Dumarest - Incident On Ath Part 10

Would they have done that?

He glanced at Ursula, leaning back in her chair, b.r.e.a.s.t.s prominent, mouth open to reveal the flash of teeth as she smiled.

A lovely woman-but never had beauty been a guarantee of gentle behavior. Cornelius? No, he was too much an artist to subject flesh to such distortion, and yet cities had been burned in the name of art and men and babies set to die screaming for a musical accompaniment. How to tell? How ever to be sure?

"Your wine, Earl." Ursula was looking at him. "Is it to yourtaste?"

He hadn't touched it and she had noticed. A breach of etiquette in any such gathering. Now, lifting the goblet, he tasted sweetness and a cloying something which stung his tongue with acrid p.r.i.c.kles. It vanished when he ate a cake containing tart fruits and a savory paste.

Meats followed, a variety of vegetables, compotes of fruit and nuts, wafers of spiced bread, cakes containing savory delights, sweets which stung and pastes which tantalized.

Then, the tables cleared of dishes, came the entertainment.

It was new to Dumarest's experience.

No performers made their entry and no musicians provided accompaniment. Instead, a man rose from where he sat, stepped into the writhing mist and began to sing in a cracked voice.

Another followed him and jumped and twisted in a series of involved acrobatics, hands and feet vanishing into the mist which now had lowered to spread like an insubstantial carpet over the floor. A woman shrilled like a captive bird, another played an instrument like a guitar and harp combined.

Two men played at war.

Sardia laughed as they faced each other with blades carefully blunted. Knives which would have required an effort to cut b.u.t.ter and lacked the edge even to sever string. Mock blades used for practice, clashing as they met, ringing, cutting through the air as the men crouched and emulated fighters.

No, not emulated. Dumarest stared at them, his eyes narrowed, watching, evaluating. The feet moved as they should, the hands were correctly poised, the movements were those lauded by the cla.s.sical school which was not necessarily the best.

That t.i.tle was reserved for the teaching which a man followed and won by following. But for the dilettantes the men provided a spectacle which they could appreciate.

Only Sardia mocked."Look at them, Earl! Ten to one you could take them both with only one arm. Twenty, you would gut the pair within five minutes!"

She had indulged herself with wine and was, while not drunk, not so sober as she thought. Her voice rose again over the clash of steel.

"They want entertainment, Earl! Give it to them!

Give them real blood and real pain! Give them something to think about!"

"Sardia!"

"Shut up!" She threw off Cornelius's hand. "Don't try to stop my talking. I've had enough of that. Talk is for fools. Words to entertain the pa.s.sengers you've bought and carried home like toys. Well, I'm not a toy. And I don't entertain for nothing. You want real entertainment? Ask Earl to give it to you. That man can fight He can fight as well as I can dance."

"Dance?" Ursula reared up in her chair. "You claim to be able to dance?"

"I make no claims." Sardia shook her head, suddenly aware of what she had done. "And I mean no offense. It was just that I was-"

"Bored?" Ursula's smile was devoid of humor. "You, bored?

My dear, you don't know the meaning of the word. But you mentioned dancing."

"She's drunk too much," said Cornelius. "You have potent wine, Ursula. And the children were over-generous."

Children? Dumarest looked for the servants but they had gone. Had they been children? It was possible as most things were. Or was that just a euphemism?

"They do as they are ordered," said Elittia from where she sat at the captain's side. "But I am intrigued. A dancer, you say?""No. Not now. The wine-"

"Oiled your tongue. I understand. But once, surely, you could claim to know a little of the art."

Tuvey said, "Leave it, woman."

"Orders, Captain?"

"Sense. Drink some wine and sing us a song or something.

Don't throw oil on a flame."

Advice she didn't follow and Dumarest sensed why. Jealousy showed in her painted face, in the glitter of her eyes, a flame which leaped and died but which he noticed before the bland mask was again in position.

"A dancer," she mused. "And, why not, a challenge? Now for the prize. This, perhaps?" Color glowed as she produced something from beneath her robe. "How about this?"

"My cube!" Sardia rose to her feet "My music cube."

Bought be Tuvey from Ahdram as a gift to his hostess or as an item of trade. Used now by its present owner as bait.

"Your cube? Not yet, my dear, but if you can dance better than Ursula it is yours. You agree?" Then, as Sardia hesitated, her voice grew harsh. "You had enough to say before and were eager enough to boast of the prowess of your friend. Are we to a.s.sume that it was only the wine at work? If so, an apology-"

"No!" The old woman had been clever with a cunning learned from her paramour or one he had learned from her. Sardia fell into the trap. "I've nothing to apologize for. If it will entertain the company I will dance. And if the cube is a prize I will try to win it."

But not too hard, thought Dumarest. Remember you are a guest. Don't try too hard.

Advice she didn't hear and, if she did, would have ignored.

Chapter Eight.

The cube itself provided the music, a susurrating rhythm which held the sensuous beat of drums and the thin, frenzied wail of pipes. A tempo gaged to the beating of a heart so that, as it accelerated, so did the organ with the consequent release of adrenaline, the heightening of emotional fervor until pleasantry verged into hysteria.

Exciting music in a theater where s.p.a.ce separated the audience from the stage and those performing. Insane to use a tavern where the dancer could be touched and men carried weapons and had the will to use them. Unwise even in this house before such people when it was played in the spirit of challenge.

Ursula said, "Will you dance first, Sardia, or shall I?"

"As you wish."

"Music repeated could be boring to those having to listen and if we dance one after the other the second will have the benefit of learning the other's interpretation. You have no objection to our both performing at the same time?"

"None."

"It won't detract from your concentration?"

Sardia almost laughed her contempt. How little this decorated and decadent fool really knew. She remembered the old days when she'd waited for hours dressed in her leotards, moving simply to retain warmth and muscular suppleness, running onto the stage to join a dozen others all eager to catch the producer's eye. A system which encouraged each to give of his best regardless of what another might be doing. To concentrate, to think of nothing, to feel nothing, to be nothing but a creature wedded to music. To become nothing but a priestess of the dance.

"No," she said. "It won't detract from my performance."

"Then let us begin."A touch and the music died, another and it recommenced as the women took up their positions. Dumarest watched as around him rose a tide of murmured comment. Ursula was the younger and therefore should be more supple. Yet the other, older, could have gained the greater experience. Yet few offered to bet and those seeking wagers all wanted to back his hostess.

A matter of diplomacy?

Dumarest doubted it, the expressions in their eyes were enough to eliminate that consideration. Some of them, like Elittia, wanted Ursula to lose yet seemed to have no doubt of her ability to win. Others, interested more in the excitement of the dance rather than the challenge, settled down to drink and watch and drink again as they yielded themselves to the pulse of the music.

Listening to it, Dumarest studied the dancers.

Ursula was splendidly lithe, her gown a cerulean shimmer, darker hues accentuating the swell of b.r.e.a.s.t.s and the curve of hips, feet naked in thin sandals, the nails darkly painted. Her hair was a cloud touched with silver, her arms supple vines with extensions; fingers which flexed as did her thighs, her calves, the arches of her feet. A symphony in blue.

Sardia wore white and flame, the rich darkness of her skin a glowing contrast, her hair oiled jet which caught and held the light and trans.m.u.ted it into ripples of flame. A G.o.ddess from the olden times when men had ventured into woods to worship trees and perform sacrifices to ancient deities.

A woman now reflecting her pride in the turn of her shoulder and the sweep of her hair. Hair which fell in a cascade as she freed it from its restraints. Cloth which ripped beneath her nails as she tore vents in the skirt to display the long, lovely curve of her thighs.

And yet, still, she did not dance.

The music was still relatively quiet, a thin wailing as of pipes beneath shadowed trees, the sonorous throb of drums in answer,the melodies building, blending, forming mental images of empty s.p.a.ces and secret groves, of fires left abandoned to flare in guttering winds. Of the sound of distant seas and the relentless beat of natural forces.

Ursula moved to the rhythm as if it were a wind which gripped her and dictated the shift of her feet, the play of her arms, the sway of hips and shoulders, the jerk and thrust of b.r.e.a.s.t.s and b.u.t.tocks. Sardia moved like a reed at the edge of a pond rippled by a gentle breeze, her eyes half closed, hands hanging lax, only the shimmer of light on her hair revealing the small movements of her body. A woman almost lost in a dream.

A dancer, remembering.

An auditorium filled with waiting men and women, the air tense with expectation, the orchestra settled, the stage dressed, everything ready to go. And she, the prima ballerina, about to dance the difficult role of Hilda in Obert's Sacrifice to a Queen.

The part of a harlot who seduced men with the motions of her body as she danced in a tavern.

One who had to dance, finally, for life itself.

Again she remembered Obert's instructions.

"No techniques, no tricks, no pretty spinning on the points.

Ballet training teaches you how to dance-now dance. With your body, with your mind, with your emotions-dance!"

Then she had won a standing ovation, awards, fame.

Now she could only win a cube.

The music caught her as she accepted it, yielding to it, letting her body become an extension of the beat, the rhythm. The ripple of muscle, the turn, the gesture, the sway of the hips all minor at first, all gentle, all helping to build the atmosphere and yet all hypnotic in their fascination.

Watching her Dumarest narrowed his eyes. Her face was different from that of Ursula and he glanced from one to theother, comparing, noting. The eyes half closed, the same but one held dreaming intent while the other had a detached glaze. And, too, Ursula's movements held a trace of deliberation as if she were listening to an instructor. A slight hesitation totally absent from Sardia's undulating grace.

Both interpretations of the music were basically the same-the rhythm left little choice. The beat was primeval and the dance was the same. Crudely done it would have been nothing more than a stylized depiction of s.e.xual invitation; done as it was being done now it held connotations and subtleties which added layers of extra dimension to the elemental theme.

And Sardia was going to win.

There could be no doubt of it. Dumarest could see it, feel it, hear it as others shouted their approbation. It rose above the music now strident, dominating, driving the dancers as if it were whips. Thongs which lashed and sent yielding flesh into gliding postures, femininity exposed, displayed, flashes of curved limbs, hips which held the attention, gyrating, demanding, heating in wanton promise.

Ursula was accomplished but Sardia was transformed. A woman who had become a flame, dominating, destroying. One suddenly hurtful and cruel.

She had won, the yells had told her that, but still she continued to dance and each step, each movement, diminished Ursula's pretensions to ability. And still she continued, demeaning the other, belittling her, making her, by contrast, seem clumsy and totally inadequate.

"Enough!" Dumarest rose to his feet. "Captain, kill that music!"

The cube fell silent beneath Tuvey's hand as Dumarest strode through the wreathing vapor. Ursula ran past him, her face like ice, hard, cold, ugly, the tears in her eyes like glimmering pearls.

Sardia turned toward him as he gripped her arm, "Earl!""You b.i.t.c.h!"

"Why? because I did my best?"

"Because you didn't do enough." He stared at her, meeting her eyes, seeing in them a familiar expression. One mirrored on her face and which he had seen often when, after reaching th climax of love, she had relaxed in his arms. "With your training you were certain to win-you knew that. So why the h.e.l.l didn't you use a little charity?"

"Charity?" She almost spat the word. "That is for monks and fools! I can't afford to be charitable. Can you?"

"I try."

"You try?" Her laughter was shrill. "Were you trying when you cut Yhma's throat? Was that your charity? No, Earl, when I fight I fight like you. I fight to win."

And, winning, looked lovelier than ever before. He felt her attraction, his response to the sensual warmth of her flesh, the invitation of her body. She was his if he wanted her, he knew that. His for now and forever.

But Ursula knew of Earth.

She had run like a hurt and wounded animal and as such would have sought darkness and a place in which to hide.

Dumarest pa.s.sed through the door she had taken, saw a wide pa.s.sage pierced with windows, a door which opened on darkness. It led to a small garden now brilliant with starlight, leaves catching the light from the windows which added a ghostly luminescence to the pale silver from the sky. Dropping to a knee he studied the gra.s.s and saw faint traces crossing the sward to where a clump of bushes cast a deeper gloom. Thin branches pressed against him and his nostrils were filled with the sickly odor of nocturnal blooms as he stepped into the clump.

Three steps and he turned; dressed as she had been, Ursula would not have taken the path he was following. Back on the sward he dropped again, frowning at the traces he now spotted.The marks of footsteps but more than one. Some light and another much heavier. A trampled place and then a wider swath leading toward the edge of the terrace. He moved forward, fingers questing, searching for torn gra.s.s and ripped loam but finding only smoothness. No struggle, then, just a meeting and a departure. Rising he saw a sc.r.a.p of something hanging from a twig.

It was fabric, fine, blue, a part of the gown Ursula had worn and probably torn free when she thrust her way past the bush.

Dumarest followed and found himself on a narrow, winding path. Pale, silver starlight made an elaborate chiaroscuro as if filtered through leaved branches. Something moved in the shadows and his hand dipped to rise loaded with the weight of his knife.

"Ursula?"

Nothing and Dumarest moved silently to one side. If an enemy were lurking in the darkness he had given him advantage enough. Now he edged forward, sliding from patch to patch of shadow, left hand extended, the knife in his right poised to strike.

Something moved before him, a blur which became solid as he lunged forward, a shape which held substance and which struggled against the grip of his left hand. It took form as he dragged it into the starlight, silver gleams reflecting from the edged and pointed steel he aimed at the face.

"No! Please, no!"

A woman and one he had seen before. In the starlight he examined the square-cut face.

"Your name?" The knife moved closer as she made no answer.