distracted. Lately his towers didn't have their usual aesthetic appeal-nor were they engineered well.

After creating a tower of pears, they suddenly began to tumble. He lurched forward to stop them from falling into the street at the exact moment he felt something drop behind his back. A split second later a thunderous thud caused Rocco to fall over his cart.

The noise and the sight of Rocco and his cart collapsing frightened the other vendors, and they fled. A woman screamed, "La Mano Nera!" "La Mano Nera!" and crossed herself. Within seconds Rocco was up, knife drawn, looking for the a.s.sailant. Instead, he saw a huge rock on the sidewalk where he had stood. and crossed herself. Within seconds Rocco was up, knife drawn, looking for the a.s.sailant. Instead, he saw a huge rock on the sidewalk where he had stood.

SEPTEMBER 4, 1909.

HIGHLAND, NEW YORK.

"Those idiots! They're lucky he moved. I said, 'Get the money,' not 'Kill him!'" fumed Lupo.

Pietro Inzerillo swatted at the flies circling his head. "Tommaso said he's Calabrian gabbadotz gabbadotz."

"The fruit seller may be stubborn, but Tommaso's stupid. You're sure they have the money, yes?"

"Twice she's received big payments, and she has more coming. It's a settlement from the gas company Brooklyn Union," answered Inzerillo, continuing his war on the flies.

"She got money from them? She's smarter than us. We're up here knee-deep in cow s.h.i.t, and she sits home and gets fat checks from the Americans for nothing."